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      ‘Better Call Saul’ Season 6, Episode 7 Recap: Plan A

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      Lalo goes underground, Gus gets gloomy, and Howard presents his closing argument.As the producers of “Better Call Saul” have wondered publicly about how to end the show, they have been guided, they say, by one question: What does Saul Goodman deserve?“Plan and Execution,” as this episode is called, complicates the answer. Through the first six episodes of this season, and throughout “Breaking Bad,” Saul — and his progenitor, Jimmy McGill — seemed like a relatively benign weasel, a colorful grifter who often put his talent for chicanery to constructive use. None of his professional life was purely altruistic, but when he behaved like a crook it was often in the name of fairness.Now though, the scheming of Jimmy and his wife and accomplice, Kim Wexler, have ended in the murder of a civilian, as noncombatants are called in mob movies. Howard did not “land on his feet,” as both he and Jimmy predicted during Howard’s final minutes of life. He landed on his head, with a bullet lodged in it from Lalo’s gun.If one were defending Jimmy/Saul in court over the question of his culpability in Howard’s death, there are arguments to marshal. Lalo pulled the trigger. Kim pushed the plan. The former deserves life in prison. The latter needs therapy. But given the way that this show’s sequel hems in so much of the plot, the chief matter of suspense is what becomes of Gene Takavic, the third identity of Jimmy McGill, who runs a Cinnabon in an Omaha mall in the post-“Breaking Bad” timeline.And what happens to Kim? If she survives, does she wind up with Jimmy?It was easier to root for an Omaha reunion before Operation Frame Howard ended with the words “There’s really no need to … ” and a corpse on the floor. But that might be the ultimate point of this suddenly grim chapter of “Better Call Saul.” It gave Kim a chance to demonstrate moral complexity. She’s come a long way from the strait-laced attorney we met early in this show. Nor is she any match for the guy who’s about to interrogate her and Jimmy in their home. Like many of the best characters to emerge from the mind of the creators Vince Gilligan and Peter Gould, she’s a mix of compassion and malignancy, sympathy and cunning.The Return of ‘Better Call Saul’The “Breaking Bad” prequel returned April 18 for its final season.A Refresher: After the show’s two-year, Covid-induced hiatus, here’s where things left off.Serious Success: Bob Odenkirk was a comedian’s comedian — until “Better Call Saul” revealed him as a peerless portrayer of broken souls.Writing the Perfect Con: We asked the show’s writers to break down a pivotal scene in the ​​transformation of Jimmy McGill into Saul Goodman.Cast Interviews: Rhea Seehorn and Tony Dalton told us how they created the complex Kim Wexler and the murderous Lalo Salamanca.If her destiny is tied to Jimmy’s, it’s safe to assume that it will be determined by how the couple handle the realization that their larky stratagems have ended in blood. Which doesn’t mean that Jimmy and Kim will cope with whatever comes next the same way. The first episode of this season is called “Wine and Roses,” a reference to the 1962 film, “Days of Wine and Roses,” about a couple, played by Lee Remick and Jack Lemmon, who are alcoholics. Lemmon’s character gets sober. Remick’s character remains in love with Lemmon’s but refuses to stop drinking, and they part. This is either foreshadowing or a fake out, but it raises the possibility that Kim will continue trending toward the wicked and Jimmy will not.Although, who knows? The reverse could be true.Regardless, R.I.P. Howard. You were much derided, mostly because of your smooth manners, good looks and old-timey shirt collars. They made you seem haughty and foppish. You were far more thoughtful than your enemies realized. If it’s any comfort, Patrick Fabian played you with an impeccable mix of confidence and vulnerability.The plot against you will not be missed. It was a ridiculous endeavor and never more so than in the middle of this episode, when Jimmy and Lenny, the aspiring actor/shopping cart wrangler, played by John Ennis, are photographed in a park, pantomiming a bribe. The point is that Lenny looks a lot like the Sandpiper mediator, Rand Casimiro (John Posey).The effort to settle the Sandpiper case and humiliate Howard had a few twists for viewers, like the realization that Howard’s private detective was a mole. But it was ultimately a Rube Goldberg contraption, fanciful to the point of absurdity and somehow effective nonetheless. About the best that can be said for this scheme is that it’s over. Plus, it seemed to have a profoundly aphrodisiacal effect on its perpetrators.By the time Lalo has secured the silencer on his gun, the amorous celebration has given way to terror. The question of what to do with Howard’s body is now Kim and Jimmy’s problem, but the more immediate issue is that Lalo wants some information. He will want to know the truth about Jimmy’s benighted $7 million trek through the desert, made possible by Mike’s sniper work and survival techniques last season. He will likely learn that it was Mike who engineered Lalo’s bail jump.What Jimmy can’t offer is details about Gus Fring, whom he presumably knows nothing about. (In “Breaking Bad,” he connects Walter White to Gus without knowing the man’s identity.) He can’t illuminate much about the superlab.And superlab is Lalo’s focus. He has returned from Germany with information tortured from Casper, who, to Your Faithful Recapper’s surprise, apparently knew the location and purpose of the excavation site where he worked. Lalo is surveilling the laundry above it from an underground lair in the city’s sewer system. Realizing that his phone call to Hector is bugged, he suggests, for the ears of Fring’s underlings, that his next move is an assault on Fring’s home. In fact, he plans to infiltrate the superlab and send images of it to Don Eladio, the head of the Mexican cartel.“Tonight, I go in, I kill all the guards and show you proof,” he says in a video message to Eladio. “Then you decide.”The possibility raised here is that the proof eventually offered will not be compelling enough to persuade Eladio to against Fring. As Lalo puts it, Fring will have his own story and defenders because he’s an “earner.” In fact, we know from “Breaking Bad” that Fring will finish his “mother of all meth labs,” as Lalo calls it. The question is whether Lalo can delay the inevitable without getting killed.Odds and EndsNothing in “Better Call Saul” is haphazard, so let’s note that the movie Jimmy and Kim are watching before Howard shows up is “Born Yesterday,” a 1950 film directed by George Cukor, about a woman, played by Judy Holliday, who falls in love with a journalist, played by William Holden, who’s been hired by her millionaire husband to educate her. We overhear a snippet of dialogue in which Holliday’s character is discussing Alexander Pope’s “Essay on Man,” a poem published early in the 18th century. One of Pope’s themes is the limits of science to grasp the true nature of humanity.Howard’s exit monologue is remarkably insightful. His guesses about what motivated the plot against him are as good as any out there, and unlike viewers, he wasn’t privy to the hotel room conversation last season when the idea was giddily conceived. “You did it for fun.” True. “You’re perfect for each other.” Yup. And so on.Fun fact: The guy playing the shopping cart wrangler and mediator look-alike is the father of Jessie Ennis, who plays Erin Brill, the law firm associate at Davis & Main. In this episode, she’s in charge of the group phone call during the mediation.The show now goes on hiatus until July 11, when the final six episodes will air. Your Faithful Recapper expects that a good portion of the remaining action will occur in the post-“Breaking Bad” era. But your recapper is faithful, which is very different from clairvoyant. So feel free to speculate about what comes next in the comments section, or about anything else you would like to share with the group.Until then, namaste. More

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      Guy Fieri, Elder Statesman of Flavortown

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      MIDDLETOWN TOWNSHIP, N.J. — Guy Fieri looks as if he has prepared his whole life to be a middle-aged rock star.He has grays in the famous goatee now, a faint tan line beneath his chain necklace and a pair of hulking middle-finger rings that do not slow his incorrigible fist-bumping. He talks about the higher purpose of his “namaste” tattoo, and feigns outrage when no one recognizes his Dean Martin references. He revels, still, in conspicuous consumption, double-fisting naan and tandoori chicken during a recent television shoot here at a strip-mall Indian restaurant tucked between a nail salon and a wax center.“I want to chug the chutney!” Mr. Fieri said, daring someone to stop him. “One little bump.”It was 9:33 a.m.But somewhere on a rickety highway near the Jersey Shore that afternoon — past the Jon Bon Jovi restaurant he said he needs to come back and visit; beyond a seaside bar called the Chubby Pickle, where he congratulated himself for not making any R-rated puns, before making several — Mr. Fieri caught himself in a reflective mood.In the 15 years since he began “Diners, Drive-Ins and Dives,” his Food Network flagship, Mr. Fieri, 54, has become perhaps the most powerful and bankable figure in food television, the éminence grise of the eminently greasy. And by dint of that show’s success — and Mr. Fieri’s runaway celebrity, and that golden porcupine of hair, and maybe that one review of his Times Square restaurant a while back — certain perceptions have attached to him through the years, perpetuating the caricature he still often seems eager to play.He would like a word about all that.“If you only hear Metallica as a heavy-metal band, then you are not hearing Metallica,” Mr. Fieri said, riding shotgun after a day of filming and charity work. “Now maybe you don’t like that style. But they’re real musicians.”Mr. Fieri’s red Camaro is a signature emblem of “Diners, Drive-Ins and Dives,” his flagship Food Network show.Timothy O’Connell for The New York TimesFor nearly two decades, since before he mailed a reality-show audition tape to the network, Mr. Fieri has plainly believed he was a real musician, contributing worthy entries to the canon.What is striking now, long after the parody seemed to congeal, is that the wider food community stands ready to believe him.Mr. Fieri has emerged as one of the most influential food philanthropists of the Covid age, helping to raise more than $20 million for restaurant workers. He has established himself as an industry mentor among chefs who may or may not admire his cooking but recognize his gifts as a messenger, which have boosted business for the hundreds of restaurants featured on his show. He has won the blessing of the white-tablecloth set through sheer force of charisma and relentlessness, coaxing a reconsideration of how the food establishment treated him in the first place.“I don’t think he had the respect of people like me or people in the food industry,” said Traci Des Jardins, an acclaimed Bay Area chef who has become a friend. “He has earned that respect.”“An amazing individual,” said the philanthropic chef José Andrés, recalling how Mr. Fieri churned out plates of turkey for wildfire evacuees in 2018.At a recent shoot for “Diners, Drive-Ins and Dives” at Moo Yai Thai in Sea Bright, N.J.Timothy O’Connell for The New York Times“Whether he likes it or not,” said Andrew Zimmern, a fellow food-television veteran, “he has become an elder statesman.”In that case, Mr. Fieri said, he looks forward to the initiation ceremony.“Don’t you think there should be some kind of a cloak?” he asked, imagining luminaries fitting him for a tweed jacket with elbow pads over his tattoos. But, he added, “I guess I’m kind of becoming one of the guys now.”His point, as ever, was that people are complicated, including Guy Fieri, professional uncomplicated person. Maybe especially Guy Fieri, whose very surname (it is “fee-ED-ee,” he reminds audiences, nodding at his Italian roots) demands fussiness from a man who says things like “flavor jets, activate!” for a living.He is at once sensitive to the exaggerated persona he has embraced, challenging a reporter to name the last time his show recommended a hamburger, and acutely aware of his own ridiculousness. He calls himself semi-chunky as a matter of branding (“body by dumpling,” he said) but is actually quite trim in person, singing the praises of vegan food.The young, pregoatee Mr. Fieri showed an entrepreneurial instinct, selling pretzels from a cart in Ferndale, Calif.Courtesy of Guy FieriHe is a son of Northern California hippies, with superfans across MAGA nation and what can seem like a bespoke set of personal politics, often using his platform to tell stories celebrating immigrants while lamenting what he sees as the country’s overreliance on welfare programs.He can pass hours, by land or fishing boat, reflecting on life and family with a close friend, Rob Van Winkle, whom Mr. Fieri addresses as Ninja and most others know as Vanilla Ice.“Some of us never grow up,” said Mr. Van Winkle, who attributed Mr. Fieri’s nickname for him to his rap in the 1991 “Teenage Mutant Ninja Turtles” sequel, adding that he has been renovating the chef’s new home in Palm Beach County, Fla., a short drive from his own. “When Guy and I are together, we’re like the oldest teenagers in town.”The tonal whiplash in Mr. Fieri’s company can be dizzying. He compares himself in one breath to Happy Gilmore, Adam Sandler’s rampaging golf star of the 1990s (“He’s a hockey player that makes money playing golf, and I’m a cook that makes money doing television”) and speaks in the next of his “fiduciary responsibility” to continue showcasing local restaurants.Rob Van Winkle, better known as Vanilla Ice, has become a close friend. Courtesy of Food NetworkHe can edge toward profundity discussing the America he sees in his travels — comparing it to an overstuffed washing machine, clanking through its burdens — before defaulting to pablum about a national shortage of hugs.He has learned that moderation has its place, he suggests, but only in moderation — a principle best expressed, perhaps inevitably, through the Tao of Lars Ulrich, the Metallica drummer.Mr. Fieri was filming at the Chubby Pickle, in Highlands, N.J., when a chef preparing pork tacos seemed to skimp on the salsa. Mr. Fieri objected.When Metallica cuts an album, he asked, doesn’t the band go heavy on the high-hat? Don’t they give the people what they want?“You get as much Lars,” Mr. Fieri said, “as Lars wants to give you.”Riding the ‘Fame Rocket’The red bowling shirt was probably a giveaway.But for the first 25 seconds of his 2005 audition reel for “The Next Food Network Star,” Mr. Fieri presented himself as a proper snob. He welcomed viewers to Sonoma County and pledged to prepare a dish “not in fusion but in con-fusion” — a Gorgonzola tofu sausage terrine over a “mildly poached” ostrich egg, with Grape-Nuts (this was wine country, after all) and pickled herring mousse.Mr. Fieri as he won “The Next Food Network Star” competition in 2006 — a victory that propelled him to fame. At right is the chef Emeril Lagasse.Courtesy of Food NetworkMr. Fieri shivered at his own faux brilliance. He clasped his hands and stared, as if waiting for his audience to agree. And then: “Ha, ha, haaa. No, seriously, folks, real food for real people. That’s the idea.”Mr. Fieri proceeded to make something he calls the jackass roll — rice, pork butt, fries and avocado — so named, he said, because a friend told him he looked like a jackass preparing it. He described his parents’ macrobiotic diet in his youth, saddling him with “enough bulgur and steamed fish to kill a kid” and leaving him no choice but to cook up alternatives.He ticked through his well-curated biography — a year studying in France; a hospitality degree from the University of Nevada, Las Vegas; a stab at his own casual restaurants back in California — with such conviction that it almost made sense watching a man lay fries and barbecue over sushi rice.Revisiting the video, what stands out is how fully formed Mr. Fieri’s public image was before a single television producer could think to meddle.His hairstylist friend gave him the bleached spikes on a lark one day, and they stuck. His buddies knew his talents for table-to-table rat-a-tat, and urged him to make a tape. The ethos was effectively airlifted to “Diners, Drive-Ins and Dives” shortly after he won the next-food-star competition, and has never much changed.Mr. Fieri, appearing here with Jay Leno on “The Tonight Show,” was quick to embrace mainstream celebrity.NBC Photo / Paul Drinkwater“It’s been super-hard to rip off, and I’ve tried numerous times,” said Jordan Harman, who helped develop the show in 2007 and is now at A+E Networks. “You can redo the same beats, the same kind of places, the same kind of food. But there’s a magic that he brings that is really not replicable.”Mr. Fieri took to fame quickly, hustling as though the window might be brief. He appeared at local fairs and casino shows that seemed beneath him (Mr. Harman thought), because they invited him. He autographed spatulas and bell peppers because fans asked him to. He toured the country in a flame-painted bus stocked with Pabst Blue Ribbon because what better way to travel? He wore sunglasses on the back of his head because sure, why not?Friends say Mr. Fieri expanded his empire with almost clinical resolve, tending to a portfolio that came to include books, knives, a winery, a line of tequilas and several shows. Today, his name graces dozens of restaurants across six countries and more than a few cruise ships.“This guy don’t sit down,” said Mr. Van Winkle, who traced their friendship to a chance encounter years ago at an airport Starbucks in Charlotte, N.C. “I don’t sit down a lot, too, and I look at him and go, ‘Bro, you don’t sit down.’ ”Mr. Fieri remarked in 2010 that his “fame rocket” would shoot skyward for only so long, reasoning that he must “do what I can for the program while it lasts.” (By “the program,” he meant his wife, Lori, and two sons in Santa Rosa, Calif., along with his parents and a cast of tag-along pals with names like Gorilla and Dirty P.)Guy’s American Kitchen & Bar, a 500-seat restaurant in Times Square that opened in 2012 and closed five years later.Casey Kelbaugh for The New York TimesHis Times Square restaurant, Guy’s American Kitchen & Bar, can feel in hindsight like an exercise in overextension, an assumption of manifest destiny powered by swagger and a signature Donkey Sauce.“Like, ‘Oh, yeah, I’m going to do this, and it’s just going to be another big success for me,’” said Mr. Zimmern, summarizing Mr. Fieri’s confidence. “But you need to make sure that the food is absolutely perfect.”It was not.And that blazing New York Times review in 2012 (“Guy Fieri, have you eaten at your new restaurant?”) dovetailed with an already-rolling sendup of Mr. Fieri across the culture. He was skewered on “Saturday Night Live,” preparing Thanksgiving “turducken-rab-pig-cow-cow-horse-nish-game-hen” fried in Jägermeister. His likeness became fodder for undercooked Halloween costumes nationwide.He was invited to a Manhattan roast of Anthony Bourdain, a frequent antagonist who once said that Mr. Fieri appeared “designed by committee,” and often took more incoming than the honoree.“The guy who just dropped a 500-seat deuce into Times Square,” Mr. Bourdain called him. (The restaurant closed in 2017.)Lee Brian Schrager, the founder of the South Beach Wine & Food Festival, remembered the evening as “the single most uncomfortable night of my life” — and, looking back, a snapshot of a distant time.“He went through the war,” Mr. Schrager said of Mr. Fieri. “He won.”New Context, Same ShtickSo, has he changed, or have we?Mr. Fieri appraises himself now as “a little more mellow, a little more methodical” — and maybe a little likelier to prize mentorship of the next class of television chef, including his son Hunter, over his own celebrity.Mr. Fieri, filming at the Chubby Pickle in Highlands, N.J., often shoots at several restaurants in the same day. Timothy O’Connell for The New York TimesThe moment has likewise tilted his way, at a time when there can seem to be less cultural currency in sarcastic detachment. “Can someone please explain to me what the hell Guy Fieri ever did to anyone?” the comedian Shane Torres asked, earnestly, in a 2017 routine. “As far as I can tell, all he ever did was follow his dreams.”It has helped that Mr. Fieri is well suited to the modern internet, a TikTok regular and walking meme who generates headlines that can register as Onion-ish absent close inspection.“Is Guy Fieri to blame for Dogecoin’s latest record high?” Fortune wondered last May.“Amid Ukraine-Russia war,” read a Fox News web piece in March, “Guy Fieri’s new season of ‘Tournament of Champions III’ provides comfort, unity.”Yet the likeliest explanation for his durability, for his heightened esteem among some peers, is deceptively simple.“He seeks to understand rather than be understood,” Mr. Zimmern said, “which I think is as high a compliment as I can give.”For all the tropes and totems on “Diners” — the loud shirts and little hoop earrings; the adult baby talk (“me likey wingy”); the red Camaro whose driver-side door he opens and shuts at every stop for the cameras, without necessarily hopping inside — he is, at core, hosting a travel show.Working the selfie circuit at a recent charity event for New Jersey veterans.Timothy O’Connell for The New York TimesViewers see a culinary backpacker cosplaying as the ugly American, a man always seeking, even if all roads lead to ambient comfort. The episodes blur, their locations at once distinctive and indistinguishable. California and Wyoming and Maine do not seem so far apart.“He goes to all these diners, drive-ins and dives,” said one fan, Jim McGinnis, 77, explaining the show’s appeal as Mr. Fieri administered handshakes and how-ya-doing-brothers at a charity event for New Jersey veterans. “It’s just a pleasure.”It helps that no one wrings more theater from the preordained: Mr. Fieri arrives at a chosen spot. He seems excited. He riffs, a little uncomfortably, to make the jittery proprietors more comfortable. (The stop at the Indian restaurant, Haldi Chowk in Middletown Township, N.J., included nods to “Wheel of Fortune,” “Forrest Gump” and “My Cousin Vinny,” with a brief meditation on the differences between I.T., iced tea and Ice-T for reasons that eluded the room.)Eventually, a chef has walked Mr. Fieri through the preparation of a favored dish. The host takes a bite — in this scene, it is the tandoori chicken — and shifts his weight a bit. He stands back, silent. His eyes dart mischievously, as if he has just gotten away with something. He wanders off, pretending to collect himself. The chef smiles. The big reveal only ever goes one way.“Not good, chef. Not good at all,” Mr. Fieri says, the oldest left turn in the TV judge’s manual. “Fantastic.”Rachael Ray, a friend whom Mr. Fieri cites as an influence, compared his people skills to a game of tag: You will like him. Denying as much midpursuit only wastes everyone’s time. “He just keeps chasing you,” she said.Mr. Zimmern described him as a politician, “always talking to his base,” forever the person he told them he was.Mr. Fieri tends to be a generous reviewer, typically doling out on-camera raves.Timothy O’Connell for The New York TimesAnd if Mr. Fieri has carefully avoided the public politics of some Trump-denouncing peers, a day on the road with him during filming can feel something like a campaign swing before the Iowa caucuses: an hour in each ZIP code, a quick check with an aide to make sure he knows what town he’s in, an inveterate fondness for name-dropping.“I learned this from Henry Winkler, one of my heroes …”“My buddy, Sammy Hagar, who’s my business partner …”That Mr. Fieri does not appear to have an off switch is consistent with the public record. Several friends compared him, warmly enough, to some natural disaster or another. “Hurricane Guy,” Mr. Harman said.Reminded of his 2010 line about capitalizing before his “fame rocket” crashed to earth, Mr. Fieri insisted he still viewed his celebrity horizon as finite.“There will be a time when the light doesn’t shine as bright on the golden locks,” he said. “Which is cool.”He was not entirely convincing on either score. But until that day comes, he suggested, he would keep up appearances, with one exception.“Everybody’s like, ‘You bleach your hair. Why don’t you dye your goatee?’ ” he said, rubbing at his grays. “I’m like, ‘You know what? Enough.’ ”He smirked a little, raising his head in concession to the moneymaker atop it.“This, I got stuck with,” he said. “This kind of happened.”Follow New York Times Cooking on Instagram, Facebook, YouTube, TikTok and Pinterest. Get regular updates from New York Times Cooking, with recipe suggestions, cooking tips and shopping advice. More

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      What’s on TV This Week: ‘This Is Us’ and a Memorial Day Concert

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      The series finale of “This Is Us” airs on NBC. And an annual Memorial Day concert at the Capitol Building is on PBS.Between network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, May 23-29. Details and times are subject to change.MondayMILLION DOLLAR MERMAID (1952) 8 p.m. on TCM. Busby Berkeley choreographed this musical based on the life of Annette Kellerman, the 20th century Australian swimming star. Kellerman is played by the swimmer turned actress Esther Williams, in one of her several aquatic musical performances. TCM is showing it alongside another example, EASY TO LOVE (1953), which will air at 10 p.m.TuesdayTHIS IS US 9 p.m. on NBC. When this drama from Dan Fogelman debuted in 2016, it quickly became a hit — largely, it seemed, because it offered something friendly but high quality at a time when anger reigned. “I’m all for really dark art and dark TV and film, but there’s a point where people are craving a different kind of emotion at 8 or 9 or 10 at night,” Fogelman said in an interview with The Times in 2017. (It helped that the show had standout performers including Sterling K. Brown, Chrissy Metz, Mandy Moore and Milo Ventimiglia.) The series will end on Tuesday night with a finale that, based on the season up to this point, promises to be bittersweet.WednesdayTHE MURDER OF FRED HAMPTON (1971) 6:30 p.m. on TCM. Two years after the 21-year-old Black Panther figure and civil rights leader Fred Hampton was killed in a police raid, the Chicago filmmaker Howard Alk and the producer Mike Gray came out with this feature-length documentary. Split into two parts, the film functions as both a portrait of Hampton and an inquiry into the circumstances of his death.ThursdayTom Cruise in “Top Gun.”Paramount PicturesTOP GUN (1986) 8 p.m. and 10:30 p.m. on Paramount Network. “Top Gun: Maverick” arrives in theaters this week, but some audiences might feel like they’ve seen it already — originally intended to be released in 2019, the movie’s many delays mean that several lengthy trailers have been released to repeatedly rekindle the hype — and it’s a little hard to imagine there are scenes in the movie that haven’t already been shown. Still, it’s a natural time to revisit the original movie, which helped cement the careers of Tom Cruise, who plays a hotshot pilot at an elite naval flight school, and the director Tony Scott, whose virtuosic flight sequences are surely the real star here. When the movie was first released, the critic Walter Goodman, in his review for The New York Times, praised the aerial sequences — though he had a note about the high-tech planes that feels prescient in retrospect. “Despite the movie’s emphasis on the importance of the pilots,” he wrote, “given all the electronic wonders at their touch — such as being able to lock an enemy plane in their sights and dispatch a missile to chase and destroy it — they seem part of some cosmic technological enterprise.”FridayGREAT PERFORMANCES: KEEPING COMPANY WITH SONDHEIM 9 p.m. on PBS (check local listings). The revival of Stephen Sondheim’s “Company” that is currently on Broadway with Katrina Lenk and Patti LuPone opened just days after Sondheim died in November at 91. This special looks at the making of the production, which had to contend with the realities and limitations imposed by the pandemic. The show is a gender-flipped take on the original musical: Its main character, a serially single New Yorker, has been subtly renamed (Bobby is now Bobbie), and is played by Lenk. That a rethought version of Sondheim’s show should open days after his death is a mark of plays and musicals’ ability to keep growing even after their creators are gone. “Theater is ephemeral,” the director Marianne Elliott said in an interview with The Times last year, “it is about the now. Even if you set it in another period, it should have something to say to the now.”ABOMINABLE (2019) 6 p.m. on FX. Most of the time, finding an unexpected creature on the roof of one’s home is a negative experience. But that is not so for Yi, the young girl voiced by Chloe Bennet in “Abominable.” The plot of this animated family-friendly adventure movie kicks off when Yi discovers a lost yeti hiding on the roof of her apartment. She and two young accomplices help reunite the creature with its family while keeping it out of the hands of evil, money-backed humans who want the yeti for financial gain. In his review for The Times, Glenn Kenny wrote that the movie is “an exceptionally watchable and amiable animated tale” — even though, he noted, the yeti character, nicknamed Everest, “looks like a not-too-distant relative of Gritty, the lovably outré mascot of the Philadelphia Flyers.”SaturdayGael García Bernal and Vicky Krieps in “Old.”Universal PicturesOLD (2021) 8 p.m. on HBO. Gael García Bernal and Vicky Krieps star in this most recent movie from M. Night Shyamalan. Adapted from a graphic novel by the French writer Pierre Oscar Lévy and the Swiss illustrator Frederik Peeters, “Old” is as much about its setting as it is about its characters: The plot centers on a family vacationing at a beautiful, supernatural beach that causes its visitors to grow old at an accelerated pace: A half-hour equals about a year of physical aging. In his review for The Times, Glenn Kenny said that Shyamalan, a master of the shocking twist, might not quite have given this movie’s interesting premise a satisfying ending. But, Kenny wrote, the director’s “fluid filmmaking style, outstanding features of which are an almost ever-mobile camera and a bag of focus tricks, serves him especially well here.”SundayA previous broadcast of a National Memorial Day Concert. This year’s edition will air on Sunday.Capitol ConcertsNATIONAL MEMORIAL DAY CONCERT 8 p.m. on PBS (check local listings). Memorial Day is Monday, May 30. This annual concert, held beneath the United States Capitol Building, honors the holiday with appearances by service members and famous performers. This year’s lineup includes groups like the U.S. Navy Band Sea Chanters, the U.S. Army Chorus and the National Symphony Orchestra, plus the actors Gary Sinise and Jean Smart, the musician Rhiannon Giddens and more. More

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      The Other Affair in ‘Conversations With Friends’

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      In the Hulu adaptation of Sally Rooney’s novel, a large and tasteful home becomes an object of infatuation.“I was a big fan of seeing the insides of other people’s houses, especially people who were slightly famous like Melissa,” Frances, the narrator of Sally Rooney’s “Conversations With Friends,” says early on in the novel.Homeownership is a remote concept for Frances, a millennial college student in Dublin who writes and performs spoken word poetry. She’s used to sharing a flat with a roommate and not interested in making a lot of money. But when she finds herself romantically entangled with Melissa and her husband, Nick, their tasteful material life becomes an object of infatuation.In the new Hulu series based on the book, the seaside Victorian belonging to Nick (played by Joe Alwyn) and Melissa (Jemima Kirke) doesn’t disappoint. The interior walls, made of a textured concrete-like material, are a moody gray-blue, and the space is dotted with sprays of eucalyptus, Irish-made ceramics, sheepskin throws and large, artistic light fixtures.The dining nook seems pulled from the pages of a recent Architectural Digest: a plant-filled space with weathered white brick walls and several doors made of large glass panes set in rectangular steel frames, leading to a courtyard.“Your house is very cool,” Frances (Alison Oliver) says over dinner. Bobbi, Frances’s charismatic best friend and ex (Sasha Lane), says: “I love it. You two are such grown-ups.” Buying a home remains a “symbol of being an adult,” said Dak Kopec, a professor in the school of architecture at the University of Nevada, Las Vegas, who specializes in environmental psychology. But millennials — saddled by student debt and slow to marry or have children — have entered the real estate market more gradually than earlier generations, and the ones now ready to buy are finding low supply and soaring prices. It’s no wonder they’ve become HGTV-devouring, Zillow-surfing daydreamers.Nick and Melissa — who likely considers herself part of the cuspy “Xennial” generation — have achieved the dream of homeownership that eludes many millennials. And the show turns their dwelling into a symbol of anxiety and aspiration.Home decorating has a way of illuminating the gulf between the life you want and the life you have, or the one that you can afford. You may find yourself staring down impossible questions about what your days will look like in two, five or 10 years.“I’ve heard so many couples fight over big rug purchases,” said Aelfie Oudghiri, the 36-year-old founder and creative director of Aelfie, a home décor brand. “It’s this defining feature of their home that’s supposed to indicate what kind of people they are and what kind of future they want to have.” She sees another kind of anxiety crop up in single people: “They don’t want to commit to something because they don’t know if their future hypothetical partner will like it.”Anna Rackard, the show’s production designer, and Sophie Phillips, the set decorator, aimed to create a version of a wealthy person’s house that wouldn’t repulse Frances.HuluFor Frances, Melissa’s home — and according to Anna Rackard, the show’s production designer, “it always felt like we were decorating for Melissa,” rather than Nick — is deeply appealing, despite her outward dismissiveness of the bourgeois lifestyle that it signifies. (Her evident embarrassment when Bobbi tells Nick and Melissa that “Frances is a communist” suggests that her dedication to this ideology isn’t terribly fixed.)Melissa’s spacious office, which Frances peers into while briefly unattended, is littered with books. To a young writer accustomed to working from her bedroom, it’s heaven.For Ms. Rackard and Sophie Phillips, the set decorator, the goal was to create a version of a wealthy person’s house that wouldn’t repulse Frances — that, instead, she’d find cool and aspirational. To make the space feel younger and less fussy, they used plywood for the kitchen doors and decorated the walls with prints and photographs, rather than paintings. Ms. Phillips and Ms. Rackard wanted a spare but slightly rock ’n’ roll look, with furniture and home goods that would make a strong statement on their own.Ms. Rackard and Ms. Phillips see Melissa as someone who is “effortlessly cool,” who has an instinctive sense of style when it comes to putting together a home. But in her considered approach to setting a table with matching colored glassware and bowllike plates, as she does for Frances and Bobbi, you could also read fastidiousness or insecurity.“Melissa is slightly intimidated by Frances, in a way, by her beauty and youth and where she is in this stage of her life, which enables her to be quite carefree,” Ms. Phillips said. “Melissa is at the stage where she’s thinking, ‘Where am I going?’ It makes her very self-conscious in her decisions, to create this ‘perfect’ environment.”According to Samuel Gosling, a psychologist who studies the relationship between people and their living spaces, one of the central functions of our home environments is as an ‘identity claim.’ “These are deliberate statements we want to make about ourselves to others, saying: ‘This is who I am,’” Dr. Gosling said. People generally feel happier when others see them as they see themselves, he said, citing research by Bill Swann, a psychology professor at the University of Texas at Austin, so much so that being seen in an overly positive light can make us feel misunderstood.This may explain why it pains Melissa so much to feel “pathetic and conventional” in Frances’s eyes, a characterization out of step with the stylish, cultured person her home reveals her to be. It would explain why some people may have mixed feelings about inviting people to homes they share with roommates or others, whose décor choices they fear might be mistaken for their own. For people in their 20s and 30s, the desire to be seen accurately through design choices may be heightened, and perhaps warped, by the desire to perform our style for the public on social media. “Our homes started to look more and more like sets,” Ms. Oudghiri said, noting that bright blocks of color, zany rugs and groovy, selfie-friendly mirrors are often used to make a statement on social media. The soft, unchallenging look known as the “millennial aesthetic,” heavily marketed as a signifier of good taste, often crops up in these spaces. Among young men, the Eames lounger has become a status symbol akin to hard-to-find street wear, telegraphing success to the outside world.Melissa’s muted house doesn’t seem to contain any terrazzo or pastel pink, but it does hit certain design trends that have received the millennial seal of approval. Rebecca Atwood, a 37-year-old artist and textile designer, identified a few: enveloping wall color (that moody gray), goods purchased from brands and makers with a story (those Irish ceramics), an indoor-outdoor feeling (the greenhouse-like dining nook). Ms. Rackard noted that the conservatory’s fashionable glass doors, while perfect for the warm weather of Los Angeles, would be uncommon in Dublin, where double-paneled windows are more suited to the climate. Such is Melissa’s commitment to style, to what people think.Ms. Oudghiri, for her part, isn’t putting too much stock in her own décor. She has been renting a furnished home in Los Angeles decorated by someone with a taste for “rococo looking” furniture.“Interiors matter, to a certain extent. But I’m not on Instagram. Nobody sees the interior of my house, except for my friends,” she said. “As long as my couch is comfortable, I’m happy.” More

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      Stephen Colbert Waxes Nostalgic About George W. Bush

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      “Dubya and I had so many good times together back at the old ‘Colbert Report,’” he said. “I made so much fun of him, and he gave me so many reasons to do that.” Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Back to the FutureDuring a speech in Dallas on Wednesday, former President George W. Bush misspoke while talking about Russia’s war in Ukraine, referring to it as “a wholly unjustified and brutal invasion of Iraq.”On Thursday’s “Late Show,” Stephen Colbert said the slip of the tongue had him feeling “a little nostalgic,” calling Bush “a man who I spent many happy years pretending to like.” (On “The Colbert Report,” his long-running previous show, Colbert assumed the persona of an egotistical conservative TV commentator.)“Dubya and I, for about 10 years, had so many good times together back at the old ‘Colbert Report.’ I made so much fun of him, and he gave he so many reasons to do that.” — STEPHEN COLBERT“Jiminy Christmas! The one phrase he definitely should never utter for the rest of his life. It’s like he’s thinking about it all the time, and it just popped out.” — STEPHEN COLBERT“Oof. That’s like your wife asking if you’re hungry and saying, ‘I could cheat. I mean eat. I could eat with my mistress.’” — SETH MEYERS“I hate when I mix up my unprovoked invasions.” — JAMES CORDEN“Maybe Bush is going to start admitting to everything he’s been holding back: [imitating Bush] ‘Also, I just want to say: My grandkids are the ones who paint the watercolors; Dick Cheney is a Terminator sent from the future; and there are no human-animal hybrids. I saw the Phillie Phanatic with his head off, and I freaked out.’” — STEPHEN COLBERTThe Punchiest Punchlines (Tanking Stock Edition)“Some business news, it’s been a rough couple of months for the economy and I saw that yesterday was the stock market’s worst day in over two years. Yeah, stocks fell so fast, the oxygen masks dropped from the ceiling at CNBC.” — JIMMY FALLON“Experts say if this keeps up, every Merrill Lynch office is going to become a Spirit Halloween.” — JIMMY FALLON“Things are so bad, they replaced the stock exchange closing bell with the losing sound from ‘Price is Right.’” — JIMMY FALLON“The Dow took a drubbing after investors were alarmed by disappointing earnings from Target, Walmart and Lowe’s. There’s only one solution: release the strategic reserve of dads running little errands. Go get some batteries, guys! Buy some spackle! The little bucket — the old one’s probably dried out by now. Just putter around the paint aisle and pick out swatches. She says she wants yellow, but you don’t know which one! Remember, satin shine! It should glow, but not glisten, OK? It should have sheen, but not shimmer. So just buy one can of each. Your country needs you!” — STEPHEN COLBERTThe Bits Worth WatchingDesus and Mero threw Rihanna a baby shower, with help from the celebrity party planner Karleen Roy and the CBS newscaster Maurice DuBois.Also, Check This OutFrom left, Harry Hadden-Paton, Laura Carmichael, Tuppence Middleton and Allen Leech in “Downton Abbey: A New Era.”Ben Blackall/Focus Features“Downton Abbey: A New Era” is familiar territory for fans missing Lady Mary and company. More

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      Seth Meyers: Madison Cawthorn Is Gone, but Soon Forgotten

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      “Hopefully, he’ll learn his lesson: Next time you get invited to a cocaine orgy, just go,” Meyers joked.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.UninvitedMadison Cawthorn, a representative from North Carolina, lost his re-election bid in the state’s primary on Tuesday.“Hopefully, he’ll learn his lesson: Next time you get invited to a cocaine orgy, just go,” Seth Meyers joked.“You know, guys, politics is a rough-and-tumble business, and D.C. can be a cruel town. Just when you feel like you’re making headway in Congress, you’re unceremoniously forced out by a cruel and unforgiving system of cutthroats and back stabbers. And that’s exactly what happened last night when one of our nation’s most committed public servants, a camera-shy policy wonk who is laser-focused on serving the greater good, lost his bid for re-election. Oh, wait, I think I read that whole thing wrong. Oh, I read every word wrong. It was just Madison Cawthorn!” — SETH MEYERS“Oh, Madison, you may be gone, but soon you’ll be forgotten. At least now he’ll have more time for his other job, starring as the, I don’t know, bad-boy villain in a CW drama? He looks like he should be next to a locker threatening to tell Pacey about Dawson’s relationship with Joey.” — SETH MEYERSThe Punchiest Punchlines (Pennsylvania Primary Edition)“The results are in, and America has upheld its proud tradition of not knowing who won.” — STEPHEN COLBERT“Yeah, as of right now, Dr. Oz is in first place, David McCormick is in second, and the ‘Cash me outside’ girl is in third.” — JIMMY FALLON“Last night, McCormick’s chief strategist tweeted, ‘Based on how many uncounted absentee ballots there are and the margin by which Dave has won them so far, that’s why we are confident of victory,’ while an adviser for Dr. Oz pointed to uncounted ballots in Philadelphia and declared, ‘It’s a jump ball,’ which, I will remind you, is how they eventually decided Bush v. Gore.”— STEPHEN COLBERT“And while Dr. Oz is in the lead for the Republican nomination, more votes have to be counted because the race is still too close to call. This is kind of great. I mean, for once it’s nice to have a doctor waiting for us.” — JIMMY FALLONThe Bits Worth WatchingThe “Chip n’ Dale: Rescue Rangers” co-stars John Mulaney and Andy Samberg guest-hosted Wednesday’s “Jimmy Kimmel Live” as the host recovered from a second bout of Covid-19.What We’re Excited About on Thursday NightJoJo Siwa of “So You Think You Can Dance” will appear on Thursday’s “Tonight Show.”Also, Check This OutBilly Eichner filming a scene for “Bros.” “I’m so excited to finally be able to play a three-dimensional human being,” he said.Nicole Rivelli/Universal Pictures“Bros” is a studio-made rom-com written by and starring gay people that doesn’t recycle straight tropes. More

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      Cristin Milioti Finds Harmony in Fiona Apple and a Location Change

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      The “Palm Springs” actor talks about playing the object of adoration in her HBO Max series, “Made for Love,” and a few of the things she obsesses over herself.Cristin Milioti was certain she was made for “Made for Love.”“I banged on every door for this role, and they were like, ‘Absolutely not, no way, no way, no way, no way,’” she said. “They had a short list of people that I was not anywhere near. I don’t even think I was on a medium list or a long list. I didn’t make any of the lists.”But Milioti was undaunted. And over lunch with Patrick Somerville — a creator of this dark comedy about a tech billionaire’s wife on the lam from the virtual-reality cube in which he’s cloistered her for a decade — she made the hard sell.“I remember saying, ‘Hey, I know that you guys have your sights set on way fancier people,’” said Milioti, who had just wrapped “Palm Springs,” the “Groundhog Day”-esque rom-com with Andy Samberg. “‘But I would be remiss if I didn’t tell you that this is exactly what I think this show is, and this is how I would play it.’”When Milioti was offered the part a couple of weeks later, she said, “I don’t think anyone was more shocked than I was.”Season 2, which started April 28 on HBO Max, finds Hazel trapped in a labyrinth of lies, having returned to the cube with her husband (Billy Magnussen) to save the life of her father (Ray Romano).From the moment Hazel popped out of a door in the ground in the show’s first episode — as a reluctant dream girl breaking free of the man who monitors her every move, down to her orgasms — the story line has spoken “to the ways in which I feel like women are forced to perform for so much of their lives,” Milioti said. “Then you hit a breaking point where you suddenly realize that you’ve been performing for an audience that you have no interest in performing for. And you want to scream.”In a video call from Puerto Rico, barely rested after a late-night shoot for the upcoming Peacock romantic thriller “The Resort,” a gorgeously bed-headed Milioti spoke about her favorite food as a Jersey girl, how New York still thrills her and why the best times are all about location, location, location.Here are edited excerpts from the conversation.1. Fiona Apple She has been such a beacon for me my entire life. Her artistry has helped me navigate not only my own personhood, but the world that I walk through. I think she’s unparalleled as a lyricist, and her melodies are like little galaxies. Something that was so incredibly special about this last album [“Fetch the Bolt Cutters”] is that you could tell that that’s what she’d been moving toward her entire career. Every album she releases is astonishing, but this was like her magnum opus. She is a [expletive] North Star, and she has never wavered.2. Graphic Novels I’m an extremely avid reader, but I’d never read a graphic novel. Then for my birthday last year, one of my closest friends got me “Wendy’s Revenge,” in this trilogy by Walter Scott. To me, they open up some other portal in my brain that is wildly soothing and fantastical, because you can pore over the universe of the page. It feels like it exercises some lobe that I didn’t know about, like brain and soul calisthenics.3. Adam McKay’s “Step Brothers” I’ve probably seen “Step Brothers” 25 times, and it’s just so fantastically, gloriously stupid. I think I like it so much because everyone in it is treating it like it’s a prestige drama. There’s no winking at the camera. Kathryn Hahn’s performance is so outrageously funny because she’s playing it like a Greek tragedy. Richard Jenkins is playing it so serious and so is Mary Steenburgen — not to mention Will Ferrell, John C. Reilly and Adam Scott. It’s like a murderers’ row playing the most absurd concept as if it’s an Oscar film.4. Harmonizing There is something about how we figured out harmonies that chills me. You’re making this sound with someone else where the whole is greater than the sum of its parts. It is the most beautiful form of listening. I was in chorus in high school and we sang “O Magnun Mysterium,” and we were accepted into this choral competition at Riverside Church in Manhattan. I remember us practicing in a hallway. I was a New Jersey teenager, smoking in diners and sort of living a Bruce Springsteen song like, “I can’t wait to get outta this town.” And we all sat in this hallway singing to each other, listening to the sound of each other’s voices and all the social constructs — the fighting, the cliques — melted away. Just a bunch of [expletive] teens from Jersey in this old church, creating something that was so beautiful that we couldn’t believe that it was coming from us. We sang it in this competition, and we were holding each other’s hands, tears streaming down our faces like, “We did it!” Then this show choir from Florida came right after us singing the exact same song. And they annihilated us.5. Wawa Hoagies Wawa was featured heavily on “Mare of Easttown,” and I was like, “Well, well, well, look at her go.” It was like seeing an old friend hit the big time. Wawa is basically a convenience store, like a 7-Eleven, but they make these hoagies, which is a very Jersey thing. I’m pretty sure they’re made from yoga mats. The meat is possibly not meat. It’s like cheese-colored or turkey-colored material. Sadly, I can’t eat them anymore because I’m vegan now. Ironically, they might be vegan because they might all be made of napkins. I have no idea. What goes into these things, it’s unintelligible.6. Crossing over the Manhattan Bridge I have lived in New York for a million years, and when I am in a taxi with the windows down rumbling over the Manhattan Bridge — and I can see the skyline and the Brooklyn Bridge and the Statue of Liberty — I can’t believe that I live there after all this time. I always stop everything I’m doing and I just stare out the window at the majesty of where I live, and that the city continues to run and thrive, and it’s been through so much and it holds so much. It’s like a little prayer.7. Amy Morton at the end of Act 2 of “August: Osage County” by Tracy Letts I think I had just dropped out of [New York University] when I saw that play, and I had never seen anything like that. I remember when she turned around — she spins over her shoulder and comes at her mother with her arm pointed — and the way that she bellowed, “I’m running things now!” I still get goose bumps. My skeleton burst into doves. I melted in my seat, like my spirit rose away and was floating at the rafters.8. Traveling Solo I was always very afraid to take solo trips. I have a couple of friends who had done it and I was like, “But what do you do?” And then I took one by myself. After a job, I went to the Adirondacks for a week, and it was incredible. You’re one on one with your own personhood, and parts of your brain and heart open up when it’s just you and your thoughts, walking through the woods. I think it is so valuable. I’ve taken another solo trip since then, to the Galápagos, which I was very nervous about because it’s so far away. But I wanted to do one by myself again, to sort of shake hands with myself and say, “Hello.”9. Blooper Reels It’s like an immediate dose of laughter, Prozac for your brain. I like compilations of people falling down, farts on live TV, all of that. I think the internet is so dangerous, but one part of it that I really like to utilize is being able to go onto YouTube and watch something that makes me laugh so hard that it’s just like a lovely little reset.10. A Location Change I love going out so much, but I really love a location change. I like to go to like a place for dinner, and then you have a location change and you go to a bar, and then you maybe have one more location change for a dessert. It’s like an adventure where I’m like, “What’s going to happen?” It feels like a delightful game of Russian roulette, which is one of the reasons why I love living in New York. It’s just endless possibilities, and there’s something about it that’s very sexy and romantic. It’s effervescent. It’s like if champagne were an activity. More

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      Stephen Colbert Celebrates Sweden and Finland Applying to Join NATO

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      Colbert called the move “good news” based on it being “bad news for Russia.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.The Swedish Are ComingLeaders from Sweden joined Finland in announcing plans to submit an application for NATO on Tuesday.Stephen Colbert called the announcement “good news” because it’s “bad news for Russia.”“Wow, first Finland, now Sweden. It seems like every day we’re learning about another country we could have sworn was already in NATO.” — SETH MEYERS“Finland and Sweden are very serious about making this official. They each left a toothbrush in NATO’s bathroom already.” — STEPHEN COLBERT“One of Russia’s main goals in invading Ukraine was to weaken NATO. Now, instead, the alliance is ‘on the brink of starting its largest potential expansion in nearly two decades.’ How ironic. It’s — it’s like that O. Henry story where the guy buys his wife combs for her hair, and she joins NATO.” — STEPHEN COLBERTThe Punchiest Punchlines (Primary Day Edition)“You can feel the electricity in the air because it is Primary Day all across America. Five states are choosing their party nominees for state and federal office: Pennsylvania, Oregon, Idaho, North Carolina and Kentucky. Or as election experts collectively know them, ‘POINCK.’” — STEPHEN COLBERT“Ah, yes, the excitement of midterm state primaries. Put the coffee on, honey, it’s gonna be an all-nighter.” — JAMES CORDEN“Idaho, Kentucky, North Carolina, Oregon and Pennsylvania all held primaries today, which, of course, is news to the vast majority of people in Idaho, Kentucky, North Carolina, Oregon and Pennsylvania.” — JAMES CORDEN“One of the most-watched races is in Pennsylvania, where Dr. Oz is trying to win the Republican nomination for senate. My apologies to Dr. Oz, but I can’t cross party lines — I’m a Dr. Phil guy through and through.” — JAMES CORDEN“Because there’s nothing more impressive than being called smart by a man who stared directly at an eclipse.” — STEPHEN COLBERT, referring to Dr. Oz’s touting his endorsement from Donald Trump.The Bits Worth WatchingJimmy Fallon and the “Tonight Show” guest Nick Jonas performed auto-tuned tracks based on topics such as “a Craigslist ad for a roommate.”What We’re Excited About on Wednesday NightSarah Silverman will appear on Wednesday’s “Late Night With Seth Meyers.”Also, Check This OutA commuter walking past Nick Cave’s video work, “Every One,” which plays every quarter hour and brings the suits to life in motion.Amr Alfiky for The New York TimesThe musician-artist Nick Cave’s “Each One” installation shows Soundsuits “that seem to be in motion, creating visual vortexes, variously spinning and rising or falling,” in the subway under One Times Square. More