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      Late Night Gapes at Biden’s Calling Putin a ‘War Criminal’

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      A Kremlin spokesman pointed the finger back at the U.S. for World War II bombings, and Trevor Noah joked, “Keep up with the times, yo!”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.New War, Who Dis?President Biden referred this week to Vladimir Putin, Russia’s leader, as a “war criminal,” and a Kremlin spokesman responded by saying the statement was unfair and hypocritical, citing the United States’ bombing of Hiroshima and Nagasaki during World War II.Trevor Noah criticized Russia for coming “with that old [expletive].”“Seriously, Russia, you’re gonna bring up something America did in the ’40s?” Noah said. “America has committed plenty of war crimes since then. Keep up with the times, yo!”“Russia said that was unforgivable, so today Biden called him a ‘murderous dictator’ and a ‘pure thug.’ Tomorrow he’s going to call him a ‘stupidhead’ and it might get really crazy.” — JIMMY KIMMEL“Just because America committed war crimes doesn’t mean you have to, as well, Vladimir Putin, OK? I mean, what if all your friends jumped off a bridge — would you do it, too? No, seriously, would you? I’m just brainstorming ways to end this whole thing. I just want to know what you would do, you know?” — TREVOR NOAHThe Punchiest Punchlines (St. Patrick’s Day Edition)“It is St. Green Vomit Day, also known as St. Patrick’s Day, also known as the day on which the world’s reddest white people wear green.” — JIMMY KIMMEL“Yeah, it’s a great day to be Irish and a bad day to be an Uber driver.” — JIMMY FALLON“Yep, the parade here is the only event where Times Square Elmo feels like the chaperone.” — JIMMY FALLON“You can tell people were ready to let loose. On my way in, I heard a guy on the street ask where the bathrooms are, and another guy said, ‘It’s wherever you want it to be.’” — JIMMY FALLON“It was fun seeing everyone decked out in their St. Paddy’s Day clothes. Some people wore shirts that said, ‘Kiss me, I’m Irish. While the rest opted for the newer ‘Kiss me, rapid’s negative.’” — JIMMY FALLON“It’s funny, everything we know about St. Patrick’s Day is not true. St. Patrick was born in England, not Ireland. There are no snakes in Ireland to drive out. And that creep wearing the ‘Kiss me, I’m Irish’ T-shirt? Probably not Irish.” — JIMMY KIMMEL“In fact, the world’s first recorded St. Patrick’s Day parade took place in what is now St. Augustine, Florida, in 1601. At this parade, they drank green beer and ate green beef. They didn’t dye the beef — everything was just very moldy back then.” — JIMMY KIMMELThe Bits Worth WatchingOn Thursday’s “Tonight Show,” Billy Crystal joined Jimmy Fallon in impersonating celebrities in conversation through mouth cutouts on magazine covers.Also, Check This OutFrom left: Channing Tatum, Sandra Bullock and Daniel Radcliffe say they’re happy that “The Lost City” will be released in theaters but mainly are interested in entertaining audiences no matter the platform.Amy Harrity for The New York TimesSandra Bullock, Channing Tatum and Daniel Radcliffe, stars of “The Lost City,” discussed their new film and friendships, as well as some of their most iconic roles to date. More

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      The Jussie Smollett Case Is Probably Far From Over, Analysts Say

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      The Illinois appellate court that ordered Mr. Smollett’s release from jail often takes months, even years, to rule on cases, according to experts.After serving six days of a five-month sentence, Jussie Smollett walked out of Cook County Jail on Wednesday night, flanked by supporters who shepherded him into the back seat of an SUV.Whether or not Mr. Smollett is forced to return to the jail in Chicago to complete his sentence is a question that is not likely to be answered for months — and possibly years.The appellate court in Illinois, which ordered Mr. Smollett’s release, is not built for speed, and it was the anticipated delay in hearing his appeal that led the court order that Mr. Smollett should be free while it deliberates whether he was wrongly convicted of staging a fake hate crime. Several experts said proceedings of all sorts at the court typically take about a year or two years.“This court will be unable to dispose of the instant appeal before the defendant would have served his entire sentence of incarceration,” according to the court’s order, which was signed by two of three justices on the panel.Legal experts in Illinois differed on how common it is for defendants to be released on appeal when they had been ordered to serve relatively short jail sentences and their offenses were nonviolent, such as Mr. Smollett’s.“Let’s say they reverse his conviction — he just did the 150 days for nothing,” said Gal Pissetzky, a criminal defense lawyer with experience on appellate cases.The appeals process tends to drag on because of the time it takes the court to prepare voluminous transcripts from the trial and from pretrial proceedings and requests to delay proceedings.There is also typically a backlog of cases waiting to be heard. In 2020, more than 3,300 cases were pending with the First District appellate court in Illinois, where Mr. Smollett’s case was assigned.“There are a lot of cases — it’s always been that way,” said Joseph Lopez, a criminal defense attorney who has represented high-profile defendants like Drew Peterson, who was convicted of murdering his third wife. “And because he’s not in custody, they’re not going to be in a hurry to get to it.”But experts said Mr. Smollett’s case could proceed faster than normal because it is so high profile and the special prosecutor handling the case, Dan K. Webb, is from a private law firm that is better equipped than a state prosecutor’s office to focus on a specific case and make the sort of timely filings that would accelerate a decision.Dan K. Webb, the special prosecutor in the Smollett case, after the sentencing last week.Anthony Vazquez/Chicago Sun-Times, via Associated PressThe defense’s efforts to secure Mr. Smollett’s release began immediately after Judge James Linn handed down the sentence last week in a blistering takedown of the actor that accused him of potentially undermining the credibility of true hate crime victims.Though the defense asked for an immediate suspension of the sentence pending appeal, Judge Linn swiftly denied their request, citing what he characterized as the seriousness of Mr. Smollett’s offense — staging a hoax in which two men lightly assaulted him while yelling racist and homophobic slurs.“The wheels of justice turn slowly, and sometimes the hammer of justice has to fall,” Judge Linn said in the courtroom. “And it’s falling right here, right now.”Nenye Uche, Mr. Smollett’s lead lawyer, then quickly brought the matter to the higher court, the First District Appellate Court in Illinois, and Mr. Webb’s legal team argued against Mr. Smollett’s release, writing in court papers that according to the defense’s logic, every defendant who received a relatively short sentence would be released pending appeal and that the defense was taking “advantage” of Judge Linn’s lenient jail sentence.Ultimately, judges have the discretion to decide these matters on a case-by-case basis. Experts say it is common for defendants to serve their entire sentence of incarceration before their appeal is resolved, something that critics often condemn as particularly unfair if the appellate court ends up overturning the trial court’s decision.The Smollett case has already stretched on for more than three years, starting in January 2019, when Mr. Smollett reported to the police that two men had attacked him, hurled the slurs at him and placed a rope around his neck like a noose.Two brothers, Abimbola Osundairo and Olabinjo Osundairo, testified during the trial last year that Mr. Smollett had asked them to carry out the attack and instructed them in detail on how to do it. The defense argued that the brothers were lying and seeking to protect themselves from prosecution.Judge Linn said at the sentencing hearing that Mr. Smollett’s decision to maintain his innocence on the stand was an aggravating factor that led him to hand down a sentence that included jail time, more than two years of probation, a $25,000 fine and more than $120,000 of restitution for the Chicago Police Department’s investigatory efforts. The defense argued that Mr. Smollett should not be incarcerated because his offense was the kind of low-level, nonviolent felony that often results in sentences of probation or community service.The defense’s appeal will draw from many stages of the case’s long life, from its objection to the second indictment of Mr. Smollett after the state’s attorney’s office dropped the charges against him in 2019 to the way Judge Linn handled jury selection.Two key arguments the defense is expected to make are that the appointment of a special prosecutor to reassess the case was never valid and that Mr. Smollett was subjected to double jeopardy because he surrendered his $10,000 bond and performed some community service in 2019.Mr. Webb’s office has argued in the past that it was well within the court’s authority to appoint a special prosecutor and that Mr. Smollett was not subjected to double jeopardy because the original case had been dismissed.“We’re very much looking forward to having a nonpolitical discourse with them that is intellectual, that’s understanding of the laws,” Heather Widell, one of Mr. Smollett’s lawyers, said of the appellate court at a news conference on Wednesday night.Mr. Uche said at the news conference that when he told Mr. Smollett about the court’s decision to free him for now, the actor pressed his hands up against the glass separating him and his lawyer in jail, and said, “I nearly lost hope in our constitutional system.”Mr. Uche has said that decision“says a lot about what the appellate court thinks of this case,” but, in the court’s brief order, the justices made no mention of whether they had considered the merits of the appeal in making their ruling. 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      Trevor Noah: Addressing Congress, Zelensky ‘Knew His Audience’

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      Ukraine’s president must have researched American history before his speech, said Noah (who speculated about how it “could have gone very wrong”).Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Target AudiencePresident Volodymyr Zelensky of Ukraine addressed Congress by video link on Wednesday, pleading for more help in his country’s fight against Russia. On “The Daily Show,” Trevor Noah said that “based on his references to American history, it was clear that Zelensky knew his audience.”“Yeah, that’s right, Zelensky brought out all of America’s major moments: ‘I have a dream,’ 9/11, Mount Rushmore. You know he was on Wikipedia last night planning this out: [imitating Zelensky] ‘OK, Pearl Harbor, Boston Tea Party — should I mention Hulk Hogan sex tape, maybe?” — TREVOR NOAH“And by the way, props to him, I mean he knows way more about America than most U.S. senators know about his country. Like, can you imagine how they would sound if they had to give an inspiring speech using Ukrainian history? [imitating U.S. senator] ‘Uh, people of Ukraine, remember the vision of your founder — I want to say Daniel Ukraine?’” — TREVOR NOAH“I’m also impressed that Zelensky was able to dodge so many land mines in his research, because you realize this could have gone very wrong: [imitating Zelensky] ‘And now to 9/11, which as we all know from YouTube was inside job. I see you, Bush.’” — TREVOR NOAH“But Zelensky appealed directly to Congress. He said, ‘We need you right now.’ And Congress was like, ‘Listen, we’d love to help, but we just made daylight saving time permanent and we are wiped out, so.’” — JIMMY KIMMEL“Zelensky asked America to establish a no-fly zone over Ukraine, which we’re reluctant to do because it could result in nuclear war. But we are willing to wear blue and yellow lapel pins at all the awards shows this month, so that’s something, right?” — JIMMY KIMMELThe Punchiest Punchlines (Standing Ovation Edition)“Ukrainian President Volodymyr Zelensky delivered a virtual address to Congress this morning and received a standing ovation, making him the first comedian to actually deserve one.” — SETH MEYERS“I can say with absolute certainty, that’s the warmest reception anyone has ever received on Zoom.” — SETH MEYERS“You know it is powerful when that many old people jump to their feet. There are knees in that room that were alive during the Roosevelt administration.” — STEPHEN COLBERT“He got two standing ovations, which was nice. I think he’d rather get fighter jets, but the standing ovations were good.” — JIMMY KIMMEL“It was bipartisan. Republicans and Democrats stood for him, which is almost impossible. It’s like getting Kim and Kanye to agree on a day care situation — it’s very difficult.” — JIMMY KIMMELThe Bits Worth WatchingOn “The Late Show,” Michael Bublé and Stephen Colbert sang a Canadian sea shanty.What We’re Excited About on Thursday NightNormani will perform her new single on Thursday’s “Tonight Show.”Also, Check This Out“I think we Americans just love lead characters we can root for,” said Feig, who worked on the American adaptation of “The Office.” “We’re too young as a country to be overly cynical yet.”Todd Midler for The New York TimesThe director Paul Feig returns to television with the small-town mockumentary-style comedy series “Welcome to Flatch.” More

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      Jussie Smollett to Be Released From Jail On Appeal, Court Orders

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      The appellate court ruled that he be released on bond pending his appeal of a judge’s sentence that he serve five months in jail.An Illinois appellate court ruled Wednesday that the actor Jussie Smollett be released from jail on bond pending his appeal of his conviction for falsely reporting that he had been the victim of a hate crime.Mr. Smollett was sentenced last week to five months in jail, but his lawyers quickly asked a panel of judges to stay the sentence while they appealed the conviction.Mr. Smollett’s lawyers had argued in court papers that the sentence should be stayed because his term would likely be finished before his appeal was completed and that being incarcerated threatened his health and safety.Nenye Uche, Mr. Smollett’s lead lawyer, said in a video posted to his client’s Instagram account, “They released him and that says a lot about what the appellate court thinks of this case.”In the six days since Mr. Smollett was taken into custody, his family has been pleading for him to be freed and urging the public to call the county to seek his release.“It’s absolutely ridiculous that he’s in there,” said Jocqui Smollett, one of Mr. Smollett’s brothers, in an Instagram video. “You should be terrified of the precedent this sets.”Prosecutors, who had argued at sentencing that Mr. Smollett’s offense warranted incarceration, wrote in court papers that by the defense’s logic, every short term of imprisonment would be stayed pending appeal.“That simply is not, and cannot be, the rule,” wrote Sean Wieber, one of the prosecutors.Two out of three of the justices on the appellate panel agreed that Mr. Smollett should be released from custody after he posts a $150,000 recognizance bond, agreeing with the defense’s argument about the short sentence and acknowledging that Mr. Smollett’s offense was nonviolent. One justice dissented.Mr. Smollett’s incarceration on Thursday started with his announcement in the courtroom as he was led to jail that he was not suicidal and that if anything happened to him, it would not have been by his own hand, a statement that appeared to put the authorities on notice. He also repeatedly declared his innocence.Judge James B. Linn granted his lawyers’ request for protective custody, and according to the Cook County Sheriff’s Office, Mr. Smollett was being kept in a private cell in the Cook County Jail with security cameras and an officer stationed at the entrance.His family had been arguing on social media that he was the target of “vicious threats” on social media and was at risk. They expressed concerns about his treatment in the jail. Jocqui Smollett said on Tuesday that his brother had been sleeping in a “restraint bed” but had recently been moved to a cell that “actually has a bed.”Mr. Smollett’s appeal is based, in part, on the idea that the actor’s recent sentence violated the legal concept of double jeopardy because he had already surrendered a $10,000 bond and performed some community service in 2019. Prosecutors have argued that those measures were voluntary and not a punishment.The case drew national attention, and Mr. Smollett was initially widely viewed as the victim who had been beaten and targeted with racial and homophobic slurs. Then the police began to question his version of events.At the trial, prosecutors told the jury that Mr. Smollett had instructed two brothers, Abimbola Osundairo and Olabinjo Osundairo, to attack him near his apartment in Chicago, where they placed a rope around his neck like a noose and yelled, “This is MAGA country.”Both brothers testified. Abimbola Osundairo, the younger of the brothers, said Mr. Smollett had asked him to “fake beat him up.”The prosecution’s evidence included video surveillance of the men meeting up for what the brothers said was the “dry run” and Instagram messages from Mr. Smollett to Abimbola Osundairo shortly before the attack in which the actor provided updates on the timing of his flight back to Chicago.The defense disputed that Mr. Smollett had planned the attack, arguing that both the messages and the footage were evidence that he had been interacting with Abimbola Osundairo because he had been providing the actor with fitness training.Mr. Smollett, 39, who in 2019 was best known for starring in the music-industry drama “Empire,” maintained his innocence during the trial.During seven hours of testimony over two days, he insisted that the attack had occurred as he described. But both prosecutors and Judge Linn had cited Mr. Smollett’s testimony as an aggravating factor that led them to pursue incarceration.Judge Linn called Mr. Smollett’s hours on the witness stand, during which he denied planning the attack, “pure perjury.”Bob Chiarito contributed reporting. More

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      Late Night Is Wowed by the Senate Actually Doing Something

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      “Various politicians have been trying to do this for years but they kept getting clock blocked,” Jimmy Kimmel said of the Sunshine Protection Act, which passed Tuesday in the Senate.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Time Stands StillOn Tuesday, the Senate unanimously passed legislation making daylight saving time permanent.Jimmy Kimmel said in his monologue that he was “especially proud to be an American today.”“We finally agreed on something,” he said. “An idea that every sane American can get behind: that the sun shall never again set at lunchtime on Christmas Day, and may God bless us, every one.”“I have to say, this is a day that I’ve been waiting for almost my whole adult life: Something finally happened.” — JIMMY KIMMEL“The United States Senate today voted across party lines to make daylight saving time permanent, meaning we may never have to change the clock on the microwave again!” — JIMMY KIMMEL“Various politicians have been trying to do this for years but they kept getting clock blocked.” — JIMMY KIMMEL“When was the last time anything got a unanimous vote in the Senate? They couldn’t even agree unanimously to condemn Asian American hate crimes. Josh Hawley was like, ‘Let’s not rush into anything.” — JIMMY KIMMEL“Senator Marco Rubio of Florida, a Republican, was the lead sponsor of the bill. He said there’s ‘strong science’ behind it that is now showing and making people aware of the harm that clock-switching has. Well, good for you, Marco. Wait until you find out about all the other things that have strong science behind them. You’re going to be amazed. It’s going to be big for you.” — JIMMY KIMMELThe Punchiest Punchlines (Sunshine Protection Act Edition)“Today the Senate unanimously passed a bill to make daylight saving time permanent. Oh yes! I don’t think people were this happy when Pfizer announced they had a vaccine.” — JIMMY FALLON“They’re calling it the Sunshine Protection Act, which is actually my favorite Maroon 5 album.” — JAMES CORDEN“Today everyone in the Senate was like, ‘What happens now? We’ve never passed a bill before — this is weird.’” — JIMMY FALLON“Meanwhile, every wall clock said, ‘But that’s the only time you ever touch me.’” — JIMMY FALLONThe Bits Worth WatchingAmber Ruffin addressed Naomi Osaka’s heckler on Tuesday’s “Late Night with Seth Meyers.”What We’re Excited About on Wednesday NightQuinta Brunson, the creator and star of the ABC hit comedy “Abbott Elementary,” will appear on Wednesday’s “Daily Show.”Also, Check This OutJesse Williams is playing a superstar baseball player who comes out as gay in the Broadway revival of “Take Me Out.”Sabrina Santiago for The New York TimesThe “Grey’s Anatomy” star Jesse Williams is making his Broadway debut in the revival of the baseball musical “Take Me Out.” More

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      Streaming Companies Are Looking to Britain for Studios to Meet Demand

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      Netflix, Amazon Prime and other studios are snapping up soundstages in Britain and building more, drawn by an experienced labor pool and alluring tax incentives.LIVERPOOL, England — For two decades, the Littlewoods building in Liverpool, a long, low-slung and cavernous space built to house a betting and mail-order company in the 1930s, sat abandoned. No one wanted to take on this crumbling hulk looming on the outskirts of the city.Until Lynn Saunders. She is the driving force to make it the center of Liverpool’s first film and TV studio complex.“It’s a beast of a site,” said Ms. Saunders, the head of the Liverpool Film Office. It had been too intimidating for most prospective buyers. But amid a boom in TV and film production in Britain, Littlewoods Studios is now one of at least two dozen major plans to build or expand studio space across Britain.Streaming platforms like Netflix, Disney+ and Amazon Prime Video are racing to meet insatiable demand for content and have chosen Britain as their location to make it, countering the malaise of overall investment in the nation since it voted to leave the European Union. In 2021, a record 5.6 billion pounds ($7.4 billion) was spent on film and high-end TV productions in Britain, nearly 30 percent more than the previous high in 2019, according to the British Film Institute. More than 80 percent of that money was coming ashore from American studios or other foreign productions.Lynn Saunders, the head of the Liverpool Film Office, hopes that adding studios will keep productions in town and stimulate the local economy.Francesca Jones for The New York TimesAssured that there is no imminent end to the desire for binge-worthy shows and movies, studios, property developers and local authorities are rushing to build more production space. Blackstone, the world’s largest private equity company, and Hudson Pacific Properties, the owner of Sunset Studios, which include the former homes of Columbia Pictures and Warner Bros. off Sunset Boulevard in Hollywood, have said they will invest £700 million to build the first Sunset Studios facility outside Los Angeles, just north of London. With 21 soundstages, it will be larger than any of its Hollywood studios.“There is just such a massive need to produce content in markets that already have infrastructure,” said Victor Coleman, the chairman and chief executive of Hudson Pacific Properties. “And the infrastructure is not necessarily just the facilities but it’s also the talent both in front and behind the camera.”The once-abandoned Littlewoods building in Liverpool. The site is now one of about a dozen major plans to build or expand studio space across Britain.Francesca Jones for The New York TimesThe early “Star Wars” films and 10 years’ worth of Harry Potter movies helped Britain get here. Film productions were attracted by experienced labor and visual effects companies and, critically, generous tax breaks. In 2013, the incentives were extended to TV productions that cost more than £1 million per broadcast hour — so-called high-end TV series, like “The Crown” and “Game of Thrones.” In recent years, productions were offered a 25 percent cash rebate on qualifying expenditures, such as visual effects done in Britain. In the 2020-21 fiscal year, tax breaks for film, TV, video games, children’s television and animation exceeded £1.2 billion.In Britain, film gets a level of government attention that other creative industries, such as live theater, can only dream of.“I would not like to contemplate the loss of the tax incentive,” said Ben Roberts, the chief executive of the British Film Institute. Without it, Britain would become immediately uncompetitive, he added.Most of the growth in production in Britain comes from big-budget TV shows, a staple of streaming channels. Last year, 211 high-end TV productions filmed in Britain, such as “Ted Lasso” and “Good Omens,” and fewer than half of them were produced solely by British companies, according to the British Film Institute. Compared with 2019, the amount spent jumped by 85 percent to £4.1 billion.Buildings and streets in Liverpool were transformed into Gotham City for the filming of “The Batman.”Jonathan Olley/Warner Bros.St. George’s Hall in Liverpool was used in “The Batman.”Francesca Jones for The New York TimesA scene shows Batman jumping off the Liver building, in front of its clock.Francesca Jones for The New York TimesLiverpool already claims to be the second-most-filmed-in city in Britain after London. For a few weeks in late 2020, its streets became Gotham City for “The Batman,” and for years shows, including “Peaky Blinders,” have been shot there. The local authority is courting more TV shows by building four smaller studios.Property developers announced the plan for Littlewoods Studios in early 2018, but the grand ambitions were pushed off course a few months later by a fire in the building. Not wanting to miss out on the rising demand, Ms. Saunders convinced the City Council to spend £3 million building two soundstages adjacent to the site. They opened in October.And then at the end of last year, £8 million in public funding was approved for remedial work on the Littlewoods building to create two more sound stages. Ms. Saunders hopes that adding studios will keep productions in town for longer — occupying hotel rooms, ordering from restaurants and employing local people. The film office has also started investing in productions — so far to the tune of £2 million in six TV shows.Britain is already the largest production location for Netflix outside the United States and Canada. While plenty is filmed on location — such as “Bridgerton,” in Bath, and “Sex Education,” in Wales — Netflix committed to a permanent home in 2019 at the Pinewood Group’s Shepperton Studios in Surrey, just southwest of London, where “Dr. Strangelove” and “Oliver!” were made decades ago. Shepperton is now expanding, aiming to double the number of its soundstages to 31 by 2023, and Netflix plans to occupy much of that new space.“Ted Lasso” was one of 211 high-end TV productions filmed in Britain last year.Colin Hutton/Apple TV+, via Associated PressBut the descent of American streamers on British shores has brought its challenges, too. The industry is rife with stories of production crews leaving jobs for higher-paying gigs, long waits for studios and production costs that outpace inflation.Anna Mallett, Netflix’s vice president of physical production for the U.K., Europe, Middle East and Africa, resists the idea that the streamer’s voracious expansion is squeezing others out of studio space.“I do think there is enough for everyone,” she said. “There’s over six million square feet of production space coming onto the market in the next couple of years.”Amazon plans to move in next door. Last month, Prime Video agreed to lease 450,000 square feet in the new development at Shepperton Studios, including nine soundstages. The streaming service sent a ripple of excitement through Britain last year when it announced that it would film the second season of its “Lord of the Rings” series, “The Rings of Power,” in the country. It will move from New Zealand to the dismay of that country’s officials, who over two decades have offered hundreds of millions of dollars in financial incentives to the franchise.By 2023, Warner Bros. hopes to be underway with its plans to add 50 percent more soundstage space to its studios northwest of London.Warner Bros. was the first major Hollywood studio to set up a permanent location in Britain when it bought in 2010 the Leavesden studios, where it made Harry Potter.“It was a pretty huge leap for Warners to make that investment,” said Emily Stillman, the head of studio operations at Leavesden. After years of piecemeal expansion, the new development, if it gets planning approval, will be the studio’s biggest investment at the site.Away from more renowned studios surrounding London, there is hope that the production boom can bring job opportunities and investment to overlooked areas in Britain. New studios are being constructed out of an old industrial space in Dagenham, in east London, an area once synonymous with the manufacture of Ford cars in the 20th century. In Bristol, the local authority is investing £12 million to add three more soundstages to Bottle Yard Studios in an area that is economically struggling, said Laura Aviles, the head of the Bristol Film Office.A guide leading a tour of filiming areas in Liverpool, which are rapidly expanding as the industry invests in Britain.Francesca Jones for The New York Times“It’s been a struggle” to regenerate the area, she said, “and there are a lot of young people there who could be third-generation unemployed who have struggled to get into work.” The expansion will hopefully entice other businesses to the area.There is a risk that all this demand for studio space could become a blessing and a curse. Despite the skilled work force in the field, there are real concerns about whether Britain can train enough production crew and fill the associated roles to populate all this new studio space. The industry has committed millions of pounds to rapid training programs. Industry leaders hope to bring more people into the field and break the stereotype that the work — most of it freelance — is exclusively for the well off and well connected. This month, Prime Video said it would spend £10 million to fund courses in Britain focused on increasing diversity in the industry and positions in Prime Video-commissioned productions.And there is the fear that smaller independent productions by British filmmakers, who can’t as readily use debt to finance an expansion, will be left behind in this boom. Just 16 percent of the money spent on high-end TV shows in Britain last year went to solely domestic productions.The level of foreign investment “does run the risk of challenging the indigenous, independent sector in terms of its ability to retain talent, crew up, get finance, hire space, use locations,” Mr. Roberts of the British Film Institute said. “We are really alert to that not feeling like a squeeze too far.” More

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      After ‘Grey’s Anatomy,’ Jesse Williams Takes the Stage

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      The former “Grey’s Anatomy” star is making his Broadway debut in “Take Me Out.” For that, he said, “I needed to go into a very unknown place.”Jesse Williams will be the first tell you — certainly, he was the first to tell me — that he has no formal theater training and little practice. There’s an Edward Albee play in the hazy past and a one-act opposite Zosia Mamet. That’s pretty much it.When I met him, on a recent weekday afternoon at Spring Place, a ritzy club and co-working space in TriBeCa, he joked that he was probably the least experienced theater actor I had ever interviewed.But on April 4, the Broadway revival of Richard Greenberg’s “Take Me Out” will open at Second Stage’s Hayes Theater with Williams, a familiar TV presence from his decade-plus run on “Grey’s Anatomy.” Which means that he is learning on the job: what “upstage” means, whether to hold for a laugh, how to use his whole body in a scene and not just the torso on up, as is the norm on television.“I’m not even wearing pants in half of those scenes,” he said of his time on “Grey’s.” (I think he was kidding?)In “Take Me Out,” which is set in the mid-1990s, Williams, 40, plays Darren Lemming, a superstar baseball player who comes out as gay. It’s a play about race, class, sexuality, sport and living a life in the public eye. Williams’s Darren stands — in batter’s crouch — at the intersection of these competing themes. “I’m here to just learn and get my butt kicked,” he said, using a stronger word than “butt.”Patrick J. Adams, left, and Williams in the play, which is in previews and scheduled to open on April 4.Sara Krulwich/The New York TimesWilliams grew up in Chicago, the eldest child of a white mother, a potter, and a Black father, a factory worker who later became a teacher. When Williams hit junior high school, his parents, now divorced, moved the family to a majority white neighborhood in suburban Massachusetts, where he experienced casual, and less casual, racism. Baseball, which he played on school teams and with his father, remained a constant.He graduated from prep school — he had moved on to soccer and lacrosse by then — and enrolled at Temple University, double majoring in African American studies and film and media arts. School, like most things, came easy to him. He would often write his papers the night before, high on marijuana, just to see if he could get away with it. Still, he excelled.Scouted as a model, he shot some commercials during college. But he never took that too seriously. The artists in his family were visual artists, not performers. And acting didn’t seem as creative, as generative, as stimulating. In 2006, having worked as a teacher, a paralegal and a political organizer and an activist with several grassroots organizations, he decided to apply to law school. Or maybe film school. But first he reached out to his old commercial agent, a move he chalked up to a “quarter-life crisis.”Four days later, in an example of the effortlessness that has defined his professional life, he booked an episode of “Law & Order.” He appeared in a few movies and shows, including a brief arc on the teen comedy “Greek” as a character aptly nicknamed the Hotness Monster. Then, in 2009, he was hired onto the medical drama “Grey’s Anatomy,” where he spent 12 years as Jackson Avery, the dynamic, gym-ripped plastic surgeon.Here is the comment that Shonda Rhimes, who created “Grey’s,” gave about a key scene: “We felt that having a shirtless Jackson Avery would be a benefit to society.”What he lacked in formal training, he made up for in his eagerness to master the craft. “He was always watching everybody’s artistry and learning from it,” said Krista Vernoff, a “Grey’s” showrunner.His colleague Sarah Drew, who played his longtime love interest, echoed that. “There’s nobody that worked as hard as he did,” she said. “Nobody.”Ellen Pompeo, another co-star, who said that she lived to mess with him, added: “He’s handsome. Girls always like that.”Fair enough. Williams, whom I watched first in rehearsal and then a few days later across that Spring Place table, is good-looking in a way that seems almost uncanny, with a grin that could melt permafrost. In person, he projects confidence — cockiness, almost — shot through with self-scrutiny and the occasional flash of humility. Colleagues described his keen intellect, instantly legible in the quickness and charm of his conversation.“Can an actor cross the footlights? I thought, I bet he can,” the director Scott Ellis said of offering Williams the lead role in “Take Me Out” after seeing him on “Grey’s Anatomy.”Sabrina Santiago for The New York Times“Yes, he really does look like that,” Vernoff told me. “And yes, he is really smart. And really, really talented.”Which explains why, a few years ago, the director Scott Ellis offered him the role of Darren. Ellis had wanted to revive “Take Me Out,” which received the Tony Award for best play in 2003. But first he had to find a biracial leading man (Darren’s race is a crucial element of the play) of overwhelming charisma who could also pass as a Hall-of-Fame-level player. Having seen Williams on “Grey’s,” Ellis suspected that he could command a Broadway stage.“It’s always that question,” Ellis said, speaking on a rehearsal break. “Can an actor cross the footlights? I thought, I bet he can.”Williams turned Ellis down. His schedule on “Grey’s” — as an actor and occasional director — didn’t allow a Broadway run. The play itself, with its rhythmic, cerebral dialogue and its nude scene, scared him. But the offer nagged at him. And as his work on “Grey’s” began to feel, in his words, “increasingly safe, protected, insulated,” that fear became part of the appeal.“I knew that as I designed my exit, the next thing I did had to be terrifying. I needed to get out of my comfort zone, I needed to go into a very unknown place,” he said. “Take Me Out” provided it.REHEARSALS BEGAN in February 2020 and halted, as all Broadway did, that March. Williams spent the intervening months at home in Los Angeles, teaching the rudiments of baseball to his two children — he shares custody with his former wife, Aryn Drake-Lee — and intensifying his activism, particularly his support of the Black Lives Matter movement.Williams sits on the board of the Advancement Project, an advocacy group devoted to civil rights. “He is deeply committed to racial justice,” said Judith Browne Dianis, its executive director. “He’s not one of the celebs or influencers that does things for his brand purposes. It’s deep in his soul.”Williams does little for brand purposes. And he doesn’t seem to know how to phone it in. “I swing through the ball,” he said, describing his approach to each new project. He didn’t seem to register the sports metaphor.Williams spent 12 years playing the plastic surgeon Jackson Avery on the medical drama “Grey’s Anatomy.” Williams, above center, with some of his co-stars, from left: Robert Baker, Kevin McKidd, Sandra Oh and Sara Ramirez.Randy Holmes/ABCWhen rehearsals began again, almost two years later, he swung through, supplementing run-throughs with voice lessons; personal training; breath work, where he learned about the diaphragm; physical therapy, to heal several torn ligaments in his foot. (Mini golf has its dangers.)“I’m taking the preparation really seriously, because every single syllable is totally brand-new,” he said.Because he lacks training — “I’m not really an actor,” he reminded me, “I didn’t go to acting school” — he fills his characters out with lived experience. In some ways, his experiences paralleled Darren’s.For example, they share a similar focus and drive. “I win,” he said, using more sports metaphors. “I hustle hard. I jump way bigger than I am. And I figure it out.”And he relates to the frictionless way that Darren has moved through his life. The play describes Darren as “something special: A Black man who you could imagine had never suffered.” And that isn’t true of Williams personally, but it’s true enough professionally.“I’ve related to a self-awareness of ease in my life, a self-awareness that the way I look or perform, based on the standards in our society, grants me access,” he said. “I can relate to how it can lull you to sleep, ease.”He has asked himself why Darren chooses to come out as gay. Is it an act of self-determination or a kind of self-sabotage, a way to complicate that ease?Of course, those same questions also apply to a TV actor choosing to lead a Broadway play. “There’s a lot of spillage,” Williams said. “A lot of overlap.” Which means that the role is also a way for Williams to explore some of his own contradictions, like what it means to be a deep thinker admired for his body, to be a Black celebrity in majority white spaces, to live both a public life and a private one.Williams on embracing the play’s locker room nude scenes: “I’m here to do things I’ve never done before. It’ll be fine.”Sabrina Santiago for The New York TimesHe is trying to embrace those contradictions fully and candidly, which also means embracing the play’s locker room nude scenes. He was somewhat resistant at first, asking Ellis about alternatives — a towel bar, maybe? But he has since committed to it, although when he spoke, he admitted that he had yet to try it.“I’m here to do things I’ve never done before,” he said. “I have got one life, as far as I know. It’ll be fine.”But of course his life is not exactly Darren’s, particularly when it comes to sexuality. Darren is gay. And Williams, as a number of tabloids will happily tell you, is straight. While Broadway has largely decided against racial impersonation, when it comes to matters of sexuality, gender and disability conversations around which actors should play which roles remain ongoing.Ellis, who is openly gay, said that an actor’s sexuality pertains less than other factors. “Do they have empathy?” he said rhetorically. “Do I feel that they can understand what this character is going through? That’s all that matters.”That isn’t exactly all that matters to Williams, who has taken these questions to heart. “If there’s anybody in the gay community that thinks that role should be played by a gay person, they have an argument,” he said. “They absolutely have an argument.”And still, he wanted his at-bat. “I really wanted the challenge of trying to do my best at the role,” he said.For Jesse Tyler Ferguson (“Modern Family”), the openly gay actor who plays opposite Williams, that’s enough. “He’s asking very thoughtful questions in the process and doing the work that truly great actors do,” Ferguson said. “I’ve completely fallen in love with his version of Darren.”I watched a scene of that Darren — the shower scene, rehearsed clothed — on a recent weekday morning. Williams looked like a ballplayer, rubbing pain cream into his ankle, swinging a bat like he’d been born with it. He looked like a stage actor, too, communicating danger and an almost feline grace as Darren approached another character.Patrick J. Adams (“Suits”), a longtime stage actor, described how quickly Williams had adapted to the rhythms of theater. “He’s just taking it in kind of instantly, almost frustratingly, to be perfectly honest,” Adams said. “Like, How is this so easy for you?”Williams makes it look easy. But that doesn’t mean he isn’t working hard.“The last thing I want is to be the shiny rich TV guy that thinks he can just show up and do something, because that’s just absolutely not how I feel,” he said. “I’m just here to learn.” More

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      Olivia Rodrigo, BTS and Billie Eilish to Perform at Grammys

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      The 64th annual awards ceremony, the second in a row to be delayed by the pandemic, will be held in Las Vegas on April 3.Olivia Rodrigo, Billie Eilish, BTS and Lil Nas X will perform at the 64th annual Grammy Awards on April 3, the Recording Academy announced on Tuesday.They, along with the singer-songwriter Brandi Carlile and the country duo Brothers Osborne, are the first batch of performers announced for the show, which was delayed nine weeks by the pandemic and is being held in Las Vegas for the first time. Trevor Noah of “The Daily Show” is the host.The show, at the MGM Grand Arena, will be broadcast by CBS and can be streamed on Paramount+.Rodrigo and Eilish are each up for seven awards, and will compete against each other for record, album and song of the year. Rodrigo, whose debut album, “Sour,” was one of last year’s biggest hits, is also up for best new artist, raising the possibility that she could sweep the top four awards — for the first time since Eilish did so in 2020.BTS has one nomination and will perform during the ceremony.Mario Anzuoni/ReutersLil Nas X, the singer and rapper who rose to fame three years ago with the meme-ready “Old Town Road,” is up for five awards, including album of the year. Carlile was nominated in four categories, including twice for song of the year (for “Right on Time” and “A Beautiful Noise”). Brothers Osborne have two nods, and BTS one. Jon Batiste, the bandleader on “The Late Show With Stephen Colbert,” has the most nominations, with 11.Other top nominees include Justin Bieber, Doja Cat and H.E.R. The Recording Academy, which presents the Grammys, drew controversy last year when it emerged that it had made a last-minute change, unknown to voters, that expanded its ballot from eight to 10 nominees for the four top categories. Among the beneficiaries of that change were Taylor Swift and Kanye West.This year’s show is the second to be delayed by the pandemic, and while last year’s production was well received by critics as a fresh new take on the format, its rating slipped to a low of 8.8 million, down 53 percent from the year before. In 2012, when the Grammys were held the day after Whitney Houston’s death, the show drew nearly 40 million viewers. More