More stories

  • in

    In ‘Interior Chinatown,’ the Sets Have Main Character Energy

    The Hulu series unfolds in a Chinatown that “is both physical and psychological,” said Charles Yu, the creator. Here’s a look at how four key settings bring the story to life.Charles Yu’s novel “Interior Chinatown” is about stories. Stories we tell ourselves, stories we tell about others. Stories where only certain people get to be the main characters while others, like the protagonist Willis Wu, are relegated to playing bit parts.Yu structured the novel in the format of a screenplay. The title follows the scriptwriting convention of scene headings, which specify where the action is taking place (for example, INT. UNMARKED POLICE CAR). Scene headings are peppered throughout the book, and in Hulu’s series adaptation, which premiered on Tuesday, the settings are just as essential, and more tangible, to the overall concept.“Willis has this world that he lives in, this Chinatown which is both physical and psychological,” said Yu, the show’s creator and showrunner, in a video interview. “When you write a book, you get to use the reader as your ultimate collaborator. You’re leveraging off someone else’s imagination.”“You can’t really film that, unfortunately,” he added.So in constructing the sets of the show, he said, “it was like, how do you build a place that feels real and lived in — and at the same time can feel subjective and evocative of the Chinatown that comes from the novel, which is an interior Chinatown that functions as a place where people work and live but also as a mental space?”Here’s a look at four of the key settings in “Interior Chinatown” and how they bring the story to three-dimensional life.Int. Golden Palace RestaurantWillis Wu, the protagonist, spends much of his time waiting tables in the dining room of the Golden Palace Restaurant.Mine Taing/HuluWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Johnny Carson and the Fantasy of America

    One of the greatest magic tricks I ever saw unfolded when Johnny Carson invited the illusionist Uri Geller on “The Tonight Show” to bend a spoon with his mind.This now notorious 1973 episode is best known for Geller’s failures. It has emerged over the years that staff members from “The Tonight Show” consulted with a magician, James Randi, who advised them on how to prepare the props to stymie him. It worked. For 20 excruciating minutes, Geller failed to astound.The real trick here was not performed by Geller, but by Carson, who deftly played the role of generous host, making something that could easily have seemed cruel come off as kind. He confesses humbly to being a little skeptical, makes a big show of wanting Geller to do well, invites him to return and try again, and as Geller struggles, Carson listens, waits patiently, acts baffled. An amateur magician himself, Carson possessed a quick and cutting wit, but in keeping it restrained, he clarified his greatest gift.Johnny Carson was a genius in the art of being liked, which is remarkable, considering he wasn’t, on paper, especially likable: A largely absent father, philandering husband, a sometimes mean drunk, a fiercely private figure even to many close to him. He was a talk-show host who didn’t always seem to enjoy talking to people.At the pinnacle of his fame in the late 1970s, Carson said his best friend was possibly his lawyer, Henry Bushkin, who would later write that he was shocked by this admission, adding that he had never “met a man with less of an aptitude or interest in maintaining real relationships.”Except the one with the vast American public. In our fragmented media landscape, it can be difficult to grasp just how large Carson loomed over the culture. At the center of late-night for 30 years — he presided from 1962 to 1992 — he is the most influential talk-show host of all time, and possibly the most popular figure in the history of television. Yet for someone so famous, it seemed as if we never really got to know him.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Desi Lydic Digs Into the Sordid Claims Against Matt Gaetz

    “Your future attorney general, everyone,” Desi Lydic said on “The Daily Show.” “It’s always the people you most expect.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘That Alone Should Be Disqualifying’The lawyer representing two women who testified that former Representative Matt Gaetz paid them for sex described his clients’ testimony with multiple news outlets on Monday. The lawyer, Joel Leppard, said the women said that Gaetz paid money for their services via Venmo and that they traveled with him numerous times, including to New York, where he took them to see “Pretty Woman” on Broadway.“Your future attorney general, everyone,” Desi Lydic said Tuesday on “The Daily Show.” “It’s always the people you most expect.”“And they said he paid for sex with Venmo? Has this guy ever heard of cash? Come on. At the bare minimum, an attorney general should know how to cover up his own crimes.” — DESI LYDIC“The fact that Matt Gaetz was stupid enough to pay for sex with Venmo — that alone should be disqualifying.” — JIMMY KIMMEL“That is crazy. Taking a woman you pay for sex to see ‘Pretty Woman’ is like taking a giraffe to the zoo.” — JIMMY KIMMEL“It’s a little on the nose, wasn’t it? I guess ‘High School Musical’ was sold out?” — DESI LYDIC“The worst part is that he apparently took them to watch him on Fox News. God, I hope they charged him extra for that.” — DESI LYDIC“If Trump can’t get his nominees confirmed through the Senate, his team is considering recess appointments. Recess is where Congress temporarily suspends its proceedings — also where Matt Gaetz finds his girlfriends.” — JIMMY KIMMELThe Punchiest Punchlines (King of the Road Edition)“Trump also just nominated Fox News contributor Sean Duffy to serve as secretary of transportation. Yep. If you’re Irish Catholic like me, you know at least 20 guys named Sean Duffy.” — JIMMY FALLON“Up till now, I have been critical of Trump’s appointees, but I fully support Duffy. First of all, he has real-world experience — in that he was in the cast of MTV’s ‘The Real World: Boston’ in 1997.” — STEPHEN COLBERT“Now, the Debbie Downers out there claim Duffy’s not qualified for this job just because he has little to no experience in the transportation field. Oh, really? Have you forgotten that Mr. Duffy also served a full term on ‘Road Rules: All Stars’?” — STEPHEN COLBERT“He hired the guy from ‘Road Rules’ to be secretary of transportation, because of course he did — the word ‘road’ is right in there.” — JIMMY KIMMEL“That is one of his least embarrassing picks. Maybe he’ll pick one of the ‘Teen Moms’ to be secretary of labor.” — JIMMY KIMMELWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    ‘Interior Chinatown’ Puts Stereotypes in the Spotlight

    Adapted by Charles Yu from his own novel, this series about a man stuck inside a cop show satirizes Hollywood’s penchant for pigeonholing Asian actors.One of Jimmy O. Yang’s first TV roles was Asian Teenager No. 2, in a 2013 episode of “Agents of S.H.I.E.L.D.”“The part was for someone who could speak Cantonese; I think that’s why I got it,” he said in a recent interview. He remembers the constant competition back then among Asian actors for roles with one or two lines, “an episode of something shooting in Chinatown,” he said, “or a part in the background at a community college.”Such work might sound like small potatoes. But in an industry that has historically struggled to put Asian actors and characters in the foreground, every rung of the ladder counts.Now Yang, who was born in Hong Kong and came to the United States when he was 13, is at the center of a limited series that turns the struggle into mind-swirling metafiction. “Interior Chinatown,” adapted by the showrunner Charles Yu from his own 2020 novel, is a TV series based on a book about a life unfolding inside a TV series.“The elevator pitch is that it’s ‘Law & Order’ meets ‘The Truman Show,’” Yu said. “It starts as a straightforward mystery and gets into something weirder, a metaphysical mystery hopefully.”“Interior Chinatown,” premiering with all 10 episodes Tuesday on Hulu, is also an affectionate sendup of the police procedural, and a sly piece of media criticism about Asian stereotypes in entertainment.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    How Did ‘Dancing With the Stars’ Become a Gen Z Hit? TikTok, Of Course.

    After almost 20 years on air, the reality competition series made changes that brought a surge of younger viewers.The world has changed around “Dancing With the Stars” since the competition series became a hit after its 2005 premiere. Though producers have periodically experimented with casting, canned hosts and tweaked the elimination process, the heart of the show — pairs of professional dancers and celebrities performing weekly and facing elimination based on scores from judges and fan votes — has remained intact.That formula meant “D.W.T.S.” had an audience with a median age of 63.5 in 2022. But in the past two seasons — after almost 20 years and 500 episodes — the show has grabbed hold of Gen Z viewers through its canny use of TikTok, casting of younger dance pros and the chance virality of “wow moments” from routines.“We’ve kind of hit this tipping point where now we feed TikTok, TikTok feeds back to us,” said Conrad Green, the showrunner.Ahead of the Season 33 semifinals, Green and two of the show’s professional dancers, Rylee Arnold, 19, and Witney Carson, 31, explained their parts in making “Dancing With the Stars” a hit with Gen Z.Charli D’Amelio was an influencer contestant for the streaming era.In 2022, Disney execs removed “Dancing With the Stars” from network TV, making it available only via the Disney+ streaming app, a move aimed at drawing older viewers to the service, which predominantly catered to children from the ages 2 to 17.

    @officialdwts The countdown to #DisneyNight is on! Join us in ONE HOUR – 8/7c on ABC and Disney+. 🐭✨ #DWTS ♬ original sound – Dancing with the Stars #DWTS We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Late Night Is Appalled by Trump’s Mile-High McDonald’s Feast

    The president-elect dined on his plane with some associates — including Robert F. Kennedy Jr., who hates fast food. Jimmy Kimmel called it a “subservience test.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Not-So-Happy MealOver the weekend, President-elect Donald Trump shared a photo from his private plane, showing him eating McDonald’s with Elon Musk, Donald Trump Jr. and Robert F. Kennedy Jr. as Speaker Mike Johnson peeked into the frame.“Only Donald Trump would force his new health czar to eat McDonald’s,” Jimmy Kimmel said, referring to Kennedy. “That’s what he does, these are subservience tests.” “This is like the Last Supper, but everyone is Judas.” — JIMMY KIMMEL“I love that they essentially hazed R.F.K. Jr., who rails against processed food and has called fast food poison, by not only making him eat McDonald’s but forcing him to take a picture while doing it.” — SETH MEYERS“You can tell it’s McDonald’s, because that is a grimace.” — STEPHEN COLBERT“Look at R.F.K. Jr. He’s holding that McDonald’s the way you hold a bag of weed you found in your kid’s room.” — SETH MEYERS“That is the most powerful assemblage of junk food since the Yalta Conference party sub.” — STEPHEN COLBERT“Look, I know Trump has been accused and found guilty of many crimes, but certainly none worse than ‘brings Filet-O-Fish on a plane.’” — STEPHEN COLBERT‘There’s No Monopoly on Stupid’On “Real Time,” Bill Maher chided Democrats for losing touch with the average American, saying the party had become “a ‘Portlandia’ sketch.”“Maybe take the clothespins off your noses and actually converse with the other half of the country. Stop screaming at people to get with the program and instead make a program worth getting with.” — BILL MAHER“You love to speak truth to power, and we always should, but you have completely lost the ability to speak truth to [expletive].” — BILL MAHER“You just lost a crazy contest to an actual crazy person.” — BILL MAHER“Even the one concession I’ve heard a few people on the losing side offer — that liberals should stop saying that Trump voters are stupid — comes with a kind of unspoken parentheses: ‘We know they are stupid, just don’t say it.’ Yeah, I got bad news for you: They don’t have a monopoly on stupid.” — BILL MAHERGreg Gutfeld had similar thoughts about the Democrats on Monday.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    ‘Leonardo da Vinci’ Is a Humanizing Look Into a Great Mind

    Beyond the appropriate awe, this two-part PBS documentary, co-directed by Ken Burns, adds human texture to the hagiography.“Leonardo da Vinci,” a four-hour, two-part documentary airing on PBS on Monday and Tuesday at 8 p.m. (check local listings), is a thorough and engrossing biography that can’t help but feel incomplete, so vast and unusual is its subject. “Leonardo, for his time, possesses the most knowledge in the world,” one expert explains.Narrated by Keith David and directed by Ken Burns, Sarah Burns and David McMahon, this is a straightforward but still lyrical analysis. We learn about da Vinci’s early life, family, education and lovers, and the doc does an admirable job of explaining not just excellence but innovation. Enumerating the areas of his curiosity alone could take four hours, so the focus here is more on his output, whose scope and impact are singular even now. (Though maybe we could revive a few more aspects of his influence: Painting is cool, but why are there so few weddings in which performers dressed as Greek gods bless the union and cavort around a giant gilded half-egg? Something to consider, party planners; da Vinci orchestrated one such event in 1490.)“For the first time in the history of Western culture, the process becomes the interesting aspect of how art is made,” another expert points out, and “Leonardo da Vinci” follows that path, too.But beyond the appropriate awe, there’s a through line here of half-starts, dead drafts and lemons — flying machines that can never work, hydroarchitecture that fails completely, paintings never realized for reasons unknown. Those efforts are presented here with an endearing “well, nobody bats a thousand” shrug, adding human texture to the hagiography. One of the greatest minds in human history trails off in one of his final mathematic exegeses because, he writes, “the soup is getting cold.” Geniuses: They’re just like us.Also this weekFrom left, Gracie Lawrence, Alyah Chanelle Scott, Pauline Chalamet and Amrit Kaur in a scene from Season 3 of “The Sex Lives of College Girls.”Tina Thorpe/Max“Interior Chinatown,” based on the novel by Charles Yu, arrives Tuesday, on Hulu.“Our Oceans,” narrated by Barack Obama, arrives Wednesday, on Netflix.After many failed attempts over the years, a TV adaptation of “Cruel Intentions” finally arrives Thursday, on Amazon Prime Video.In the vein of “Floor Is Lava” comes “Human vs. Hamster,” a doofy obstacle course series arriving Thursday, on Max.Season 3 of “The Sex Lives of College Girls” begins Thursday at 9 p.m., on Max. More

  • in

    ‘The Sex Lives of College Girls,’ Plus 7 Things to Watch on TV this Week

    Catch up with the group from Essex College, go behind the scenes of Ridley Scott’s new movie and get your Bravo fill.Things in college are heating up.Before Reneé Rapp toured sold-out shows or performed songs from her new album on “Saturday Night Live,” she played Leighton Murray, a mean-girl-turned-softy in “The Sex Lives of College Girls.” The show is returning this week for its third season, but Rapp will be absent from most of it — she renegotiated her contract from a series regular to a guest star. It will continue to follow the roommates Kimberly (Pauline Chalamet), Bela (Amrit Kaur) and Whitney (Alyah Chanelle Scott), who left things on rocky footing at the end of the last season. Available to stream at 9 p.m. on Thursday on Max.From left, Sara Silva, Sarah Catherine Hook and Zac Burgess in “Cruel Intentions.”Jasper Savage/Prime VideoThe 1999 film “Cruel Intentions,” about a stepsibling duo who set their sights on the same girl as a power play, is now getting a modern television reboot. In this show, it is the Vice President’s daughter the stepsiblings are after, and instead of a prep school, it takes place at a college where a hazing scandal moves the plot along. Fitting for “Gossip Girl” rewatch season (a.k.a. fall), this show gives the same high-society cutthroat vibes. Streaming on Thursday on Prime Video.A blast of Bravo.There’s a whiff of designer purchases, mansions and good old fashion screaming in the air — and that can only mean one thing: “The Real Housewives of Beverly Hills” is back on our small screens. Kyle Richards, Dorit Kemsley and the other housewives navigate their friendships with each other but also deal with marital issues and work drama. Tuesday at 8 p.m. on Bravo.Bravo’s longest-running franchise, “The Real Housewives of Orange County,” is wrapping up its three-part reunion this week. And the women have not been holding back — calling for certain castmates to be fired, accusing each other of “throwing venom” and generally squabbling. Thursday at 9 p.m. on Bravo.Though “Housewives” is Bravo’s bread and butter, I also love the network’s stand-alone shows (I am looking at you “Summer House” and “Below Deck.”) This one, “Married to Medicine,” follows women in Atlanta who are either doctors themselves or married to doctors. This season is back with a few new faces, as Dr. Jacqueline Walters takes on the role of mediator. Sunday at 9 p.m. on Bravo.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More