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      How to watch the Tony Awards.

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      The televised portion of this year’s Tony Awards starts at 8 p.m. Eastern (5 p.m. Pacific) on CBS. Cynthia Erivo will host the ceremony at Radio City Music Hall in Manhattan.Sara Krulwich/The New York TimesThe Tony Awards, the annual event honoring the best work on Broadway, take place tonight (Sunday, June 8). This is the 78th Tony Awards ceremony.Here’s how to watch:What time does the show start?The televised portion of the ceremony starts at 8 p.m. Eastern (5 p.m. Pacific) at Radio City Music Hall in Manhattan. The broadcast is scheduled to last three hours.Where can I watch?The main event, with prizes for plays, musicals and performers, will be televised on CBS. For those without network television, it’s a bit more complicated: In the United States, it will stream on Paramount+, but only Paramount+ with Showtime subscribers can stream it live, via their local CBS affiliate; otherwise it can be streamed on demand starting the next day.Who is hosting?The broadcast ceremony will be hosted by Cynthia Erivo, a powerhouse singer best known for starring as Elphaba in the “Wicked” films. She is a Tony winner herself, for a 2015 revival of “The Color Purple.” The broadcast will feature performances by 11 of this past season’s Broadway musicals, as well as by the original cast of “Hamilton” in honor of that show’s 10th anniversary. The presenters will include Oprah Winfrey, Charli D’Amelio, Bryan Cranston, Samuel L. Jackson, Adam Lambert and Keanu Reeves.Is there a non-broadcast portion of the ceremony?Yes. There is a preshow ceremony, starting at 6:40 p.m. Eastern, at which many of the awards for creative teams will be handed out. That event will be hosted by Darren Criss and Renée Elise Goldsberry, and can be streamed free on Pluto TV (click on the “Live Music” channel in the “Entertainment” category).What’s eligible?The 21 plays and 21 musicals that opened on Broadway between April 26, 2024, and April 27, 2025, are eligible for awards this year. Prizes will be granted in 26 competitive categories. The most-nominated shows are the musicals “Buena Vista Social Club,” “Death Becomes Her” and “Maybe Happy Ending,” with 10 nominations each. More

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      2025 Tony Awards: What to Know Ahead of the Ceremony

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      How is Broadway doing? Who are the top contenders for awards? Our theater reporter, Michael Paulson, has some answers.The Tony Awards are on Sunday night. If you’re new to this season, or to theater, here are some things you might want to know.What are the Tony Awards?The Tony Awards, presented by the Broadway League and the American Theater Wing, is an annual ceremony honoring plays and musicals staged on Broadway. And Broadway, in industry parlance, refers to 41 theaters in and around Times Square, each of which must have at least 500 seats. There are awards in 26 competitive categories, plus a few noncompetitive prizes like lifetime achievement.The main event is on Sunday, June 8, at 8 p.m. Eastern, broadcast on CBS and streaming on Paramount+ with Showtime. Cynthia Erivo is hosting at Radio City Music Hall.Many of the awards for creative teams will be given out at a preshow that starts at 6:40 p.m.; it is streaming on Pluto TV and hosted by Darren Criss and Renée Elise Goldsberry.Here’s more on what to expect, including a 10th anniversary “Hamilton” performance:How is Broadway doing?It’s a mixed picture. The 2024-25 season that just ended was the highest grossing in history, and it was the first since the coronavirus pandemic to outgross the prepandemic peak of 2018-19, although those figures are not inflation-adjusted.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      An ‘S.N.L.’ Secret Weapon Retires After 50 Years

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      Stephen DeMaria has overseen the building of “Saturday Night Live” scenery since the show began. At 87, he finally hung up his hammer.The Stiegelbauer workshop, where Stephen DeMaria coordinated the construction of sets for “Saturday Night Live,” is in the Brooklyn Navy Yard, miles from 30 Rockefeller Plaza. Geographically, and in the minds of “S.N.L.” fans, DeMaria’s name was always far removed from the prestige and glamour of the show that has defined American comedy since 1975. But while most viewers have never heard of him, he has spent 50 years setting the scenes for the show’s most memorable moments.And now he is done. DeMaria, known as “Demo” in the shop, retired after the 50th season finale, May 17. The day before, the white-haired, 87-year-old carpenter was leaning over his drafting table, inspecting blueprints and fiddling with the No. 2 pencil usually found behind his ear. For DeMaria and his crew, the show had already begun.Stiegelbauer Associates Inc. is a cross between a shop class and a late-night museum: A Rainbow Room marquee hangs above a workbench; a leftover airplane set sits plastic-wrapped; photos of past sets installed in the show’s Studio 8H are framed on every wall.During show weeks, sets are assembled all over the shop by an eclectic crew of craftspeople, many of whom have worked on “S.N.L.” for decades. As the foreman, DeMaria coordinates the teams assigned to build the sets designed at 30 Rock. Then he oversees the construction, moseying through the shop and kicking up sawdust with his cane as he checks in at the workstations.The cane was the result of an injury he suffered at an end-of-season celebration last year: After a night of tearing up the dance floor, he fell off a curb and broke his hip.“The best time of my life is the ‘S.N.L.’ parties,” he said. “I’ll be on the dance floor when I get there, and I won’t leave until 5 in the morning.” His favorite, he said, was the 2012 end-of-season party, after an episode hosted by Mick Jagger. “He was dancing all over the studio, so I got involved,” DeMaria recalled. “I was dancing with Mick Jagger!”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Documentary Series Goes Inside Trump’s Bubble

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      Advance episodes of “Art of the Surge” offer a rare behind-the-scenes look at the adulatory environment in which Mr. Trump has moved since regaining power.A few weeks after winning the election, President-elect Donald J. Trump found himself face-to-face with Gov. Wes Moore of Maryland, a rising star in the Democratic Party, as the two men made their way through the bowels of Northwest Stadium in Landover, Md., to watch the annual Army-Navy game.The governor greeted him effusively.“Mr. President, welcome back to Maryland, sir, welcome back to Maryland!” Mr. Moore said. “Great to see you, great to see you, great to have you back here.”“You’re a good-looking guy,” Mr. Trump observed.“We are very, very anxious to be able to work closely with you,” the governor added. Then he mentioned the ongoing efforts to rebuild the Francis Scott Key Bridge outside Baltimore, which had collapsed that March.This chummy encounter was captured on camera for a documentary series called “Art of the Surge,” now streaming on Fox Nation, which provides a rare behind-the-scenes look at the adulatory environment in which Mr. Trump has moved since regaining power. The series gives a sense of how much he is enveloped by people eager to stroke his ego and get in his good graces — including some unexpected figures, according to advance episodes viewed by The New York Times.A still image from video footage of Gov. Wes Moore of Maryland greeting President-elect Donald J. Trump at the Army-Navy football game in December 2024.Art of the SurgeAt one point, inside the V.I.P. box at the football game, Brian Grazer, a top Hollywood producer, gets his photo taken with the president-elect and confides to those in the room that he cast his ballot for the Republican.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Secret Lives of Mormon Wives’ Keeps Pushing Back TV’s Fourth Wall

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      Reality TV had long advised casts to pretend the cameras (and producers) weren’t there. But for the Mormon influencers of MomTok, the business of being on camera is central to the plot.The women of MomTok, the 20- and 30-something Mormon influencers who make up the cast of Hulu’s “The Secret Lives of Mormon Wives,” built their livelihood on upsetting codes of conduct.The series’s first season was birthed in the wake of a “soft swinging” scandal involving some of its couples. A few of the cast members drink alcohol. Some abstain in keeping with the Church’s doctrine, but interpret its teachings on ketamine use more loosely.In the show’s second season, which finished airing this month, the group routinely flouted what, in eras past, had been a cardinal rule of reality TV: Don’t break the fourth wall.“It’s not a shock that I was a fan favorite,” Demi Engemann pointedly told her MomTok peers in Episode 6. The group had just learned she tried to persuade producers to kick off her co-star Jessi Ngatikaura to secure a higher contract for this season. “I feel like I’m an asset, I should fight for more.”That prompted Taylor Frankie Paul, the unofficial founder of MomTok, to push back about her own negotiations over the very show on which they were appearing.“I’m the that one that’s actually struggling because I’m open to the [expletive] world,” she said. “If anyone deserves to be paid more it’s me and I’ve never even asked for that.”

      @secretlivesonhulu The girls are fightinggg 🫣 #TheSecretLivesOfMormonWives ♬ original sound – secretlivesonhulu We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Late Night Revels in Trump and Musk’s Public Feud

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      Stephen Colbert indulged in schadenfreude as he described the back-and-forth as a “full-scale flame war” between “the world’s most famous besties.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Up in FlamesPresident Donald Trump addressed Elon Musk’s comments about his policy bill on Thursday while appearing alongside the chancellor of Germany. Trump expressed disappointment in the Tesla chief, stating that Musk was upset about the absence of a mandate for electric vehicles.Stephen Colbert described the back-and-forth as a “full-scale flame war” between “the world’s most famous besties.”“So now Donald Trump is a Tesla owner who hates Elon Musk? He’s never been more relatable.” — STEPHEN COLBERTTrump stoked the flames on social media, writing that Musk “went crazy” when he was asked to leave the White House.“Just so we’re clear, Trump thinks everything Elon did before this was not crazy?” — JIMMY FALLON“I can’t believe their relationship fell apart this fast. I mean, a week ago they were all over each other like Timothée Chalamet and Kylie Jenner at a Knicks game.” — JIMMY FALLON“But Trump didn’t stop there. He also said that the easiest way for the country to save money would be to terminate all of Elon Musk’s government contracts. Smart, now the future of space exploration rests on Katy Perry.” — JIMMY FALLON“Elon’s government contracts can’t be worth that much. Oh, it’s $6.3 billion last year? Elon, you idiot. This is why you always sign a prenup.” — MICHAEL KOSTA“Meanwhile, Elon’s, like, ‘Come on, man, don’t do this. I have 100 kids to feed.’” — JIMMY FALLON“Trump said he’s very disappointed in Elon because he has ‘helped him a lot.’ Trump was, like, ‘[imitating Trump] Just last year, I let him give me $300 million, and he didn’t even say thank you.’” — JIMMY FALLONOn X, Musk dropped what he called “the really big bomb,” alleging that the president has not released the Jeffrey Epstein files because he is named in them.“I feel bad for Donald Trump. I mean, first, he lost Jeffrey Epstein, now, Elon. He’s running out of friends.” — JIMMY KIMMEL“Trump’s going to have to get one of those bumper stickers for his Tesla that says ‘I bought this before Elon told everyone I was on Epstein’s plane.’” — STEPHEN COLBERTWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘And Just Like That …’ Season 3, Episode 2 Recap: Textual Relations

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      Carrie’s long-distance “situationship” with Aidan becomes frustrating in ways she didn’t anticipate.Season 3, Episode 2: ‘The Rat Race’Here in the real world, it’s a common refrain from single people that dating apps are as tired as the tiramisu Seema’s date orders for her without asking. Everyone is sick of the swiping, the ghosting and the serial situationships. The virtual-first connections that seem essential to dating in 2025 have never played a major role in the “Sex and the City” franchise, mostly because the majority of this decades-spanning story has predated all that.But Carrie’s former neighbor Lisette (Katerina Tannenbaum) shows up at the beginning of Episode 2 to reflect that cultural shift, lamenting to Carrie that, as a single woman of today, she is mostly in a relationship with her phone. Turns out, throwing it across a room may be a more effective way of it helping you meet someone.Some of the characters, though, regardless of age, are no better than Lisette when it comes to phone addiction.Starting with our star, Carrie is in something of a love-hate relationship with texting Aidan. Now that Aidan has cracked the communication door ajar, Carrie feels slightly more empowered to reach out to her “boyfriend.” (I insist on putting that in quotes because while Carrie may use that word to refer to Aidan, at this point, I simply refuse.)First, Carrie drafts a long, meandering voice text to Aidan about a newly-discovered rat infestation in her garden, but she deletes it before sending. Considering Aidan’s request for no contact (or at least very limited contact), she determines it is best to leave him alone.But without any such regard for the rules he set himself, Aidan lights his no-contact contract on fire with a surprise appearance at Carrie’s Gramercy townhouse, to her delight.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Màkari’ Is a Sun-Dappled Italian Mystery

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      Set in Sicily, this sumptuous series, based on books by Gaetano Savatteri, is like a leisurely day at the beach, but with murders.Domenico Centamore, left, and Claudio Gioè, in a scene from Season 3 of “Màkari.”MHz ChoiceOne of TV’s most reliable food groups is the light mystery set in a sumptuous locale populated by eccentric townspeople. The Italian series “Màkari” (in Italian, with subtitles) is a hearty serving, with plenty of Sicilian vistas and pastas to go around. Season 1 is available on Amazon, MHz Choice and the Roku Channel; Season 2 and the recently released Season 3 are on only MHz Choice.Our hero here is Saverio (Claudio Gioè), a former government employee who slinks from Rome back to Sicily, where he hopes to find enough inspiration to write his novel. Boy, does he! Mishaps and misdeeds abound, as does town gossip. Murder, he wrote, as people divulge all kinds of secrets. They occasionally balk at Saverio’s interview requests only to be won over by his earnest curiosity — or by his persuasive flattery. A character in a novel based on little old me? Well, now that you mention it. …The show is based on a series of books by Gaetano Savatteri and comes from some of the same writers as “Detective Montalbano,” which is also set in Sicily and has a similar aesthetic. Technically, Saverio is not a detective and thus does not have a partner. Practically, he totally is, and his partner is the excitable Peppe Piccionello (Domenico Centamore), who ropes him into schemes and side gigs and frequently offers philosophical musings and sauce-making guidance. Saverio also immediately strikes up a romance with a local waitress (Ester Pantano), though his reputation as a womanizer precedes him.“Màkari” is not quite as snappy as the Caribbean-set British procedural “Death in Paradise,” but it follows in that show’s sandy footsteps. As in “Paradise,” it’s best for both the show and the viewer not to dwell too much on the loss of human life but instead to revel in those gem-blue waters and clever deductions. “Màkari” has all the requisite real estate porn and some jazzy cars, too; every rock is sun-dappled, every table set with stylish yet unfussy serving ware. Let’s brainstorm theories of the crime while bobbing romantically in the ocean, why don’t we.There’s a languid ease to everything here, a comfy absence of real tension, and even the pace of the installments is relaxed. Although there are only four per season, each is just under two hours long, which can feel leisurely, a way to unlearn one’s internal “Law & Order” clock of when suspects should be confessing. More