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    Late Night Sums Up Sidney Powell’s Plea Deal

    The former Trump lawyer could testify against the ex-president in one of his cases — “and you don’t even know which one I’m talking about,” Seth Meyers marveled.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Get Out of Jail Free PleaSidney Powell, a former lawyer for Donald Trump, pleaded guilty in the Georgia election interference case, agreeing to testify against other defendants, possibly including the former president. Powell, who will avoid prison time, will also have to pay a $9,000 fine and write a letter of apology to the people of Georgia.On Thursday, Seth Meyers said it was still shocking to him that “when discussing a former president, I have to say ‘one of the four criminal cases’ — and you don’t even know which one I’m talking about.”“It could be the election interference case, the stolen documents case, the hush money case, the Georgia case, or, because the news is so insane, there could be some other criminal case you totally forgot about, like the investigation into what the hell he’s hiding under that bulky jacket. Looks like a grandpa trying to sneak a bunch of kids into an R-rated movie.” — SETH MEYERS“Being Trump’s craziest lawyer is like being the most divorced dad at an Embassy Suites.” — MICHAEL KOSTA, guest co-host of “The Daily Show”“As part of the deal, Powell gets six years’ probation and appears to be cooperating with prosecutors in their case against the others, which includes Trump. Oh, man, the Chicken McNuggets are coming home to roost, aren’t they?” — JIMMY KIMMEL“Just a letter? This woman actively tried to steal an election. The least she could do is apologize door to door like a sex offender.” — RONNY CHIENG, guest co-host of “The Daily Show”“She got treason down to an apology letter. Like, that’s an amazing negotiation. Is she still practicing? Because I might want to hire her.” — RONNY CHIENGThe Punchiest Punchlines (Just Don’t Edition)“After failing to get elected speaker of the House twice this week, congressman Jim Jordan said that he’s not dropping out and will keep running. When Jordan said that he was running a third time, even Nike was like, ‘Just don’t.’” — JIMMY FALLON“Yep, Jordan wants to be speaker of the house so that he doesn’t have to go back to his old job of being the villain in ‘Scooby-Doo.’” — JIMMY FALLON“Republican congressman Carlos Giménez said yesterday that his office has received robocalls encouraging him to vote for Ohio congressman Jim Jordan. But then he remembered he actually saved Jordan’s number as ‘Scam Likely.’” — SETH MEYERSThe Bits Worth WatchingJimmy Kimmel got an interview with the “Bachelor in Paradise” star Sam Jeffries, who left the show after an extended bout of constipation.Also, Check This OutLayla Mohammadi in “The Persian Version.”Yiget Eken/Sony Pictures ClassicsMaryam Keshavarz’s semi-autobiographical film “The Persian Version” is about a rising Iranian American director and her tumultuous family life. More

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    Jimmy Kimmel Recaps Biden’s Big Day in Israel

    Kimmel joked that President Biden and Israel “go way back”: “You know how Moses parted the Red Sea? Joe was the guy who dared him to do it.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Biden in WartimePresident Joe Biden flew to Israel on Wednesday, meeting with Prime Minister Benjamin Netanyahu.Jimmy Kimmel noted that White House officials say Biden prefers to meet other world leaders face to face, particularly in times of crisis — “which is a nice way of saying he still doesn’t know how to Zoom.”“It’s very rare for an American president to fly into a combat zone. They say the last time Biden was in this much danger, he was rolling with Corn Pop.” — JIMMY KIMMEL“President Biden arrived this morning in Israel, making him the first president to visit Israel during a time of war — which is pretty dangerous, but he should be OK once he makes it down the stairs.” — SETH MEYERS“The president gave a surprisingly strong speech. He told the Israeli people the United States stands with them. He condemned the disgusting attacks by Hamas and cautioned Israel to learn from the mistakes we made after 9/11. This kind of thing is where Biden really shines. He and Israel go way back. You know how Moses parted the Red Sea? Joe was the guy who dared him to do it.” — JIMMY KIMMEL“Wow, wise words from President Biden. Anytime an American president admits a mistake, it’s a big deal. So, Israel, please learn from us — don’t stay in Afghanistan for more than 20 years, tops.” — MICHAEL KOSTAThe Punchiest Punchlines (Worse Than the First Edition)“Ohio Congressman Jim Jordan failed to secure enough votes today in the second round of voting to become House speaker and received only 199 votes. That’s worse than he did yesterday! If they keep doing votes, he’s eventually going to get to zero, and then he’ll fade away like Marty McFly in a family photo.” — SETH MEYERS“That’s like retaking the S.A.T. and finding out you got dumber somehow.” — JIMMY FALLON“But he’s not giving up. He’s going to keep on going until he loses unanimously.” — JIMMY KIMMELThe Bits Worth WatchingTwo “Tonight Show” audience members competed in a challenge on Wednesday to paint a portrait of Jimmy Fallon on a giant pumpkin as quickly as possible.What We’re Excited About on Thursday NightBilly Porter will promote his upcoming album, “Black Mona Lisa,” on Thursday’s “Late Night.”Also, Check This OutAdèle Haenel on the grounds of PS21 in Chatham, N.Y., where she was appearing in “L’Étang.”Lauren Lancaster for The New York TimesThe French actress Adèle Haenel is in New York this week, performing with the choreographer-director Gisèle Vienne “L’Étang.” More

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    Review: ‘Scavengers Reign’ Is a Gorgeous, Hypnotic Space Trip

    Max’s animated sci-fi saga imagines a bizarre ecosystem in which humans are the invasive species.“Weird” hardly begins to describe the extraterrestrial life-forms the viewer encounters on the planet Vesta in “Scavengers Reign.” These include: lamprey-like blobs you can slap on your face to use as breathing masks; herds of equine beasts with throat pouches that inflate when they bellow; spiky fruit (I think?) whose ropy innards double as electrical cables; and a rhino-esque critter whose digestive tract harbors bioluminescent sacs that are useful as torches. (You retrieve them, er, the hard way.)But these creatures are not the aliens. We are. The animated series, whose first three episodes of 12 arrive Thursday on Max, is a lush, magnificent, hypnotic story of human survival in a place that feels, in a way that sci-fi planets only occasionally manage, truly otherworldly.The series builds on “Scavengers,” a short film by Joseph Bennett and Charles Huettner. In the original (which aired on Adult Swim in 2016 and is available online), a pair of shipwrecked space-farers wordlessly use the local life-forms in a Rube Goldberg bioengineering scheme to survive their isolation.The long-form version, created by Bennett and Huettner, adds dialogue, characters and back story, following several crash survivors scattered across the surface of this strange world. Azi (Wunmi Mosaku) cultivates a farm assisted by Levi (Alia Shawkat), a quirkily malfunctioning robot. The irritable Sam (Bob Stephenson) works on a rescue plan with Ursula (Sunita Mani), a more curious-minded colleague who sees a “profound” beauty in their hostile surroundings. Elsewhere, Kamen (Ted Travelstead), stranded alone, wrestles with guilt over his role in the calamity that landed the crew here.If the survivors are living a nightmare — there is no lack of toxic, parasitic and stabby wildlife all around them — it is a gorgeous one. The luxurious backgrounds are reminiscent of Studio Ghibli films; the polymorphous biological forms make this feel like “Lost in Space” if it were rebooted by David Cronenberg.But while “Scavengers Reign” looks epic, there is no sprawling lore or mythology as in recent sci-fi serials like “Foundation” and “Raised by Wolves.” It’s a man-and-woman-and-robot-vs.-nature struggle, full of ingenuity, ooze and blood. (Parents note: This is definitely an adult animated series, both in language and in the level of occasional gore.)The series is more entrancing than horror-show scary, though. It is attuned to its characters’ loneliness, fear and remorse, and there is a strain of psychedelic spirituality in its rendering of the surreal ecosystem.There is not a clear line, on this planet, between plant and animal life, if the categories apply at all. The world is frightening and violent but in its own way harmonious. Bennett and Huettner have dreamed up a baroquely balanced ecosystem. Some creatures poison you, others eat the poison. What may seem to the harried survivors like constant danger is, on Vesta, just the cycle of life.After all, we may root for the humans, but they are the invasive species here. “Scavengers Reign” imagines a future in which humanity treats the universe, like it did Earth, as a grab bag of extractable resources. The castaways, we learn, were workers in a corporate flotilla who crashed on the planet as a result of a dangerous shortcut meant to make their trip more profitable. The characters who fare best in this strange new world are those who adapt to it, sync with it, or even — like Levi, whose circuitry has become entwined with native vegetation — become part of it.There is such a thing as too much symbiosis, of course. A silent, poker-faced, frog- or newt-like creature that thrives by mesmerizing other animals into bringing it food (think the Hypnotoad from “Futurama,” but creepier) ends up enthralling Kamen into its service, gorging itself on the offerings he brings it until it becomes massive and insatiable. But even this fearsome beast is just doing what comes naturally; the injection of a human into its ecosystem is what turns it into a monster.Expanded from short film to series, “Scavengers Reign” becomes less meditative and more of a gripping survival adventure; it also drags a bit in its last half. But the real attraction is less the plot than the immersive imagery and biological inventions, like the reed-like stalks that make musical noises when bobbled, then shoot spikes. “Scavengers Reign” is much like those plants. It plays a haunting tune, but it can also draw blood. More

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    Danny DeVito, His Daughter and a Lot of Baggage (Onstage)

    The pair, starring in Theresa Rebeck’s Broadway comedy “I Need That,” have a chemistry that “comes with playfulness, love and a history of irritations.”The first time Lucy DeVito acted onstage — an electrifying turn as an ant in a second-grade play about insects — her father, Danny DeVito, watched proudly from the back of the room. (DeVito, who had already starred in the television series “Taxi” and appeared in films like “Terms of Endearment” and “Throw Momma From the Train,” didn’t want to pose a distraction.)Now, as Lucy makes her Broadway debut, he has the best seat in the house: right onstage with her. Starring together in Theresa Rebeck’s new comedy, “I Need That,” they are playing the roles they know best: father and daughter.Directed by Moritz von Stuelpnagel, the play, in previews at the American Airlines Theater, centers on the widower Sam, a recluse and hoarder facing eviction. His daughter, Amelia, and his best friend, Foster (played by Ray Anthony Thomas), beg him to give up and give in — give up the stuff; give in to some help — much to his chagrin, over the show’s 90 minutes.In Midtown Manhattan recently, the DeVitos sat in a rehearsal space, the detritus from a deli breakfast spread out on a table in front of them. The improvised set was a disaster, a small kitchen surrounded by piles of junk: board games, record players, plastic bins, garbage bags, clothing, shoe boxes. At one point in the show, Danny’s character unearths a television set from several layers of trash.Ray Anthony Thomas, left, Lucy DeVito and Danny DeVito, whose character, a hoarder, is facing eviction if he doesn’t clean up his property, in “I Need That.”Sara Krulwich/The New York TimesThe script was still pliable, and both of them were grasping to achieve the fullness of their characters. Danny was memorizing his lines, looking up toward the heavens every time he drew a blank. (When he focused, he curled into himself, hunched into a hug, his bottom lip out in consternation.) His riffs bejeweled every line: When the script called on him to invite his daughter in for breakfast, he instead laid out a menu. “You want breakfast? Coffee? Cereal? Eggs? Fruit? I got a really ripe plum!”Lucy, on the other hand, was more studious and probing. During her character’s apex in the show, the plea for her father to change his life, her voice curdled from sadness into a resigned anger. While running those lines, Lucy pulled over to ask for directions from von Stuelpnagel: Where is her character, emotionally, right now? Should she remain hard or retreat back into softness? They talked it through, Lucy smacking a tiny Rubik’s Cube into her palm to punctuate her points. Her father looked on, silent and smiling.“She works a lot. She’s really, really in there — she’s in there, digging, and that’s part of the whole idea,” Danny said a few weeks later during a break from rehearsals. “She never lays down on it. She’s always on it.”Danny, 78, began his acting career on the stage. Eager for something to do after graduating from high school in Summit, N.J., he began working at his sister Angie’s beauty shop. She encouraged him to train as a cosmetologist at the American Academy of Dramatic Arts, and once he was immersed in the world of professional theater, he decided to try out acting for himself. After he graduated in 1966, DeVito acted in productions in New York, and in 1971 garnered attention for his role as Martini in the Off Broadway production of “One Flew Over the Cuckoo’s Nest.” He also reprised the part in the 1975 film.He soon became a bona fide star playing Louie De Palma, the tiny-but-mighty dispatcher on the sitcom “Taxi,” which ran for five seasons from 1978 to 1983. By the time the show ended, he had met and married Rhea Perlman, known for her role as Carla Tortelli on “Cheers.” Lucy, their first child, was born in 1983. (The couple, now amicably separated, have two other children, Jake and Gracie.)“They have exactly the sort of chemistry you’d expect a father and daughter to have, and that comes with playfulness, love and a history of irritations,” said the show’s director, Moritz von Stuelpnagel.OK McCausland for The New York TimesLucy, 40, performed in school productions throughout her childhood, acting in plays like “For Whom the Southern Belle Tolls,” by Christopher Durang. In college, she said she finally admitted to herself that she wanted to be an actor. She did not expect it to be easy; if anything, she prepared for the opposite. Growing up so close to the industry, she said earlier this month, she was “very much aware of the hardships and how much disappointment there can be, how rough the business is.”After graduating from Brown University in 2007, Lucy moved to New York City, where she played an autistic girl in an Ensemble Studio Theater production of “Lucy,” by Damien Atkins, and starred in “The Diary of Anne Frank” in Seattle, at the Intiman Theater. In 2009, she co-starred alongside her mother in a run of “Love, Loss, and What I Wore,” the play adapted by Nora and Delia Ephron from Ilene Beckerman’s memoir. (Lucy joined the show’s rotating cast first.)In Hollywood, nepo babies, or celebrity children who coast off their family connections to get work they may not deserve, rule the screen. In New York, they’re passé. When she first began acting, Lucy fantasized about changing her last name, not wanting her parents’ reputations to precede her. (It doesn’t help that she is a perfect, even split of her parents’ faces, walking proof of the Punnett square.)She never got far enough to decide on a name, though her father had some suggestions. Why not Nicholson? “De Niro, even,” Danny quipped.“Lucy has always done the work,” Danny said. “I don’t think there’s ever been a time when either of us ever picked up a phone.”The Roundabout Theater Company has now given both DeVitos their Broadway debuts. In 2017, Danny starred in a revival of Arthur Miller’s “The Price,” for which he received a Tony nomination. (Danny had to, among other things, wolf down a hard-boiled egg while speaking his lines during every performance.)Rebeck’s play is not their first time playing father and daughter. In the 2022 animated FX series “Little Demon,” Danny was the voice of Satan and Lucy played his daughter, the Antichrist.DeVito starred with Mark Ruffalo, left, and Tony Shalhoub, right, in a 2017 revival of Arthur Miller’s “The Price.” He provided comic relief, making a meal of his Tony-nominated performance, our critic wrote at the time.Sara Krulwich/The New York Times“I Need That,” scheduled to open on Nov. 2, will be the pair’s second production directed by von Stuelpnagel. In 2021, they collaborated on the audio play “I Think It’s Working Pointing Out That I’ve Been Very Serious Throughout This Entire Discussion or, Julia and Dave Are Stuck in a Tree,” written by Mallory Jane Weiss, for the theater podcast and public radio show “Playing on Air.”Lucy asked von Stuelpnagel to keep them in mind for future projects, and he connected the family to Rebeck. After a few long consulting meetings on Zoom, Rebeck wrote “I Need That” with the family in mind, even integrating small details from their lives.Von Stuelpnagel said their interplay in rehearsals, in the same mold as their characters’ relationship, sharpened the production. “Lucy knows her father’s inclinations for certain choices he might make and she nudges him to come at it in a different way, and he listens with great respect,” he said. “That kind of collaboration is a special thing to witness.”In one scene, Amelia shows up at her father’s house to discover that he has fallen and hit his head. She rushes to grab a bag of frozen peas for his head, checking his pupils, moving with the love of a mother and the brusqueness of a drill sergeant. It felt like both a role reversal of a familiar scene and a preview of the future: Who takes care of whom?Though their real-life relationship inspired the play, Danny and Lucy see the differences between them and their characters, agreeing that, as a real family, they are less eccentric and less prone to yelling.The DeVitos have played father and daughter once before. In the FX animated series “Little Demon,” Danny was the voice of Satan and Lucy played his daughter, the Antichrist.OK McCausland for The New York Times“You’re a very capable human being, and Sam doesn’t leave his house,” Lucy said to her father during the interview. “You’re one of the most social people I know. There’s a different kind of fear and exhaustion that comes from that.”Danny agreed that he had “different problems” than Sam. “I feel blessed that I have kids who care about me enough not to write me off,” he said.During the rehearsal process, the DeVitos sought to create a homey environment in a few ways, including, most importantly, by bringing in what Lucy called “amazing snacks.” Recent holidays on set have included cannoli Sunday, chocolate Monday and taco Tuesday.“I’ve been on a diet since I was 10 years old, and I’m trying to figure out how to make everybody a little fatter than I am,” Lucy said. “If you’re around me, usually I’m bringing a sandwich or a nice hunk of provolone with some anchovies and some bread.”In rehearsals, it’s hard to tell whether Lucy is talking to her father or reading lines. “They have exactly the sort of chemistry you’d expect a father and daughter to have, and that comes with playfulness, love and a history of irritations,” said von Stuelpnagel. “That familiarity breeds a really deep, dynamic relationship.” More

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    ‘All the Light We Cannot See’ Casts Blind Actresses

    In a new Netflix mini-series, the two actresses playing the Pulitzer Prize-winning novel’s protagonist, are blind, just like the character.On a set on the outskirts of Budapest, as the crew reset cameras for the next take, Nell Sutton, 7, sat up in bed and asked her director, Shawn Levy, a question:“How will you make it look like night?”Levy explained that the blue lights, set up around the room, would convey nighttime onscreen. Sutton was satisfied, and settled back into position, headphones on, to start a scene in which her character, Marie-Laure, is listening to the radio way past her bedtime. Her father, played by Mark Ruffalo, comes in and catches her. She tells him that she is learning about the magic of radio waves. “The most important light is the light you cannot see,” she says.Sutton, cast as the young Marie-Laure in “All the Light We Cannot See,” Netflix’s four-episode adaptation of Anthony Doerr’s Pulitzer Prize-winning novel, is blind. The actress playing the character 10 years later, Aria Mia Loberti, is also blind.In some ways the set, which took over a site next to an abandoned brewery last year for a few weeks over the summer, seemed like any other: People with walkie-talkies strode past equipment and craft services. But this production was the first time that blind lead characters in a major television show were being played by actors who were themselves blind, and the attention that went into accommodating those actors, and making the show as true as possible to the experiences of people who are blind, was significant.In the show, Daniel (Mark Ruffalo) catches his young daughter Marie-Laure (Nell Sutton) up past her bedtime listening to the radio.Atsushi Nishijima/Netflix“All the Light We Cannot See” is set in occupied France during World War II and follows Marie-Laure, an amateur radio enthusiast and the daughter of a master locksmith at Paris’s Museum of Natural History, and Werner (Louis Hofmann), a young German radio engineer who is drafted into a Nazi Wehrmacht squad to trace a radio signal that is broadcasting resistance messages. Marie-Laure is behind the signal, which she sends from Saint-Malo, a town on the northern coast of France, where she and her father moved while Paris was occupied.The book’s title refers to radio signals, and its protagonist’s sightlessness, but also to moral blindness, Doerr said in an interview on set. “In many ways, Marie-Laure is a much more capable-sighted character than Werner for much of the book,” he added.The adaptation was directed and produced by Levy (“Stranger Things”), and co-produced by Dan Levine (“Arrival.”) When the book came out in 2014, the producer Scott Rudin snapped up the adaptation rights to develop a feature film. Years later, when Levy learned that Rudin intended to let the rights lapse, he approached Doerr and proposed making a limited TV series instead. “That was much more exciting to me,” Doerr said. “The novel is like 500 pages; it would be hard to go for 120 minutes.”Levy said that he and Levine agreed early on that Marie-Laure, both as a child and as an adult, should be played by blind actors. It was a risk for several reasons, Levine said, not least because studios like to cast big names in lead roles. The show has big names — Ruffalo as Marie-Laure’s father, and Hugh Laurie as her uncle, Etienne — but the actors playing Marie-Laure would have to be unknowns.The director Shawn Levy, right, approached Anthony Doerr, left, to adapt Doerr’s 2014 Pulitzer Prize-winning novel into a limited series.Chloe Ellingson for The New York TimesThe bigger issue was how to find them, since there are very few working blind actors. The producers and the casting directors did a global, open casting call, contacting schools and communities for the blind. “I thought, once we go down this road, we can’t go back,” Levine said. “We couldn’t say, ‘Well, we can’t find anyone.’”First, they cast Sutton, who was from a small town in Wales and who had starred in a campaign for a British charity, but had no other acting experience. Finding the older Marie-Laure took more time, and the production team saw hundreds of auditions before a tape from Loberti, a Ph.D. student at Penn State University who had no acting experience at all.The production’s secret weapon, Levy said, was their blindness consultant, Joe Strechay. Strechay has been legally blind since he was 19, and described himself in an interview in his trailer as now being “totally blind.” He previously worked with Netflix on the “Daredevil” series, and with Steven Knight, the writer of “All the Light,” on the Apple TV+ series “See.” “Having a lead character played by a person who’s legally blind, this is what we’ve been working for for a long time,” Strechay said.Strechay consulted on all of the adjustments the production made to the set, including adding tactile marks to the floor that Loberti and Sutton could feel to establish their positioning, giving the actors time on set ahead of shooting to acclimate, and writing the series title in Braille on the directors’ chairs and trailers.Joe Strechay worked as the blindness consultant on set, helping to make it accessible to the blind actors. Atsushi Nishijima/NetflixHe was also involved in a directorial capacity. Strechay watched all of the rushes with his seeing assistant, Cara Lee Hrdlitschka, who described the scenes to him in minute detail so that he could give feedback on how Marie-Laure’s blindness was being conveyed onscreen. “If someone who’s blind or low-vision does something over and over again, it becomes easy,” Strechay said. “So if it’s supposed to be them arriving in a place they’ve never been before, we look at all those little movements to make sure they’re accurate for that moment, for that character, in the story.”This led to frequent alterations, including to a scene in which Daniel teaches young Marie-Laure how to use a cane while walking down a busy street. Levine thought Daniel ought to be standing next to the curb, for Marie-Laure’s safety, but on set Strechay corrected him. Daniel would want it the other way around, he said, so Marie-Laure could orient herself by the sound of the traffic and feel the curb with her cane.These details mattered to Strechay, he said, because he has been generally unimpressed by media representations of blind people. Ruffalo played a blind person in the 2008 film “Blindness,” and remembered mentioning this to Strechay when they first met. “He said, ‘Oh yeah, I saw that. Nice try,’” Ruffalo said in an interview between takes.Sutton and Ruffalo in a scene from the show. Sutton, who is from a small town in Wales, had starred in a campaign for a British charity before the show, but had no other acting experience. Atsushi Nishijima/Netflix, via Associated PressStrechay has also helped the sighted actors understand how to interact with a blind person respectfully. In the scene in which Marie-Laure listens to late-night radio, Ruffalo, as Daniel, removed a pair of headphones from Sutton’s ears. Because of the headphones, she couldn’t hear Ruffalo when he entered the room.“I know not to startle her, to just give her a little touch to tell her I’m there,” he said, adding that onscreen, Daniel alerting Marie-Laure to his presence this way is also more authentic to the relationship between a blind child and her father. “It was important to me that we approach it this way,” Levy said, not only because it seemed right, but because it ultimately made for a better show.Working on this production has made the producers think differently about the primacy of sight in their work. One of the novel’s strengths is how it immerses the reader in Marie-Laure’s experience of the world: through smell, sound and touch. TV is a visual medium, but there are ways it can bring those other senses to the fore.“It’s so easy as a director to get image obsessed, shot by shot,” Levy said. “And there’s still that, because this is ultimately a television series that people will watch. Creating beautiful images is important to me, but my awareness of the tools that I have as a director is more 360.”He gave the example of the objects Marie-Laure has on her bedroom windowsill. “They wouldn’t be items chosen for prettiness, they’d be chosen for the sound they make in a breeze, or the texture against the fingertips,” Levy said. In several episodes, shots of Marie-Laure focus on her feet — walking over broken glass, navigating the streets of Saint-Malo with her cane — and so heightening the viewer’s sense of how she perceives the world through senses other than sight.Strechay said he hoped Sutton’s and Loberti’s performances would open the door for more blind actors. Sutton shared this hope, she said in an interview on set, adding that she was excited for other blind children to watch the series.“Sometimes I say your gift is your blindness,” she said. “And I say, even if you’re blind, you can still do anything.” More

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    Late Night Wastes No Time Jumping on Jim Jordan’s Troubles

    The guest host of “The Daily Show,” Michael Kosta, likened Congress to Mitch McConnell on Tuesday: “totally frozen, and no one knows how to fix it.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Only 14 More Rounds to GoJim Jordan lost a vote to be elected speaker of the House on Tuesday, with 20 Republicans withholding support from the ultraconservative representative from Ohio.With Jordan struggling in the face of unyielding opposition, a second vote was delayed. The guest host of “The Daily Show,” Michael Kosta, likened Congress to Mitch McConnell: “totally frozen, and no one knows how to fix it.”“During the first ballot in today’s House speakership vote, Ohio congressman Jim Jordan fell short of the 217 votes necessary to become speaker, but Republicans are determined to keep trying until they finally get it wrong.” — SETH MEYERS“Insiders are saying that one of Jordan’s biggest hurdles is that no one likes him.” — JIMMY KIMMEL“They did this once before with Kevin McCarthy, where it took 15 votes to get elected — so only 14 more rounds to go.” — JIMMY FALLON“You can tell after the first vote that Jordan was getting desperate, because he changed his name from Jim to ‘Michael B.,’ and it didn’t help.” — JIMMY FALLON, referring to Michael B. Jordan, the actor“They haven’t had a speaker for two weeks; there’s no end in sight. Maybe it’s time we take away their right to choose.” — JIMMY KIMMELThe Punchiest Punchlines (Danger Zone Edition)“President Biden is headed to Israel tomorrow, which, wasn’t sending an 80-year-old on a dangerous mission across the globe the plot of the last Indiana Jones movie? And I’m not sure that went great.” — JIMMY KIMMEL“President Biden is facing this issue head-on and going straight into a war zone. He is flying to Israel tonight, although, he is 80 years old, so he did get to the airport two days ago.” — MICHAEL KOSTA“I am proud of Biden for putting himself in harm’s way. Although, let’s be honest, Biden doing anything pretty much puts him in harm’s way. A rocket strike is dangerous, but so’s a bicycle.” — MICHAEL KOSTA“I bet he can cool things down there because if there is one thing Biden is good at, it’s cooling things down, whether it is a war, heated rhetoric or voter enthusiasm.” — MICHAEL KOSTAThe Bits Worth WatchingSeth Meyers delivered his lost “Ya Burnt” segment, which had been scheduled to air the night after the writers’ strike kicked off in May.What We’re Excited About on Wednesday NightIssa Rae, the star of the film “American Fiction,” will appear on Wednesday’s “Tonight Show.”Also, Check This Out“I never thought I would get here,” Cher said of this stage of her career. “While I was busy being Cher, how did this happen? No one’s given me any info.”Nina Westervelt for The New York TimesCher’s new holiday album, “Christmas,” includes a re-up of “Christmas (Baby Please Come Home)” featuring Darlene Love — whose classic 1963 version of the song featured a then-17-year-old Cher on backup vocals. More

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    Jimmy Kimmel Wants to Be Included in Trump’s Gag Order

    “I don’t know about you — I saw the whole thing happen,” Kimmel said Monday, wondering who counted as a witness in Trump’s election interference case.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Trump Gets GaggedA judge imposed a limited gag order on former President Donald Trump on Monday, barring him from publicly attacking court staff members, specific prosecutors and witnesses involved in the federal case over his efforts to overturn the 2020 election.Jimmy Kimmel wondered who exactly counted as a witness, telling viewers, “I don’t know about you — I saw the whole thing happen.”“Trump’s lawyer said he had no intention of intimidating any witnesses or court staff, including the judge, Tanya Chutkan, the one who lives at 2747 Maple View Lane, white Nissan Sentra parked outside.” — JIMMY KIMMEL“That’s right, Trump is prohibited from posting statements about the special counsel, his staff, the judge’s staff, witnesses and, here’s where it gets worse for him: windmills, windmills killing birds, windmills killing whales, windmills killing birds that come back to life and kill whales, toilets, toilets that don’t flush, toilets that do flush, and toilets that flush louder than windmills killing killer whales that come back to life to kill birds.” — SETH MEYERS“Good luck getting Donald Trump to stop talking. The guy is probably still spilling national secrets, just out on the golf course like, [imitating Trump] ‘Should I go with a 4-iron or a 5-iron? That reminds me, four and five — first two numbers in the nuclear codes. And guess what numbers come next? You’ll never guess; I’ll just tell you.’” — MICHAEL KOSTA“But even with this gag order, Trump’s still allowed to disparage the Justice Department, President Biden and other perceived enemies as long as what he says doesn’t directly reference his case, which, that should be no problem. This is a man who chooses his words very carefully.” — JIMMY KIMMELThe Punchiest Punchlines (Speak For Yourself Edition)“Jim Jordan has been in Congress for 16 years. He hasn’t sponsored a single bill that passed. For real — zero bills passed in 16. Even George Santos is like, ‘You suck, man.’” — JIMMY KIMMEL“But these Republicans are in a tough spot. I mean, either they cave to the extremists in their party who want to impeach Joe Biden and hand Ukraine over to Putin, or they work with the Democrats who want to fight climate change and give sick people health care. So it’s a no-win situation, really. “ — JIMMY KIMMEL“You could not pick a worse man for speaker of the House, and keep in mind the G.O.P. just had Kevin McCarthy, so they tried.” — STEPHEN COLBERT“Now, Republicans and Democrats are talking about a bipartisan solution to finding a speaker. That’s how crazy things have gotten; our government is so dysfunctional, it might become functional.” — JIMMY FALLONThe Bits Worth WatchingUma Thurman and Jimmy Fallon compared notes about parenting daughters on Monday’s “The Tonight Show.”What We’re Excited About on Tuesday NightRachel Maddow will discuss her new book, “Prequel: An American Fight Against Fascism,” on Tuesday’s “Late Show.”Also, Check This OutMadonna performing in London on Saturday, her first time on the road since 2020.Kevin Mazur/WireImage for Live NationMadonna’s career-spanning Celebration Tour is a bona fide dance party to the pop icon’s biggest hits. More

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    Suzanne Somers, Star of ‘Three’s Company,’ Is Dead at 76

    She became famous for playing, as she put it, “one of the best dumb blondes that’s ever been done,” then became a sex-positive health and diet mogul.Suzanne Somers, who gained fame by playing a ditsy blonde on the sitcom “Three’s Company” and then later built a health and diet business empire, most notably with the ThighMaster, died on Sunday at her home in Palm Springs, Calif. She was one day away from turning 77.The cause was breast cancer, Caroline Somers, her daughter-in-law, said.“Three’s Company” first went on the air in 1977. The show told the story of two roommates — Chrissy Snow, a secretary, played by Ms. Somers; and Janet Wood, a florist, played by Joyce DeWitt — who welomed a man to join them as a third roommate: Jack Tripper, a culinary student played by John Ritter. Since their landlord would frown on an unmarried man living with two single women, the group pretended that Jack was gay.High jinks ensued. The show featured slapstick comedy, lighthearted misunderstandings and jokey one-liners.By the show’s fifth season, “Three’s Company” was one of the nation’s most popular sitcoms. Ms. Somers’s acrimonious contract negotiations with ABC became news. In 1982, The Times reported that she had wanted a raise to $50,000 from $30,000 an episode. In recent years, Ms. Somers repeatedly said that she had sought $150,000, in line with Mr. Ritter’s pay.She did not get the pay increase. Instead, she was fired.“I’ve been playing what I think is one of the best dumb blondes that’s ever been done, but I never got any credit,” she told The Times that year. “I did it so well that everyone thought I really was a dumb blonde.”Ms. Somers’s first notable role came in the 1973 film “American Graffiti.” She appeared only briefly, mouthing “I love you” to one of the stars, Richard Dreyfuss; the credits listed her as “Blonde in T-Bird.”But that scene was beguiling enough to earn her a spot on “The Tonight Show” with Johnny Carson, who, Ms. Somers recalled earlier this year in an interview with Page Six, introduced her as “the mysterious blonde in the Thunderbird from ‘American Graffiti.’”Ms. Somers in New York in 2020. After leaving “Three’s Company,” she appeared in many other television shows, including “Step by Step.”Mark Sommerfeld for The New York TimesAppearing on “The Tonight Show,” she said, got her the audition for “Three’s Company.”In the years after “Three’s Company,” Ms. Somers remained recognizable for frequent appearances in movies and on television, including the 1990s sitcom “Step by Step,” a stint co-hosting the television series “Candid Camera” and a wide variety of talk shows.But her later reputation sprang from her business acumen — which proved to be more formidable than ABC’s executives appreciated in 1980.She and her husband, Alan Hamel, made the ThighMaster, a workout device, one of the most recognizable products in infomercial history, thanks in part to Ms. Somers’s many leggy appearances alongside the product. The ads showcased her beauty and her advice that is “it’s easy to squeeze, squeeze your way to shapely hips and thighs.”More than 10 million units of the ThighMaster have been sold over the years at an average price of about $30, Caroline Somers said. She is not only Ms. Somers’s daughter-in-law but also the president of her mother-in-law’s company, which owns the ThighMaster and has overseen Ms. Somers’s other business and entertainment activities.In the mid-2000s, Ms. Somers was appearing on the Home Shopping Network for more than 25 hours every month. She was the pitchperson for everything from cowboy boots to waffle irons.Ms. Somers also wrote more than 27 books, including 14 best sellers, which tended to focus on issues related to the body and aging.Some of the methods she promoted — particularly bioidentical hormone replacement therapy, a treatment that she called “the juice of youth” for menopausal women — have often been criticized by doctors as unproven and possibly unsafe, even as the market for them has grown.The foundation of her business efforts was the sex positivity that she had embodied since “Three’s Company.”“A sexual person,” she told The Times for a profile in 2020, “is a healthy person.”Suzanne Marie Mahoney was born on Oct. 16, 1946, in San Bruno, Calif. Her father, Francis, had some success as an athlete but not enough for a lasting career, and he spent much of Suzanne’s youth working at a brewery. Her mother, Marion (Turner) Mahoney, was a medical secretary.Suzanne Mahoney was kicked out of a Catholic high school when nuns discovered love letters she had written. She graduated from Capuchino High School, a public high school, in San Bruno.She attended Lone Mountain College (which later became part of the University of San Francisco), but she dropped out after she discovered in 1965 that she was pregnant, and she married the baby’s father, Bruce Somers.They divorced in the late 1960s. Not long afterward, she worked as a prize model on a game show hosted by Alan Hamel, a frequent TV host. They quickly began dating and married in 1977.In addition to Caroline Somers and Mr. Hamel, Ms. Somers is survived by Bruce Somers, her son from her first marriage; two stepchildren, Stephen and Leslie Hamel; two siblings, Maureen Gilmartin and Dan Mahoney; two granddaughters; and four step-grandchildren.Ms. Somers was first diagnosed with an aggressive form of breast cancer more than 20 years ago. She pivoted from selling mainly jewelry, apparel and weight loss and diet products to focusing on organic skin care and cleaning goods, along with her promotion of hormones.She managed to sustain an energetic calendar of live performances. An autobiographical show on Broadway, “The Blonde in the Thunderbird,” was critically panned and closed after only 15 performances, but she had better luck in Las Vegas, where she enjoyed many years of song-and-dance gigs, featuring flamboyant costumes and no small amount of glitter.At the time of her Times profile in 2020, Ms. Somers had recently fallen from the private tram on her 93-acre compound in Palm Springs while partying with friends. Yet a reporter observed her at a spa in New York City managing the feat of walking with “a vampy strut” even while using crutches. More