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      How ‘Peter Pan’ Inspired Richard Branson

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      The businessman and subject of a new documentary series is a fan of “Mare of Easttown,” “Sharkwater” and letting his grandchildren beat him at chess.In the opening moments of the HBO documentary series “Branson,” Richard Branson looks into the camera to say goodbye.“It’s always strange recording something when you’re alive and healthy,” he said, “knowing the only reason this video will be seen is if something has gone awry.”Branson, a serial entrepreneur whose businesses include the aerospace company Virgin Galactic, has bid farewell before when he thought he needed to prepare for the worst — “I’ve written letters to my children and my grandchildren on a number of occasions,” he said in a phone interview last month — but in this case, it was 16 days before he tried spaceflight.Even though that 2021 trip was a success, the footage didn’t go to waste. It made its way into “Branson,” a four-part series that covers his life and career, including his founding of the Virgin empire. Talking about his life, he believes, is part of the mission.“Your life is not wasted if you’ve learned a lot and you’ve shared it,” he said in the documentary. “If you’ve learned a lot and you don’t share your life, I personally feel that your life is wasted somewhat.”Here, Branson shares the people who have inspired him, the books he returns to and why he keeps losing at tennis. These are edited excerpts from the conversation.1. “Peter Pan” I found the “Peter Pan” story as a kid and thought it was a magical story. Being able to just flap the arms and fly has been my most recurring dream.2. Forgiveness It was an honor to be able to spend quite a bit of time with Archbishop Desmond Tutu. And one of my favorite books is Nelson Mandela’s “Long Walk to Freedom.” I think that the overriding lesson that the two of them taught the world was the importance of forgiveness. The Truth and Reconciliation Commission that they set up in South Africa was completely and utterly remarkable.3. Grandchildren The best present I ever received was when my grandkids put on a show for me, which they performed in the middle of the dining room table. Shows from kids, and then grandkids, are often the best presents.4. “Biko” I was in South Africa with Nelson Mandela when they unveiled a statue of Steve Biko, a Black activist who was killed in a prison cell by white people during apartheid. After Mandela made his speech, I managed to get the microphone off him and handed it to Peter Gabriel and suggested that he just sing his song, “Biko,” without any instrumentation. The streets were filled with people, and every one of them sang along with him.5. “Swallows and Amazons” As a very young kid, I loved the Arthur Ransome novel “Swallows and Amazons.” It’s about a group of children having adventures in England. Now I read it to my grandkids. It’s a beautiful book.6. “Mare of Easttown” Kate Winslet ended up marrying into our family — married my nephew. I think her best performance ever was in “Mare of Easttown.” It’s extraordinarily powerful that she can do a Philadelphia lady and do it so well. I hope she makes a follow-up on that.7. “Sharkwater” A strong documentary can really wake one up. There’s a brilliant documentary called “Sharkwater,” which the late Rob Stewart made to campaign against the mass killing of sharks and other species in the ocean for things like shark fin soup. After I saw it, I started spending a lot of time campaigning to get sharks protected.8. Joe’s Stone Crab I’d rather swim with the fish than fish for fish these days, even though that sounds a bit “Godfather”-ish. When my wife, Joan, and I are in Miami, we like to eat at Joe’s Stone Crab. It’s got the best fish and crab and a lovely atmosphere as well.9. Chess I play lots of chess. And I like chess boards, which you’ll find around every corner of our home. I like boards to be simple, not the Balinese pieces where I don’t know which one is the queen and which one is the king. I started playing with my grandkids when they were quite young, and I let them beat me all the time to keep them interested. But my 7-year-old grandson has been taking lessons, and it was tough going recently, so I decided to beat him. I think he’s now at an age where he’ll want to come back for more.10. Tennis I play every morning and evening with a tennis pro. It’s a good way of being humble because I get beat, morning and evening, every day. More

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      What’s on TV This Week: Lots of Holiday Specials and ‘Yellowstone’

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      NBC, The CW and ABC celebrate the holidays and the Paramount show airs its midseason finale.Between network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Dec. 12-18. Details and times are subject to change.MondayBAKING IT: MAYA RUDOLPH & AMY POEHLER’S CELEBRITY HOLIDAY SPECIAL 10 p.m. on NBC. Maya Rudolph is kicking off the second season of her show, “Baking It,” with a holiday special co-starring Amy Poehler. The network announced that her season one co-host, Andy Samberg, would not be returning. On this episode Fred Armisen, Kristen Bell, Nicole Richie and JB Smoove compete in festive holiday baking challenges while also raising money for charity.TuesdayFrom left: Representative Nancy Pelosi, Senator Chuck Grassley, Senator Chuck Schumer in “Pelosi in the House.”Courtesy of HBOPELOSI IN THE HOUSE (2022) 9 p.m. on HBO. This documentary about the speaker of the house, Nancy Pelosi, filmed over three decades by her daughter Alexandra Pelosi, got a big preview when the select committee investigating the Jan. 6 attack on the Capitol played snippets of Alexandra’s videos from that day during their final hearing. Now, we will see moments before and after including Pelosi’s first State of the Union under President George W. Bush, the infamous moment of her ripping up a copy of President Donald Trump’s speech as she sat behind him and her persistence to verify the ballots even after the attack.THE VOICE 9 p.m. on NBC. This week’s two-hour live finale will feature performances from the top five finalists competing for a $100,000 cash prize and a record deal with Universal Music Group. They won’t be the only ones singing, though — Kane Brown, Kelly Clarkson, Maluma, One Republic and Adam Lambert are all set to perform.WednesdaySURVIVOR 8 p.m. on CBS. A three-hour episode, which includes a reunion, will wrap up the 43rd season of this reality competition show. This season, like the two that came before it, is a shortened version — filming took place over just 26 days to create 12 episodes. The show has already announced that it will be coming back for a 44th season.ThursdayH.E.R. as Belle in “Beauty and the Beast: A 30th Celebration,” a movie that’s part live action, part animation.Christopher Willard/ABCBEAUTY AND THE BEAST: A 30TH CELEBRATION 8 p.m. on ABC. In 1992, Disney released an animated film that tells the story of Belle, a booksmart and headstrong girl who enters in the mansion of the Beast to save her father. Through true love, the Beast is transformed into his original form — a handsome prince, and of course, Belle and the prince live happily ever after. To celebrate the beloved fairy tale, this made-for-TV movie is part live action, part animation. Gabriella Sarmiento Wilson, known as H.E.R., stars as Belle, Josh Groban stars as the Beast and Rita Moreno narrates. The rest of the cast is also star studded, with almost too many Emmy, Grammy, and Tony Award nominations between all of them to count.FridayFOUR CHRISTMASES (2008) 9 p.m. on AMC. While some holiday movies focus on the importance and joy of spending time with family, this film admits it can be exhausting. Vince Vaughn and Reese Witherspoon play a couple who spend the holidays trudging around from one family event to another after their tropical getaway is canceled. “Yes, it follows a charming, mismatched couple on a sentimental journey involving presents, family and the sharing of food and feelings,” A.O. Scott wrote in his review for The New York Times. “But the picture, briskly directed by Seth Gordon from a snappy, many-authored script, is refreshingly tart and lean, forgoing the usual schmaltz and syrup.”SaturdayHOWARDS END 7 p.m. on PBS (check local listings). The four-part series follows two sisters as they navigate their love lives in Edwardian England. Margaret Schlegel, played by Hayley Atwell, is courted by Henry Wilcox (Matthew Macfadyen), a wealthy widower. Meanwhile, Margaret’s younger sister Helen Schlegel (Philippa Coulthard) falls for a penniless clerk.IHEARTRADIO JINGLE BALL 2022 8 p.m. on The CW. Originally broadcast live from Madison Square Garden in New York City on Dec. 9, a recording of this concert is coming to the small screen. The tour, which travels around the U.S. during the month of December, features performances by Dua Lipa, Lizzo, Lauv and Demi Lovato — just to name a new.THE DEVIL WEARS PRADA (2006) 9:30 p.m. on E! This movie is chock-full of memorable lines. Emily Blunt saying to Anne Hathaway, “A million girls would kill for this job” or Meryl Streep telling Hathaway, “By all means, move at a glacial pace. You know how that thrills me.” Hathaway plays Andy, a journalist who tries to get her big break by working as an assistant to Miranda Priestly (Streep), the editor in chief of Runway magazine, which is loosely inspired by Anna Wintour and Vogue magazine. After galas, a trip to Paris and a whole new wardrobe, Andy has to decide what she actually wants to do with her life.SundayFrom left, Gil Birmingham, Mo Brings Plenty and Luke Grimes in “Yellowstone.”Paramount NetworkYELLOWSTONE 8 p.m. on Paramount. This ensemble show follows a family of powerful ranchers. Last season, it was television’s most watched drama. “The surface layer of ‘Yellowstone’ is part modern-day Western, part family business saga,” the New York Times critic James Poniewozik wrote about the first season. “A kind of cowboy ‘Dynasty’ with some dark-cable ambitions.”MEET ME IN ST. LOUIS (1944) 8 p.m. on TCM. This romantic comedy and musical follows four sisters, including one played by Judy Garland, in the year leading up to the 1904 Louisiana Purchase Exposition World’s Fair. The plot revolves around Christmas, making it the perfect movie to watch this time of year. More

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      Steve Martin and Martin Short Trade Barbs, and Eulogies, on ‘SNL’

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      The two seasoned comedians brought their playful rivalry to this week’s episode, which featured the musical guest Brandi Carlile.A certain playful rivalry has always been the heart of the partnership between Steve Martin and Martin Short. So, taken to its logical extension, the two should be at their funniest when imagining themselves at each other’s funerals.That was the idea behind their opening monologue on this weekend’s “Saturday Night Live,” which paired the enduringly popular comedians (and stars of the Hulu series “Only Murders in the Building”) as hosts on a holiday-themed broadcast that also featured the musical guest Brandi Carlile.At their entrance, Short and Martin humorously stepped on each other’s dialogue, compared how many times they had hosted “S.N.L.” alone (Martin a whopping 16 occasions, Short a mere three) and indulged in some nostalgia for the early days of the series. Having shown a photograph of himself with Dan Aykroyd, John Belushi and Mick Jagger, Martin quipped that after it was taken, “We tested positive for everything.”Next, a few good-natured zingers at each other’s expense. Martin said that working with Short “is like World Cup soccer — somehow, I just can’t get into it.”Short returned fire, observing that their Hulu show “is like Steve at the urinal — it streams for 32 minutes.”Then Martin set up the central premise of the segment, saying that he realized Short wouldn’t live forever, “and that is sad, because you won’t be able to hear the wonderful things I’m going to say at your memorial.”“So I thought: why wait?” he continued. “So what I did was I wrote up your eulogy so you can hear it now.”Beginning his imaginary remarks, Martin said: “Wow, not much of a turnout. Marty did not want to be cremated — too late. But I’ll always be haunted by Marty’s last words: ‘Tesla autopilot, engage.’”Short then launched into his own tribute, saying: “There are so many great things that I could say about Steve Martin. But this hardly seems the time nor the place.” He added, “I know Steve is looking down on us right now because he always looked down on everybody.”Martin said of Short: “Marty was taken away from us too soon. But sadly, not before he played Jack Frost in ‘Santa Clause 3.’”And Short said of Martin, “Seeing you in your casket reminds me of that classic ‘S.N.L.’ sketch ‘Dick in a Box.’”Finally Martin wondered aloud, “Now that Marty’s gone, who will I ever work with?” That was the cue for a cameo from Selena Gomez, their co-star in “Only Murders,” who asked, “What about me?”New holiday standard of the weekIn this week’s opening sketch, “S.N.L.” skipped its familiar topical satire in favor of a musical segment that found Bowen Yang, Cecily Strong and Kenan Thompson standing at a Christmas tree, wondering how to deal with the buildup of anxieties from recent months. (Yang listed the major causes for concern: “War, climate change, the Prince Harry-Meghan Markle documentary.”)Breaking into song, they explained that the holidays made it OK for them to push off their personal worries for a few more weeks. For example, Thompson sang that he could give himself permission to overlook his drinking: “It’s starting to get out of hand / I knew that it may have / Crossed into a dark place / When Burger King said I was banned.”In another verse, Yang asked: “Since when did Hitler come back? / Didn’t we basically all agree, years ago / Hitler should never come back?” (Thompson added, “And why are his new fans Black?”)Old holiday standard of the weekLike the Irving Berlin composition that inspired it, the 1954 movie musical “White Christmas” may be a seasonal classic. But let’s at least admit that it has a couple of bizarre numbers, like “Snow,” in which Bing Crosby, Rosemary Clooney and Danny Kaye ride a train while crooning about frozen precipitation as if they’ve never encountered it before.That scene was parodied with an absurdist affection in this sketch, where Short, Martin and Strong sing enthusiastically about snow without seeming to understand what it is, and Thompson plays a fellow passenger who is pleasantly baffled by their antics. (If seeing Short and Martin in Christmas sketches is your thing, enjoy these further segments in which they play a department-store Santa and elf and perform an excessively violent reimagining of Charles Dickens’s “A Christmas Carol.” )Weekend Update jokes of the weekOver at the Weekend Update desk, the anchors Colin Jost and Michael Che riffed on the aftermath of the 2022 midterm elections and the release of the basketball player Brittney Griner as part of a prisoner exchange with Russia.Jost began:It was shaping up to be good week for Joe Biden. He got Brittney Griner back, he kept marriage gay, and he’s only got 14 more sleeps until Santa. But then, just when he thought he had it all under control, Kyrsten Sinema said hold my wig. Arizona Senator Kyrsten Sinema, seen here realizing that someone is actually waving to the person behind her, announced that she is leaving the Democratic Party and is registering as an independent. Explained Sinema, “Pay attention to me.”He continued:WNBA star Brittney Griner was freed from prison in exchange for Russian arms dealer Viktor Bout. It’s actually a great trade because Bout was only averaging five points and two rebounds a game.Che then pivoted to the Georgia runoff:Raphael Warnock defeated Herschel Walker in Georgia’s Senate runoff race. But I don’t think this is the last you’ll hear from Herschel Walker. I mean, unless he’s your biological father. With Raphael Warnock’s win, Democrats in the Senate will no longer have to rely on Vice President Harris for tie breaking votes. Harris can now focus on her main priority, waiting for a worse bike accident. [A screen behind Che shows President Biden falling off a bike.]Nineties nostalgia of the weekIf you’re going to bring Martin and Short together on a pop-cultural comedy sketch series, you’d darn well better let them pay homage to either “Three Amigos” or “Father of the Bride.”“S.N.L.” opted for the latter in this fake ad for “Father of the Bride Part 8,” which casts Martin as the titular father, Heidi Gardner as his now-menopausal daughter preparing for her eighth marriage, Short as his flamboyant wedding-planner character and Kieran Culkin as himself, reminding us that yes, he really was in the previous installments of the franchise, and we’ve all gotten much older since then. More

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      Best of Late Night This Week

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      Comedy CentralThis week, the hosts were thrilled that the Trump Organization was found guilty of tax fraud, skewered former President Trump for his comments about the Constitution and celebrated Raphael Warnock’s win in Georgia.And after seven seasons behind the “Daily Show” desk, Trevor Noah said goodbye.Here’s what the hosts had to say → More

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      Trevor Noah’s Optimism Set His Version of ‘The Daily Show’ Apart

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      Though his final episode made the mysterious reason for his departure a running joke, his specials and memoir suggest he was always comfortable with uncertainty.A talk-show host’s final episode is typically a celebration of their tenure, but in his last time at “The Daily Show” desk, Trevor Noah put the spotlight on others, giving sizable segments to each of his correspondents, doing a gushing interview with the comic Neal Brennan and expressing gratitude to everyone from the executives who hired him to the Black women who raised him to those who hate-watched.In a persistently sunny hour, Noah even had a kind word for Donald J. Trump, quieting his crowd by praising what the former president did for prison reform.Noah has always invited others to see him as an outsider because of his background as a South African comic, but his equanimity and preternatural calm also distinguished him. He’s got to be the only political comic alive who could emerge from seven years of regularly joking about the Trump administration and a global pandemic exuding optimism.“The Daily Show” is famous for its topical jokes, but Noah told very few on his final episode. He took a broader perspective. Outlining lessons learned, which included that people were friendlier than they appear on social media, he struck post-partisan notes and said, “Politics turns people’s brains to mush.”He told a story about Jon Stewart calling to offer him the job and saying, “I see you in me.” Noah seemed shocked, and honestly, why wouldn’t he be?Trevor Noah’s 7 Years on “The Daily Show”The host, who took the reins of the show from Jon Stewart in 2015, exposed America’s many blind spots through witty and passionate commentary.Time to Depart: Trevor Noah announced that he would be stepping down in September, citing a desire for a better work-life balance.Saying Goodbye: In his final episode of “The Daily Show,” Mr. Noah told viewers not to be sad and called the night “a celebration.”An Outsider: The talk-show host, who grew up in South Africa and represented a part of the world often neglected by American news, helped his audience see through his eyes.His Best Moments: Noah’s comic perspective set him apart from other late-night hosts. Here are the highlights.Whereas Stewart’s humor ran hot and righteous, Noah always maintained a cool composure. Stewart was at his best in antagonistic interviews, interrogating ideas and calling out nonsense. Noah always seemed eager to get above the fray and treated guests with deference and awe.One running joke on his last show was the mystery of why he was leaving. Discovering that he doesn’t have another job lined up, the correspondent Dulcé Sloan quipped about Noah, who has a Black mother and white father, “Wow, you really are half-white.”You get a hint about why Noah might have gotten restless from his comment that it might be better to wait before developing a take on something you see in the news. But you can learn more about the reason he left from his stand-up. Noah never stopped performing, putting out three Netflix specials during his “Daily Show” tenure, including one last month called “I Wish You Would.”He’s not an entirely different performer in his stand-up — his twinkly-eyed charm is a constant — but the distinctions are revealing. While his specials dig into politics, it’s not the main subject. That would be the slipperiness and meaning of language. Noah is clearly not just obsessed, but tickled by the way people talk and the eccentricity of languages (he speaks eight). His gift for impressions is the centerpiece of many bits.In fact, a premise often seems like just an excuse for him to show off verbal gymnastics, whether it’s pointing out the similarity between the ways Nelson Mandela and Barack Obama speak or showing that to be president you need a strange voice (cue a lineup of impressions). Even my favorite Noah joke, about how trap music sounds like a toddler complaining (from his special “Son of Patricia”), is a virtuosic display that turns ordinary human sounds into a kind of music.Noah’s stand-up aesthetic is also more subtle and wry than his talk-show punch lines. In a joke from his recent special comparing Will Smith’s character in “Independence Day” to his slap at the Oscars, he displays such a light touch that the actor might not have even noticed the jab. (In fact, Smith gave one of his first interviews after the awards to Noah, a booking coup.) There’s a wit to his voice that recalls an earlier era. I would not be shocked to see him become a regular humor writer for The New Yorker.Noah hit his stride on “The Daily Show” when he started speaking more off the cuff. The segments, released online, in which he did crowd work during commercial breaks were often long monologues culminating in metaphors. They showcased his gift for thinking aloud and in real time. What they don’t have is a ruthless appetite for getting belly laughs or winning an argument. The dearth of that hunger is also part of his legacy at “The Daily Show.”On “I Wish You Would,” you get a sense of his temperament when he talks about why people were so angry during the pandemic. His theory is not that Americans were hopelessly divided, but that we were scared. “As humans, we get so comfortable knowing,” he said, emphasizing that last word in his volume and timing, “that we forget how uncertain life is.”This is not just a more existential thought than is usually expressed on a talk show. It’s existentially fatal to a certain kind of talk show. Because as true as it may be, and it is, the job of daily commentator on political events is a lot easier if he at least keeps up the illusion of having a sure-minded, commanding take. Hamlet could never host “The Daily Show.”Noah is startlingly good at appearing confident and assured, which made him a natural at the job. But talent can be its own obstacle. What you’re gifted at is not necessarily what you should be doing. Watching his stand-up, and especially reading his excellent memoir, “Born a Crime,” you sense that he is most comfortable in the moments of not knowing.Talk shows are far more collaborative than they appear. And “The Daily Show” is a machine that can work with different hosts. We first learned that not with Noah but with John Oliver, who had considerable success filling in when Stewart took a summer hiatus in 2013. The years that followed were a catastrophic period for Comedy Central, when it lost a tremendous amount of funny correspondents, including Oliver, Stephen Colbert and Samantha Bee. Noah deserves credit for rebuilding an impressive roster with a more diverse cast.“The Daily Show” will now use temporary hosts, including Sarah Silverman, Al Franken and the former correspondent Hasan Minhaj. As for the permanent replacement, the understandable temptation is to aim for the shiny new toy, but clearly, overlooking your stable of talent has its own risks.Dulcé Sloan has enough spiky charm for a bigger platform. Jordan Klepper displays a bulletproof deadpan. And in their stand-up as well as on the show, Roy Wood Jr. and Ronny Chieng are cagey, argumentative and prolific joke writers who share a delight in the comic kill that would represent its own departure. To my eyes, they should be the favorites. But would either want this grind?In his goodbye to Noah, Chieng set up a joke by appearing to get emotional: “In all seriousness, on behalf of everyone watching right now and from the bottom of my heart, can I be the new host?” More

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      ‘Harry & Meghan’: What People Are Saying About the Netflix Series

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      Critics on both sides of the Atlantic found common ground in negative reviews of the first three episodes of the series.These days in Britain, very little unites the right and left. “Harry & Meghan,” the intimate Netflix series released Thursday, is quickly shaping up to be the exception.The first three episodes of the docuseries, directed by Liz Garbus and produced in conjunction with the production company of Prince Harry and his wife, Meghan, the Duchess of Sussex, were quickly skewered by a bipartisan group of critics, from The Sun to The Guardian. Although “skewered” may not actually capture the harshness of some of the commentary.Piers Morgan, who has been vociferously critical of the couple in the past, wastes no time laying into the series in his scathing review in The Sun, a tabloid owned by Rupert Murdoch:Who are the world’s biggest victims right now? You might think it’s the poor people of Ukraine as they’re bombed, shot and raped by Putin’s invading barbarians. Or those whose lives have been ruined by the Covid pandemic that continues to cause widespread death and long-term illness. Or the millions battling crippling financial hardship in a devastating cost-of-living crisis that has swept the globe.But no. The world’s biggest victims are in fact Meghan Markle and Prince Harry, a pair of incredibly rich, stupendously privileged, horribly entitled narcissists.If you don’t believe me, just ask them!Later in his review, Morgan cautions viewers they may need a “sick bucket.” He was not the only one to evoke gastrointestinal distress. The headline for Lucy Mangan’s review in the left-leaning Guardian exclaims that the first three episodes were “so sickening I almost brought up my breakfast.”More on the British Royal FamilyBoston Visit: Prince William and Princess Catherine of Wales recently made a whirlwind visit to Boston. Swaths of the city were unimpressed.Aide Resigns: A Buckingham Palace staff member quit after a British-born Black guest said the aide pressed her on where she was from.‘The Crown’: Months ago, the new season of the Netflix drama was shaping up as another public-relations headache for Prince Charles. But then he became king.Training Nannies: Where did the royals find Prince George’s nanny? At Norland College, where students learn how to shield strollers from paparazzi and fend off potential kidnappers.Mangan does point out that the series so far has plenty of sweet moments — particularly of Prince Harry and Meghan “being charming and funny together” — but she ultimately finds the finished product wanting:But in the end — what are we left with? Exactly the same story we always knew, told in the way we would expect to hear it from the people who are telling it. Those who don’t care won’t watch. Those who do care — which is to say are voyeuristically invested in the real-life soap opera — will still read into it anything they want to and doubtless confirm all their previous ideas. There is plenty here to start another round of tabloid frenzy, particularly in Harry’s mention of members of the royal family who consider the pressure placed on anyone “marrying in” a rite of passage and resist allowing anyone else to avoid what their own spouses went through, and who bow to internal pressure to choose a wife who “fits the mould.” Which is to say — it is hard to see who, beyond the media, the villains of the piece, will really gain from this?The Independent, a more centrist player in British media, was less savage, but not exactly admiring, calling the series both “self-aggrandizing” and “wildly entertaining.” In her review, Jessie Thompson finds the couple, at times endearing and sympathetic, and the points about racism in Britain eloquently made.But while she writes that she respects their “right to share this stuff on their own terms,” she finds the protestations of love over the top (“We believe you! You are in love! There’s no need to show us any more of your WhatsApps!”) and their inability to talk like normal people when interviewed frustrating.She also wonders at moments in the series “if the couple are naïve or disingenuous”:Did Meghan really think it was “a joke” that she had to curtsy to the Queen of England? It might be an outdated request, but it surely can’t have been an unexpected one. “Like, what’s a walkabout?” she says of her first public appearance. They also seem to have a weird pathological need to document every aspect of their lives.The Financial Times, the more sober-minded and business-focused newspaper, finds the first three episodes of the much-hyped series something of a let down. As Henry Mance writes:Does this “Netflix Global Event” match up to, say, Diana, Princess of Wales on “Panorama,” Prince Andrew on “Newsnight” or even Harry and Meghan’s own conversation with Oprah Winfrey, in which they alleged a member of the royal family speculated about their baby’s skin colour? Bluntly, no. There have been explosive royal TV shows, but so far this is not one of them. Harry and Meghan do not drop bombs; at most, they point plaintively at existing craters. They have also bought into the successful Netflix formula: never say in one hour what you can stretch out over several. This is a show that makes you grateful that the streaming platform has the option to watch at 1.25x speed.In the United States, the reviews registered a similar sense of disappointment.As Stephanie Bunbury writes for Deadline:Three hours into Netflix doc series “Harry & Meghan” and still no tell-all truths from the darkest corners of the House of Windsor. Anyone who had expected the curtain to be lifted on the deep-state machinations of The Firm to protect the brand will be feeling shortchanged by Volume I which dropped today.Daniel D’Addario echoes that sentiment for Variety, lamenting the series’s unwillingness to push past the familiar: “As with the most recent, painfully dull season of “The Crown,” there seems a sort of narrative stuckness, an inability or lack of desire to find the next thing to say that we haven’t yet heard.”But he still holds out hope that the final episodes, which will be released on Dec. 15, will move beyond “the story of their courtship, wedding, and family feuds”:What they want to do now that they’ve overcome adversity may well lie ahead in the next batch of episodes, but speaking in their own voice about issues other than their personal experience would have represented a good start. But perhaps that’s not the remit, on a show for which the pair are engaged with a major streaming corporation to dish the dirt once more. Pity them, too — even after breaking free of Buckingham Palace, they’re still someone’s subjects. More

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      Netflix’s Harry and Meghan Documentary Series to Be ‘Personal and Raw’

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      The documentary series is the most high-profile project from Story Syndicate, a company run by the filmmaker Liz Garbus and her husband, Dan Cogan.Liz Garbus was skeptical.The documentarian behind films like “Becoming Cousteau” and “What Happened, Miss Simone?” was not an avid royal watcher. She knew the broad strokes of the decision by Prince Harry and his wife, Meghan, the Duchess of Sussex, to leave the British royal family. She had seen their interview with Oprah Winfrey. But she assumed that the stiff upper lip emblematic of elite British society would not make for a compelling documentary — too guarded, too interested in hagiography, too much of an all-around royal pain.Then she saw the footage.Encouraged by friends to document their dramatic decision to “step back” as senior members of the British royal family and assert their financial independence, Harry and Meghan shot more than 15 hours of personal video in the early months of 2020 as they finalized their plans to exit Buckingham Palace for good. Then they shared it all with Ms. Garbus and her husband, the producer Dan Cogan.Suddenly Ms. Garbus found herself watching Harry in the Windsor Suite at Heathrow Airport, addressing the camera directly. The video is dated March 11, and Harry has just finished his final two weeks of royal engagements and is headed to Vancouver to meet Meghan.“You’re right there with Harry in the Windsor Suite processing the fact that he’s leaving the royal family for the first time in his life,” Ms. Garbus said. “Then there was another clip with Meghan at home, alone, fresh out of the shower, her hair in a towel, no makeup, processing on her end what their life might actually be like.“It’s very personal and raw and powerful, and it made me appreciate the incredible weight that went into their decision,” she said. “It also affirmed the choice I had made about wanting to unravel how this historic break came to be.”When pressed as to whether Harry and Meghan had final approval over the series, Ms. Garbus responded: “It was a collaboration. You can keep asking me, but that’s what I’ll say.”Gioncarlo Valentine for The New York TimesOn Thursday, selections from those personal archives were made available to the world when Netflix released the first three hourlong episodes of “Harry and Meghan,” a six-part documentary series. (The final three episodes are scheduled to debut on the streaming service on Dec. 15.)Given the rabid, often polarizing opinions that seem to arise whenever Harry and Meghan are mentioned, the series will almost assuredly result in social media memes, tabloid gossip and — Netflix hopes, given that it signed a very rich deal with the couple in 2020 — a global streaming event.“You don’t always expect folks at their level of celebrity to speak with emotional honesty and intensity about things that are upsetting to them or complex in their lives,” Mr. Cogan said. “They were willing to do that, and that was so refreshing to us as storytellers.”More on the British Royal FamilyBoston Visit: Prince William and Princess Catherine of Wales recently made a whirlwind visit to Boston. Swaths of the city were unimpressed.Aide Resigns: A Buckingham Palace staff member quit after a British-born Black guest said the aide pressed her on where she was from.‘The Crown’: Months ago, the new season of the Netflix drama was shaping up as another public-relations headache for Prince Charles. But then he became king.Training Nannies: Where did the royals find Prince George’s nanny? At Norland College, where students learn how to shield strollers from paparazzi and fend off potential kidnappers.Their story is also being framed within “the history of British colonialism and race and its relationship to the monarchy,” Mr. Cogan added. In other words, issues that are sure to make the monarchy stammer.In the series, Ms. Garbus puts the couple’s personal archive into context, interspersing the self-shot video diaries with formal interviews and archival footage of the royal family. Meghan’s mother, Doria Ragland, is heavily featured, as are Harry’s boarding school buddies, Meghan’s security team in Canada, her college friends and co-stars from the TV show “Suits.”Filming began in November 2021 and ended in July, months before the death of Queen Elizabeth II. When asked if Harry and Meghan had control over the final product, Ms. Garbus said it was a collaboration. When pressed as to whether the couple had final approval over the series, she responded: “It was a collaboration. You can keep asking me, but that’s what I’ll say.”The project is something of a culmination of the issues Ms. Garbus has chronicled for the past two decades. Whether it’s social justice seen through the lens of the prison system (“The Farm: Angola, USA” and “Girlhood”) or uncovering the troubled personal stories of famous yet enigmatic figures — Bobby Fischer, Marilyn Monroe and Nina Simone — mental health and righting systemic wrongs are topics she returns to time and again. (Ms. Garbus also directed a documentary series about The New York Times called “The Fourth Estate.”)In the case of Harry and Meghan, Ms. Garbus said that the story was already in place when she became involved, a first for a filmmaker who prefers to determine how best to approach her subjects. The documentarian Garrett Bradley was previously attached to the project, but the two sides parted ways because Ms. Bradley’s vérité style did not mesh with the couple’s interests. Representatives for Ms. Bradley declined to comment.Ms. Garbus said that Harry and Meghan were interested in telling their love story within the historical context of the British monarchy. Ms. Garbus wanted to expand on that and explore how their personal pasts affected their present.“I’m always really interested in psychology and how someone’s childhood determines their future and what impact they will have on the world,” she said. “In this story with both of them, I was able to look at that.”Some have questioned why Harry and Meghan chose to make a documentary, suggesting that the couple’s decision to give up their royal duties meant they wanted to lead a more private life. In a statement to The New York Times, the couple’s global press secretary, Ashley Hansen, disputes this narrative. “Their statement announcing their decision to step back mentions nothing of privacy and reiterates their desire to continue their roles and public duties,” she said. “Any suggestion otherwise speaks to a key point of this series. They are choosing to share their story, on their terms, and yet the tabloid media has created an entirely untrue narrative that permeates press coverage and public opinion. The facts are right in front of them.”Harry and Meghan shot more than 15 hours of personal video in the early months of 2020 as they finalized their plans to exit Buckingham Palace for good.NetflixThe series also speaks to the expanded ambitions of Ms. Garbus and Mr. Cogan. The duo formed their production company, Story Syndicate, three years ago, combining Ms. Garbus’s directing background with Mr. Cogan’s production and financial expertise. (He previously ran the documentary finance company Impact Partners.) The aim was to serve the streaming companies’ insatiable appetite for documentary projects by overseeing the work of a host of up-and-coming filmmakers. The company now has 37 full-time employees and it works with some 200 freelancers, enabling it to produce projects at a steady pace.Last month, the documentary “I Am Vanessa Guillen,” about a U.S. Army soldier killed at Fort Hood, became available on Netflix. In February, “Stolen Youth: Inside the Cult at Sarah Lawrence” from the director Zachary Heinzerling will debut on Hulu. And Story Syndicate just announced that it will produce a project about Halyna Hutchins, the cinematographer killed on the set of the Alec Baldwin film “Rust,” with Rachel Mason directing and with the cooperation of Ms. Hutchins’s widower, Matthew.“We have built a machine to create handmade work,” said Mr. Cogan, adding that though entertainment companies have been tightening their belts recently because of the overall economy, documentaries remain a very strong business. “There’s so much noise in the world and so much content, we want to break through by doing the most elevated, the most intense, the most extraordinary work.”For Mr. Heinzerling, that meant aiding him in his efforts to turn his voluminous research and access to the survivors of a cult into a suspenseful, three-episode series.“We started at this place of how do we create something that the survivors can stand behind that really cuts against that salacious, true crime material that a lot of people are attracted to right now,” Mr. Heinzerling said. “Story Syndicate was integral in focusing the project and really helping me find a narrative thread that would be clear enough so that we could translate the story in a way that would be what I wanted and also interesting for a wider audience.”Even with a number of films and series in production, the Harry and Megan series remains by far Story Syndicate’s marquee project. The teaser alone has amassed some 40.8 million impressions since its release last week.That kind of scale is not something the filmmakers had imagined when they began working in the field.“When we both started in this, it was like joining a priesthood,” Mr. Cogan said. “You decided to become a documentary storyteller because you really believed in it, and you knew you were going to lead a certain kind of life and that was totally satisfying because that’s what you wanted to do.“But the world has changed around us, and now a whole world of people can make a living in nonfiction storytelling.” More

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      Late Night Celebrates Raphael Warnock’s Win in the Georgia Runoff

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      Stephen Colbert said he was both “gratified and terrified” after Warnock narrowly beat Herschel Walker for a Senate seat.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Warnock For the WinLate night hosts had taped their Tuesday shows before the results from the Georgia Senate runoff were in, so they shared their reactions to Raphael Warnock’s win on Wednesday.Stephen Colbert said he felt a swing of emotions. “Gratified, because Raphael Warnock defeated Herschel Walker, 51.4 percent to 48.6 percent, and terrified, because 48.6 percent of Georgians looked at Herschel Walker and went, ‘Yeah, that guy should be a U.S. senator.’”“Warnock has won Georgia! It’s fitting he’s a reverend, because when I hear that, all I can say is ‘Thank God.’” — STEPHEN COLBERT“But despite that, it was close. It was really, really close. In fact, if I was Raphael Warnock, my victory speech wouldn’t have been me smiling. I would have been a lot more different. He’s a gracious man. He was talking about democracy and America’s promise. I would have been up there like, ‘Are you people kidding me with this [expletive]? You guys are giving me a two point win over this walking vasectomy commercial? Are you kidding me?’ He is a better man.” — TREVOR NOAH“This is a tough break for Walker, though it’ll take him a couple days to understand what has happened.” — STEPHEN COLBERT“Walker was so deeply unqualified that much of the time it seemed like he didn’t even know what was going on. Even Walker’s fellow Republicans warned months ago that he could lose. The only reason he was even a candidate for the Senate in the first place was that he was once on Donald Trump’s game show. Donald Trump fired him from ‘The Celebrity Apprentice,’ but thought he might do better in the United States Senate. [imitating Trump] ‘Herschel, I don’t know if you’re ready to sell corn dogs in Times Square, so let’s put you in charge of the U.S. military first.’” — SETH MEYERS“Rafael Warnock defeated Republican Herschel Walker in the Georgia runoff last night, giving Democrats a 51-49 seat majority in the Senate. Experts say the key to Warnock’s victory was that he wasn’t Herschel Walker.” — JAMES CORDEN“When you take a moment, when you step away from a race, you understand how crazy this was? You had Raphael Warnock, a pastor — a pastor who is preaching at the same church as M.L.K., and Herschel Walker, a man who thinks M.L.K. is how you spell ‘milk.’” — TREVOR NOAHThe Punchiest Punchlines (Herschel, What’s Next? Edition)“With this loss, Walker is expected to return to his previous job, lying about having previous jobs. But on the bright side, it gives him more time to spend with his family, and more time to figure out who that is.” — STEPHEN COLBERT“And with the election behind him, Herschel says he will now focus on his true passion, having more kids than Nick Cannon.” — JIMMY KIMMEL“Herschel’s already working on his next project, which is desperately trying to learn to sing ‘Baby Got Back’ while dressed like an acorn on ‘The Masked Singer.’” — JIMMY KIMMEL“Herschel has decided to step away from the spotlight to spend more time denying allegations from his family.” — JIMMY KIMMELThe Bits Worth Watching“The Daily Show” parodied holiday rom-coms with its political parody, “The Daily Show Christmas Movie: A Vote for Love.”What We’re Excited About on Thursday NightOn Thursday night, Trevor Noah will sign off with his last episode as host of “The Daily Show.”Also, Check This OutIce Spice’s “Munch (Feelin’ U)” introduces a new piece of slang. The track made all three of our critics’ lists this year.Edwig HensonWith 70 different songs spanning several genres, our critics share their picks for the best songs of 2022. More