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      ‘Hello Tomorrow!’ Review: It’s Only a Paper Moon

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      This comedy about hustlers selling lunar condos launches with visual pizazz. The emotions take longer to land.“The moon belongs to everyone,” declared “The Best Things in Life Are Free.” This was an easy enough sentiment to sing in 1927, before anybody planted a flag up there.In “Hello Tomorrow!,” a 10-episode comedy starting Friday on Apple TV+, Jack Billings (Billy Crudup), a traveling real-estate salesman, would like to offer you different terms. The moon, or at least a piece of it, can be yours for zero down and $150 a month, courtesy of Brightside Lunar Residences. Just don’t look too closely at the fine print.Is he selling a chance at a better life, or just a load of green cheese? What’s striking is not only how well Jack, with his spit-shined zeal, sells his earthbound customers on his blue-sky pitch; it’s how deeply he believes himself. “Hello Tomorrow!” spins out a galaxy of deceptions both personal and professional, devised by Jack and those around him, to show how the most powerful and important lies are the ones you tell yourself.The first thing that catches your eye about “Hello Tomorrow!” is, well, everything. While its conflicts are familiar — too much so, at times — it is visually unlike anything you’ve seen on TV outside “The Jetsons.” The creators, Amit Bhalla and Lucas Jansen, have conceived an alternative, future-past Earth that looks like an illustrator was hired to design a space-themed malt-shop menu in 1955 and got hopped up on bennies.Tin-can robots in avocado green and goldenrod yellow float about serving drinks and spraying shrubbery. Deliveries arrive to ticky-tacky suburban houses in a hover-van “driven” by a cartoon-video bird. A paperboy pulls a wagon that shoots today’s news out of pneumatic cannons.Some things haven’t changed, however: Money is still green and foldable and the source of heartache. The rich still get richer, and now they also have the moon as a luxury playground. To everyone else it’s a taunt, one more shiny thing that someone else gets to touch.The opening scene plays like a Buck Rogers burlesque of the “Mad Men” pilot. Jack sidles up to a miserable barfly (Michael Harney) and fires up his pitch, producing a rock from his pocket that he says came all the way from the lunar Sea of Serenity. “Wow,” his mark says. “That,” answers Jack, “is the one word none of us can live without.”From left, Dewshane Williams, Nicholas Podany and Hank Azaria play Jack’s sales team.Apple TV+Jack himself leads a distinctly wow-less life, as do his sales associates. Eddie (Hank Azaria) is an unlucky gambler who believes that “desperation is a salesman’s greatest asset.” Herb (Dewshane Williams) is an anxious expectant father of twins. Shirley (Haneefah Wood), Jack’s right-hand woman, sees through his upbeat blarney but is herself cheating on her husband with Eddie.Jack’s own personal secret is Don Draper-sized: He abandoned his wife and baby years ago. When a tragedy brings Jack to his old hometown, he longs to reconnect with his now-grown son, Joey (Nicholas Podany), the only way he knows how: deceitfully, by offering Joey a sales job without identifying himself as Joey’s father. That lie, and the questionable machinations of the moon-condo business, are the twin nuclear reactors that power the first season.“Hello Tomorrow!” is a hell of a looker. Its midcentury-modern version of steampunk — chromepunk? — is packed with analog-tech wonders like self-popping popcorn buckets at a ballgame. But the early episodes left me wondering if there was anything behind its polished facade.“Pleasantville”-style spoofs of 1950s suburbia have been done to death. The society of “Hello Tomorrow!” is not exactly Eisenhower-era America; on the one hand, it’s casually racially integrated, but on the other, women still hold pre-Betty Friedan housewife roles. There are vague references to a past “war” and hints that automation has cost some people their jobs and purpose, but no explanation of how technology has made the world so small while leaving America so homogeneous.In general, “Hello Tomorrow!” breezes past the world-building, hoping, not unlike Jack, that you’ll get too caught up in the pretty pictures to worry about the details. And damned if it doesn’t work, some of the time.Crudup is marvelously cast, letting Jack’s inner aches occasionally slip past his practiced smile. (Among a slew of quirky supporting performances, Susan Heyward is an absolute pip as Herb’s shrewd wife, Betty.) The season builds screwball momentum as Jack and company try to outrun the consequences of their choices.But the series is so stylized, not just in the design but also in the performances and the “Guys and Dolls” dialogue, that the characters often feel cartoony and unconvincing. Alison Pill, as a customer determined to expose Jack as a fraud, is like a black-and-white floor-wax commercial come to life. The sales staff’s various personal conflicts are weightless and one-note.Alison Pill stars as a customer convinced that Jack is a fraud.Apple TV+What is thoroughly, achingly real is the pervasive theme of lies and why people tell them. Falsehoods are an effective plot engine, of course, but here they are also about character; they’re the sad, sleazy cousins of wishes.The deeper you get into Jack’s business and personal deceptions, the more you realize that every character here — even the most upright — is lying to someone, or to themselves, in the sad belief that voicing the lie can somehow make it true. Underneath the show’s sleek shine is a story of beat-up dreamers trying to convince themselves that, with one lucky break, they might lasso the moon.You could ask whether they might be better off being honest with themselves, just as you could ask whether Jack couldn’t make a simpler living by selling some nice encyclopedias. But “Hello Tomorrow!” suggests that deceptions, self- and otherwise, are the rocket fuel that keeps us moving through an otherwise indifferent universe. “What’s life without a dream to make it go down easy?” Jack asks. It’s the oldest story under the sun. More

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      Jason Alexander Will Direct a Comedy on Broadway This Summer

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      “The Cottage,” written by Sandy Rustin, will star Eric McCormack, Laura Bell Bundy and Lilli Cooper.“The Cottage,” a farce inspired by and also sending up the work of Noël Coward, will come to Broadway this summer in a new production directed by the “Seinfeld” alum Jason Alexander.The play, which has had several productions in small theaters over the last decade, will star Eric McCormack (“Will & Grace”), Laura Bell Bundy (“Legally Blonde”) and Lilli Cooper (“Tootsie”).“The Cottage” is a British farce by an American writer, Sandy Rustin, whose murder mystery drama, “Clue” (adapted from the board-game-based film), is now among the most-produced plays in the United States.Set in England in 1923, the comedy is set off by the revelation of an extramarital affair that brings a group of interconnected people together at a country house.It was first staged in 2013 at the Astoria Performing Arts Center in Queens, and has since had productions in Massachusetts, Arizona, Colorado, Virginia, and Florida, as well as on Long Island, and it has been optioned for television.Alexander directed a reading of the play in 2016 and led a developmental workshop in 2017. This production will be his Broadway directing debut, but he has appeared on Broadway in six shows and won a Tony Award for starring in “Jerome Robbins’ Broadway.”“The Cottage” is scheduled to begin performances July 7 at the Hayes Theater, with the opening scheduled for July 24. It is a commercial production, renting space from a nonprofit; the lead producers are Victoria Lang and Ryan Bogner, who last collaborated on the stage adaptation of “The Kite Runner” that ran on Broadway last year.This summer is shaping up to be an unusually busy one for Broadway: “The Cottage” is the fifth show to announce a summer opening thus far, joining the musicals “Back to the Future,” “Here Lies Love” and “Once Upon a One More Time” and the play “Purlie Victorious.” More

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      ‘Party Down’ Is Back. Did You R.S.V.P.?

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      The invitations have been sent, the appetizers plated, the bottles opened. Rows of glasses gleam like baby stars. And somewhere, on the fringes of the celebration, a cater waiter is about to do something very wrong.This was the template of “Party Down,” a Starz comedy that ran for two 10-episode seasons, debuting in the spring of 2009. Canceled just as critics and niche audiences were beginning to catch on, the show followed the disaffected employees of a mid-tier catering company as they moved from party to party, one per episode, filching booze, seducing guests, snorting coke,  flirting with Nazism and accidentally poisoning George Takei.The original 20 episodes never included a surprise party. But get your streamers and party blowers ready. Because in a surprise to just about everyone — most likely including the folks at Nielsen, who once awarded the show’s finale a 0.0 rating among 18- to 49-year-olds — “Party Down” is back. A six-episode revival will premiere on Starz on Feb. 24, with new episodes arriving weekly.Martin Starr, a returning cast member, seemed to genuinely marvel at the development.“This was the only show I’ve worked on where people came to work when they weren’t working,” he said in a group video call. “It’s crazy that we get to come back and do it again.”“Truth be told,” his co-star Ken Marino said, “the reason I came back to set when I wasn’t working is I was between homes.”Starr: “I do remember you were finding places to go to the bathroom that maybe didn’t have your name.”Marino: “I still do. I’m going to the bathroom right now.”Is this the same “Party Down” that failed to dominate cable television over a dozen years ago? Mostly. The show’s original creators, John Enbom, Dan Etheridge, Rob Thomas and Paul Rudd, remain, as executive producers, and Enbom oversees a small staff of writers. The party-a-week structure also endures, as does the original cast — with the exception, based on the five episodes provided in advance, of Lizzy Caplan.In the revival, all of the original main characters (except for Casey, played by Lizzy Caplan, not pictured) are either pulled back into cater waiting or never stopped. Starz“All of us, for the entire 13 years since we stopped shooting the show, all we wanted to do is make more ‘Party Down,’” the show’s lead, Adam Scott (“Parks and Recreation,” “Severance”), said in a separate interview last month. “We all would have been there for free.”But the world has changed in the dozen or so years since the original run was canceled. So have the actors. Unknowns or barely knowns when the show debuted, most have since become household names. (The others? Depends on the household.) And they’ve all seen the current crop of disappointing reboots and reprises. “Party Down” could just be the rare show to get it right, mixing the perfect cocktail of star power, nostalgia, growth and gags.Then again, the characters never put a lot of muscle into bartending. So here’s a Zen koan for a deeply un-Zen show: Can you throw the same party twice?Are we having fun yet?The first run of “Party Down” was both structural marvel and joke spectacular. Each episode was simultaneously a workplace comedy, a hangout comedy and a procedural — a sitcom that never sat down. The celebrations it featured — birthdays, after parties — typically bordered the entertainment industry and nearly all of the cater waiters harbored industry dreams of their own.Those dreams eluded them, which fueled the philosophical inquiry at the show’s center.“What we were asking was: How long do you chase the dream?” Thomas, one of the creators, said. “When do you grow up? When do you quit banging your head against the wall?”The “Party Down” staff are all trying to make it, as actors, screenwriters and comedians. (Marino’s Ron, the manager, has a different dream: a Soup ’R Crackers franchise.) Only Henry (Scott), who has traded beer-commercial celebrity for free-floating despair, has opted out. The actors were trying back then to make it, too. None of the original cast — Caplan, Ryan Hansen, Jane Lynch, Marino, Scott, Starr — were anything like famous when the show began. Acting in a comedy about the entertainment industry’s has-beens, also-rans and never-wills resonated with the cast, sometimes uncomfortably.“It felt so close to home, this show, because I felt like I could be a caterer the next day easily,” Hansen said.Scott, who at the time had yet to play a lead, then shared that sense of career tenuousness. The cast felt deeply connected to the show in those first seasons, he said, and protective of it. “We just wanted to do it forever, because it made us feel better,” he said. “It really did.”“All of us, for the entire 13 years since we stopped shooting the show, all we wanted to do is make more ‘Party Down,’” Scott, fourth from left, said.Chantal Anderson for The New York TimesThe salaries, though small, kept a few of the actors on the sunny side of financial precarity. The camaraderie helped, too. (That camaraderie remains; I had four of the actors together on a video call, and I have never heard grown men exchange so many “Love yous.”) Several actors separately compared the original shoot to summer camp.That genuine affection altered the show’s tone. Some first season episodes included “edgy” humor — gay jokes, post-racial jokes. (“It’s cringey, yeah,” Starr said.) But the creators quickly realized they didn’t need that edge. The show was sadder than that. Funnier, too. The characters are screw-ups, sure, but the show suggests that everyone is a screw-up, especially after an hour at an open bar. So maybe the best thing is to find common cause as you pass the hors d’oeuvres.“It’s about people who think that they’re going to find happiness in something out there,” Lynch said. “But what they have right in front of them is really quite sweet.”Lynch shot the first eight episodes. Then she had to leave for the Fox show “Glee.” Marino hired a stripper for her wrap party. The stripper, Lynch recalled, smelled of French fries. The show went on, with Jennifer Coolidge replacing Lynch for two episodes and Megan Mullally, the only actor who was already well-known, coming in for the final 10.The creators believed that it would keep going, even though, according to Nielsen, the Season 2 finale attracted only 74,000 viewers. Starz had other plans. Those plans didn’t involve letting the creators take the show elsewhere. “Party Down” languished.One decade, zero dinnersIf the original run argued that it’s healthier to let some dreams die, the creators and the cast could never quite manage that. There were talks, every year or so, of getting the crew back together — for a special, for a movie, for a move to another network. Friends and fans often asked Marino about it.“I was like, ‘They’re working on it,’” he said. “‘It’s going to happen! Right around the corner!’” It took him eight or nine years to accept that maybe that corner wasn’t coming.Then in 2019, Starz appointed Jeffrey Hirsch as its new president and chief executive. Thomas reached out to Hirsch and began pitching the show again. Hard. This time, Starz said yes.That was only the first hurdle. The actors had conflicts and prior commitments now. The revival was approved in the summer of 2021, with production scheduled for early 2022. Lynch was to begin rehearsing a Broadway musical. Scott was making the Apple TV+ show “Severance.” Mullally had booked a movie being shot in Idaho.Somehow a six-week window was found, even though that window involved flying Mullally to Los Angeles every weekend and back to Sun Valley by Monday.When “Party Down” debuted in 2009, none of the main cast were anything like famous.StarzIn the new season, the main cast has become more diverse, with the inclusion of two new regulars: Zoë Chao, second from left, and Tyrel Jackson Williams, far right.Starz“We could never get together for dinner for a decade,” Etheridge, a creator, said. “But when we came to shoot the show, everybody was there.”Everybody except for Caplan, who had signed onto the FX series “Fleishman Is in Trouble.” (Asked whether Caplan might make a surprise appearance in Episode 6, Starz declined to comment.) Enbom had originally structured this new season around the on-again-off-again relationship between Henry and Caplan’s Casey. He had to restructure it, adding a new character, a studio executive played by Jennifer Garner. The revival’s first episode takes time out to heckle Caplan: Casey, now a successful comedian, can’t make a crew reunion.“She’s shooting in New York,” Starr’s Roman, still an aspiring “hard sci-fi” writer, says. “Too big time for the likes of us.”There were fewer jokes in real life. Hansen tried to make light of the situation. “Listen, we get it,” he said. “She had a job, whatever. I mean, I personally turned down a Marvel movie to do ‘Party Down.’”“Tell that to everybody,” he added.But just about everyone described themselves as heartbroken, including Caplan. “If I think about it for too long, I start to cry,” she wrote in an email. She sent cupcakes to the shoot.The bow tie abidesHollywood has transformed in the years since “Party Down” first concluded, and in some ways the show has, too. Gratuitous boobs are gone now. And the catering crew, once blindingly white, has become more diverse with the inclusion of two new regulars: Sackson, a YouTube-style content creator played by Tyrel Jackson Williams, and Lucy, a chef played by Zoë Chao who styles herself as a “food artist.”Yet, the sweet-sour, slightly funky flavor of “Party Down” — like a margarita made with off-brand liquor — is mostly unaltered. This seems to be the rare revival that understands what made the original work, yet can still move (or move just enough to include the occasional TikTok dance challenge) with the times.“We kept doing what we’d always been doing, just with new details,” Enbom said. “Because society certainly has not changed into a more wholesome place.”Have the returning characters changed? That depends on how much you and your therapist believe that change is possible. “They’re still the same lovable knuckleheads,” Mullally said. “Most of these people haven’t really moved on, or they haven’t really become any happier, or more fulfilled in their lives.”Friends and fans often asked Marino, top left, whether the series would be revived. “I was like, They’re working on it!,” he said. “Right around the corner!” It took nearly 13 years.Chantal Anderson for The New York TimesSlinging hors d’oeuvres hits different and more darkly in midlife. Still, the creators and the cast didn’t want the revival to feel like a bummer.“It’s going to be fun watching the characters try to claw their way toward something other than their current circumstances,” Scott promised.And if not exactly “fun,” then certainly relatable. “Really who gets what they want in this life?” Lynch said.She probably meant that rhetorically. But the “Party Down” die-hards, Lynch included, did get what they wanted, a third season. And they seem to have delighted in making it, though Marino joked that he’d had to slim down before he could fit into his signature pink bow tie.“Had to work off that neck fat,” he said. “Got my neck nice and lean.”Slipping on that outfit was a little more stressful for Chao, a newcomer. She had watched the show, years after its debut, while working a food-service survival job herself. “Party Down” had made her feel less alone. She didn’t want to ruin it. “I whispered to myself every day, going onto set, ‘Be the least funny, but by as little as possible,’” she said.Williams expressed similar gratitude and anxiety. “Everyone was so sweet and welcoming from the very beginning,” he said. “It never felt like an intimidating environment.” And yet, he added, “there was still like this insane fear.”The returning cast faced related, if less acute, worries. They have been in the business long enough to understand how revivals can go wrong. (A few of them had even appeared in revivals that flopped.) But they were reassured by the scripts, written by Enbom and a small staff, which suggested a continuity of character and tone and food-poisoning-induced body horror. There was also the pleasure of being together again — a little older, a little grayer, but still able to drop a tray on cue.Will the ratings for this coming season be better? Comfortingly, they can’t get much worse. But the cast and creative team are counting on the show’s turning enough heads that Starz will greenlight a fourth season. (“You better believe I’m not missing that one,” Caplan wrote.)Though Starr is inclined to cynicism, he sounded only mildly sardonic in discussing this ambition. “I really do hope we’re allowed to come back and do it again and keep up this little charade we’ve got going,” he said.Hansen put it a bit more pragmatically. “In 12 years, people are going to love Season 3.” More

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      ‘Star Trek: Picard,’ Season 3, Episode 1: Reunion Engage

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      The new season of “Picard” reunites the admiral with his old crewmates, something fans have been hoping for since the series began.Season 3, Episode 1: ‘The Next Generation’[Takes deep breaths]I’m being told it is against the Times stylebook for me to yell out a scream of anticipation for this season of “Picard,” which is essentially a catch up with the “Next Generation” cast.So I guess I’ll just write instead.This is easily the most anticipated offering of the new era of “Trek” since, well, the first season of “Picard,” which many fans were hoping would be exactly what the third season is billing itself to be — a reunion of the old show.But before we get to all that, some housekeeping.The last time we saw the crew of the Enterprise all together was in “Star Trek: Nemesis” in 2002, one of the more critically reviled offerings of the “Star Trek” franchise, in part because it needlessly killed off the beloved Data. (It wasn’t disliked only by audiences: Several of the main cast members weren’t fans either, as they told me in our group interview earlier this month.) When “Picard” arrived 18 years later, we learned that our favorite captain had become a retired admiral withering away at his vineyard. Riker and Troi were also mostly retired after serving on the U.S.S. Titan, and Data was killed off again, but this time next to a classy fireplace.The first two seasons of “Picard” have followed a similar trajectory. They’ve started off strong and tailed off as the season went on, leaning heavily into nostalgia as the basis for ambitious plot lines. That would be fine, except the writers have often opted for short-term payoffs rather than long-term storytelling.That nostalgia has sometimes led to some odd choices — such as Picard not being human anymore after becoming an android in Season 1. The show has also sometimes seemed to forget who the characters are, as with last season’s use of Young Guinan.So my excitement about another offering of the “Next Generation” cast is mixed with trepidation.As expected, the season premiere is promising. It’s the 25th century (the onscreen text here is an homage to “Wrath of Khan”). The opening scene includes a large dose of fan service, such as audio of a captain’s log from way back when Picard encountered the Borg for the first time and a plaque referencing Cor Caroli V, a planet where a third season “Next Generation” episode takes place.But the scene doesn’t feature our old friend Jean-Luc but rather our other old friend, Dr. Beverly Crusher. She appears to be on the run from some shady looking aliens. Beverly has developed skills with a phaser, which is contrary to what we saw in her younger days, as Riker points out later. She’s vaporizing enemies now! (Who says you can’t pick up new hobbies as you get older?) And she sends a message to her old captain and sort of crush, Jean-Luc, to say that she needs him — but she does so through his old comm badge using a secret code.Gates McFadden in “Star Trek: Picard.”Trae Patton/Paramount+The fact that “Picard” gives Beverly something to do other than stand around and scan things was a big reason Gates McFadden came back to reprise the role, and it’s a welcome sight.Meanwhile, Jean-Luc finally, after all these decades, seems content in retirement. He is in love with Laris. He might write a book. He’s ready to move to Chaltok IV, a Romulan planet, where he’ll sip Saurian brandy and wind down his life. He’s earned it. But again, he’s an android now, so he can’t die. Not really. Can he even taste brandy? See where the long-term plot issues are? (Fun reference here: Picard holding the flute from the classic “Next Generation” episode “Inner Light.”)But Beverly needs saving. She sends Jean-Luc a coded message telling him to trust nobody. For some reason, Jean-Luc tells Laris, Beverly hasn’t spoken to member of the Enterprise crew for 20 years. (This would mean that shortly after the events of “Nemesis,” Crusher cut off her closest friends. Excited to find out why!) Props to Laris — a Romulan intelligence operative — for being totally chill with one of Jean-Luc’s exes reaching out for a secret rendezvous. True love.Riker and Picard meet up at Guinan’s bar during Frontier Day celebrations, where Picard tells Riker about the secret message.“I wouldn’t have asked to meet you like this if it hadn’t been very important,” Jean-Luc tells his old first officer. (At a crowded bar? Where people could easily eavesdrop? Of course, moments later, we see someone doing exactly that.)Jonathan Frakes and Patrick Stewart have instant chemistry, borne of decades of working together. But Riker suggests to Picard that he is on the outs with his wife, Troi — another member of the old crew. (This raises a question: Troi and Crusher were close friends on the Enterprise, why wouldn’t Jean-Luc want to tell her too? Why just Riker?)Riker instantly agrees on a scheme to hit the road to the Ryton system, like Jake and Elroy. That’s what bros do, after all. They hatch a scheme to commander the sleek looking U.S.S. Titan, Riker’s old command. Another nice traditional “Trek” moment: glamour shots of the exterior. (I hate to be that guy, but Beverly’s message specifically said not to involve Starfleet. So why would Riker and Picard center their plan on using a Starfleet ship? Surely, they can find another deep space charter. OK, I admit it: I don’t hate being that guy.)The Titan is commanded by Captain Shaw, played by the charming Todd Stashwick. He is a magnetic presence, but Shaw’s previous post appears have been on the U.S.S. Jerkface, because he is, without explanation, rude and dismissive of two legendary Starfleet officers. He doesn’t even greet them when they arrive, instead sending Seven of Nine — er, Commander Annika Hansen. Shaw also isn’t on the bridge to greet visitors for what is apparently an inspection or giving orders when the ship leaves spacedock. (Picard gives the order to Seven to take out the ship. Why isn’t Shaw doing that?) Almost every single sentence uttered by Shaw is dripping with condescending rudeness.“Captain Shaw prefers I use Hansen,” Seven tells Jean-Luc. Since when does a Starfleet captain in the 25th century get to decide what your name is? (We’re going to use Seven for now, since that’s what she’s known as mostly throughout the “Trek” universe.)It’s a strange dynamic and here’s the problem: Shaw is painted as the unlikable villain of the episode. Seven even says that Shaw’s behavior is making her reconsider joining Starfleet. But Shaw’s stance is absolutely correct. When Riker says he wants to unexpectedly divert the ship to the Ryton system, Shaw says, “That’s at the edge of Federation space at the opposite direction of our intended course — twice the time.”He’s been given no heads up on this mission. Jean-Luc may be an admiral, but he is retired. Riker doesn’t even outrank Shaw. Why would he follow this clearly suspicious order that comes out of nowhere with no real explanation other than “bragging rights?” Picard makes it all the more weird when he says they’ll end up at Deep Space 4, which, as Shaw notes, has been shut down. (Picard should know better. In the “Next Generation” episode “The Pegasus,” Picard defies an admiral who tries to take command of the Enterprise.) As far as Seven goes, seen through another lens, Shaw trusting her to take the ship out of spacedock without him needing to be there is an example of him having faith in her.Seven quickly breaks Shaw’s faith by sending the ship to the Ryton section anyway. This area of space is outside the Federation’s jurisdiction and far away from Earth, so it must have taken a long time to get there, even at maximum warp. Is Shaw such a detached captain that he doesn’t notice when his ship goes in the opposite direction? Especially given his fondness for rules and regulations? Despite Shaw’s personality flaws, all his actions showed me in this episode is that he’s a competent Starfleet captain who can see through blatant lies.The episode ends with intrigue on Beverly’s ship when Riker and Picard meet — dun, dun, dun — her son. (There is an explicit reference that Picard and Crusher actually were lovers, when Picard says that he made her a mixtape.)All in all, a fun episode. Seeing Riker and Jean-Luc interact like the old friends that they are went down easy like a glass of Chateau Picard. My excitement — and my trepidation — remains high. More

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      Sarah Silverman Defines ‘Woke’ for Newsmax

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      “The Daily Show” guest host Sarah Silverman called Newsmax “basically an even more far-right Fox News — like if your crazy uncle had a crazy uncle.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Sick Burn, BroOn Tuesday, a reporter for Newsmax asked Karine Jean-Pierre, the White House press secretary, if President Biden was “woke.”Sarah Silverman, guest host for “The Daily Show,” called Newsmax “basically an even more far-right Fox News — like if your crazy uncle had a crazy uncle.”“I think we’re just communicating wrong, because, like, what I know ‘woke’ to mean is, like, learning new things about people or the world, and then acting accordingly. Like, basic kindness. Maybe a gesture of care to people who are more vulnerable than you. You know what, actually you wouldn’t like it — it’s Jesus stuff.” — SARAH SILVERMAN“This guy really thinks, ‘Is Joe Biden woke’ was like a hard-hitting question. The real hard-hitting question would be, ‘Is Joe Biden awake?’” — SARAH SILVERMAN“It feels cooler to say, ‘I’m not woke’ than the truth, which is, ‘I’m terrified of what I don’t understand and I only know how to process that as anger because I can’t look inward.’” — SARAH SILVERMANThe Punchiest Punchlines (Probably Not Aliens Edition)“And there’s still confusion about the three unidentified objects the United States government shot down over the weekend. Intelligence officials now say that they do not believe the objects were from China or posed any kind of national security threat. This is all a very evasive way of saying that they shot down three Bud Light blimps.” — JAMES CORDEN“No aliens. Nothing to see here. In a totally unrelated story, Monday, the United States has set up a new task force on U.F.Os.” — STEPHEN COLBERT“According to Axios, the military didn’t classify what the objects were, but they don’t think they were aliens or Chinese spy balloons. Best guess right now is that there are some overly aggressive Re/Max agents on the loose.” — JIMMY KIMMEL“China is sticking to their claim that the first one we shot down was a weather balloon that got blown 12,000 miles off course. How ‘off course’ can you get? You missed by an ocean, if that’s the case.” — JIMMY KIMMEL“The Pentagon this week described the unidentified object shot down over Canada on Saturday as a ‘small, metallic balloon.’ So it was either a dire national security threat or a wasted 25 cents at a county fair.” — SETH MEYERSThe Bits Worth Watching“Jimmy Kimmel Live” found a bunch of people who lied on camera about seeing a fictional U.F.O. on Wednesday’s “Lie Witness News.”What We’re Excited About on Thursday NightTina Fey will hang out with her old friend Seth Meyers on Thursday’s “Late Night.”Also, Check This OutStephan DybusPodcast companies are feeling the strain of oversaturation and overspending. More

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      Stephen Colbert is Underwhelmed by Nikki Haley’s Big Announcement

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      “As she said in her campaign announcement tweet, ‘Get excited,’” Colbert said on Tuesday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Nicky Fail-y’Former Gov. Nikki Haley of South Carolina announced she’s running for president early Tuesday morning.“Of course, any campaign veteran will tell you there is no better time to drop the biggest political news of your life than on Valentine’s Day at 6:48 a.m.” Stephen Colbert said. “Yeah, a day everyone’s thinking about something else at a time when no one is awake.”“The only way this could make a smaller splash is if Haley had whispered it into a bowl of soup.” — STEPHEN COLBERT“As she said in her campaign announcement tweet ‘Get excited.’ A grateful pass.” — STEPHEN COLBERT“But this is going to be a tough race for Nikki Haley. Right now, she’s polling at just one percent, and that’s pretty bad. I mean, you know, even Mike Pence is at two percent. Mike Pence’s noose rope is at five percent, which is V.P. material.” — SARAH SILVERMAN“She said she believes the Republican Party needs to go in a new direction. I think you’d have more luck convincing a swarm of moths to go in a new direction. The whole ‘towards the light’ thing isn’t really working.” — JIMMY KIMMEL“Haley is the first prominent Republican to challenge Donald Trump, she’s the first female governor of South Carolina and the first candidate to spell her name like the bass player from Mötley Crüe, so …” — JIMMY KIMMEL“Now I guess this means Trump has to come up with a mean nickname for her. ‘Cuz right now he’s pacing around Mar-a-Lago going ‘Sicky Nikki? Nikki Fail-y? Oh, Nikki Epic Fail-y?’” — JIMMY KIMMEL“Today, former Trump cabinet member Nikki Haley announced that she is running for president. Yep. She served in Trump’s cabinet, which is listed on her website in very, very small font.” — JIMMY FALLONThe Punchiest Punchlines (Folder Enthusiast Edition)“A lawyer for former President Trump said recently that Trump was using a manila folder marked ‘classified’ to block a small light on a landline phone next to his bed. Even weirder: all the ones that he taped up to use in place of curtains.” — SETH MEYERS“I don’t know, maybe use an eye mask, get a, you know, a different bedside phone, put a Post-it on it?” — JAMES CORDEN“Basically, he’s saying, ‘I’m not a traitor, I’m a hoarder!’” — JIMMY KIMMEL“Which is more embarrassing for Trump: the fact that he kept top-secret documents or admitting he collects folders? I mean, how dull do you have to be to be a folder enthusiast?” — JIMMY KIMMEL“The worst thing about this story is now I’m picturing Trump in bed on a landline phone talking to Tucker Carlson, sort of twirling the cord around his finger going, ‘No, you hang up!’” — JAMES CORDENThe Bits Worth WatchingThe actress Alison Brie recreated a Valentine’s Day memory from high school on Tuesday’s “Late Late Show.”What We’re Excited About on Wednesday NightThe NBA legend Kareem Abdul-Jabbar will sit down with Sarah Silverman on Wednesday’s “Daily Show.”Also, Check This OutA museum in Croatia displays mementos and stories of people’s failed relationships.via Museum of Broken RelationshipsThe Museum of Broken Relationships in Croatia collects mementos people around the world send in symbolizing their failed romances. More

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      Late Night Recaps Rihanna’s Super Bowl Halftime Surprise

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      Jimmy Kimmel called the pop singer’s pregnancy reveal “the biggest ‘we’re expecting’ announcement in the history of the world.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Super Bowl, Baby!Rihanna’s Super Bowl halftime show was popular with late-night hosts on Monday, who praised the pop star for performing while pregnant.Jimmy Kimmel called the reveal “what has to be the biggest ‘we’re expecting’ announcement in the history of the world.”“She had a baby in May and now has another one in the oven. So, if you are one of those 19 million people who called in sick to work today, Rihanna last night had a 9-month-old in her dressing room, she was eight millimeters dilated, still managed to get out there and do her job.” — JIMMY KIMMEL“Rihanna did a Super Bowl halftime show while pregnant. Meanwhile, everyone at home on their 30th chicken wing was like, ‘I also felt a kick.’” — JIMMY FALLON“During her halftime show performance at last night’s Super Bowl, Rihanna revealed that she was pregnant, while the rest of us just ate like we were.” — SETH MEYERS“Imagine it’s the first day of kindergarten and your fun fact is that you’ve done the Super Bowl halftime show.” — JIMMY FALLON“Seriously, did you see that, pregnant women? Did you see it? Rihanna just did a Super Bowl halftime show while pregnant, and you want my seat on the subway? Not anymore, toots. No way. The bar has been raised, so hold it.” — SARAH SILVERMAN, this week’s “Daily Show” guest host“Not only did she sound great, she closed the performance by — I don’t know if you saw this — really incredible, she closed the show by shooting down one of those U.F.O.s.” — JIMMY KIMMELThe Punchiest Punchlines (Alien Balloons Edition)“Last night was Super Bowl 57, and, out of habit, Biden shot down the Goodyear blimp.” — SETH MEYERS“All of a sudden, there are more U.F.O.s than Chick-fil-A’s now.” — JIMMY KIMMEL“I never in a million years thought I’d say this — where the hell is the Space Force?” — JIMMY KIMMEL“Yeah, nothing’s off the table. It could be aliens, it could be balloons, or it could be alien balloons.” — STEPHEN COLBERT“The White House today announced they formed an interagency team to look into what’s going on. After initially refusing to rule it out, today they said they do not believe these are extraterrestrial visits, which is exactly what they say at the beginning of every movie about extraterrestrial visits.” — JIMMY KIMMELThe Bits Worth WatchingLizz Winstead, the co-creator of “The Daily Show,” talked with her friend Sarah Silverman about creating comedy news, and her organization that advocates for reproductive justice.What We’re Excited About on Tuesday NightPaul Rudd, who stars in “Ant-Man and the Wasp: Quantumania,” will sit down with Seth Meyers on Tuesday’s “Late Night.”Also, Check This OutThe late Celia Cruz performing in New York in 2001. The multiple Grammy Award winner is one of five honorees of the American Women Quarters Program, the U.S. Mint said.Scott Gries/Getty ImagesThe Queen of Salsa, Celia Cruz, will be the first Afro-Latina to be featured on the U.S. quarter. More

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      Amrit Kaur of ‘Sex Lives of College Girls’ Runs on ‘Super Soul Sunday’ Podcasts

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      The actress, one of the stars of the HBO Max comedy, wakes up with elaborate chai rituals and unwinds with “90 Day Fiancé” episodes.Amrit Kaur was glowing. “It’s like I’m doing a Pantene Pro-V ad,” the actress, freshly coifed, said with a flip of her shorter new ’do on a video call from her home in Toronto.She had gotten too attached to her long hair, she said, “so it’s like, chop it all off.”Kaur was also fresh off the buzz of Season 2 of the HBO Max comedy “The Sex Lives of College Girls,” in which she plays an eye-on-the-prize aspiring comedy writer trying to navigate messy campus romances and cringe-worthy social climbing. The series, which has been renewed for a third season, has taught her “how to become funny,” she said.This year, Kaur pivots from college calamities on TV to a mother-daughter story on film. Tentatively titled “Me, My Mom & Sharmila,” it focuses on a Pakistani Muslim woman and her Canadian-born daughter, who come of age in different eras but share an obsession with Bollywood. Kaur, who is also Canadian, plays the daughter as well as the mother in her youth, which at times has meant shooting one character in the morning and the other in the evening.“I got to stretch myself artistically and learn a new language,” she said of Urdu. “It’s very vulnerable.” The film will make the festival rounds in the coming months, headed for release later this year or early 2024.On a cold winter day after her return from filming in Pakistan, Kaur talked about her elaborate chai fixings, a return to her faith and escapism in reality TV. These are edited excerpts from the conversation.1Morning RitualsI wake up after being mean to my alarm a couple of times. Finally, by the third time, I’m like, fine, you’re right, I should start my day. I do morning pages, which is stream-of-consciousness writing. The days I need to do it the most are the days I resist. Then I’ll get up and listen to Japji Sahib, which is a morning prayer, and then I have my chai. I have a cupboard in my kitchen just for chai spices. Every day I wake up, and I’m like, what do I want today? What does cardamom go well with? Do I want fennel seeds? Do I want ginger? That’s really nice. Some people have that with coffee. For me, it’s chai.2Acting ClassI’ve been studying at the Lonsdale Smith Studio in Toronto for six years now, continuously. I take classes, even while on set, every Sunday. When I’m not on set, I’ll take class a couple of times a week. It’s a religious place for me. Acting class in many ways was my first religion. In Pakistan, I took class from 10 p.m. to 6 a.m., virtually.3A Special Piece of PaperI have this paper, which you’re supposed to keep in your pocket, but I keep it in my bra so that it’s closer to my heart. The paper holds an exercise we did in acting class where you write down three things that are true of yourself that you don’t wish to be true. The whole idea is to come to terms with and face the parts of myself that hurt the most, or that I don’t like, to come into consciousness of who I truly am.4SikhismI aspire to be far more in touch with my faith. I think it’s in my nature to be quite devoted; it’s in the bones of who I am. When I found out I’d be going to Pakistan, there were so many messages that I needed to go on a pilgrimage. I went first to Nankana Sahib on the border of India and Pakistan, which is the birthplace of Guru Nanak, the creator of Sikhism. People who are Muslim and Hindu still go to show him respect, and I think that is so telling. I stayed overnight, spoke to the priest and learned so much about my culture and my history.5Gift-givingI’ve never been a gift giver. I love it now. I’ve always had a dream of giving my mother a beautiful gold jewelry set — and it’s now off my dream list. One of the questions I asked the priest was, “What is the purpose of money?” And he said, “It’s about giving it away.”6Artistic VisionOne of my dreams is to create a school in Hoshiarpur, the city where my dad is from in India, for girls who don’t have the opportunity to study. My artistic vision is to be part of a future where girls are not living in oppression and to be part of relaying that message. I’m going to be doubling down on writing and creating my own material to inspire women and girls to be their true selves, to be big and bold in the world.7International TravelIn the last year I’ve been to New York, California, Nova Scotia, Italy, Istanbul, Karachi, Lahore and more. I’m really lucky and grateful that I’ve been able to travel. The dream is to be an international artist, and I’m working toward that, telling stories and working with artists in different parts of the world.8‘Super Soul Sunday’I religiously listen to “Super Soul Sunday,” Oprah’s podcast, when I’m running. All these thoughts are going through my head, and I’m like, “I’m going to get through it, I’m going to run through it. Yes, Oprah, tell me!” It’s so powerful to run through the wind and listen to all of these people who have so much insight into life.9WhatsAppWhatsApp is a very Indian thing, I think. I use it so much that now all my Canadian friends are on it. It’s just so much easier because I travel so often. And I love looking at people’s faces. I’m a very big video caller.10Reality TVI love to watch “90 Day Fiancé,” “Too Hot to Handle” and other trashy shows. When I’m on vacation, that’s my favorite thing to do, just lying down on my couch with my best friend, getting all the chocolate on Uber Eats, watching all of these people behave so badly and not having to think. More