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      Jon Stewart Takes on ‘Something Light’: Israel and Gaza

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      After two “very controversial” appearances behind the “Daily Show” desk, Stewart decided to dial it down a bit for his third.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Something LightFor his third time back behind the desk of “The Daily Show,” Jon Stewart said things would be different from the first two, which he said had been “very controversial.”“A lot of discourse around it. A lot of carping back and forth. A lot of anger. A lot of commentary,” Stewart said. “Tonight, I’m done with it. Tonight is perhaps an amuse-bouche. A trifle. Something light!” That turned out to be the war in Gaza.After a “Middle East Conflict Disclaimer Cam” advised viewers that the following discussion was “not meant to endorse or justify either side,” Stewart dove in — calling out Israel for killing civilians, Hamas for calling for Israel’s annihilation, and the United States and the rest of the world for not stopping the suffering. He also floated a few peace proposals of his own.“Look, the United States is Israel’s closest ally. Israel’s big brother in the fraternity of nations. Israel’s work emergency contact. Maybe it’s time for the U.S. to give Israel some tough moral love.” — JON STEWART“‘Hey, Israel, take it down a notch. Could you please be more careful with your bombing?’ is good advice. But really, couldn’t the United States have told Israel that when we gave them all the bombs? They’re our bombs! This is like your coke dealer coming over with an eight ball and going, ‘Don’t stay up all night.’” — JON STEWART“Let’s just ask God. It’s his house! He’s the one who started all this! Just ask God. He can tell us who is right! Is it the Jews? Is it the Muslims? Is it the Zoroastrians? If it’s the Scientologists, a lot of us are going to have egg on our faces.” — JON STEWART“I actually think this last one could work. Starting now: no preconditions, no earned trust, no partners for peace. Israel stops bombing. Hamas releases the hostages. The Arab countries who claim Palestine is their top priority come in and form a Demilitarized Zone between Israel and a free Palestinian state. The Saudis, Egypt, U.A.E., Qatar, Jordan — they all form like a NATO arrangement guaranteeing security for both sides. Obviously, they won’t call it NATO — it’s the Middle East Treaty Organization. It’s METO.” — JON STEWARTThe Punchiest Punchlines (In It to Win It Edition)“This weekend, former President Trump won the Republican primary by 20 points in Nikki Haley’s home state of South Carolina. But Haley is still refusing to drop out of the race. Say what you want about her, but she’s really earning that participation trophy.” — JIMMY FALLON“Yeah, Trump won South Carolina by 20 points. They like him down there. He looks like a guy who fell asleep on Myrtle Beach, doesn’t he?” — JIMMY FALLON“Trump actually had two versions of his speech — a victory speech in case he won, and a victory speech in case he lost.” — JIMMY FALLONWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Biden Tries to Turn the Tables on Trump: ‘He’s About as Old as I Am’

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      In his first election-year appearance on a late-night television show, the president joshed with Seth Meyers and poked at former President Donald J. Trump’s own memory lapses.President Biden has come up with a new defense against claims that he is too old to run for another term: At least he knows who his wife is — as opposed to “the other guy.”As he expands his efforts to reassure voters that he is fit for another four years, Mr. Biden took a turn on the talk show circuit, using an appearance on “Late Night With Seth Meyers” on NBC to poke his challenger, former President Donald J. Trump, on his own struggles with memory.In a playful but pointed interview aired early Tuesday morning, Mr. Meyers sought to help the president address the age issue, which polls show is an important drawback in the minds of most voters. Mr. Meyers jokingly told the president that he had obtained classified information indicating that “you are currently 81 years old.”Mr. Biden went along with the joke. “Who the hell told you that?” he asked. “That’s classified!”He then went on to jab Mr. Trump, who is 77, over a video in which he seems to call his wife, Melania Trump, by another name. “You got to take a look at the other guy,” Mr. Biden said. “He’s about as old as I am, but he can’t remember his wife’s name.”Turning more serious, Mr. Biden added that the contest is not about how old the candidates are. “It’s about how old your ideas are,” he said. “Look, this is a guy who wants to take us back. He wants to take us back on Roe v. Wade. He wants to take us back on a whole range of issues that are — 50, 60 years, they’ve been solid American positions.”The president has been on the defensive about his memory in recent weeks, particularly since a special counsel, in a report on Mr. Biden’s handling of classified documents, explained that one reason he would not charge Mr. Biden is because he would come across to a jury as a “well-meaning, elderly man with a poor memory.” During his interview with the special counsel, the report said, Mr. Biden could not remember key dates of his vice presidency or the year his son Beau died. Mr. Biden’s defenders assailed the special counsel for mentioning that.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Chris Gauthier, ‘Once Upon a Time’ and Hallmark Movies Actor, Dies at 48

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      Mr. Gauthier appeared in dozens of television shows and films, including “Freddy vs. Jason” and “Watchmen.”Chris Gauthier, a prolific actor known for his roles in the television shows “Once Upon a Time” and “Eureka,” died on Friday. He was 48.Tristar Appearances/Event Horizon Talent, which represented Mr. Gauthier, said in a statement that he died “after a brief illness.” His representatives did not say where he died.Mr. Gauthier, who was born in Britain and grew up in Canada, had roles in more than 20 movies, including “Freddy vs. Jason” in 2003 and “Watchmen” in 2009. He also appeared in dozens of television shows, including “Smallville,” “Charmed” and “A Series of Unfortunate Events,” according to IMDb, and in several short films.He was best known for playing William Smee in “Once Upon A Time,” a series that blended real life and fantasy in the fictional town of Storybrooke, Maine, where storybook characters live, trapped by an evil queen. Mr. Gauthier appeared in 14 episodes as Smee, who is based on the “Peter Pan” character Mr. Smee, Captain Hook’s first mate.Mr. Gauthier also played Vincent, a cafe owner, on the science fiction TV series “Eureka.” He appeared in 67 episodes of that show, from the pilot episode and through Season 5, according to IMDb.In an interview in 2021, Mr. Gauthier said that he started acting in school plays and that he acted in amateur and professional theater during high school.“I was always a ham, trying to be a funny guy,” he said.Chris Gauthier was born on Jan. 27, 1976, in Luton, England. He said in an interview in 2020 that he moved to Canada when he was 5 and grew up in a small town in British Columbia.“There wasn’t a lot going on there in terms of film and television,” he said. “So for me, it was about just the love of acting. It wasn’t about money. It wasn’t about anything but the sheer love of acting.”His acting career onscreen began in 2000, when he appeared in an episode of the TV series “Cold Squad.” His first two film credits were in 2002 for small roles in “40 Days and 40 Nights” and “Insomnia.”His television roles were largely limited to appearances in one or a few episodes until “Eureka” premiered in 2006. The show takes place in the fictional Pacific Northwest town of Eureka, where many of the world’s brightest minds live in an odd collective that produces technological inventions the rest of the world does not know about.Among his more recent credits, Mr. Gauthier had appeared in seven episodes of the western drama “Joe Pickett.”Information about his survivors was not immediately available.He said in the 2021 interview, his partner encouraged him to move to Vancouver to pursue an acting career in television and film.“I wasn’t super-duper motivated because I was happy doing plays,” he said of the move. “But I was like ‘OK,’ and it worked out.” More

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      ‘Shogun’ Review: Rediscovering Japan

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      The FX remake of the classic mini-series is classed up, retuned for contemporary sensibilities and still an epic soap opera.The new FX mini-series “Shogun” is getting a lot of credit simply for not being “Shogun,” the 1980 NBC mini-series also adapted from James Clavell’s best-selling novel about the last days of feudal Japan. But the new show stands and falls on the same terms as the old show: its success as an epic costumed soap opera. You can correct for wooden acting, dated production values and Eurocentrism, but you can’t really correct for the basic nature of the material.And on those terms, this “Shogun” — which premieres Tuesday on FX and Hulu with two of its 10 episodes — is perfectly successful. It is sumptuously produced, mostly well acted and not excessively sentimental or sensational. If its story seems to stop and start a bit, there are reasons for that, which become clear in a satisfying and moving ending; if there are major characters who don’t stand up to scrutiny, there are others who come alive and hold your interest. It may not live up to its hype, and it may leave you wondering why so much time (more than a decade) and money needed to be spent reanimating Clavell’s tale. But it delivers.Created by the husband-and-wife team of Justin Marks and Rachel Kondo, the FX “Shogun” is still the story of an English navigator, John Blackthorne, who arrives in Japan at the turn of the 17th century and becomes embroiled — to a startling degree — in the political, cultural and romantic life of the country. (Blackthorne, like most of the significant characters, is loosely based on a historical figure.)Kondo and Marks have recalibrated the narrative, however, moving Blackthorne’s point of view down in the mix and elevating the roles of many of the Japanese characters, particularly Toda Mariko, the noblewoman who becomes Blackthorne’s translator and love interest, and Yoshii Toranaga, the lord who both protects and manipulates him.That’s a notable change from the original “Shogun,” but 44 years down the road, it’s not as if the show should get a ton of credit — it’s an easy win. In the current global TV environment, the show’s emphasis on Japanese characters and language is welcome but not exceptional. (Tremendous effort reportedly also went into vetting the details of period costume and behavior; few viewers, even in Japan, are likely to know the difference, but what’s onscreen certainly looks credible to the rest of us.)As the plot, busy yet not all that complicated, unwinds — Toranaga and his rival Ishido jockeying for power, with Blackthorne as a reluctant pawn; Blackthorne being alternately repulsed and seduced by his new surroundings — the real difference between the old and new shows has less to do with cultural enlightenment than with a higher level of tastefulness and technique. Though there is a multicultural dimension there, too: Marks and Kondo’s show is informed by the craftsmanship of classic Japanese samurai films, which were in turn heavily influenced by the attitudes and styles of Hollywood westerns and swashbucklers. This “Shogun” sits in a polyglot comfort zone.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Where Is Wendy Williams?’: 5 Takeaways From the Documentary

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      The Lifetime series gave an inside look at the television star’s life and struggles since she last hosted her talk show in 2021.Since 2021, daytime television viewers and pop culture fanatics alike have been wondering, where is Wendy Williams?Over the weekend, a Lifetime documentary series tried to answer that question.For a while, Williams’s struggles were seen on air on multiple occasions. On a 2017 Halloween episode of “The Wendy Williams Show,” she fainted during a live taping, which she later attributed to her diagnosis of Graves’s disease, an immune system disorder.In 2019, Williams announced on the show that she was staying in a sober living home, and then a month later, she filed for divorce from her husband. She last filmed her talk show on July 23, 2021, and the following year, when a court appointed a legal guardianship to oversee Williams’s finances, the state of her mental and physical health was unclear.It turns out that, until Williams entered a facility to treat her cognitive issues in 2023, cameras had been following her and documenting it all for a series on which Williams and her son, Kevin Hunter Jr., are listed as executive producers.Last week, as Lifetime prepared to air the resulting footage in “Where Is Wendy Williams?,” Williams’s guardian, whose identity is redacted throughout the documentary, requested a temporary restraining order to block the network from airing it — but a judge turned down the request, citing the First Amendment.At the same time, Williams’s care team revealed that the host, 59, had been diagnosed with progressive aphasia and frontotemporal dementia, which affect language, communication behavior and cognitive function.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In ‘The Regime,’ Kate Winslet Gets to Have a Little Fun

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      In the absurdist HBO limited series, she plays a central European dictator making it up as she goes along.Chancellor Elena Vernham would like you to know she is “very much not ridiculous.” She would never serve salmon at an official event. (That would be “meek.”)The fictional character, portrayed by Kate Winslet in the darkly funny new HBO limited series “The Regime,” is a neurotic autocrat losing her grip on her country. A title card early on in the series, which premieres Sunday, announces that we are somewhere in “Central Europe,” in a country whose official vegetable is the sugar beet. As a U.S. senator played by Martha Plimpton puts it during an official visit: “A strong woman leader providing for her people, resisting China? We love all that.”Elena’s people, however, are suffering mass unemployment, and many are starving. So it’s maybe a little tone-deaf when she broadcasts a message to the country at Christmas, and it’s a video of her singing “Santa Baby,” in a fur-trimmed mini skirt and boots.“I wanted to do something that felt absurd,” Winslet said in a video interview from her home in Sussex, England. Elena is a hypochondriac and an agoraphobe, and Winslet said that, from a political standpoint, her character “absolutely has moments of just making stuff up.”She is “fearless,” Winslet said, “and yet terrified of the world.”“The Regime” was created by Will Tracy, whose previous writing credits include “Succession,” and the fine-dining satire “The Menu,” two projects that also feature delusional figures, drunk on their own power. Tracy said that he enjoys creating tyrannical characters “because they have created a situation where they cannot be argued with or reasoned with.”He had been obsessed with reading about geopolitics and authoritarian regimes since his late teens, he said. For “The Regime,” he researched leaders from Syria, Russia and Romania, and found that they shared “a shaky relationship with reality” and “a desperate need for survival.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jon Stewart Returns to ‘The Daily Shows’ and Calls Out Tucker Carlson

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      The comedian has always had a sharp Borscht Belt approach, but only in his return to “The Daily Show” can we see how he wields this style so expertly.When it was announced that Jon Stewart was returning to “The Daily Show” every Monday, there was some understandable skepticism. His track record since leaving the program in 2015 has been spotty at best, including an HBO project that never aired and another on Apple TV+ that didn’t gain traction.And yet, two weeks into his stint, Stewart has already done what seemed impossible: He has made “The Daily Show” relevant again.Not only have ratings skyrocketed for Stewart, earning the biggest numbers since he left the show (including among young adult viewers, who went up 62 percent), but its rotating guest hosts have also benefited. Jordan Klepper and Desi Lydic, who each sat at the desk for three nights after Stewart, got more viewers than any guest host of the previous year. Maybe more important: Once again, people are talking — and grumbling — about “The Daily Show.” Along with plenty of critics on social media, Puck reported, many in the White House were paying close attention to Stewart’s first show.Reboots of hits are often popular. And hosting weekly has meant that Stewart’s appearances are an event. But the first two shows revealed a simpler explanation for his swift success: Jon Stewart, who returns for a third one on Monday, is really good at this peculiar job. It’s an obvious point since he all but invented funny nightly political commentary. But it’s easy to forget what exactly he did so well; he was always overshadowed by the hype about him supposedly being the Walter Cronkite for a new generation, which never did him any favors.Stewart didn’t just pioneer savvy and sometimes strident political humor on television. In a landscape dominated by tightly wound Midwestern gentiles (Jack Paar, Johnny Carson, David Letterman), he brought a ruthlessly populist Borscht Belt sensibility to late night.Witness last week’s mockery of his old foil Tucker Carlson, who conducted a deferential interview with Vladimir Putin, then visited a Moscow supermarket in an attempt to show viewers that contrary to what the news media tells you, Russia is more than just a brutal authoritarian state. It has great produce.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Abbott Elementary’ Teaches Reading, Writing and Roll Camera

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      Each season of the ABC sitcom employs about 150 children. Its core curriculum: schooling Hollywood in what a show with child actors can be.Willis Kwakye has attended the same school since 2021. He’s 13 now, an eighth grader, a veteran, someone who knows his way around the classrooms and the cafeteria. And sometimes, when he’s in his uniform with a math worksheet in front of him, “I can even think it’s real school for a little bit,” he said.His classmate Arianna White, also 13, knew just what he meant. “It feels a lot like school, except we’re just filming and there’s a lot of cuts,” she said.Kwakye and White were speaking, via video call, from a classroom on the set of “Abbott Elementary.” (They were in one of the real classrooms, where child actors complete their mandated three hours of instruction per work day.) The Emmy-winning ABC sitcom mockumentary has recently matriculated for a third season and already been renewed for a fourth. Set in a fictional K-8 school in Philadelphia — though actually filmed in Los Angeles — it requires the presence of about 150 school-age children each season.In any given episode, those kids can be seen raising their hands in class, scurrying past each other in the hallways, giggling at their teachers’ antics. But “Abbott Elementary” diverges from most scripted series involving children in two significant ways: The show uses its child actors sparingly, giving them a handful of lines per episode and only requiring their presence one or two days each week. And for the most part, it lets them be kids.“Having kids just be themselves actually looks really good in our world,” Quinta Brunson, the series creator and star, said in a recent phone interview.Willis Kwakye, center, in an episode of “Abbott Elementary.” Tyler James Williams, a star of the show, said, “Part of being a child actor comes with a certain amount of trauma,” and “Abbott” aims to avoid that.Gilles Mingasson/ABCWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More