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    An ‘S.N.L.’ Secret Weapon Retires After 50 Years

    Stephen DeMaria has overseen the building of “Saturday Night Live” scenery since the show began. At 87, he finally hung up his hammer.The Stiegelbauer workshop, where Stephen DeMaria coordinated the construction of sets for “Saturday Night Live,” is in the Brooklyn Navy Yard, miles from 30 Rockefeller Plaza. Geographically, and in the minds of “S.N.L.” fans, DeMaria’s name was always far removed from the prestige and glamour of the show that has defined American comedy since 1975. But while most viewers have never heard of him, he has spent 50 years setting the scenes for the show’s most memorable moments.And now he is done. DeMaria, known as “Demo” in the shop, retired after the 50th season finale, May 17. The day before, the white-haired, 87-year-old carpenter was leaning over his drafting table, inspecting blueprints and fiddling with the No. 2 pencil usually found behind his ear. For DeMaria and his crew, the show had already begun.Stiegelbauer Associates Inc. is a cross between a shop class and a late-night museum: A Rainbow Room marquee hangs above a workbench; a leftover airplane set sits plastic-wrapped; photos of past sets installed in the show’s Studio 8H are framed on every wall.During show weeks, sets are assembled all over the shop by an eclectic crew of craftspeople, many of whom have worked on “S.N.L.” for decades. As the foreman, DeMaria coordinates the teams assigned to build the sets designed at 30 Rock. Then he oversees the construction, moseying through the shop and kicking up sawdust with his cane as he checks in at the workstations.The cane was the result of an injury he suffered at an end-of-season celebration last year: After a night of tearing up the dance floor, he fell off a curb and broke his hip.“The best time of my life is the ‘S.N.L.’ parties,” he said. “I’ll be on the dance floor when I get there, and I won’t leave until 5 in the morning.” His favorite, he said, was the 2012 end-of-season party, after an episode hosted by Mick Jagger. “He was dancing all over the studio, so I got involved,” DeMaria recalled. “I was dancing with Mick Jagger!”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Documentary Series Goes Inside Trump’s Bubble

    Advance episodes of “Art of the Surge” offer a rare behind-the-scenes look at the adulatory environment in which Mr. Trump has moved since regaining power.A few weeks after winning the election, President-elect Donald J. Trump found himself face-to-face with Gov. Wes Moore of Maryland, a rising star in the Democratic Party, as the two men made their way through the bowels of Northwest Stadium in Landover, Md., to watch the annual Army-Navy game.The governor greeted him effusively.“Mr. President, welcome back to Maryland, sir, welcome back to Maryland!” Mr. Moore said. “Great to see you, great to see you, great to have you back here.”“You’re a good-looking guy,” Mr. Trump observed.“We are very, very anxious to be able to work closely with you,” the governor added. Then he mentioned the ongoing efforts to rebuild the Francis Scott Key Bridge outside Baltimore, which had collapsed that March.This chummy encounter was captured on camera for a documentary series called “Art of the Surge,” now streaming on Fox Nation, which provides a rare behind-the-scenes look at the adulatory environment in which Mr. Trump has moved since regaining power. The series gives a sense of how much he is enveloped by people eager to stroke his ego and get in his good graces — including some unexpected figures, according to advance episodes viewed by The New York Times.A still image from video footage of Gov. Wes Moore of Maryland greeting President-elect Donald J. Trump at the Army-Navy football game in December 2024.Art of the SurgeAt one point, inside the V.I.P. box at the football game, Brian Grazer, a top Hollywood producer, gets his photo taken with the president-elect and confides to those in the room that he cast his ballot for the Republican.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘The Secret Lives of Mormon Wives’ Keeps Pushing Back TV’s Fourth Wall

    Reality TV had long advised casts to pretend the cameras (and producers) weren’t there. But for the Mormon influencers of MomTok, the business of being on camera is central to the plot.The women of MomTok, the 20- and 30-something Mormon influencers who make up the cast of Hulu’s “The Secret Lives of Mormon Wives,” built their livelihood on upsetting codes of conduct.The series’s first season was birthed in the wake of a “soft swinging” scandal involving some of its couples. A few of the cast members drink alcohol. Some abstain in keeping with the Church’s doctrine, but interpret its teachings on ketamine use more loosely.In the show’s second season, which finished airing this month, the group routinely flouted what, in eras past, had been a cardinal rule of reality TV: Don’t break the fourth wall.“It’s not a shock that I was a fan favorite,” Demi Engemann pointedly told her MomTok peers in Episode 6. The group had just learned she tried to persuade producers to kick off her co-star Jessi Ngatikaura to secure a higher contract for this season. “I feel like I’m an asset, I should fight for more.”That prompted Taylor Frankie Paul, the unofficial founder of MomTok, to push back about her own negotiations over the very show on which they were appearing.“I’m the that one that’s actually struggling because I’m open to the [expletive] world,” she said. “If anyone deserves to be paid more it’s me and I’ve never even asked for that.”

    @secretlivesonhulu The girls are fightinggg 🫣 #TheSecretLivesOfMormonWives ♬ original sound – secretlivesonhulu We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Late Night Revels in Trump and Musk’s Public Feud

    Stephen Colbert indulged in schadenfreude as he described the back-and-forth as a “full-scale flame war” between “the world’s most famous besties.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Up in FlamesPresident Donald Trump addressed Elon Musk’s comments about his policy bill on Thursday while appearing alongside the chancellor of Germany. Trump expressed disappointment in the Tesla chief, stating that Musk was upset about the absence of a mandate for electric vehicles.Stephen Colbert described the back-and-forth as a “full-scale flame war” between “the world’s most famous besties.”“So now Donald Trump is a Tesla owner who hates Elon Musk? He’s never been more relatable.” — STEPHEN COLBERTTrump stoked the flames on social media, writing that Musk “went crazy” when he was asked to leave the White House.“Just so we’re clear, Trump thinks everything Elon did before this was not crazy?” — JIMMY FALLON“I can’t believe their relationship fell apart this fast. I mean, a week ago they were all over each other like Timothée Chalamet and Kylie Jenner at a Knicks game.” — JIMMY FALLON“But Trump didn’t stop there. He also said that the easiest way for the country to save money would be to terminate all of Elon Musk’s government contracts. Smart, now the future of space exploration rests on Katy Perry.” — JIMMY FALLON“Elon’s government contracts can’t be worth that much. Oh, it’s $6.3 billion last year? Elon, you idiot. This is why you always sign a prenup.” — MICHAEL KOSTA“Meanwhile, Elon’s, like, ‘Come on, man, don’t do this. I have 100 kids to feed.’” — JIMMY FALLON“Trump said he’s very disappointed in Elon because he has ‘helped him a lot.’ Trump was, like, ‘[imitating Trump] Just last year, I let him give me $300 million, and he didn’t even say thank you.’” — JIMMY FALLONOn X, Musk dropped what he called “the really big bomb,” alleging that the president has not released the Jeffrey Epstein files because he is named in them.“I feel bad for Donald Trump. I mean, first, he lost Jeffrey Epstein, now, Elon. He’s running out of friends.” — JIMMY KIMMEL“Trump’s going to have to get one of those bumper stickers for his Tesla that says ‘I bought this before Elon told everyone I was on Epstein’s plane.’” — STEPHEN COLBERTWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘And Just Like That …’ Season 3, Episode 2 Recap: Textual Relations

    Carrie’s long-distance “situationship” with Aidan becomes frustrating in ways she didn’t anticipate.Season 3, Episode 2: ‘The Rat Race’Here in the real world, it’s a common refrain from single people that dating apps are as tired as the tiramisu Seema’s date orders for her without asking. Everyone is sick of the swiping, the ghosting and the serial situationships. The virtual-first connections that seem essential to dating in 2025 have never played a major role in the “Sex and the City” franchise, mostly because the majority of this decades-spanning story has predated all that.But Carrie’s former neighbor Lisette (Katerina Tannenbaum) shows up at the beginning of Episode 2 to reflect that cultural shift, lamenting to Carrie that, as a single woman of today, she is mostly in a relationship with her phone. Turns out, throwing it across a room may be a more effective way of it helping you meet someone.Some of the characters, though, regardless of age, are no better than Lisette when it comes to phone addiction.Starting with our star, Carrie is in something of a love-hate relationship with texting Aidan. Now that Aidan has cracked the communication door ajar, Carrie feels slightly more empowered to reach out to her “boyfriend.” (I insist on putting that in quotes because while Carrie may use that word to refer to Aidan, at this point, I simply refuse.)First, Carrie drafts a long, meandering voice text to Aidan about a newly-discovered rat infestation in her garden, but she deletes it before sending. Considering Aidan’s request for no contact (or at least very limited contact), she determines it is best to leave him alone.But without any such regard for the rules he set himself, Aidan lights his no-contact contract on fire with a surprise appearance at Carrie’s Gramercy townhouse, to her delight.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Màkari’ Is a Sun-Dappled Italian Mystery

    Set in Sicily, this sumptuous series, based on books by Gaetano Savatteri, is like a leisurely day at the beach, but with murders.Domenico Centamore, left, and Claudio Gioè, in a scene from Season 3 of “Màkari.”MHz ChoiceOne of TV’s most reliable food groups is the light mystery set in a sumptuous locale populated by eccentric townspeople. The Italian series “Màkari” (in Italian, with subtitles) is a hearty serving, with plenty of Sicilian vistas and pastas to go around. Season 1 is available on Amazon, MHz Choice and the Roku Channel; Season 2 and the recently released Season 3 are on only MHz Choice.Our hero here is Saverio (Claudio Gioè), a former government employee who slinks from Rome back to Sicily, where he hopes to find enough inspiration to write his novel. Boy, does he! Mishaps and misdeeds abound, as does town gossip. Murder, he wrote, as people divulge all kinds of secrets. They occasionally balk at Saverio’s interview requests only to be won over by his earnest curiosity — or by his persuasive flattery. A character in a novel based on little old me? Well, now that you mention it. …The show is based on a series of books by Gaetano Savatteri and comes from some of the same writers as “Detective Montalbano,” which is also set in Sicily and has a similar aesthetic. Technically, Saverio is not a detective and thus does not have a partner. Practically, he totally is, and his partner is the excitable Peppe Piccionello (Domenico Centamore), who ropes him into schemes and side gigs and frequently offers philosophical musings and sauce-making guidance. Saverio also immediately strikes up a romance with a local waitress (Ester Pantano), though his reputation as a womanizer precedes him.“Màkari” is not quite as snappy as the Caribbean-set British procedural “Death in Paradise,” but it follows in that show’s sandy footsteps. As in “Paradise,” it’s best for both the show and the viewer not to dwell too much on the loss of human life but instead to revel in those gem-blue waters and clever deductions. “Màkari” has all the requisite real estate porn and some jazzy cars, too; every rock is sun-dappled, every table set with stylish yet unfussy serving ware. Let’s brainstorm theories of the crime while bobbing romantically in the ocean, why don’t we.There’s a languid ease to everything here, a comfy absence of real tension, and even the pace of the installments is relaxed. Although there are only four per season, each is just under two hours long, which can feel leisurely, a way to unlearn one’s internal “Law & Order” clock of when suspects should be confessing. More

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    ‘Love Island’ Contestant Yulissa Escobar Leaves Show After Racist Comments Surface

    Yulissa Escobar, 27, was abruptly dropped during Episode 2 after clips of her using a slur in a podcast were resurfaced. The season’s debut week also saw tech issues.“Love Island USA,” the reality dating show that sends singles to an island villa to pair up in hopes of winning a cash prize, is known and often appreciated for its messy plots onscreen. But this week, as Season 7 of the show premiered, most of the chaos took place offscreen. Some offscreen drama also reached the show’s predecessor, “Love Island UK.”Contestant Dismissed for Racial SlursFor starters, one of the contestants, Yulissa Escobar, was summarily dropped from the show after video recordings of her repeatedly using a racial slur in a podcast interview were dug up by online sleuths and then reported by TMZ.The clips created an uproar among fans online before the premiere on Tuesday, but the series is aired with a one- or two-day delay, and Escobar, a 27-year-old Cuban American from Miami, still appeared in the first episode.Before the premiere, fans were vowing on X and TikTok to vote Escobar off the show as soon as they had the opportunity. On the first night of the show, Escobar was also criticized by some viewers for wearing an outfit that they deemed appropriative of Chinese culture and using chopsticks to pin up her hair. At about the 18-minute mark of the second episode, which was shown on Wednesday, the narrator, Iain Stirling, abruptly announced that “Yulissa has left the villa.” She had been paired with Ace Greene, and later in the episode Stirling noted that Greene was single.Escobar could not immediately be reached for comment. Ryan McCormick, a spokesman for Peacock, which streams the show, declined to comment on why the producers had removed her.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Stephen Colbert Wonders if Elon Musk’s Ketamine Has Worn Off

    It’s the only explanation the “Late Show” host can think of for the tech mogul’s apparent disenchantment with the Trump administration.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘I Have How Many Children?’The hosts got more monologue material on Wednesday from the presumed tensions between President Trump and Elon Musk, after the tech mogul and recently departed D.O.G.E. chief criticized Trump’s policy bill.“Apparently, the ketamine has worn off,” Stephen Colbert said.“That’s got to be a hell of a hangover. ‘[imitating Musk] Oh, my god. I spent $300 million to elect who? I have how many children? That can’t be their names.’” — STEPHEN COLBERT“I’m starting to worry that two narcissistic megalomaniacs with a total inability to see value in other humans might have a hard time making friends.” — STEPHEN COLBERT“Musk was reportedly ‘butthurt’ — and yes, they did use that word, it is a quote — about some of the stuff that’s in the bill. Usually when Elon’s butt hurts, it’s because of all the drugs he is trying to smuggle through White House security.” — JIMMY KIMMEL“I keep waiting to see Musk on a one-way SpaceX to El Salvador.” — JIMMY KIMMEL“‘I hear he is furious’ is the safest bet anyone could make when describing Donald Trump’s reaction to criticism. Let me know when someone says, ‘Insiders reporting that Donald Trump looking inward; reflecting on what role he may have played in turning his friend against him.’” — SETH MEYERSThe Punchiest Punchlines (The Fine Print Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More