Editors’ Note
An obituary of the actor Tony Dow was published in error. The Times based the confirmation of his death on a Facebook post by his representatives, which proved erroneous and has since been deleted. More
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in TelevisionAn obituary of the actor Tony Dow was published in error. The Times based the confirmation of his death on a Facebook post by his representatives, which proved erroneous and has since been deleted. More
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in TelevisionMeyers noted that Trump’s speeches frequently have him “whining incessantly about how he’s being treated or repeating some weird lie an imaginary friend supposedly told him.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Trump and His Imaginary FriendsFormer President Donald Trump over the weekend attended a conservative conference in Tampa, Fla., where he repeated a story to the crowd about a friend who once referred to him as “the most persecuted person in American history.”Seth Meyers pointed out on Monday that Trump’s speeches often have him “whining incessantly about how he’s being treated or repeating some weird lie an imaginary friend supposedly told him.”“I like the idea that this never occurred to Trump until a friend suggested it. Is this where he gets all his ideas? ‘[imitating Trump friend] You know, Donald, I was thinking, your situation kind of reminds me of — well, the Salem witch trials. It’s almost like it’s a hunt — for witches, Donald. You know, like a witch hunt.’” — SETH MEYERS“He just sat back and he thought about it and he came to the conclusion that, yes, his friend was right. I’m sure he was just sitting in his study with a pipe and smoking jacket surrounded by walls of books, comparing himself to other historical examples famous persecuted Americans. ‘[imitating Trump] Let’s see. There’s me, there’s Rosa Parks, there’s Rubin ‘Hurricane’ Carter. I guess out of those three, it’s got to be me — if it’s those three.” — SETH MEYERS“I also love the idea that Trump sat back and thought about it, you know, after he finished conjugating ‘persecuted’: ‘[imitating Trump] Persecuted, persecution. They persecute and I’m the persecutee.’” — SETH MEYERSThe Punchiest Punchlines (Monkeypox Takes New York Edition)“On Saturday, the W.H.O. declared monkeypox a global health emergency. No, no, W.H.O.! No new health emergencies until you finish your Covid, little mister!” — STEPHEN COLBERT“Why? Why! Another global health emergency? No! We just got done with ignoring this pandemic, I don’t know if I can handle another one.” — TREVOR NOAH“The C.D.C. has provided some information on how monkeypox spreads, mainly through direct contact with an infectious rash and bodily fluids, which is why they say, when at all possible, people with monkeypox should handle their own soiled laundry. That C.D.C. report was written by Dr. Mom-who-is-sick-of-this: ‘You’re 23, Jordan! Go to a laundromat!’” — STEPHEN COLBERT“The reason monkeypox has been upped to emergency status is because it’s spreading faster than the scientists had expected. As of today, New York City alone has logged over 1,000 cases. That is unacceptable. The only disease you should contract in New York is herpes from a subway pole. Welcome to our beautiful city! Touch nothing.” — STEPHEN COLBERT“And also, why is New York the epicenter again, huh? Haven’t we been through enough? Hurricane Sandy, coronavirus, the Knicks. No, I’m joking, I’m joking — Sandy wasn’t a complete disaster.” — TREVOR NOAH“Seriously, people, what is it about New York? Why do diseases love it, you know? What is it about this place, outside of the rats and cockroaches and the subways full of feces and pounds of garbage on the sidewalk?’” — TREVOR NOAHThe Bits Worth WatchingToro y Moi performed “Millennium” from his new album “Mahal” on Monday’s “Tonight Show.”What We’re Excited About on Tuesday NightSt. Vincent will perform the second night of her weeklong residency on Tuesday’s “Late Show.”Also, Check This OutJoni Mitchell, who has rarely appeared in public in recent years, performed some of her most iconic songs, including an extended guitar solo on “Just Like This Train” from her “Court and Spark” album.Nina WesterveltJoni Mitchell made a surprise appearance at the Newport Folk Festival on Sunday and performed live for the first time in two decades. More
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in TelevisionGene Takavic, a.k.a, Saul Goodman, thwarts an enemy using little more than his wits and a lot of sugar.Season 6, Episode 10: ‘Nippy’A mystery has lurked in the post-“Breaking Bad” timeline of “Better Call Saul,” when our favorite plaintiff’s attorney has become Gene Takavic, manager of a Cinnabon at an Omaha mall. Each season of “Better Call Saul” has opened with a few minutes of Gene’s life, shot in black and white, a glimpse at a life filled with frosting, tedium and dread. Saul is an hourly wage drudge who lives alone and constantly scans for anyone who might recognize him from his days as a wanted man in the aftermath of “Breaking Bad” infamy.Last season, his worst nightmare was realized. A guy named Jeff — a slightly menacing cabbie who had spent time in Albuquerque and had seen Saul on TV and billboard ads — confronted Saul during a lunch break at the mall and elicited a confession.“I know who you are, you know who you are,” Jeff said, creepily. “Let’s just get past that.”How Saul would handle this potential catastrophe was one of the questions looming in the final season, and in this week’s episode, we get the answer. Saul falls back on his gift for elaborate cons. He persuades Jeff and a co-conspirator to shoplift thousands of dollars worth clothing from a store at the mall where Saul works, a heist that succeeds only because Saul distracts the mall’s security officer from a bank of surveillance video screens with — what else? — a nightly Cinnabon.Once the crime has been committed, Saul explains to Jeff and his confederate that they both could be prosecuted for federal crimes. So never speak to Gene/Saul again. Or visit the mall.The blackmailer, in other words, is blackmailed. Or checkmated, if you prefer. So much for Jeff.Your Faithful Recapper found much of this unsatisfying, although before he could get to that feeling, he had to work through some confusion. The Jeff in this episode isn’t the same as the original Jeff. (Don Harvey was reportedly unable to reprise the role because of a contractual commitment with another show.) The issue with the change goes beyond continuity in the most cosmetic sense. The new Jeff, as embodied by Pat Healy, seems like a different character — more malleable and less intimidating.The Return of ‘Better Call Saul’The “Breaking Bad” prequel is ending this year.A Refresher: Need to catch up? Here’s where things left off after the first seven episodes of the show’s final season, which aired this spring.Bob Odenkirk: After receiving a fifth Emmy nomination in July, the star discussed bringing some measure of self-awareness to the character of Saul for his final bow.Stealing the Show: Kim Wexler’s long slide toward perdition has become arguably the narrative keystone of the series, thanks to Rhea Seehorn’s performance.Writing the Perfect Con: We asked the show’s writers to break down a pivotal scene in the transformation of Jimmy McGill into Saul Goodman.And that, it turns out, is the right way to play Jeff. The Don Harvey version of the guy seemed like a serious criminal, perhaps a hit man, or security for a cartel heavy. We first laid eyes on Jeff at the start of Season 4, a pair of very ominous eyes staring at Saul through a rear view mirror. He seemed like a looming fiasco.So early in “Nippy,” when Saul says, “I know what you really want; you want in the game,” you think he’s about to discuss major felonies, perhaps a drug deal. After all, Jeff would have known Saul as a figure in a spectacular meth bust.When Saul offers help engineering a scam to steal Air Jordans and Armani suits, it jars. The crime seems too small-bore. In actuality, it’s a perfect fit for the character on the page and the version of Jeff in this episode. He’s a divorced man who has money troubles and lives with his mom (played straight and beautifully by Carol Burnett). Earning a few thousand dollars with stolen clothing is just his speed.By the end of this episode, it’s clear that the Jeff problem is not that big a deal — more an unpleasant inconvenience than mortal threat. That’s a letdown because viewers could be forgiven for thinking that Jeff was a genuine impediment, not a goofball who nearly bungles a (relatively) modest robbery.Now let’s discuss context and timing. Giving over an entire episode to one caper puts a lot of pressure on that caper, and this one had the same flaw as parts of the Get Howard Scheme. It felt low-stakes and a bit broad, a tone that felt out of place after the departure of Kim and the murder of Howard. With three episodes left, it seems odd that the writers devised a tale in which Saul snookers a mall cop with an oversized pastry. The show should be steamrolling toward the resolution of tantalizing conflicts, threads that we viewers can’t wait to see tied together. At the moment, with Lalo dead and with Jeff neutralized, we don’t know what those conflicts will be.That said, Your Faithful Recapper would bet that the best episodes of this show are ahead of it. This one ends with Saul visiting the slightly depleted department store and draping a very garish tie over a busily patterned shirt. It’s a moment of nostalgia, a chance to look briefly at his old costume. He nearly revs up a fake smile, the one he always used when greeting a new client. But before he truly grins, he returns to his senses and puts the clothing back on the rack.Cinnabon, Up CloseThis week, we break from the usual closing format of “Odds and Ends” to bring you an interview. In May, Your Faithful Recapper called the Cinnabon headquarters in Atlanta and talked with Michael Alberici, the company’s head of marketing, to learn more about its relationship with “Better Call Saul.” Now that the show has aired an episode that all but co-stars one Cinnabon after another, it’s time to excerpt that discussion.Toward the end of “Breaking Bad,” Saul says that his best case scenario is winding up as a manager as a Cinnabon in Omaha. What did you guys think when you heard that line?Our phones blew up. People were calling to say, “Did you see that?” And our social media team swung into action and they sent a tweet to Bob Odenkirk with a cheeky message, something like: “We hear you’re looking for a job. Here’s how to apply,” with a link to our careers page.How much do you participate in the show?The show is very secretive about the scripts, which is fine, of course. They just call us and ask us to set up the store, which is actually in a mall in Albuquerque, a former Cinnabon that’s now closed. So each time, we recreate the bakery — the ovens, the mixers, the hot plates and everything else are in a storage facility — and we send thousands of fresh rolls. We train the actors as if they’re real team members, so they know how to interact with extras. The actors at the cash register know all the mannerisms, they know what to do.Do you have any agreement with the producers, any guardrails about the way the company is represented?We just have to trust that they have the brand’s best interests in mind. And if there were to be some crazy story line in which the store blows up, we’ll handle it. We monitor social media and the press daily, and right now there’s a lot of talk about whether Cinnabon will show up again in “Better Call Saul.” It keeps our brand top of mind for consumers around the world. We’d be crazy to put stipulations around this opportunity.Saul Goodman looks like he would rather be doing anything other than working at a Cinnabon. What does the company make of the way it’s portrayed on the show?We definitely don’t take it as a ding on the brand. I mean, he might not like his job, but that has no impact on the company. They always make that store look like a well-oiled machine. The bakery looks great. He’s miserable, but hey, the rolls are hot. More
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in TelevisionA mini-series from Olivier Assayas wraps up on HBO. And the long-running CW show based on the Archie comics ends its penultimate season.With network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, July 25-31. Details and times are subject to change.MondayIRMA VEP 9 p.m. on HBO. This limited series, which stars Alicia Vikander, will end its first season on Monday. Its eight-episodes follow Mira (Vikander), an American actress who goes to France to star in a remake of the French silent film “Les Vampires.” While there, she struggles to keep her personal world and the world of her character separate. The show is written by Olivier Assayas, who wrote the 1996 film of the same name, but it isn’t a sequel or a remake, Assayas told The New York Times. “Turning ‘Irma Vep’ into the new ‘Irma Vep’ is like moving from poetry to novel,” he said, “and to a thick novel.”TuesdayMH370: MYSTERY OF THE LOST FLIGHT 8 p.m. on History. Eight and a half years after Malaysia Airlines Flight MH370 disappeared, History will air an original documentary about the flight. Though the official search for the missing plane and passengers ended in 2018, people have not stopped trying to come up with theories and to find evidence about what might have happened to the plane. In this documentary, experts discuss possible explanations for the disappearance.WednesdayA still from “We Met in Virtual Reality.”HBOWE MET IN VIRTUAL REALITY (2022) 9 p.m. on HBO. Exploring a new kind of reality, this HBO documentary is filmed completely within Virtual Reality. We have seen V.R. help autistic children experience the world, allow older adults relive their memories and become a general means of communication. This movie expands the idea of using V.R. in day-to-day life and follows the stories of four sets of people who are using V.R. to connect romantically, start new businesses and improve accessibility for people who are deaf or hard of hearing.ThursdayMAGIC MOMENTS — THE BEST OF ’50s POP 8:30 p.m. on PBS (check local listings). Originally filmed in Atlantic City, N.J., in 2004, this show is hosted by Mary Lou Metzger, Phyllis McGuire and Pat Boone. It features performances by Debbie Reynolds, Patti Page and the Chordettes, plus a reunion of the McGuire Sisters. Cue the nostalgia.FATAL FLAW: A SPECIAL EDITION OF 20/20 10 p.m. on ABC. This four-part documentary show uses firsthand perspectives from investigators and journalists — as well as dollhouse re-creations of homicide scenes — to look at how detectives tracked down different killers. Thursday’s finale focuses on a crime that was solved by a clue found in a kitchen freezer.HELL OF A WEEK WITH CHARLAMAGNE THA GOD 11:30 p.m. on Comedy Central. Charlamagne Tha God’s show, formerly known as “Tha God’s Honest Truth,” got a big rebrand this year: This season is formatted like a talk show, whereas last season had more of a variety format. The new season, entitled “Hell of a Week With Charlamagne Tha God,” will feature celebrity guests — including politicians and comedians — who have a range of political views. (Last season’s guests included Vice President Kamala Harris, Ed Sheeran and Kevin Hart.)FridayBARRY LYNDON (1975) 8 p.m. on TCM. This Stanley Kubrick film stars Ryan O’Neal as a man who climbs the ranks of wealth and privilege after being left homeless by a duel. (The film was adapted from a novel by William Makepeace Thackeray, itself based on a true story.) “‘Barry Lyndon’ is another fascinating challenge from one of our most remarkable, independent-minded directors,” the film critic Vincent Canby wrote in his review for The Times. If you are in the mood for a Stanley Kubrick double feature, A CLOCKWORK ORANGE (1971) airs on TCM right after “Barry Lyndon.”SaturdayDaniel Day-Lewis in “Phantom Thread.”Laurie Sparham/Focus FeaturesPHANTOM THREAD (2017) 8 p.m. on TCM. In this movie, Paul Thomas Anderson and Daniel Day-Lewis teamed up for a second time (10 years after “There Will Be Blood”) to take the audience to a dressmaking business in the 1950s. Day-Lewis plays Reynolds Woodcock, a renowned dressmaker to the rich and famous. He is also a notorious playboy — until he meets Alma (Vicky Krieps), who becomes his muse. “Not every movie about an artist is a self-portrait of its director,” A.O. Scott wrote in his review for The Times, “but ‘Phantom Thread’ almost offhandedly lays out intriguing analogies between Reynolds’s métier and Mr. Anderson’s.”SundayFrom left, Cole Sprouse, Lili Reinhart and KJ Apa in “Riverdale.”Michael Courtney/The CWRIVERDALE 6 p.m. on the CW. This season of “Riverdale,” the downbeat and dramatic TV adaptation of the Archie comics, has included superpowers, a Barchie (the couple name given to Betty and Archie by their fans) relationship and a parallel universe. Sunday night’s episode is the season finale. The cast has recently been shooting its seventh and final season in Vancouver.CITY ON A HILL 10 p.m. on Showtime. Set in the 1990s, this show follows an F.B.I. veteran (Kevin Bacon) and an assistant district attorney (Aldis Hodge) as they try to change Boston’s criminal justice system. The show’s new, third season will follow Bacon’s character, Jackie Rohr, as he lands a new gig after leaving the F.B.I. It also keeps up with Hodge’s character, Decourcy Ward, as he continues working to fix the broken criminal justice system. When the show debuted in 2019, Ben Affleck, one of its executive producers, wrote in an email to The Times that his inspiration to develop the series came from his research for the movie “The Town” (2010), which was also set in Boston. This show, Affleck explained, allowed for a wider exploration of“what was going on politically, socioeconomically, racially and culturally at the time I kind of came of age there.” More
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in TelevisionHe received an Emmy nomination for his work as Detective Neal Washington, a character he strove to portray as something other than “that hip, jive Black man.”Taurean Blacque, the actor best known for his Emmy-nominated performance as a detective on the critically acclaimed NBC drama series “Hill Street Blues,” died on Thursday in Atlanta. He was 82.His family announced the death in a statement. It did not specify a cause, saying only that he died after a brief illness.Mr. Blacque, who began his career as a stage actor in New York, had several television appearances under his belt when, in 1981, he landed his breakthrough role: the street-smart Detective Neal Washington on “Hill Street Blues,” which drew praise for its realistic portrayal of the day-to-day reality of police work and was nominated for 98 Emmy Awards in its seven seasons, winning 26.The part of Washington, Mr. Blacque later recalled, was sketchily written, and it was his choice to play the character as quiet and reflective. “I think the original concept was that hip, jive Black man, you know,” he told TV Guide. “But I wanted to turn it around a little, give him some depth, not get into that stereotype.”Mr. Blacque was nominated for a 1982 Primetime Emmy for best supporting actor in a drama series, but he lost to his fellow cast member Michael Conrad. (All the nominees in the category that year — the others were Charles Haid, Michael Warren and Bruce Weitz — were members of the “Hill Street Blues” cast.)“Hill Street Blues” ended its run in 1987, and two years later Mr. Blacque starred with Vivica A. Fox and others on the NBC soap opera “Generations.” Probably the most racially diverse daytime drama of its era, “Generations” dealt with the relationship over the years between two Chicago families, one white and one Black. Mr. Blacque played the owner of a chain of ice cream parlors.He later moved to Atlanta, where he was active on the local theater scene, appearing in productions of August Wilson’s “Jitney,” James Baldwin’s “The Amen Corner” and other plays. He was also involved in the National Black Theatre Festival in Winston-Salem, N.C.Taurean Blacque was born Herbert Middleton Jr. on May 10, 1940, in Newark. His father was a dry cleaner, his mother a nurse.He graduated from Arts High School in Newark but did not decide to pursue an acting career until he was almost 30 and working as a mail carrier. He enrolled at the American Musical and Dramatic Academy in New York in 1969 and, he told USA Today, “Once I found out that acting was my niche, I poured all my energies into it.”He said he chose the stage name Taurean Blacque (Taurus was his astrological sign) in part as a way to get casting directors’ attention. Eventually, after several years of paying dues, he did.Work in community theater in New York led to roles with the Negro Ensemble Company and eventually to Hollywood, where he landed guest roles on “Sanford and Son,” “Taxi,” “Charlie’s Angels,” “The Bob Newhart Show” and other TV series before being cast on “Hill Street Blues.”In addition to being an actor, Mr. Blacque, who had two biological sons and adopted 11 other children, was an adoption advocate. He was the spokesman for the Los Angeles County adoption service. In 1989, President George Bush appointed him the national spokesman for adoption.Mr. Blacque’s survivors include 12 children, 18 grandchildren and two great-grandchildren.The Associated Press contributed reporting. More
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in Television“Yes, he is a stain on our history, and thanks to these hearings, we know that stain is ketchup,” Stephen Colbert said of Donald Trump.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.The Insurrection Will Be TelevisedThe lengthy Jan. 6 hearing on Thursday night highlighted former President Donald Trump’s lack of attempts to stop the insurrection on the Capitol, instead choosing to watch Fox News in the White House dining room.“He chose not to act. Same review he got for ‘Home Alone 2,’” Stephen Colbert said on Thursday’s live edition of “Late Night.”“He did not call them from a box. He did not call while watching Fox. He did not help out Uncle Sam. His brain is made of eggs and ham. But, in his defense, it is possible he forgot the number for 9-1-1.” — STEPHEN COLBERT, on news that Trump didn’t reach out to any security officials on Jan. 6“Yes, he is a stain on our history — and thanks to these hearings, we know that stain is ketchup.” — STEPHEN COLBERT, referring to Representative Adam Kinzinger’s referring to Trump’s inaction as “a stain” on our history“So, all in all, it was a long night — almost three hours — but it wasn’t nearly as long as the 187 minutes where the former president did nothing to stop an ongoing insurrection that he created and then watched it all in glee as it played out on TV. Let’s just hope some of his followers were watching this tonight.” — STEPHEN COLBERTThe Punchiest Punchlines (‘Positive’ News for Biden Edition)“The White House announced that President Biden has a mild case of Covid. On the bright side, it’s the first positive news Biden’s gotten in months.” — JIMMY FALLON“Now of course, the big story today is that President Biden tested positive for Covid, but according to the White House, Biden is feeling pretty good for a 300-year-old man.” — RUPAUL, guest host of “Jimmy Kimmel Live”“President Biden tested positive today for the coronavirus. Luckily, we’ve all been keeping our distance.” — SETH MEYERS“Joe said his symptoms are mild, and he’ll be back to falling off his bike in no time.” — RUPAUL“Get well soon, sir. You made it through the Spanish flu; you can make it through this.” — TREVOR NOAH“Biden hasn’t been this sick since the time he got scurvy on Noah’s Ark.” — RUPAUL“That’s right, Covid isn’t going to slow Joe Biden down because he can’t get any slower.” — STEPHEN COLBERTThe Bits Worth WatchingJimmy Fallon announced his book club’s latest selection on Thursday’s “Tonight Show”: “Tomorrow, and Tomorrow, and Tomorrow,” by Gabrielle Zevin.Also, Check This OutFrom left, Daniel Kaluuya, Keke Palmer and Brandon Perea in “Nope,” the latest feature from the director Jordan Peele.Universal PicturesJordan Peele’s “Nope” stars Daniel Kaluuya and Keke Palmer as brother-and-sister horse wranglers defending the family ranch from an extraterrestrial threat. More
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in TelevisionJoel Kim Booster, Nikki Glaser, Bill Burr, Fahim Anwar and Cristela Alonzo deliver strong hours ideal for summer viewing.Listen to This ArticleTo hear more audio stories from publications like The New York Times, download Audm for iPhone or Android.Why isn’t there a stand-up-special equivalent of a beach read? I wouldn’t recommend sunbathing with a smartphone in your hand, but it’s certainly possible. As more comics release their first specials developed in the pandemic, a new crop of hours from seasoned acts is ready to complement your summer vacation.Nikki Glaser, ‘Good Clean Filth’HBO MaxWearing thigh-high white boots and a short yellow dress, Nikki Glaser looks as much like a Bond girl as a stand-up. She’s not selling sex so much as teaching it, explicitly making the case for her own bawdy jokes filling the niche left by the pitiful job done by sex education and porn. Long adopting the persona of an older sister leveling with you, she moves closer to a modern comedy update on Dr. Ruth or even old-school women’s magazines, speaking prescriptively about everything from anal sex to how to get a man.A sly and skilled joke writer, she knows sex jokes get easy laughs, so she makes transgressive ones that look difficult to pull off. She scatters punch lines in a nimble voice that moves from gravelly deep to squeaky sweet. She delights in wordplay. Joking about her vagina, she says, “I talk about it so much that I don’t call it my privates. I call it my public.”And then there’s this gem on male rationalization for dating younger women. “There’s an epidemic of young people with old souls according to all my 40-year-old-friends.” Her hour can feel a little familiar, going over territory she has already mastered. On the other hand, there’s her closer, a silent act-out that works as a callback, an innovation and a big laugh.Bill Burr, ‘Live at Red Rocks’NetflixEarly in the pandemic, Bill Burr went on Joe Rogan’s podcast and got into it about masks. Rogan made fun of them as feminine and weak. “You’re so tough with your open nose and throat,” Burr snapped back, with an additional curse, pushing Rogan about turning a medical issue into something about manhood. “Why does it always become like that?”This viral moment revealed a divide between the two popular comics. On his podcast, Rogan sells a certain aspirational view of masculinity, while in his stand-up, Burr presents a more tortured portrait, giving anguished voice to male resentments and phobias as well as expression to their destructiveness. Along with one of the great deliveries in stand-up comedy, this complexity is what makes Burr a riveting performer.His messy, rambling, often hilarious new special baits the audience at every turn. Like Bruce Banner, Burr is worried about his temper, but it’s what we’ve come to see. And it can be the engine to some daring riffs that dig at both sides of the culture war, even though he’s more animated and funnier going after liberals. None of his many peers do this as well. No clichés about lattes and kale here. Describing a privileged white tweeter who’s virtue signaling, he imitates, typing out, “My heart breaks on my L-shaped couch.”Burr does repeat himself, and for the second special in a row, he speculates that they are running out of men to cancel. His bits are more intricately organized than his act. He closes on one that’s not as strong as the bit that came before. The emotional highlight sits awkwardly in the middle when he gets choked up describing the self-loathing of losing his temper in front of his daughter and finding that he is falling into the same mistakes that his father made. Bent down in a hunch, Burr is unexpectedly emotional, the bluster vanished and the rage transformed into tenderness. It’s a range that makes you think there’s a leading role in a great movie in his future.Fahim Anwar, ‘Hat Trick’YouTubeFahim Anwar filmed his special in three rooms at the Comedy Store.via YouTubeThe pun in the brisk, low-concept “Hat Trick,” in which the flamboyantly silly comic wears a backward cap while performing in three different rooms of the Comedy Store in Hollywood, is its only effortful part. Otherwise, the vibe is laid-back, offhanded, just another night at the club. You see introductions, shoptalk with comics and some of the drive home. In between are jokes on the most meat-and-potato stand-up subjects: dating, the pandemic, weed, porn.There’s something pleasingly comfortable about the style here, one that Anwar can pull off because he is one of the finest physical comedians working in clubs today. His act-outs rival Sebastian Maniscalco’s in grace and exceed them in goofiness, whether they are of a deer, a dancing emoji or a member of the Taliban using hand sanitizer. Each of these works nicely with the joke. The only risk is in seeming a little strained, which is why the underplayed style works so well. If you want a few laughs but don’t have time to get to the club, this will do.Cristela Alonzo, ‘Middle Classy’NetflixWhen Cristela Alonzo is telling a story, she has a specific if ambiguous look on her face that somehow generates suspense: a smiling kind of wonder that doubles as exasperation. It’s somewhere between “Can you believe this nonsense?” and “What a world.” You want to find out where she lands.It’s part of the fun of her first special in five years, whose highlights are sensitively observed jokes explaining the transition from growing up poor to finding some success. Keep an eye out for a virtuoso story about her first trip to the gynecologist. Her joyful comedy has a dark side, which shows around the edges of jokes, in the subtext. “I’ve been smiling so much and I’m not even happy,” she says about midway through. “I just got my teeth fixed.” Flashing radiant dental work, she says it was expensive in a pointed way that makes that joyful look on her face seem like a setup to this payoff.Joel Kim Booster, ‘Psychosexual’NetflixAfter saying he never hears queer women complaining about their inability to achieve orgasm, Joel Kim Booster abruptly silences a round of applause with a glare and a raise of a hand. “I will not let this descend into clapter,” he adds pointedly. For years, Booster — who between this special and his new Hulu movie, “Fire Island,” is having a moment — has brought a commanding club-comic energy to alt rooms: prickly, aggressive but clear premises that set up hard punch lines.His stylish and funny debut is broken into three acts, one that leans on his identity as a gay Korean American comic, the second that doesn’t and the third that focuses on sex. Throughout, he uses a straight white man in the crowd as a foil to examine questions of relatability and universality. He periodically talks directly into the camera to address the director about where to focus the camera, a fun tactic that evokes shows like “Fleabag.”His formal devices are clever and nicely integrated into the set — even if it builds to an argument that is ultimately pretty traditional. The strength here is his forcefully seductive presence, one that grasps that politics or sex are, among other things, powerful instruments to set up a punchline. After discussing the racism of Asian fetishes, he deadpans: “I think it’s doubly racist if you have an Asian fetish and are not attracted to me specifically.”Audio produced by More
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in Television“The House has officially passed a bill legalizing gay and interracial marriage, which is a great victory for 1995,” Noah joked on Wednesday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.A Little RespectThe Respect for Marriage Act was passed in the House this week, which Trevor Noah described as Democrats “trying to learn their lesson and protect those rights before Clarence Thomas gets to them.”“The house has officially passed a bill legalizing gay and interracial marriage, which is a great victory for 1995,” Noah joked on Wednesday.“Everyone is still shellshocked by the Supreme Court’s recent decision to overturn Roe v. Wade. Although this made conservatives happy because they finally made government small enough to fit inside a woman’s vagina, everyone else was pretty furious.” — TREVOR NOAH“And people weren’t just angry at the Supreme Court. No, they were pissed at Democrats because they didn’t codify Roe v. Wade. I don’t know about you, but I haven’t said ‘codified’ this much in my entire life.” — TREVOR NOAH“Because let’s be honest: It is really strange to be diving back into this debate that we thought was resolved in 2015, all right? This is weird — they’re like ‘We are doing it now.’ Well, what do you mean now? What’s next — we’re going to start arguing about that dress again? Is that what we are doing? Because it is over, guys — it’s over. We decided a long time ago it’s blue and black, all right? And anyone who thinks it’s while and gold is a Nazi. Yeah, I said it.” — TREVOR NOAH“I mean I don’t even know what the argument is against gay marriage — what’s the argument? When it became legal in 2015 conservatives all said, ‘Oh, America is going to fall apart when this happens,’ and yeah, it kind of did but that’s not ’cause of gay marriage.” — TREVOR NOAHThe Punchiest Punchlines (Hot Earth Edition)“Meanwhile, today, President Biden announced new executive actions to address the climate crisis. Whew, just in time. it’s 115 degrees outside!” — JIMMY FALLON“Unfortunately, Biden’s speech was cut short when the teleprompter burst into flame.” — JIMMY FALLON“So the president held a press conference today to announce new steps to combat climate change but stopped short of declaring a national emergency. Yeah, you don’t want to call a climate emergency too early — you’ve got to wait until our internal temperature is 165 degrees in the thigh. Then we’re safe to eat.” — STEPHEN COLBERT“Seriously, even the climate change deniers were like, ‘Do you mind if we protest inside? It’s hot as hell out here.’” — JIMMY FALLON“It’s so hot in the city, Times Square had a naked cowboy and a shaved Elmo.” — STEPHEN COLBERTThe Bits Worth WatchingLizzo surprised fans with an “Undercover Sing” segment on Wednesday’s “Jimmy Kimmel Live.”What We’re Excited About on Thursday NightRuPaul will guest host Thursday’s “Jimmy Kimmel Live.”Also, Check This OutFrom left, Lydia Rose Bewley, Richard E. Grant, Dakota Johnson and Yolanda Kettle in the latest version of “Persuasion.”Nick Wall/NetflixNetflix’s adaptation of “Persuasion” is the latest in failed attempts to please fans of Jane Austen. More
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