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      What’s on TV This Week: The WNBA Draft and ‘RuPaul’s Drag Race’

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      The highly anticipated draft for professional women’s basketball airs on ESPN. The 16th season of RuPaul’s Emmy-winning competition series concludes on MTV.For those who still haven’t cut the cord, here is a selection of cable and network TV shows, movies and specials that broadcast this week, April 15-21. Details and times are subject to change.MondayWNBA DRAFT 7:30 p.m. on ESPN. It’s been a thrilling and buzzy season for women’s college basketball. Largely driven by the star quality of Iowa’s Caitlin Clark, the viewership for the title match between Iowa and South Carolina peaked at a staggering 24.1 million, making it the most-watched basketball game (men’s or women’s, college or pro) on ESPN since 2019. On Monday, Clark is expected to be the first pick, but which team she’ll join will be a mystery until then.TuesdayKerry Noble interviewed in “American Bombing: The Road to April 19th.”Photograph by Courtesy of HBOAN AMERICAN BOMBING: THE ROAD TO APRIL 19TH 9 p.m. on HBO. A new HBO documentary examines the lead-up and aftermath of the Oklahoma City bombing on April 19, 1995, which remains one of the largest terrorists attacks in the U.S. The film, which features interviews with the likes of Bill Clinton and the journalist Jeffrey Toobin, goes into the anti-government motivations of the bomber Timothy McVeigh, who sought revenge on the 1993 federal siege of the Branch Davidians’ compound in Waco, Tex. For companion viewing, check out the fictional Showtime series “Waco: The Aftermath.”WednesdayFAMILY GUY 9:32 p.m. on Fox. Season 22 is ending after just 15 episodes, but don’t fear: This animated family sitcom created by Seth MacFarlane has already been renewed for another. While it’s not yet as long-running as “The Simpsons,” it has clearly proved its staying power — if largely living in out-of-context clip compilations floating around the internet.ThursdayTHE THIN MAN (1934) 8 p.m. on TCM. Though the title may sound like a sinister horror movie, this is actually a charming comedy-mystery, starring the husband-and-wife crime-solving duo Nick and Nora Charles (plus their adorable terrier Asta). The power couple’s flirty repartee — not to mention a style of cocktail glasses named after them — is as essential to the movie as the clues. If you’re like me, you’ll also recognize the couple’s names from the deliciously twee 2008 rom-com “Nick and Norah’s Infinite Playlist.” Though there’s no Vampire Weekend in this one, there’s plenty of the magnetic romance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Norman Lear’s Art Goes to Auction

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      The television producer’s prime pieces will be featured in a special evening sale at Christie’s in May.Norman Lear was best known for what he created on television, but he also appreciated the kind of art you can hang on the wall and collected his fair share over the years.Lear died in December at 101. On May 16, his wife, Lyn, is selling seven of the producer’s prime pieces of artwork at Christie’s with a total estimate of more than $50 million.The artworks will be featured in the auction house’s evening sale of 20th-century art, with additional works offered in the postwar and contemporary art day sales and subsequent auctions.“It will be like letting go of old friends and moving on to make new friends,” Lyn Davis Lear said in a telephone interview, adding, “Norman’s philosophy was buy what you love, don’t buy anything thinking you’re going to make a lot of money.”Norman Lear — whose string of hits included “All in the Family,” “The Jeffersons,” “Good Times” and “Maude” — mostly collected works from the 1950s through the 1980s and was particularly drawn to artists who blossomed in California, as he did.“This is where he really flowered and was able to express himself,” Davis Lear said. “There was freedom about being in L.A.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Saturday Night Live’ Can’t Keep it Together

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      Ryan Gosling hosted an episode that included appearances by Caitlin Clark, Emily Blunt and Kate McKinnon, another Ken song and multiple sketches full of people laughing at their own jokes.If an entire Oscars ceremony full of Barbenheimer jokes and a killer Ryan Gosling performance of “I’m Just Ken” didn’t give you sufficient opportunity to say goodbye to the pop cultural phenomenon of “Barbie,” “Saturday Night Live” is here to make sure that you’ve had Kenough.Gosling, who hosted “S.N.L.” this weekend with the musical guest Chris Stapleton, began his monologue by vowing that he was there to promote his coming movie “The Fall Guy.”“So don’t worry, I’m not going to make any jokes about Ken,” he said. “Because it’s not funny. Ken and I, we had to break up. We went too deep and it’s over. So I’m not going to talk about it.”Gosling paused and added, “I actually am going to talk about it a little bit. I have to, because when you play a character that hard, that long, letting go just feels like a breakup. And for processing a breakup, there’s really only one thing that can help: the music of the great Taylor Swift.”Taking a seat at a piano, Gosling began to sing a variation on Swift’s “All Too Well” that began like this:I shredded Venice Beach, it’s true.My clothes were tight,But something about that spandex felt so right.I left my Rollerblades in that big pink house,But I’ve still got that fur coat and I’ll wear it right now.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      As ‘Sex and the City’ Ages, Some Find the Cosmo Glass Half-Empty

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      As the show became more widely available on Netflix, younger viewers have watched it with a critical eye. But its longtime millennial and Gen X fans can’t quit.Most weeks, hundreds of people board a “Sex and the City” themed bus in Manhattan that takes them to the show’s most recognizable sites: Carrie Bradshaw’s apartment, her favorite brunch spot, a sex shop in the West Village. The tour usually ends with — what else? — a Cosmopolitan.“It never gets old,” said Georgette Blau, the owner of On Location Tours. It’s a three-and-a-half-hour entry into an aspirational world many of the riders had been watching for decades, she said.Twenty years since the series finale of “Sex and the City” aired, a new generation of television watchers has grown into adulthood. After all of the episodes were released on Netflix this month, media watchers wondered how the show — and Carrie’s behavior — might hold up for Gen Z.Would they be able to handle the occasional raunchiness of the show, the sometimes toxic relationships? Were the references outdated? “Can Gen Z Even Handle Sex and the City?” Vanity Fair asked. (For its part, Gen Z seems to vacillate between being uninterested and lightly appalled about what they consider to be a period piece.)The show had a very different effect on its longtime fans, many of them a generation or two older. When it aired, “Sex and the City” changed the conversation around how women dated, developed friendships and moved about the world in their 30s and 40s.Even if some of the show’s character arcs aged poorly, many of its original fans still relate to Carrie, Samantha, Charlotte and Miranda, no matter how unrealistic it may have been to live on the Upper East Side with a walk-in closet full of Manolo Blahniks on the salary of a weekly newspaper columnist.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Bowen Yang Thinks This Artist Nails What It’s Like Living in New York

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      The “S.N.L.” comedian talked about his Audible series “Hot White Heist” and solitude — a state of being he senses in Edward Hopper’s paintings.Bowen Yang had just played an overcompensating straight guy opposite Sydney Sweeney on “Saturday Night Live.” But in a video call from his Brooklyn apartment, he was all about “Hot White Heist,” his queer action-comedy audio series on Audible.Last season, he was the voice of the fortune teller Judy Fink, who with his squad of misfits went after a government sperm bank.In Season 2, Judy and his coalition are living in bliss on their private island, Lesbos 2. That is, until a true-crime podcaster comes nosing around. Series veterans including Cynthia Nixon, Jane Lynch, Cheyenne Jackson and Tony Kushner are joined by Raúl Esparza, Sara Ramirez, Ian McKellen and Trixie Mattel.“It revolves around these really poignant themes about community and the smallest unit of queerness being two people,” said Yang, who also hosts the pop-culture podcast “Las Culturistas” with Matt Rogers.Then Yang unfurled a must-have list centered on life as a unit of one. “I feel like a lonely person who always has a consistent desire to reach out,” he said.These are edited excerpts from the conversation.1PopeyeIt’s a Japanese magazine “for city boys.” I can’t read a single character of Japanese, but I just do it for the visuals. It’s like eating a warm stew while I’m flipping through it. Every page is so beautifully laid out.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How a Reality TV Show Turned the U.F.C. From Pariah to Juggernaut

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      The Ultimate Fighting Championship, whose 300th numbered pay-per-view fight card is this weekend, was once effectively banned on television because of its violence.Twenty years ago, the Ultimate Fighting Championship was on life support. Broadcasters scoffed at the idea of televising half-naked men pummeling each other inside a caged octagon, engaged in a sport where broken bones and dislodged teeth were common. Venues closed their doors and advertisers their wallets.The extreme violence meant there was no way to monetize the mixed martial arts promotion, Kevin Kay, who was then an executive at Spike TV, explained to the U.F.C.’s owners and its president, Dana White, in a 2004 meeting.“I really like it but I don’t see how I’m going to get Budweiser to put their logo on the mat when there’s blood on it,” Kay recalled saying.This weekend, T-Mobile Arena on the Las Vegas Strip will host U.F.C. 300, a pay-per-view milestone for a sport that was once effectively banned from television. And it has television to thank for its longevity.After being spurned by networks large and small, the U.F.C. leadership devised a last-ditch plan to become profitable: a reality TV show in which 16 athletes would live together in a Las Vegas house, training and fighting one another with a six-figure contract on the line.If it did not work, the U.F.C. would crater.But the first season of “The Ultimate Fighter,” which aired on Spike TV in 2005, succeeded in humanizing the athletes as actual people instead of mindless punching bags. Viewers appreciated the behind-the-scenes looks at training regimens and cutting weight.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Richard Leibner, Agent for Top Broadcast Journalists, Dies at 85

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      His negotiations led to Dan Rather’s elevation from “60 Minutes” to anchor of the “CBS Evening News” and sent Diane Sawyer from “60 Minutes” to ABC.Richard Leibner, a powerful agent whose firm brokered contracts for many of the biggest names in television news, including Dan Rather, Diane Sawyer, Anderson Cooper, Ed Bradley, Morley Safer and Steve Kroft, died on Tuesday at his home in Manhattan. He was 85.His son Jonathan said the cause was kidney cancer.Mr. Leibner’s firm, N.S. Bienstock — named for one of its founders, Nathan Bienstock — represented hundreds of anchors, reporters, producers and others in network and local television news.The negotiation that grabbed the biggest headlines was for Mr. Rather, then one of the star correspondents of the CBS News program “60 Minutes.”Between late 1979 and early 1980, Mr. Leibner (pronounced LEEB-ner) parlayed interest in Mr. Rather as the evening anchor from all three network news divisions: ABC News, whose president, Roone Arledge, was trying to raise his third-place division’s profile; NBC News, where the evening anchor John Chancellor was hoping to change to a commentary role; and CBS News, where Walter Cronkite had been the evening anchor since 1962.“The Rather situation was tough and sensitive because CBS News knew something had to happen after Cronkite,” Mr. Leibner told Manhattan, inc. magazine in 1986. “Cronkite had told them, contrary to what anybody had ever inferred, that he wanted off. He was tired of it.”Mr. Leibner surprised Mr. Rather by telling him that he thought it was possible to get him as much as $6 million over five years. In the end, CBS agreed to pay him what has been variously reported as $2.2 million a year and $8 million over five years. He succeeded Mr. Cronkite on the “CBS Evening News” in early 1981.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Golden Bachelor’ Couple Gerry Turner and Theresa Nist Announce Divorce

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      The “Golden Bachelor” couple, Gerry Turner and Theresa Nist, said they are getting a divorce, just three months after getting hitched.Gerry Turner and Theresa Nist were the first couple to meet and marry on “The Golden Bachelor,” ABC’s spinoff of “The Bachelor” featuring cast members 60 and older.On Friday, the newlyweds announced that they will also be the spinoff’s first couple to divorce.They made the announcement in a joint appearance on ABC’s “Good Morning America.” “Theresa and I have had a number of heart-to-heart conversations, and we’ve looked closely at our situation, our living situation, and we’ve come to the conclusion mutually that it’s probably time for us to dissolve our marriage,” Mr. Turner, 72, said.The anchor Juju Chang replied in shock. “Three months after getting married?” she said. “I mean, what the heck, guys?” she asked later in the interview.Explaining their decision, Mr. Turner said both were dedicated to their families — each has children from previous marriages, as well as grandchildren — and that it made the most sense for them to live separately. Ms. Nist, 70, added that they had looked at homes near family members in South Carolina and New Jersey but that they had been unable to reach a conclusion.The couple, through a representative, declined to be interviewed for this article.The franchise had positioned the pair as evidence that invigorating love stories can unfold later in life. Before marrying Ms. Nist, Mr. Turner, a retiree from Indiana, was married for 43 years to his high school sweetheart, Toni. She died in 2017 after a brief illness.“People my age still fall in love,” Mr. Turner told The New York Times after he was announced as the series lead of the first “Golden Bachelor” season. “People my age still have hope, and they still have vigorous lives.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More