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      At 150, Charles Ives Still Reflects the Darkness and Hope of America

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      This pioneering composer is not the easiest to love. But while he explores the poison of American nationalism, his music also offers an antidote.Sunday is the 150th anniversary of the composer Charles Ives’s birth, and the most fitting way to celebrate would be to bang your fists on the table and rail against the damned closed-mindedness of classical music, with its lazy dependence on a predictable canon. But honestly, that’s old news; a lot of the classical community is already doing that. Would Ives be satisfied by the current state of things? Hard to say. Improvements have been made but not, I suspect, enough.Ives, a Connecticut Yankee, straddled tumultuous and defining eras of American life; he was born in the shadow of the Civil War and lived almost a decade after World War II. He had no shortage of grand visions, whether for music or for his quite successful insurance business. He conceived influential strategies of estate planning and formulas for coverage. He dreamed that music would evolve into “a language, so transcendent, that its heights and depths will be common to all mankind.” (This didn’t pan out, unless you count Taylor Swift.) And, in the first two decades of the 20th century, he dreamed up a radically original American musical voice — an enviable triumph that came bundled with failure. It was a voice many people didn’t want to hear, and still don’t.It is easy to understand the doubts of audiences, befuddled by under-rehearsed and under-enthused orchestral performances of Ives’s work. It is harder to forgive this neglect in professional musicians. Not long ago, I was in a car with a distinguished British cellist who admitted he knew just one Ives piece: the cheeky satire “Variations on America.” When I mentioned the anniversary, he said that Ives was “cute,” but that was it. This condescending opinion, offered in near-perfect ignorance, made me want to dump every last ounce of British tea into the nearest harbor.Concert presenters don’t seem super keen this anniversary, either. Thankfully, the writer Joseph Horowitz took initiative and obtained grants for events at Indiana University, Carnegie Hall and elsewhere. The flutist Claire Chase cleverly curated a program at the Juilliard School that traces Ives to other experimental artists. But that seems to be the extent of Juilliard’s commitment.The BBC Proms in Britain were more festive than most. (Cancel that tea party!) As a pianist, I’m trying to do my bit by performing the “Concord” Sonata, including at the 92nd Street Y New York in December, and releasing a recording of the violin sonatas with Stefan Jackiw on Nonesuch. But there doesn’t seem to be a groundswell of demand. It’s more like a bunch of passionate Ives nuts are standing at a street corner, begging the world to care.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A New Venue Celebrates the Sound of the Bronx

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      The Bronx Music Hall is the first new independent music venue in the borough in more than 50 years.Good morning. It’s Friday. Today we’ll get a look at the Bronx Music Hall, the first brand-new music performance space to open in that borough in more than 50 years.David Dee Delgado for The New York TimesThe 250-seat music performance space that is opening tonight in the Melrose section of the Bronx began with a cassette recording that was played at a staff meeting of a nonprofit organization. This was in the early 2000s, when cassette tapes were still a thing.The tape was a sampling of the musical legacy of the Bronx — music that had been written or performed there.“Everyone’s eyes lit up,” recalled Nancy Biberman, who at the time was the president of the nonprofit, the Women’s Housing and Economic Development Corporation.She remembers telling herself after the meeting that “maybe we are thinking too narrowly about what community development could mean — it’s not just bricks and mortar.” That realization morphed into thinking about what tenants would want besides basic needs like food, health care and education. What would make them happy?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Adam Abeshouse, Prolific Producer of Classical Music, Dies at 63

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      A trained violinist, he found his calling in the studio control room. He also started a foundation to help fund recordings that lack major-label support.Adam Abeshouse, a Grammy Award-winning producer of classical music for more than 30 years who also ran a foundation that helps fund the recording of works not supported by major labels, died on Oct. 10 at his home in South Salem, N.Y., in Westchester County. He was 63.His wife, Maria Abeshouse, said the cause was bile duct cancer.Mr. Abeshouse, who was also a concert violinist, was prolific: Starting in the early 1990s, he produced (and often engineered and edited) hundreds of albums. Among the musicians he worked with were the violinists Joshua Bell and Itzhak Perlman, the pianists Simone Dinnerstein, Garrick Ohlsson, Leon Fleisher and Lara Downes, and the Kronos Quartet. In 2000, he won the Grammy for classical music producer of the year.Musicians described Mr. Abeshouse as a technically brilliant and joyful producer.“He had so many different qualities necessary for recording, but you don’t expect them all to be contained in one person,” said Ms. Dinnerstein, who recorded 14 albums with Mr. Abeshouse, including her newest, “The Eye Is the First Circle,” which documents a 2021 performance of Charles Ives’s “Concord” Sonata.“He had a fantastic, acute ear,” she added. “He knew how to do a recording session; he knew when you needed a break or needed to move on or to be pushed. He was an amazing engineer; he knew all about sound, microphones, acoustics, and had a huge array of vintage microphones.“And he was astonishingly good at editing. From all the takes in a session, putting them together was almost like being a sculptor.”Mr. Bell said that Mr. Abeshouse’s background as a violinist helped their collaborations.“He was a wonderful violinist; he didn’t just hack away at it,” Mr. Bell recalled, adding that Mr. Abeshouse helped him get past his perfectionism in the studio.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Liam Payne’s Cause of Death, the 911 Call and More: What We Know

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      A hotel desk manager called 911 with concerns about Payne, the former One Direction singer, shortly before he fell from a third-floor balcony. The results of toxicology reports are pending.Liam Payne, a former singer in the popular British boy band One Direction, died on Wednesday after falling from a third-floor balcony at a hotel in Buenos Aires.Payne’s family released a statement on Thursday asking for privacy. “We are heartbroken,” the family said. “Liam will forever live in our hearts and we’ll remember him for his kind, funny and brave soul.”Here is what we know about the circumstances of his death, which led to an outpouring of grief from fans, and the ensuing investigation.A 911 call was made moments before his death.The Buenos Aires police released a recording of a 911 call that was placed minutes before Payne’s death from the CasaSur Palermo Hotel, where he was staying.A man who identified himself as the hotel desk manager said on the call that a guest who appeared to have excessively consumed drugs and alcohol was “breaking everything in the room.” The manager requested urgent assistance because the room had a balcony and hotel employees were “afraid he could do something that puts his life at risk.”A spokesman for the Buenos Aires police said on Thursday that the guest was Payne, 31.The local prosecutor’s office, which is investigating the death, said in a statement that it appeared Payne was alone when he died. It said investigators found broken objects and furniture in his hotel room, as well as what appeared to be narcotics and alcohol. The results of toxicology tests will most likely not be made public for several weeks.An autopsy said Payne died of ‘multiple trauma.’In an autopsy performed a few hours after Payne’s death, forensic experts determined that he died from falling out of a window and that there were no signs of anyone else being involved. It is not clear whether Payne intentionally jumped or accidentally fell from the third floor.The autopsy report was submitted to the prosecutor’s office, which said it indicated that Payne died of “multiple trauma” and “internal and external bleeding” in the skull, chest and abdomen and limbs.The prosecutor’s office indicated that, because of the position in which the body was discovered and the 25 injuries he sustained, officials presume that Payne did not try to protect himself from the fall and may have fallen into a state of unconsciousness.No defensive wounds were found on the body.The prosecutor’s office said that it was investigating the death as a matter of protocol because of the circumstances, but that no defensive injuries were found on Payne’s body.Five people were interviewed at the prosecutor’s office, the authorities said, including two women who had been with Payne earlier Wednesday but had left the hotel before his death. They also interviewed three hotel workers. More

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      Prosecutors Say Sean ‘Diddy’ Combs Can’t ‘Pay His Way Out of Detention’

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      In a new filing, the government said the music mogul, who has proposed a sizable bail package as part of his bid to be released, should remain incarcerated.Federal prosecutors opposed Sean Combs’s bid for release from jail on Wednesday, asserting that the music mogul should not be allowed to use his wealth to set up a proposed bail release package that would include hiring a private security detail to guard him.Mr. Combs, who is being held in a Brooklyn jail ahead of his trial on racketeering and sex trafficking charges in May, has appealed a court’s decision to deny him bail, which was based in part on a finding that he posed a danger of witness tampering.His lawyers proposed an elaborate system — effectively a private version of house arrest — in which Mr. Combs would be monitored by security staffers at all hours, would have no access to phones or the internet and could only be visited by an approved list of guests. They suggested a bond set at $50 million.In their response to Mr. Combs’s appeal to the U.S. Court of Appeals for the Second Circuit, the prosecutors pushed back on Mr. Combs’s argument for release.“The District Court rightly rejected Combs’s effort to pay his way out of detention,” the prosecution wrote, “when the record established that no set of conditions could ensure the safety of the community.”The government has accused Mr. Combs, 54, of running a “criminal enterprise” that wielded the mogul’s power in the entertainment industry to commit crimes, including coercing women to engage in sexual activity with male prostitutes in drug-fueled encounters known as freak-offs. Lawyers for Mr. Combs, who has pleaded not guilty, have denied the charges, asserting that any sexual activity involved consenting adults.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Liam Payne Tributes Pour in From Charlie Puth, the Backstreet Boys and Other Musicians

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      Hours after news broke that Payne had fallen from a hotel balcony in Buenos Aires, his fans and collaborators shared their shock and grief.The pop world on Thursday was struggling to come to terms with the passing of Liam Payne, 31, who rose to fame as a member of the British boy band One Direction. Payne died on Wednesday after falling from the balcony of a hotel in Argentina.Fans gathered outside the hotel in Buenos Aires where Payne had been staying to mourn his death, including by singing One Direction hits, while on social media many posted tributes and memories.Some of pop music’s biggest stars did the same. Charlie Puth, the pop singer and songwriter, posted on Instagram, that he was “in shock” at the news. Payne was “one of the first major artists I got to work with. I cannot believe he is gone,” Puth added.Payne in Dubai in 2023.Jeff Spicer/Getty Images for Atlantis The Royal“Words cannot express the emotions we are collectively feeling right now,” the Backstreet Boys wrote on X, adding “our hearts go out to Liam’s family, friends and Directioners around the world.”“Life is short and fragile,” the German DJ Zedd, who released the song “Get Low” with Payne in 2017, wrote on social media. “RIP Liam … I can’t believe this is real …”The reaction was especially strong in Britain, where Payne built his career. Among those to express condolences on social media were his childhood school and West Bromwich Albion, the soccer team Payne supported.Payne first auditioned on the British talent show “The X Factor” as a solo artist in 2008, but found success when he returned in 2010, even though the group placed third in the show. Simon Cowell, the music executive and television personality, created One Direction by bringing Payne together with Harry Styles, Niall Horan, Zayn Malik and Louis Tomlinson. In 2011, One Direction’s debut single, “What Makes You Beautiful,” hit No. 4 on Billboard’s Hot 100 chart. The band released five albums and became one of the defining boy bands of the early 2010s. In 2015, One Direction announced it would take a break from performing together, and the group officially split up a year later.As of Thursday morning, none of Payne’s former bandmates had issued public reactions to the news of his death, and their representatives did not immediately respond to requests for comment. A representative for Cowell also did not immediately respond to a request for comment.But on Instagram, Styles’s mother, Anne Twist, posted a picture of a broken heart emoji, with the caption “Just a boy …” More

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      The Greats: Florence Welch, Lorna Simpson, Jonathan Anderson and Theaster Gates

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      O winged Lady,Like a birdYou scavenge the land.Like a charging stormYou charge,Like a roaring stormYou roar,You thunder in thunder,Snort in rampaging winds.Your feet are continually restless.Carrying your harp of sighs,You breathe out the music of mourning. — from “Hymn to Inanna” by Enheduanna,translated from the Sumerian by Jane Hirshfield PROPHETESS ONE RISKS ANGERING the gods […] More