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    ‘Dark Matter,’ Sci-Fi Thriller, Explores Alternative Realities

    In this new Apple TV+ techno-thriller, a portal to parallel realities allows people to visit new worlds and revisit their own past decisions.In the new series “Dark Matter,” a physics professor (Joel Edgerton) is abducted off the streets of Chicago and replaced by an alternative version of himself. This version, instead of toiling away teaching distracted undergrads, is a prize-winning scientist who, among his various accomplishments, has invented a box that can superposition people into parallel worlds.This alternative Jason, despite his riches and renown in his own universe, covets the humbler Jason’s life and family — his loving wife (Jennifer Connelly) and son (Oakes Fegley). So he steals them, leaving the original Jason to negotiate a limbo of parallel realities, hopping from one to another as he tries to find his way home, like a sci-fi Odysseus.“Dark Matter,” which premieres May 8 on Apple TV+, was created by Blake Crouch, adapting his own 2016 novel of the same title. The series is part thriller, part family drama and part physics primer, enlisting heady concepts like quantum mechanics, superposition and, well, dark matter, to tell a story about longing, regret and desire.It is the latest project to depict physics as a vital, fraught and even sexy subject, joining the Oscar giant biopic “Oppenheimer” and the Netflix alien invasion series “3 Body Problem,” which is named for a classical mechanics problem. In these stories, physicists wrestle with matters of life and death that, as in reality, are intertwined with matters of love.They’re human tales about human dilemmas. But they’re also happy to throw some science into the equation.“More than anything, Blake and I wanted people to be excited in every episode, learn something in every episode, but also maybe cry in every episode,” Jacquelyn Ben-Zekry said in a video interview. She is a writer and producer on the series and has been Crouch’s developmental story editor since the publication of his 2012 novel “Pines” — she is also married to him.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jimmy Kimmel Wants to Testify at Donald Trump’s Criminal Trial

    “I think I can keep Trump awake during the trial,” Kimmel said after learning that text messages about his talk show were entered as evidence in the case.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Another Historic FirstDuring Donald Trump’s criminal trial on Thursday, a series of text messages between Michael Cohen and Keith Davidson was entered into evidence containing several references to “Jimmy Kimmel Live.”Kimmel said he was excited, proud, and “exhilarated, even, because from here on, we aren’t just following the Donald Trump drama in New York, we are part of it now.”“It’s the first time — I don’t want to brag — but first time a late-night talk show has been introduced into evidence at the criminal trial for a president of the United States. Johnny Carson didn’t get that with Nixon — we got it here.” — JIMMY KIMMEL“Suffice it to say that when Ryan Murphy makes the nine-part mini-series about this for Fubo, I will be in it. I would assume someone like George Clooney or maybe Chris Hemsworth will be playing me. Guillermo, you will be in it. You’ll be played by — you’ll be played by Pedro Pascal.” — JIMMY KIMMEL“I’m sick of being out of the court — I want to be in it. Why was I not asked to testify? It’s outrageous! I’m going to start suing people!” — JIMMY KIMMEL“I think I can keep Trump awake during the trial.” — JIMMY KIMMELThe Punchiest Punchlines (More Trump Takes Edition)“Yesterday was a day off from the trial, so Trump jetted off to Wisconsin and Michigan to perform his hit one-man show, ‘Complaining for Applause.’” — STEPHEN COLBERT“Prosecutors argued today that former President Trump should be sanctioned again for violating his gag order. Apparently, he talks in his sleep.” — SETH MEYERS“The courtroom sketch artist hates him. I mean, absolutely, she turned him into the hunchback of ‘Bloatra Dame.’ It’s like his tongue is about to shoot out and get a fly on it.” — JIMMY KIMMEL“Scientists in England recently revealed the facial reconstruction of a Neanderthal woman that was buried about 75,000 years ago in a cave. Or it might have just been another courtroom sketch.” — SETH MEYERSThe Bits Worth WatchingKate Hudson made her T.V. performance debut on Thursday’s “Tonight Show” with the song “Gonna Find Out” from her forthcoming album, “Glorious.”Also, Check This OutRichard Gadd and Jessica Gunning star in “Baby Reindeer,” a semi-autobiographical Netflix mini-series in which Gadd plays a version of himself.Ed Miller/NetflixThe Netflix hit “Baby Reindeer” is based on a true story from the life of creator and star Richard Gadd. More

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    What to Know About ‘Baby Reindeer,’ Netflix’s True-ish TV Hit

    The mini-series, based on the star’s experiences, has viewers wondering how much of it is real. Here’s the back story.Some spoilers follow.“Baby Reindeer,” Netflix’s absorbing, claustrophobic seven-episode thriller, has been an unexpected global hit — a success made even more surprising given its intense themes. It is far and away the most-watched show on Netflix, according to the streamer’s publicly released numbers, dwarfing every other show on the platform.The mini-series follows the character of Donny Dunn, a bartender and floundering comedian trying to navigate the fog of trauma and cobble together a sense of self while being mercilessly stalked and tormented by a woman named Martha, with whom he maintains a codependent connection, despite the harassment. The title refers to one of Martha’s many nicknames for Donny.Here’s what’s real about “Baby Reindeer,” and what viewers seem most curious about.Yes, That Is the Real Guy“Baby Reindeer” is the work of Richard Gadd, 34, who plays Donny, a slightly fictionalized version of himself. And if you were wondering how a regular guy could be such a confident, complex actor, it’s because he is a seasoned, award-winning performer who parlayed his autobiographical one-man show, titled “Baby Reindeer,” into the series, for which he wrote every episode.But once upon a time, he was the self-loathing performer we see depicted. “Baby Reindeer” takes meta storytelling to new levels.Yes, It Is Based on His Real ExperiencesEarly in the first episode, a message across the screen reads, “This is a true story.” And it is.“It’s all emotionally 100 percent true,” Gadd, who was the real-life victim of the stalking, said in a recent interview with Variety. “It’s all borrowed from instances that happened to me and real people that I met.” True with the caveat that “for both legal and artistic reasons,” as he put it, details had to be changed. “You can’t just copy somebody else’s life and name and put it onto television,” he said. “We were very aware that some characters in it are vulnerable people,” he added, “so you don’t want to make their lives more difficult.”The series is largely punctuated by language from real messages sent by his stalker (played by Jessica Gunning), which we see typed out onscreen. In his one-man show, a 70-minute monologue that premiered at Edinburgh Festival Fringe and would go on to win an Olivier Award (Britain’s equivalent of the Tonys), Gadd played her voice mail messages to the audience, and projections of her emails scrolled across the venue’s ceiling.According to Gadd, she sent him over 41,000 emails, tweeted at him hundreds of times and left him 350 hours of voice mail over the course of a few years.For the series, certain timelines were moved around “to make them pay off a little better,” he said. Nonetheless, “it’s a very true story.”Gadd Has Asked Viewers Not to Dig …While the saga, at first glance, is one of stalking and obsession, it is equally about the life-shattering effects of sexual assault. In the fourth episode, Gadd’s character is repeatedly drugged, assaulted and raped by a powerful television writer named Darrien O’Connor (played by Tom Goodman-Hill) who’d made false promises to help catapult the comedian’s career. (The sexual assaults were explored in Gadd’s earlier solo show “Monkey See Monkey Do.”)“Abuse leaves an imprint,” Gadd recently told GQ magazine. “Especially abuse like this where it’s repeated with promises.”The depiction of the abuse is graphic and disturbing, and knowing that the characters were based on real people prompted great interest in the identities behind them. But Gadd was quick to urge viewers to stop investigating. “Please don’t speculate on who any of the real-life people could be,” he wrote on Instagram. “That’s not the point of our show.”… Yet Viewers Keep DiggingAs more and more people binge the show, social media platforms have become amateur detective rings, with viewers trying to suss out the identities of the characters. The British writer and director Sean Foley was the subject of online threats when some thought that he was the real-life Darrien character.“Police have been informed and are investigating all defamatory abusive and threatening posts against me,” Foley said in a post on X (formerly Twitter) in late April.On Instagram, Gadd defended Foley specifically, writing, “People I love, have worked with, and admire (including Sean Foley) are unfairly getting caught up in speculation.”In the first episode, Gadd’s character searches Martha’s name online and uncovers a trove of articles about her past stalking — “Serial Stalker Sentenced to Four and Half Years,” reads one headline — which led some online sleuths to try to find the actual versions of those same articles.The show has become such a phenomenon that The Daily Mail published an interview with a woman purporting to be the “real” Martha, lodging her complaints about the show, though her name was not disclosed.When GQ asked Gadd what the stalker might make of the show, he said, “I honestly couldn’t speak as to whether she would watch it,” calling her “an idiosyncratic person.”“We’ve gone to such great lengths to disguise her to the point that I don’t think she would recognize herself,” he said. “What’s been borrowed is an emotional truth, not a fact-by-fact profile of someone.” More

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    What to Watch This Weekend: A Supernatural Dramedy

    “The Big Door Prize” returns for another season of charming small-town folks grappling with their fates.Chris O’Dowd in a scene from Season 2 of “The Big Door Prize.”Apple TV+“The Big Door Prize,” on Apple TV+, is set among humble, fragile people, and it cradles them with gentle care. But the show itself is full of moxie — not defiant but confident that yes, it can blend “Gilmore Girls” with “The Leftovers.” Quirk and ache, baby! Come and get it.The show is set in the sweet small town of Deerfield, where everyone attends elaborate local festivals and enjoys the garish Italian restaurant where you can sit in a gondola. Then one day a fortunetelling machine called the Morpho appears in the general store, promising to reveal one’s true potential. In Season 1, the cards it spit out seemingly told characters what their true fate was: magician, royalty, or in the case of Chris O’Dowd’s repressed family man, “teacher/whistler.” In Season 2, the next level awaits. When the Deerfield denizens put their cards back into the machine’s slot, each sees a unique, personal 32-bit videogame on the screen, though one absorbs it more than plays it. For some, the interlude resolves their greatest regrets; for others, the action is too cryptic to understand at first glance.“Door” uses plenty of tricks from mystery-box shows and from, of course, its own literal mystery box. Little overlapping connections abound, and throwaway objects become significant totems. Like lots of high-end shows, it has departure episodes that focus more on side characters — but because the show features such a broad cast, almost every episode has that feel. “Door” avoids many of the frustrating aspects of its various predecessors by only glancingly investigating the Morpho’s origins. The show’s central question is not “Where did this come from?” but “What should I do?”Despite the woo-woo goings on, the folks here are not at much of an advantage. Being told exactly who they were didn’t liberate anyone per se, and living out one’s own little Greek myth is no great treat. Does being told you’re a liar make you more truthful? If a big ego is authentic, earned self-love and not just a cover for insecurity, might it be wonderful? If you regret one big life decision, does that mean you regret all the decisions that followed it?All 10 episodes from Season 1 of “The Big Door Prize” are available along with the first four from Season 2, with new episodes arriving Wednesdays. Because they are each a blissful half-hour, they make for a superb binge. More

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    The Voice of a Hundred Faces: Dee Bradley Baker’s ‘Star Wars’ Journey

    With “The Bad Batch” ending this week on Disney+, the man who has voiced hundreds of “Star Wars” characters over the past two decades looks back on his run.For “Star Wars” fans who have seen only the theatrical blockbusters, clone troopers are peripheral figures, at most recalled as the title menace in “Attack of the Clones,” from 2002. But over the past two decades they have become essential to the franchise, the pillar of animated “Star Wars” series including “The Clone Wars,” “Star Wars Rebels” and most recently, “The Bad Batch.”And in that time one man has been essential to the clones: Dee Bradley Baker, who has voiced them all.Not all of the shows — all of the clones, hundreds of them since getting cast for “Star Wars: The Clone Wars,” which debuted in 2008 with a feature film and an animated series that lasted for seven seasons. Now Baker’s incredibly prolific gig, which also included plenty of non-clone roles, has finally come to an end: “The Bad Batch,” the “Clone Wars” sequel series, concludes its three-season run on Disney+ this week, and there are no plans for more clone shows.“It’s been wonderfully gratifying to go on this journey,” Baker said.Baker, 61, has been a voice actor for nearly 30 years, working on series like “Dexter’s Laboratory,” “American Dad,” “Codename: Kids Next Door” and “Space Jam.” Before “Star Wars,” he almost exclusively played funny parts: He voiced every animal in “Avatar: The Last Airbender,” Perry the Platypus in “Phineas & Ferb” and creatures in live-action projects like Sebastian the rat in “The Suicide Squad.”“I would get cast as more young, energetic and comedic because that’s how I thought of myself,” Baker said. The “Star Wars” shows “pulled so much more from me as an actor because it asked things of me I wouldn’t even think of.”“Nothing can be more fun than to play in the universe that captured your imagination as a kid,” Baker said.Jesse Grant/Getty ImagesMany of the dramatic and emotional stories early on in “The Clone Wars” involved the clone troopers. After all, it is easier to kill a replaceable clone, one of millions, than a Jedi who also shows up in the theatrical movies.Though the series was on Cartoon Network and aimed at kids, the war stories were intense and put the increasingly hard-bitten clones through one wringer after another. One story arc channels the novella “Heart of Darkness”: The troopers are led by a ruthless Jedi General in a jungle planet, until the general’s constant sacrifice of lives leads to insurgency. One episode was directed by Walter Murch, the Oscar-winning sound designer behind the Vietnam War epic “Apocalypse Now,” itself inspired by “Heart of Darkness.”“Voice acting is acting, you need the same skill and the same talent,” said Ashley Eckstein who played Ahsoka Tano. (This central “Clone Wars” character last year became the center of a live-action show, “Ahsoka,” starring Rosario Dawson.)“It can even be harder and more difficult to do voice acting,” Eckstein continued. “Dee and I had to do some deeply emotional and action-packed scenes, and we had to stand still behind a microphone. You can’t act it out or move around. You have to convey all of it just through your voice.”“The Clone Wars” was followed by “Star Wars Rebels,” which follows a small Rebel crew that eventually includes a group of surviving clones, and “The Bad Batch,” centered on a squad of “defective” clones with even more distinct personalities.Baker voiced a menagerie of creatures in “The Clone Wars.” He said his improv background prepared him for the odd sounds “Star Wars” shows require and for moving quickly between characters.Lucasfilm/Disney+One obstacle to making clone troopers compelling is the challenge of differentiating them. (They are, after all, clones.) There were small attempts from the beginning to make them distinct from a design standpoint. The creators gave them colorful armor and insignia to contrast them with the Empire’s more well-known stormtroopers, according to Dave Filoni, who was supervising director and an executive producer of “The Clone Wars” and is now the chief creative officer of Lucasfilm.“They were able to express their individuality, where stormtroopers are individuals taken into service and stripped of their personality and identity,” Filoni wrote in an email. Still, a look is little without the voice and personality that goes with it, and Baker’s performance was a big reason the characters became so central.The first test to see if Baker voicing all the clones would work came in “Rookies,” the fifth episode of “The Clone Wars.” The episode came from an idea by George Lucas, who wanted to do an episode of just clones, and follows a group of cadets who come together as a squad and stave off a droid invasion.As Henry Gilroy, the show’s head writer, recalled, “That recording session was actually a revelation, for we realized that we could write anything for the clones to do with story and character and Dee would execute to perfection.”The clones soon went from being one-off characters with little personality to proper members of the expanded cast, with their own emotional and dramatic arcs that carried on throughout the show’s seven seasons and into “The Bad Batch.” (The character Echo is the last surviving member of that rookie squad.)Baker comes up with one or two defining qualities for each clone to help differentiate them.Lucasfilm/Disney+All the clones are based, fittingly, on the same voice: the one Baker created to play Captain Rex, the second-in-command to Anakin Skywalker and his closest friend in “The Clone Wars,” after Obi-Wan Kenobi. Baker would settle on one or two defining qualities for each clone — rank, age, attitude, quirk — to guide his performances. He used to record one clone at a time, going through an entire script with one and then doing the same with the next and so on until an episode was done.But as “The Clone Wars” developed more complex arcs, he took a faster, more daunting approach. “I would start to play all of them and just jump back and forth,” Baker said. “I just read through the scenes straight through as if they’re characters playing out a scene, but it’s just me going from one voice to the other.”Michelle Ang, who stars in “The Bad Batch” as Omega, is amazed by this process. “He can not only perform the different personalities, but hold five different viewpoints of all the ‘Bad Batch’ characters and argue for each one,” she said. “It feels like there are four distinct people I’m working with.”Eckstein called Baker a mentor, comparing their relationship to that of Ahsoka, her young Padawan character, and Baker’s seasoned Captain Rex. “He taught me the ways of the Force, the ways of voice acting,” she said. When she too was asked to play multiple characters in the same episodes, “I learned from Dee, who is brilliant at doing that.”Baker, who started out in comedy, said improv helped train him to embrace the odd vocalizations “Star Wars” shows can require and to move fluidly between characters.“I am not so much prepared as I’m ready,” he said. “You want to be open and available to steer this and configure that in a way that the writers you’re working with want things to go. You can’t prepare for it. You get that in the immediate human connection of now, and that is inherently improvisational.”The end of “The Bad Batch” is the end of an era, even if other “Star Wars” roles eventually come Baker’s way, like the upcoming video game “Star Wars Outlaws.” Though characters like Ahsoka Tano live on in live-action, and Captain Rex made a cameo in “Ahsoka,” “The Bad Batch” characters were the last characters that Lucas, the “Star Wars” mastermind who is no longer involved with the franchise, had direct input on. The significance of this isn’t lost on Baker.“I’ve loved ‘Star Wars’ since I was a kid,” he said. “Nothing can be more fun than to play in the universe that captured your imagination as a kid.” More

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    Katt Williams Wants to Show You the Receipts

    After setting the internet aflame earlier this year when he slammed several other comedians in a viral interview, he plans to say more of what’s on his mind in a rare live special on Netflix.In the crowded landscape of athlete podcasts, “Club Shay Shay,” hosted by the retired N.F.L. star Shannon Sharpe, mostly served sports fans and observers of Black Hollywood since it started in 2020 with interviews with DaBaby and Deion Sanders.That was until Katt Williams appeared on the show in January and for nearly three hours delivered an incendiary, rollicking and, at points, curiously uplifting interview that pervaded the internet like nothing else this year. Williams accused other big-name comedians of stealing jokes and movie roles from him, riffed on why partying with Diddy (or Jeffrey Epstein or Harvey Weinstein) is a bad idea, asserted that he read 3,000 books a year as a child and claimed that at 52, he was capable of running a 40-yard dash in less than 5 seconds.The interview has been viewed more than 67 million times on YouTube, numbers that put it on par with Joe Rogan’s blazing episode with Elon Musk, the industry high-water mark for video podcasts. Its most outrageous moments have been shared, excerpted and spoofed on so many other platforms that even that figure understates its impact. According to Williams, who said he wrote out his part of the dialogue in advance, it’s just what happens when he sets the record straight.“I’m quite likely to tell the truth, the whole truth and nothing but the truth, so help me God,” he said during the interview.Beyond raising Sharpe’s numbers, the spot helped Williams move tickets to his “Dark Matter” tour and got the PGA interested in hosting him at T.P.C. Sawgrass, the golf course that serves as a playground for pros and that most others will see only by plugging in “PGA Tour Golf” into their PlayStations. On the course, in between shots, he says he made his nuclear-option remarks carefully, responding to rumors — in some cases, told by people he spoke up about — that have dogged him for years about drug use, erratic behavior and arrests (though, he said, no convictions). “I thought that I had worked out a way of breaking the internet, and I felt pretty confident,” he said with a Mr. Rogers level of thoughtfulness. “So I wrote it kind of like a one-man movie, with the intention of its outcome. And — —”“You’re great, Katt,” a man trills as he passes in his golf cart.“Thank you so much,” Williams replies, then pulls to a stop.When Dave Chappelle responded to the “Club Shay Shay” podcast by saying, “Why are you drawing ugly pictures of us?” Williams said it stung.Rose Marie Cromwell for The New York Times“If I let it go at this point, they can actually rewrite history,” he says. Few things unnerve him more than a poor chronicling of facts. That’s probably because few people are better at weaving narratives that seem too incredible not to be true, like when he describes how he taught himself to fall asleep in exactly 59 seconds. (“It wasn’t something I knew I needed but it’s changed my [expletive] life!”)The things that make Katt Williams such a great raconteur — he is diligent about numbers, inexhaustible in his curiosity and meticulous about his delivery — have made him a persistent presence in comedy since he emerged from the standup world over 30 years ago, through regular appearances on the improv sketch show “Wild ’N Out” and as a scene-stealing dervish in movies like “Friday After Next.” That his improbable rise from homelessness to one of the most prolific, and profitable, comics of his generation isn’t looked on as a feat of craft and yeoman effort, well, that was a record that needed straightening. Williams grabbed even the furthest corners of the internet to do so, and now that he’s got everyone’s attention he is gearing up for the ultimate told-you-so — “Woke Foke,” set to air globally on Saturday. It’s Netflix’s second-ever live special after Chris Rock’s last year. Williams, who does not work his material in clubs partly because of the looming threat of joke-stealing, has been prepping his material on a 100-date arena tour where audiences were not asked to lock away their phones. It seems a sure way to spoil the act he and Netflix are banking big on. It’s also a show of extreme faith in his current set, and will make for a high-wire debut for the roughly 25 percent of new material he’ll deliver live in Los Angeles.“He’s one of the most exceptional improvisational comedians of our time,” says Robbie Praw, Netflix’s vice president of standup and comedy formats. “He does often change his material close to tapings, which is a key reason why he was the perfect person to be our second live special. Because there is something super exciting about that. When there’s no script, there’s no net.”Or as Williams himself puts it, “The benefit of Katt Williams live is that you don’t, in any way, know what he’s going to say.”THOUGH HE USUALLY PLAYS golf alongside the retired athletes he’s friends with or someone from the tour crew, today Williams plays this round effectively solo. An assistant named Rhonda trails him in a separate cart driven by a cigar-smoking bodyguard. Later, he calls out to Rhonda, who dutifully takes photos when Williams points up at the trees that rim a rippling green, where two bald eagles have alighted on branches near their nest. “Look at that,” Williams marvels through an open-mouthed grin.Over the round, he’ll point out a peregrine falcon swooping in to feed, stop in the middle of a fairway to show Rhonda and a caddie a woodpecker that has gotten thisclose to severing a branch, and sprint across one tee box to stand under a magnolia tree and catch its wafting perfume. He’s got dozens of them lining his 100-acre farm, he says.That sprint to the magnolia, and several more full-speed runs from fairway back to the golf cart, each have the same track-star form he showed in an Emmy-winning cameo on “Atlanta” that ended with his character bolting from the house where he’d kept both his girlfriend and an alligator illegally. Williams displayed that same running form when he showed up at the Dallas Cowboys’ facility in February and ran a 40-yard dash in 4.97 seconds. His claim on Sharpe’s podcast seemed suspect until Williams clocked the time in front of an audience, while wearing Dior sneakers.Williams left his home in Ohio at 13 over a religious dispute with his parents and landed in Miami, where he says he supported himself stealing car radios and cleaning restaurants. His stint in a homeless encampment introduced him to addicts, many of whom had once been high-functioning professionals. The extent to which those stories informed his reaction to the drug rumors is in the numbers, too. He still does 100 push-ups and 100 sit-ups a day. That 40-yard-dash time, it’s denial through demonstration.To those who accuse him of using, he says, “at some point, even as an idiot, you’re going to have to acknowledge that these drugs should be taking some toll on me. At some point, I shouldn’t be better and faster and stronger because of them.”Williams has an allegiance to numbers typically reserved for athletes and actuaries, and it’s apparent in the quantifiable way he breaks down his sets. “I try to write the seven to 10 most [expletive] things that I think,” he says, “and I try to make that into the comedy show.” An hourlong special comprises 10 to 12 stand-alone pieces, which usually leaves him looking to add a bit or two as he’s writing. For this run, he says he’s needed to pare down what started as a 90-minute set.On the road, Williams hones an act by watching footage of the previous night for the first 30 or so dates. “My job is to let this guy know, ‘Hey, you’re looking old out there, like, you going to work this stage?’” he says, adding that he’s most often not refining the words but the delivery — a bigger gesture, a different tilt of his head.Williams has been writing and performing and refining in this way for 37 years, ever since he won a standup competition in Ruskin, Fla., at 16. The prize was a five-minute opening slot on a tour that featured Richard Jeni, Jeff Foxworthy and Dan Whitney, later known as Larry the Cable Guy.“He respects the craft,” says Mo’Nique, who is touring with Williams for the first time on “Dark Matter.” “He respects the ones that came before him. He respects those doors being open. He respects the obligation of, the craft of being a comedian.”HIS REVERENCE FOR JOURNEYMEN COMICS, those who prove their mettle on live stages night after night, fueled many of the shots Williams took during the Sharpe interview at funnymen who no longer work the circuit, or those who had gotten specials without a lengthy road history. He felt assured in his criticisms, and that there wouldn’t be effective retaliation, he says, “because there’s no big dogs for them to call other than Chappelle, and Chappelle would never cross me. Dun dun dun dun, and then he did!”Williams is referring to Dave Chappelle’s response to the beefs onstage, saying, “Katt is one of the best painters in the game. So why are you drawing ugly pictures of us?”Though the question stung (Williams referred to Chappelle as “the king”), Williams stood by his attack: “If I came to tell you a beautiful story, I would have painted you a beautiful picture. I was trying to paint a story of a group of ugly [expletive] that would do things that would hurt you and uplift them, even though they didn’t need to do that. And then instead of helping you or befriending you, that they would,” he pauses to let out a disbelieving sigh, “go so far as to steal from you if they couldn’t emulate you and then lie about you.”While waiting for the foursome ahead to finish a late-round hole, Williams entertains the question of whether art can be competitive. “History is just a collection of the people that did things the best,” he says between drags of a prerolled joint. Williams brings up Mozart and Chopin, masters who have been studied for centuries.“The benefit of Katt Williams live is that you don’t, in any way, know what he’s going to say,” Williams said.Rose Marie Cromwell for The New York TimesThat’s his aim in comedy, he says. “I will, without question, be one of the greatest comedians that ever lived just because of the body of work.”Williams means for his 12 specials to be assessed as a whole. It’s a yearslong conversation with an audience that began in 2006’s “Pimp Chronicles Pt. 1,” his electric big-league introduction that built to a flaming indictment of a different celebrity, Michael Jackson, two years before the pop star’s death and a decade before the “Leaving Neverland” documentary.His more recent specials have skewed toward topics that tend to send people down conspiracy rabbit holes. On a 2023 Marc Maron podcast episode, Williams said he swapped out about half of the material in his 2022 “World War III” special after touring and receiving notes from Netflix about the show’s darkness, which he said was “turned up viciously high” around race and religion. The set still hit one of its funniest peaks in a riff on how the Nazis became such a fearsome military — by producing and consuming methamphetamine. He told Maron he’d be happy if listeners Googled whether that was true.The night after his round of golf, Williams’s sold-out audience at VyStar Veterans Memorial Arena in Jacksonville looks perfect for national election polling. There are women in extended-size bodycon dresses, men in Tommy Bahama-esque shirts and couples in matching satin short sets, carrying yard dogs filled with frozen rum runners to their seats.Williams works through a brisk set, zipping darts at Diddy and Ron DeSantis, with a knockdown bit about white slavery. When it’s done, lounging in a locker room where Chet Baker’s version of “My Funny Valentine” rings out against the tiles, Williams suggests that the live Netflix show might delve into touchier topics, if they exist. “I can’t discuss, maybe, Israel and Palestine and Iran until live?”The key to skirting flammable topics and still landing a laugh, he says, is “no matter what joke I’m telling or who the focus of that joke is, the thing that you’re supposed to get from it is that my heart is in the right place. But I see what I see.” More

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    One Year After Scandoval, What’s Next for ‘Vanderpump Rules’?

    The biggest reality television story of 2023 launched spinoffs, a Broadway run and side projects that may cause a halt in production.A little more than a year since TMZ reported that the “Vanderpump Rules” stars Ariana Madix and Tom Sandoval had broken up because he had been having an affair with another co-star, Rachel Leviss, it remains the defining story in the greater world of reality TV.The short version of the story goes: Sandoval was performing a show with his band, he lost his phone, and someone handed it to Madix for safekeeping. She went through the phone and found a screen recording of a FaceTime between Sandoval and Leviss that confirmed the affair. The long version … well, let’s reflect on the state of the Scandoval, one year later, with the help of a “Vanderpump” executive producer, Alex Baskin.A Uniquely Disastrous AffairSince the beginning of the show, cheating has been part of the landscape — arguably, a vital part of the drama. But none of the indiscretions between other castmates made it to the headlines of CNN, The New York Times and Time magazine or got a dedicated name and hashtag like #Scandoval.So what made this affair different?Baskin sees the scandal as a few different factors “swirled together to make it something that had a far greater impact than the numerous cheating scandals that had come before it on the show.”First, it was a long-term affair, meaning that Sandoval had been living a bit of a double life. That’s somewhat more intriguing for viewers and more devastating for real-life participants than a one-off kiss or one-night stand.The magnitude of the scandal also set it apart, since producers resumed shooting, despite Season 10 filming having wrapped.“It felt like this had a significance such that we should cover it in real time if we could,” Baskin said. So they borrowed the camera teams from “The Real Housewives of Beverly Hills” and got back to filming.“It’s really chilling to watch because you were seeing in the moment the group come to terms with what had just happened,” Baskin noted.Additionally, Baskin noted that Season 10 was still airing when the news broke, so “it became then a series of Easter eggs that the audience was spotting in the show itself.”Of course, the scene of Ken Todd, Lisa Vanderpump’s husband, staggering into the kitchen to say, “I can’t believe Tom had Raquel over while Ariana is away, in the Jacuzzi as well, and she stayed all night,” immediately comes to mind.(And just in case you were wondering, Ken was confused but not that confused: Raquel and Rachel are the same person — on the show, she went by Raquel but has since switched back to her given name, Rachel).The Fallout: Leviss left the show after the end of Season 10 shooting, and in February she filed a revenge-porn lawsuit against Madix and Sandoval, in relation to the distribution of the FaceTime footage that revealed the affair. Lawyers for Madix and Sandoval have asked a court to toss the claim. Season 11 kicked off in January with the most-watched season premiere in Bravo’s history.‘A Point of Demarcation’Though production of Season 11 resumed as usual, the show exists in a time period of its own making, B.S. or A.S. — before or after Scandoval.As the season opened, Madix refused to speak to Sandoval at all, though they were still sharing their Valley Village home. With each episode we have seen Madix and Sandoval tolerating each other more and more socially.Of late, “Vanderpump Rules” has returned to some of its normal, ensemble-oriented shenanigans that made the show so beloved in the first place. There was Lala Kent’s sperm donor party, James Kennedy’s weeping breakdown over his dog Hippie (formally known as Graham), whom he considers a fur baby, and of course the race between the exes Tom Schwartz and Katie Maloney to date a 25-year-old singer.“It still was important for us to serve all the other story elsewhere because we wanted everyone else to still be alive and as important to show as they were before,” Baskin said. “Also, tonally, I think that watching a series of episodes of Scandoval would grow really wearing to the audience.”It’s Not About the Pasta: There is still a Scandoval-related conversation in almost every scene.“Vanderpump Rules,” “The Valley,” “Vanderpump Villa” — oh my!To no one’s surprise, the increased publicity has led to a significant expansion of the Vanderpump universe.Bravo is currently airing the first season of “The Valley” which stars the former “Vanderpump” cast members Jax Taylor, Brittany Cartwright and Kristen Doute as they try to “adult.”Then there is “Vanderpump Villa,” airing on Hulu, which follows the staff of Vanderpump’s French chateau.More Pumptinis, please: Lisa Vanderpump is nowhere close to slowing down her restaurant empire — “Vanderpump à Paris” in Vegas is still up and running, and she and her husband, Ken, just opened “Wolf by Vanderpump” in Lake Tahoe.So what’s next?One of the biggest and most obvious results from Scandoval has been Madix’s success outside of the show. She made it to 3rd place with her partner Pasha Pashkov on the latest season of “Dancing with the Stars” and recently finished up her run as Roxie Hart in “Chicago” on Broadway.Will the show veer away from Los Angeles and follow Madix on the road?“I think that the show has always grown and expanded, according to whatever is really happening with the group, so I do anticipate that we would cover all of that, but still the central focus is the core friendships within the group,” Baskin said.A Scheana Shay-less Summer: “Vanderpump” would take a break from filming this summer, TMZ reported, though the show usually films through June and July. Madix is the one cast member who is booked and busy during that time, with a new hosting gig on “Love Island U.S.A.” More

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    Seth Meyers Mocks Donald Trump for Falling Asleep in Court Again

    “Does he even wear suits to court or just footie pajamas and a nightcap?” Meyers joked on Wednesday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Power Naps?Former President Donald Trump appeared to fall asleep in court again during his criminal trial this week.“If your main criticism of your opponent is that he’s sleepy, so much so that you call him ‘Sleepy Joe,’ then I would say that your one job as a candidate is to not fall asleep in public,” Seth Meyers said on Wednesday.“All right, what is going on with him? Hibernating bears don’t sleep this much. I’m starting to think when they say he slept with a porn star, they meant literally.” — SETH MEYERS“If you can’t make it through your own trial for defrauding voters during a presidential election without nodding off, how are you going to make it through your daily security briefings as president? Are you going to put a bunk bed in the situation room?” — SETH MEYERS“Oh, so the trial for him covering up having sex with Stormy Daniels is a lot like him having sex with Stormy Daniels — he lasts only a few furious minutes and then nods off.” — STEPHEN COLBERT“So far, the only thing that can keep him awake is an iPad playing ‘Bluey.’” — JIMMY FALLON“Does he even wear suits to court or just footie pajamas and a nightcap?” — SETH MEYERSThe Punchiest Punchlines (‘Vaygan’ Edition)“That’s right, Shana, get ready for him to grab you by the vaygina.” — JIMMY KIMMEL, on Trump’s strange pronunciation of “vegan” as “vaygan” at a rally in Wisconsin on Wednesday“He’s unfamiliar with any food not offered on a Meal Deal Menu.” — JIMMY KIMMEL“My favorite president was Ronald Vāgan.” — JIMMY FALLON“You know what they say, Viva las Vee-gas.” — JIMMY FALLONThe Bits Worth WatchingThe rapper and singer Doja Cat performed her track “Acknowledge Me” on Wednesday’s “Tonight Show.”What We’re Excited About on Thursday NightStevie Wonder will perform on Thursday’s “Jimmy Kimmel Live.”Also, Check This OutMore than 170 rare books have vanished, replaced by very high-quality fakes. This reproduction of a first edition of an 1822 book by Alexander Pushkin was found at the University of Warsaw library in Poland.Wojtek Radwanski/Agence France-Presse — Getty ImagesMore than 170 rare books have disappeared and been replaced with high-quality fakes in libraries around Europe. More