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      Richard Chamberlain Was a Mega Star in TV Mini-Series ‘The Thorn Birds’ and ‘Shogun’

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      The actor, who died at 90, was the most compelling face of a maximalist, soapy television era.When mini-series ruled prime time, their maxi-est star was Richard Chamberlain.Today we call them “limited series.” But in their 20th-century heyday, under another inapt diminutive, mini-series were the megafauna of TV, lavish events that achieved the kind of cinematic spectacle that was otherwise rare in living-room entertainment of the time. They were TV specials that made TV special.In the 1970s and 1980s, a number of mini-series — “Roots,” “The Winds of War,” “Lonesome Dove” — dominated the conversation and minted stars. But perhaps no other actor is more closely associated with the genre than Chamberlain, who died on Saturday at 90, because of his star-making, swoon-worthy, emotive roles in “Shogun” and “The Thorn Birds.”I was young when Chamberlain’s mini-series aired, and “Dr. Kildare,” the 1960s medical series that established him as a heartthrob, was before my time. But his landmark roles helped form my ideas of what TV could do, and what a TV star was.His mini-series were luxury liners and time machines, whisking audiences to other lands and ages in a way that workaday series couldn’t. In “Shogun,” Chamberlain played John Blackthorne, an English navigator taken prisoner in feudal Japan; in the melodrama “The Thorn Birds,” his priest, Father Ralph de Bricassart, wrestled with his forbidden love for a young woman from an Australian sheep ranching family.Locations and budgets helped shape the experience, of course, but so did Chamberlain’s screen presence. A Shakespearean actor in between TV roles, he was able to make the manners of decades or centuries before feel warm-blooded and lived-in. He was dignified enough to carry the stories’ grandeur, expressive enough to put them over as the finest grade of pulp.Though he was a signature star of the 1980s, Chamberlain’s appeal was in a way a holdover of the 1960s and 1970s. He was emotive, with fine features that made a beautiful canvas for fervor and anguish and longing. He could rage and burst with passion, but his appeal was a different mold from the kind of beefy masculinity that would define the 1980s screen celebrity of Stallone and Schwarzenegger.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘S.N.L’: Live From New York, It’s More Military Secrets.

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      Mikey Madison hosts and Luigi Mangione, Squidward and Ashton Hall make appearances.There was no uncertainty as to whether “Saturday Night Live” would offer its own satirical take on the news that Defense Secretary Pete Hegseth had disclosed attack plans for a U.S. strike on Houthi militia fighters in Yemen during a text chat that mistakenly included the editor in chief of The Atlantic, Jeffrey Goldberg. It was only a question of how “S.N.L.” would do it.This weekend’s opening sketch featured the cast members Ego Nwodim and Sarah Sherman, as well as the guest host, Mikey Madison, as teenage girls whose group chat was interrupted by an unexpected message, read aloud by Andrew Dismukes: “FYI: Green light on Yemen raid!” he exclaimed.Dismukes, as Hegseth, continued to recite the texts he was sending (“Tomahawks airborne 15 minutes ago”) along with the emojis he was using for punctuation (“Flag emoji, fire emoji, eggplant”).“Do we know you, bro?” Madison asked. “This is Jennabelle.”“Oh, nice,” Dismukes replied. “Jennabelle from Defense, right?”Warned by Nwodim that he was in the wrong group text, Dismukes answered, “LOLOLOL could you imagine if that actually happened? Homer disappear into bush GIF.” He added that he was “sending a PDF with updated locations of all our nuclear submarines.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Maryland’s Kermit the Frog Commencement Choice Gets Mixed Reaction From Students

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      The University of Maryland says it is honoring Jim Henson, an alumnus, with its choice of commencement speaker. Some students think it is avoiding “real issues.”Andrew Thompson, a senior at the University of Maryland, woke up on Wednesday to the news that his commencement speaker would not be a politician, tech executive or astronaut.Rather, he would be sent off into the work force by a cheery, fleece puppet the color of pea shoots: the “Muppet Show” star Kermit the Frog.That was great news for some students, who have already started calling the May graduation ceremony their “Ker-mencement.” Still, Mr. Thompson said that he and his roommates felt deflated. He didn’t want to sound ungrateful, but he couldn’t see why he was supposed to listen to life advice from a fictional character.“It’s a little silly, having a puppet as a commencement speaker,” said Mr. Thompson, 22, a mechanical engineering major.Perhaps silly was the point. Last spring, school after school struggled to keep their commencements from careening into controversial territory. The University of Southern California and Columbia University canceled their main-stage graduation ceremonies amid campus protests over Israel’s war in Gaza. An N.F.L. kicker dived into gender politics in a speech at Benedictine College in Kansas. And a university in Buffalo, N.Y., outsourced its commencement speech to an A.I. robot named Sophia.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Yellowjackets’ Season 3, Episode 8 Recap: ‘Eat It’

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      A familiar face comes back into the picture, but it’s a face with a different name. And questionable motives.Season 3, Episode 8: ‘A Normal, Boring Life’This week, we tackle what the question of a “normal” life looks like for a Yellowjacket. Meet Adult Melissa, otherwise known as Kelly, played by Hilary Swank.Adult Melissa thinks she has it pretty good. How did she achieve this? First, she faked her own death and changed her name. Then she married Hannah’s daughter, whom she ended up falling in love with despite initially semi-stalking her to make sure she was safe. Now, they have a kid, go to church and live in a house with a cheesy sign that says, “The Kitchen Is the Heart of the Family.” She still likes to wear backward baseball caps.Melissa-slash-Kelly believes that she is pretty well-adjusted despite it all, and compared to Shauna, who broke into her home to kill her wife, she certainly seems to be. In order to move forward, Melissa erased the past, started completely fresh. And when the past came back to haunt her, she decided to exorcise it again. That’s why she sent the tape to Shauna after she learned about Adult Natalie’s death. It wasn’t, she says, a threat. It was a way to absolve herself, to keep the guilt at bay.Shauna doesn’t necessarily believe that, and I’m not sure I do either. Melissa is almost a little too at ease with her transformation. But sitting across the table from each other, these former lovers seem like polar opposites. Shauna is jittery and paranoid, constantly thinking someone is out to get her; Melissa is calm, just wanting to maintain the peaceful existence she fought hard to create for herself.Their dynamic in the present day is mirrored by the fracture we see in the ’90s story line this episode. With the arrival of Hannah and Kodiak, some of the Yellowjackets are thrilled to be heading home, dreaming of the “normal” lives they’ll have when they get back to civilization. Meanwhile, another camp is, perhaps rightly, unsure that normalcy will ever be an option.All of this is brought into stark relief during a sequence set to Supergrass’s “Alright,” which has the jaunty lyrics “We are young, we run green, keep our teeth nice and clean.” (You might know it best from the “Clueless” soundtrack.) As the song plays, we see how some of the girls fantasize about the creature comforts they’ve been missing. Mari’s water bottle turns into a Slurpee. Misty imagines sitting on a toilet and using real toilet paper. Van falls into a fluffy bed.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Through Tears, ‘Mid-Century Modern’ Makes Them Laugh

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      On an evening in mid-January, there were bouquets piled outside of Linda Lavin’s trailer on the Disney lot in Burbank, Calif. Nearby, on a soundstage, a black ribbon was wrapped around her caricature.Lavin had died on Dec. 29, at age 87. Now the creators and cast of “Mid-Century Modern,” a Hulu sitcom that shoots in front of a live studio audience, had returned to work to honor her. That night, they would film a half-hour episode designed to pay tribute to her character, Sibyl Schneiderman, while also eulogizing an actress with an outstanding seven-decade career.That was hard enough. Even harder: They had to make it funny.“The job is to make sure it doesn’t get too sad and too sentimental,” said James Burrows, the multicamera-sitcom legend who directed the episode. “You have to remember it’s a comedy, and you’ve got to make the audience laugh.”I had reached out to the sitcom’s creators back in the fall. A new sitcom set among gay men in later life — think “Golden Girls” for the marriage equality set — it sounded like a hoot. It also offered a chance to explore how depictions of queer relationships have changed since the 1990s.But when Lavin died unexpectedly after most of the season had been shot, an irreverent sitcom with an impressive zingers-per-minute rate suddenly had to pivot. So the reporting assignment pivoted, too. (All 10 episodes arrived on Friday.)The ensemble of “Mid-Century Modern” played a group of gay men living in Palm Springs, Calif., with the mother of Lane’s character, played by Lavin.Chris Haston/DisneyWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jimmy Kimmel Updates the Never-Ending Story of the Signal Leak

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      “There are many books and stories to come,” Kimmel said of the Trump administration’s leaky-group-chat scandal, comparing it to the Harry Potter saga.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Incredibly TransparentThe Trump administration’s high-level Signal group chat to which a journalist was somehow invited continued to dominate late night on Thursday.Jimmy Kimmel called the scandal “the never-ending story” and compared it to the Harry Potter saga, saying, “There are many books and stories to come.” News outlets found some of the key players’ personal information online, including the Venmo contacts of Michael Waltz, the national security adviser.“You know how some people feel the need to share their Venmo transactions with everyone they know? Michael Waltz is one of them. He shares his name, there’s a picture of him, and all of his contacts up on Venmo. Even Matt Gaetz was, like, ‘How could you be so careless?’” — JIMMY KIMMEL“And security issues aside, isn’t it a little bit disturbing that a guy overseeing our national defense, our weapons — our nuclear weapons — is still in the ‘Dude, you owe me $14 for tacos’ phase of his life?” — JIMMY KIMMEL“He’s Venmo-ing his doctor? My man, if your doctor takes Venmo, that ain’t a doctor.” — STEPHEN COLBERT“This story won’t be going away anytime soon, because Mike Waltz has made a key strategic error: being an idiot everywhere at all times.” — STEPHEN COLBERT“Because of how incredibly sloppy they are, a German newspaper, Der Spiegel, was able to find personal email addresses, phone numbers and passwords — some of which seem to be still in use — for Mike Waltz, Tulsi Gabbard and Pete Hegseth. What a group. We have a national security adviser who doesn’t know how to secure, a defensive secretary of defense, a pro-measles secretary of health, and a secretary of education who wants to close the Department of Education.” — JIMMY KIMMEL“White House press secretary Karoline Leavitt, she’s standing firm. She said today the administration has been ‘incredibly transparent about this entire situation.’ Yeah, that’s the problem — they’ve been so transparent, we’ve seen all their information.” — JIMMY KIMMEL“Pete Hegseth and Mike Waltz have said and done so many stupid things this week, Trump might have to start calling them Eric and Don Jr.” — JIMMY KIMMELThe Punchiest Punchlines (McRib Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Fight for Glory’ Is an Ecstatic Treat

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      This three-part documentary about the 2024 World Series has an interesting task: Retell a story that is already pretty good and pretty legible.A lot of TV sports documentaries in the post-“Drive to Survive” world take a broad, rudimentary and personality-driven approach: Make the sport welcoming to new viewers, and give extant fans new access to their faves. After “The Last Dance,” we also got a wave of sit-down interviews and ostensible introspection — the stories behind the story.“Fight for Glory: 2024 World Series,” a three-part documentary that arrives Friday, on Apple TV+, is playing a different game.This mini-series, directed by R.J. Cutler (“The September Issue,” “Martha”), is almost all on the field. Rather than cutting away to seated talking-head interviews, the additional intel and commentary is delivered in voice-over, while the camera stays on the game. Only a few players get any back story, and only one, the Dodgers’ Freddie Freeman, drives the emotional arc of the show.“Glory” has an interesting task, which is to retell a story that is already a pretty good, pretty legible story without the documentary. Championships have built-in stakes; the Yankees and the Dodgers are internationally known legacy franchises; many of the players here are already huge, huge stars; and some of the contextualizing footage is from news conferences. There is no excavation of the unknown. The games have been played.Instead, “Glory” is a distillation, an ecstatic highlighting of highlights in their most alluring form. Sure, there’s a brief interlude about the battle between a batter and a pitcher, but that takes all of one at-bat. The hero here is home runs, and not just any home runs but grand slams — and not just any grand slams but a walk-off grand slam from Freeman, the World Series M.V.P.The Yankees fan in me was of course writhing in agony while I watched this. But the sports hedonist in me was dancing a jig. Just the good parts, please, and make them extra good. Never let me go more than a few minutes without hearing the crack of a bat and the roar of a crowd — a Yankee Stadium crowd, when possible. Feature only super-duper fans, and show them only losing their minds. Replay the injuries in slow motion. Frame the errors as egregious and the homers as a symbol of processing personal tragedy. Show us some loving families so that we may experience their joy as well. Take us all out to the ballgame, why don’t you. More

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      Late Night Can’t Quit the Group Chat

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      “This operation was about as secretive as a Fortnite Twitch stream,” Jimmy Kimmel said of U.S. officials’ leaked discussion of a plan to attack Yemen.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.War Plans or Nah?On Wednesday, The Atlantic published more material from the Signal group chat in which Defense Secretary Pete Hegseth and other officials discussed an imminent attack on Yemen, unaware that The Atlantic’s editor had been added to the group.Jimmy Kimmel called it the “‘Oops, who did I add to this text chain?’ heard ’round the world.” President Trump and others in his administration have denied that the details shared in the chat amounted to “war plans.” “Let’s see. ‘F-18’s launch.’ ‘Target terrorist.’ ‘Strike drones launch.’ ‘More F-18s launch!’ ‘First bombs will definitely drop.’ ‘First sea-based Tomahawks launched.’ Now, I’m not an expert on war — these don’t seem like peace plans to me.” — JIMMY KIMMEL“This operation was about as secretive as a Fortnite Twitch stream, OK?” — JIMMY KIMMEL“Who could have ever guessed that the host of ‘Weekend Fox and Friends’ would be bad at running the military?” — JIMMY KIMMEL“I mean, imagine how lifelong military professionals must feel. If this was the ’90s, this would be like suddenly having to take orders from Kathie Lee.” — JIMMY KIMMEL“Thank God we got rid of D.E.I. Now you can rest assured that the idiots in charge were not chosen for their race or gender. They were chosen purely based on being idiots.” — JIMMY KIMMELThe Punchiest Punchlines (Declassified Edition)“This is an unprecedented failure of national security protocols and a grotesque disregard of the safety of American service members. Or, as Donald Trump would say: ‘No it isn’t.’” — STEPHEN COLBERT“One defense official said, ‘It is safe to say that anybody in uniform would be court-martialed for this. My most junior analysts know not to do this.’ Yes, everyone understands this. The characters in ‘Fight Club’ understand this. It’s why the first rule of ‘Fight Club’ is ‘Don’t send out an e-vite for Fight Club.’” — STEPHEN COLBERTWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More