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      Jimmy Fallon Rags on America’s Gas Problem

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      “Gas prices are so high, the Indy 500 was just changed to the Indy 5,” Fallon joked.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.How High?President Biden announced a ban of imported Russian oil, gas and coal on Tuesday. The move prompted fears of higher prices at the pump.“Yeah, this is devastating for Russia,” Jimmy Fallon said. “Now their biggest export is bad guys in ‘John Wick’ movies.”“Of course, we’ve got to get oil from somewhere else, which is why today, Biden looked at Rudy Giuliani and was like, ‘Let’s get you in the sauna, buddy.’” — JIMMY FALLON“And luckily America produces a lot of its own oil. There’s Texas, there’s Alaska, there’s Rudy Giuliani, but it’s still not enough.” — TREVOR NOAH“Like, if this keeps up, the next ‘Fast and Furious’ movie will take place on public transportation.” — TREVOR NOAH“That’s right, gas prices were already on the rise, and with the decision to ban Russian oil, they’re higher than ever before. Gas prices are so high, the Indy 500 was just changed to the Indy 5.” — JIMMY FALLON“Gas prices are so high, this morning, parents were like: ‘All right, kids, we’re Amish now. Let’s get in the buggy — we’re taking the horse to school.’” — JIMMY FALLON“Gas prices are so high, Americans are just filling their cars with Red Bull and hoping for the best.” — JIMMY FALLON“But on the bright side, this is the perfect excuse to pretend you’re going to get back on the bike you bought mid-pandemic and rode twice.” — JAMES CORDENThe Punchiest Punchlines (Unhappy Meals Edition)“Meanwhile, in the battle, McDonald’s and Starbucks are cutting ties with Russia, both announcing they would temporarily close all locations in the country. No Starbucks, no McDonald’s — that’s a sad life to live. And no pick-me-up in the morning, no Happy Meals — or, as they call them in Russia, meals.” — TREVOR NOAH“Yeah, we don’t want their oil and they can’t have our grease.” — JIMMY FALLON“McDonald’s in Russia is a little strange. It’s the only country that sells unhappy meals.” — JIMMY FALLON“Not to be outdone, Arby’s announced that they are punishing Russia by staying open.” — JIMMY FALLON“Yes. Russia just became a ‘no fry zone.’” — STEPHEN COLBERT“Some people go for the jugular. America? They go for the McRib.” — JAMES CORDENThe Bits Worth WatchingDina Gusovsky, a writer for “Late Night With Seth Meyers,” delivered a monologue about reconciling her Russian heritage during the Vladimir Putin era.What We’re Excited About on Wednesday NightDolly Parton will pop by Wednesday’s “Daily Show.”Also, Check This OutAt the 2019 “Peaky Blinders” Festival, actors recreated scenes from the show on the streets of Birmingham, England.PA Images, via ReutersThe final season of the crime drama “Peaky Blinders” is currently airing in Britain, where some superfans are staging re-enactments in public. More

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      Conrad Janis, Father on ‘Mork & Mindy’ and Much More, Dies at 94

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      His role on the hit sitcom was just one of more than 100 film and television credits; he was also a fine jazz trombonist and co-owner of an art gallery.Conrad Janis, an actor familiar to television viewers as Mindy’s father on the hit sitcom “Mork & Mindy” who was also a skilled jazz musician and a gallerist well known in the New York art world, died on March 1 in Los Angeles. He was 94.Dean A. Avedon, his business manager, confirmed the death.Mr. Janis, a child of the noted art collectors and gallerists Sidney and Harriet (Grossman) Janis, moved easily between the worlds of high art, jazz and acting, sometimes switching one hat for another in the same evening.“Conrad Janis Is Glad to Live Three Lives,” the headline on a 1962 Newsday article read. At the time he was starring in the romantic comedy “Sunday in New York” on Broadway and, after the Friday and Saturday night performances, playing trombone with his group, the Tailgate 5, at Central Plaza in Manhattan. (On Sundays he’d trek to Brooklyn to play at the club Caton Corner.) When not onstage or on the bandstand, he could often be found at his father’s art gallery.Sixteen years later he found himself on one of the most popular shows on television when he was cast on “Mork & Mindy,” which premiered in September 1978, as the father of Mindy (Pam Dawber), a Colorado woman who befriends an eccentric alien (Robin Williams). On Sundays during this period, he played in the Beverly Hills Unlisted Jazz Band at the Ginger Man, a club in Beverly Hills, Calif., whose owners included Carroll O’Connor of “All in the Family.”The key to juggling three areas of expertise, Mr. Janis told Newsday, was keeping his personas separate.“It just wouldn’t do to tell a knowledgeable art patron that ‘man, I dig Picasso the wildest,’” he said.Mr. Janis, an accomplished trombonist as well as a busy actor, peformed regularly with the Beverly Hills Unlisted Jazz Band. Among the other members of the band, seen in performance in 1980, was his fellow actor George Segal, who played banjo and sang.Ralph Dominguez/MediaPunch, via AlamyConrad Janis was born on Feb. 11, 1928, in Manhattan. His parents had a successful shirt-making business early in their married life, which gave them the wherewithal to begin collecting art and, in 1948, open the Sidney Janis Gallery, which became, as The New York Times put it in Sidney Janis’s obituary in 1989, “a major pacesetter for the art world in the 1950s and ’60s.”Harriet Janis also wrote books with the jazz historian Rudi Blesh, including “They All Played Ragtime” (1950). That connection led to Conrad’s musical expertise. Mr. Blesh’s daughter played trombone in her school’s marching band but lost interest; the spare trombone ended up in Conrad’s hands. He particularly studied the music of the influential New Orleans trombonist and bandleader Kid Ory.“I memorized a lot of what he did,” he told The Los Angeles Times in 1988.His acting developed alongside his musicianship. When he was 13, a classmate at the Little Red School House in Manhattan told him that “Junior Miss,” a popular Broadway comedy about a teenage girl, was holding auditions for a road company. He auditioned, got in, and spent two years with the tour, advancing to a leading juvenile role. He started doing radio voice work at the same time.“I played kids of 14 and old men of 40” on the radio, he told The New York Times in a 1945 interview.He landed a role in the pre-Broadway run of “The Dark of the Moon,” which got him noticed by a Hollywood talent scout. He remained with the play when it went to New York, making his Broadway debut in March 1945, but within a few months he was on the West Coast to make his first film, the comedy “Snafu,” in which he played a teenager who lies about his age to enlist.It was the first of more than 100 film and television credits. In the movies, he played alongside some famous names: Ronald Reagan and Shirley Temple in the notoriously bad “That Hagan Girl” (1947), Charlton Heston and other prominent stars in “Airport 1975” (1974), Lynn Redgrave in “The Happy Hooker” (1975), George Burns in “Oh God! Book II” (1980).He was on television from the medium’s earliest days, playing numerous roles in the late 1940s and ’50s, many of them on shows like “Suspense,” “Actor’s Studio” and “The Philco Television Playhouse” that were broadcast live. Some of those roles took advantage of his familiarity with musical instruments.“All through the ’50s,” he told The Philadelphia Inquirer in 1981, “I was in so many TV shows as a young musician on drugs, desperately trying to kick the habit, that I’m sure I helped cement in the public’s mind a relationship between musicians and dope. All they cast me in were shows in which I did or didn’t kick the habit. I was always saying, ‘Hey, man, I just got to have a fix.’”He continued to play small parts on TV in the 1960s and ’70s before landing his best-known role, Mindy’s father. His character operated a music store, but although “Mork & Mindy” ran for four seasons, he never got a chance to play his trombone on the show, something he regretted.“The producers wouldn’t go for it,” he told The Albany Democrat-Herald of Oregon in 1990. “We had a really cute script where I got together with my old Dixieland jazz band, but they didn’t think it was funny enough.”Mr. Janis with Thomas Scott, left, and Steven Scott in the 1996 movie “The Cable Guy.”He continued to work in television after “Mork,” with appearances on “St. Elsewhere,” “Murder, She Wrote,” “Frasier” and other shows. His later movie appearances included small roles in “Mr. Saturday Night” (1992) and “The Cable Guy” (1996). He sometimes collaborated with his wife, Maria Grimm, including directing two movies she wrote, “The Feminine Touch” (1995) and “Bad Blood” (2012).Mr. Janis’s acting career also included a dozen Broadway credits, among them the Gore Vidal play “A Visit to a Small Planet” in 1957 and a revival of “The Front Page” in 1969.Throughout his musical and acting adventures, Mr. Janis also kept a hand in the art world.Arne Glimcher, the founder and chairman of Pace Gallery and a friend of Mr. Janis’s for almost 60 years, said Mr. Janis worked for his father at the Sidney Janis Gallery and was responsible for certain artists there, including Claes Oldenburg and Tom Wesselmann.“His knowledge of 20th-century art and Modernism was really encyclopedic,” Mr. Glimcher said in a phone interview.When Sidney Janis reached 90, he turned the Janis Gallery over to Conrad and his brother, Carroll, who kept it going until 1999.Mr. Janis’s first marriage, to Vicki Quarles, ended in divorce, as did his second, to Ronda Copland. Ms. Grimm, whom he married in 1987, died in September. He is survived by his brother; two children from his first marriage, Christopher and Carin Janis; two grandchildren; and two great-grandchildren.Mr. Glimcher said that in recent years some of Mr. Janis’s old jazz pals would come to his home in Beverly Hills on Thursdays and play. When his wife died, Mr. Glimcher said, Mr. Janis gave her a jazz funeral, then changed the location of those jam sessions.“Every Thursday,” Mr. Glimcher said, “he took the jazz band to her mausoleum and played there.” More

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      Seth Meyers Skewers Trump for a ‘Looney’ Idea on Russia

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      Meyers said the former president’s suggestion that the U.S. paint Chinese flags on planes and bomb Russia was “a slightly stupider version of Bugs Bunny dressing up as a sexy lady to distract Elmer Fudd.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Flag FooleryAt a Republican fund-raiser on Saturday, Donald Trump suggested that the U.S. should paint Chinese flags on F-22 jets and bomb Russia.“Look, we came very close, very close to a world where Trump was still in charge during Russia’s brutal and illegal invasion of Ukraine, which is scary for many reasons,” Seth Meyers said on Monday. “One of which is Trump keeps giving us a glimpse as to how he would have responded, and, as usual, he has that unique Trump blend of being both terrifying and incredibly stupid at the same time.”“Finally, a way to bring stability to the world — a war between Russia and China.” — SETH MEYERS“So, if you’re wondering what Trump has been up to lately, the answer is huffing glue.” — JIMMY FALLON“These are the types of ideas you come up with after you stare at the sun too long.” — JIMMY FALLON“Then Trump said that he would stop Russian tanks by painting a tunnel on the side of a mountain so they slam into it. [Imitating Trump] ‘Meep meep.’” — JIMMY FALLON“He definitely gets his ideas from cartoons. I mean, this is a slightly stupider version of Bugs Bunny dressing up as a sexy lady to distract Elmer Fudd.” — SETH MEYERSThe Punchiest Punchlines (Running Out of Gas Edition)“Meanwhile, here in the U.S., a convoy of truckers spent the last two days surfing the Capital Beltway outside D.C. to protest Covid restrictions. Yep, the truckers waited until all the mandates were lifted and gas hit five bucks a gallon.” — JIMMY FALLON“It’s a horrible time to be driving as your protest because now they are praying the cops tow them away just to save on gas.” — TREVOR NOAH“This is just sad. American truckers were trying to block traffic, but D.C. already has so much traffic that nobody really noticed they were protesting.” — TREVOR NOAH“And, I mean, let’s be honest — a protest isn’t much good if it is too subtle for people to know it is a protest. Yeah, it’s like if Rosa Parks bravely decided to sit in the middle of the bus — it just wouldn’t be the same.” — TREVOR NOAHThe Bits Worth WatchingJames Corden was flabbergasted by a moviegoer who released a live bat during a viewing of “The Batman.”What We’re Excited About on Tuesday NightLeslie Jones will sit down with Seth Meyers on Tuesday’s “Late Show.”Also, Check This OutThe Theranos founder Elizabeth Holmes was recently convicted of four counts of fraud.Photo Illustration by The New York Times; HBO (Elizabeth Holmes)With new limited series like “The Dropout,” “WeCrashed” and “Super Pumped,” television is saturated with ripped-from-the-headlines tales of self-immolating entrepreneurs. More

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      Supreme Court Will Not Review Decision to Overturn Bill Cosby’s Conviction

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      Prosecutors had appealed a ruling by the Pennsylvania Supreme Court, which had overturned the conviction on due process grounds.The U.S. Supreme Court has rejected the bid by prosecutors in Pennsylvania to reinstate Bill Cosby’s conviction for sexual assault, a decision that ends the criminal case that had led to imprisonment for the man once known as America’s Dad.In an order issued Monday, the court said, without elaborating, that it had declined to hear the appeal filed by prosecutors last November.The Supreme Court’s decision leaves in place a ruling issued by an appellate court in Pennsylvania last year that had overturned Mr. Cosby’s 2018 conviction on due process grounds, allowing Mr. Cosby, 84, to walk free after serving nearly three years of a three-to-10-year prison sentence.Mr. Cosby had been found guilty of drugging and sexually assaulting Andrea Constand at his home outside Philadelphia, though his lawyers argued at trial that the encounter, in 2004, had been consensual.The case, one of the first high-profile criminal prosecutions of the #MeToo era, drew widespread attention, in part because of Mr. Cosby’s celebrity and in part because dozens of women had over a period of years leveled similar accusations of sexual abuse against the entertainer. But the Pennsylvania Supreme Court ruled last June that Mr. Cosby’s due process rights had been violated when the Montgomery County District Attorney’s office pursued a criminal case against him despite what the appellate court found was a binding verbal promise not to prosecute given to him by a previous district attorney.The former district attorney, Bruce L. Castor Jr., who said he believed Ms. Constand but was not sure he could win a conviction, said he had agreed years ago not to press charges against Mr. Cosby to induce him to testify in a civil case brought by Ms. Constand. He said the substance of his promise was contained in a news release he issued at the time that said he found insufficient credible and admissible evidence. But he held out the possibility of a civil action “with a much lower standard of proof.” Ms. Constand later received $3.38 million as part of a settlement in her civil case against Mr. Cosby.During the civil case, Mr. Cosby acknowledged giving narcotics to women as part of an effort to have sex with them, a statement that was later introduced as evidence at Mr. Cosby’s trial.Understand Bill Cosby’s Sexual Assault CaseBill Cosby was released from prison June 30, 2021, after the Pennsylvania Supreme Court overturned his 2018 conviction for sexual assault.Why He Was Released: Here’s a breakdown of the issues surrounding the ruling to overturn the conviction.What Legal Analysts Think: The court’s decision opened an unusually vigorous debate among the legal community.His Uncertain Future: Experts say it’s unlikely the ruling will change the public perception of the former star.The Aftermath: The Times critic Wesley Morris looks at what to do with our fondness for “The Cosby Show,” and W. Kamau Bell’s documentary series contextualizes his legacy.Following Mr. Cosby’s conviction in 2018, an intermediate appeals court in Pennsylvania found that no formal agreement never to prosecute had ever existed, a position that aligned with what the trial court had ruled.But in a 6-to-1 ruling, the Pennsylvania Supreme Court found that Mr. Cosby had, in fact, relied on Mr. Castor’s assurances that he wouldn’t be prosecuted, and that charging Mr. Cosby and using his testimony concerning drugs at the criminal trial had violated his due process rights.Prosecutors had argued that such a promise had never been made. They said that no one else in the district attorney’s office at the time had been made aware of it and that a news release could not be the basis of a formal immunity agreement.A spokesman for Mr. Cosby, Andrew Wyatt, welcomed the decision Monday, saying in a statement that the entertainer and his family “would like to offer our sincere gratitude to the justices of the United States Supreme Court for following the rules of law and protecting the Constitutional Rights of ALL American Citizens.”Ms. Constand and her lawyers released a statement Monday that criticized the Pennsylvania Supreme Court’s ruling, in particular faulting the panel for assuming “there was a valid agreement not to prosecute, which was vigorously disputed in the Habeas proceedings, and determined by the trial judge not to exist.”Andrea Constand and her lawyers have consistently taken issue with the reasoning of the Pennsylvania Supreme Court in overturning Mr. Cosby’s conviction.Angela Lewis for The New York TimesThe Montgomery County district attorney, Kevin R. Steele, released a statement in which he expressed his appreciation to Ms. Constand and described petitioning for Supreme Court review as “the right thing to do,” even though there was only a small chance the court would take up the case.“All crime victims deserve to be heard, treated with respect and be supported through their day in court,” the statement continued. “I wish her the best as she moves forward in her life.”Mr. Cosby was first accused in 2005 of having molested Ms. Constand, then an employee of the Temple University basketball team for whom he had become a mentor. The case was reopened in 2015, and Mr. Cosby went through two trials, the first of which ended with a hung jury. The second ended in April 2018, with a jury in Montgomery County convicting Mr. Cosby of three counts of aggravated indecent assault.Both cases were closely watched by many of the women who came forward with similar accusations but statutes of limitations in their cases made further prosecutions unlikely.Mr. Cosby has consistently denied the accusations that he was a sexual predator, suggesting that any encounters were completely consensual.Patricia Leary Steuer, who accused Mr. Cosby of drugging and assaulting her in 1978 and 1980, said in an interview on Monday that she felt “a little let down by the decision” but that “it does not change anything for me and the other survivors” since, she said, public sentiment is on their side.“The survivors did what we were supposed to do which was to come forward and tell the truth and that’s what we did,” she said. “The rest is out of our hands.”Legal experts had predicted it would be unlikely that the Supreme Court, which denies the vast majority of petitions for review, would take up the Cosby case. For one thing, they said, the case involved a unique set of circumstances that did not necessarily raise far-reaching constitutional issues.Dennis McAndrews, a Pennsylvania lawyer and former prosecutor who has followed the case, said the Supreme Court typically “looks to determine whether there are compelling issues of constitutional law about which the courts across the country need additional guidance, especially if the case is capable of repetition.”Shan Wu, a former federal prosecutor in Washington, said the Supreme Court likely considered whether its ruling would have the potential for broader significance outside the parameters of this case. “It’s a very unique set of circumstances,” he said. “It’s highly unlikely to be repeated.” More

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      What’s on TV This Week: ‘The Thing About Pam’ and the Critics Choice Awards

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      Renée Zellweger stars in a new true-crime mini-series. And this year’s Critics Choice Awards ceremony airs on the CW and TBS.Between network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, March 7 -13. Details and times are subject to change.MondayTHE THING ABOUT PAM 10 p.m. on NBC. The slurp of a Big-Gulp-size beverage becomes something sinister in this true-crime limited series, which stars Renée Zellweger as a Missouri woman, Pam Hupp, who is implicated in a murder that ultimately reveals a larger illicit scheme. It’s a juicy role for Zellweger, who squares off with Judy Greer (as a prosecutor) and Josh Duhamel (a defense attorney). For more true crime, see the two-part documentary UNDERCURRENT: THE DISAPPEARANCE OF KIM WALL, debuting on HBO at 9 p.m., which looks at the killing of Wall, a Swedish journalist, in 2017 while she was reporting a story aboard a submarine.TuesdayTHE GREEN KNIGHT (2021) 7 p.m. on Showtime. You’ve probably already seen a movie about King Arthur — or at least have heard the tales, or baked with the flour. You’re less likely to have seen the tale of Arthur’s nephew Gawain — the subject of the anonymous 14th-century poem “Sir Gawain and the Green Knight” — on the big screen. This aesthetically pleasing adaptation from the filmmaker David Lowery stars Dev Patel as Gawain, who goes on a quest to hunt down a giant. In his review for The New York Times, A.O. Scott called the movie “sumptuous, ragged and inventive.”WednesdayDOMINO MASTERS 9 p.m. on Fox. Ambitious domino builders square off in this new competition show, in which contestants vie to create the most impressive toppling-domino arrangements, Rube Goldberg style. Expect the exactitude required here — where a false move can completely ruin a project — to create some tense moments. Imagine a reality cooking show in which chefs have to juggle their culinary creations before the judges sit down to eat.ThursdayMahershala Ali, left, and Matthew McConaughey in “Free State of Jones.”Murray Close/STX EntertainmentFREE STATE OF JONES (2016) 7:40 p.m. on FXM. The composer Nicholas Britell and the actor Mahershala Ali worked on two notably different movies released in 2016: Barry Jenkins’s Oscar-winning contemporary coming-of-age story “Moonlight” and Gary Ross’s historical drama “Free State of Jones.” In Ross’s movie, Ali plays a man named Moses, who is a close friend and confidant of the film’s subject, Newton Knight (Matthew McConaughey), a Southern dissident who established a homespun army that rebelled against the Confederacy in Mississippi, and whose work on behalf of African American rights extended beyond the war. In his review for The Times, A.O. Scott praised what he called Ross’s “unusual respect for historical truth,” and wrote that he does “a good job of balancing the factual record with the demands of dramatic storytelling.” Another of Ross’s movies, the jockey drama SEABISCUIT (2003), will also air on Thursday, at 4 p.m. on Showtime.FridayJULIA (1977) 6 p.m. on TCM. Jane Fonda plays a fictionalized version of the playwright and author Lillian Hellman in this historical drama. Adapted from a slice of Hellman’s 1973 book, “Pentimento: A Book of Portraits,” the film takes place in the lead-up to the Second World War, centering on a friendship between Hellman and a character known only as Julia (Vanessa Redgrave), a young American woman from a wealthy family who uses her money to aid anti-Nazi efforts. The movie was also the feature debut of Meryl Streep, who has a small role as another friend of Hellman’s.SaturdayRachel Zegler in “West Side Story.”Niko Tavernise/20th Century StudiosWEST SIDE STORY (2021) 8 p.m. on HBO. The last few years have brought two attempts to reinvigorate “West Side Story.” On Broadway in 2020, the Belgian experimental theater director Ivo van Hove presented a version that injected the musical with projected video and skinny jeans. Even more recently, we got this big-screen rethink from Steven Spielberg, which reworks some elements while sticking closer to the original Broadway and Hollywood productions, at least on the surface (take one look at the sets and haircuts here, and you know we’re in mid-20th-century New York City). But this version of the forbidden-love story between Maria (Rachel Zegler) and Tony (Ansel Elgort) still has a lot of new ideas, thanks in large part to its substantial reworking of Arthur Laurents’s book by the playwright Tony Kushner and its ​​new choreography by Justin Peck. In his review for The Times, A.O. Scott wrote that the new movie makes the musical feel “bold, surprising and new,” even as the performances and the transitions between musical numbers and other scenes can be uneven. “The seams — joining past to present, comedy to tragedy, America to dreamland — sometimes show,” Scott wrote. “But those seams,” he added, “are part of what makes the movie so exciting. It’s a dazzling display of filmmaking craft that also feels raw, unsettled and alive.”SundayTaye Diggs hosting the Critics Choice Awards in 2020. He will host this year’s ceremony on Sunday alongside the comic actress Nicole Byer.Kevin Winter/Getty Images for Critics Choice AssociationTHE 27TH ANNUAL CRITICS CHOICE AWARDS 7 p.m. on the CW and TBS. Awards season will continue on Sunday night with this broadcast of the Critics Choice Awards, which this year comes just two weeks before the Oscars. The nominees for best picture at the Critics Choice awards largely overlap with the Oscars — “West Side Story,” “CODA,” “Don’t Look Up,” “Dune,” “King Richard,” “Licorice Pizza,” “Nightmare Alley” and “The Power of the Dog” are all nominated for the top prize in both competitions — with Lin-Manuel Miranda’s “Tick, Tick … Boom!” taking the place of the Haruki Murakami adaptation “Drive My Car” at the Critics Choice awards. There are also differences in the best actor and actress categories, which here include nominations for Nicolas Cage (“Pig”), Peter Dinklage (“Cyrano”), Lady Gaga (“House of Gucci”) and Alana Haim (“Licorice Pizza”), none of whom will be up for an acting award at the Oscars. Taye Diggs and Nicole Byer host. More

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      ‘Billions’ Season 6, Episode 7 Recap: Let the Games Begin

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      Chuck visits an old friend. Wags tries to cover his boss’s tracks as the decision about New York’s Olympics bid nears.Season 6, Episode 7: ‘Napoleon’s Hat’You know, it’s funny: Before I watched this episode of “Billions,” I’d been thinking to myself, “It’s been too long since Chuck Rhoades went to a dungeon.”Seriously! The series launched with an image of Chuck in flagrante, and his so-called “arousal template” played a major role in the show on and off for quite some time. A calculated admission of his predilections helped him win the attorney general’s office. And a failure to service his kink spelled the end of his relationship with last season’s romantic interest, played by Julianna Margulies.In this very episode, in fact, Rhoades says regarding sex workers, “I’m out of that game.” An almost entirely sexless sixth season, at least as far as Chuck is concerned, just didn’t sit right.So it was with some pleasure that I greeted Chuck’s descent into his old dungeon, on a quest to uncover the current location of the high-end brothel where Wags illegally entertained the bigwigs who select the host city of the 2028 Olympics. It was great to see Clara Wong as Troy, Chuck’s one-time dominatrix, and even better to see Paul Giamatti squirm as Troy painfully tweaked Chuck’s ear.It even meshed well with the subplot in which Chuck and his ex-wife-slash-amateur domme, Wendy, briefly rekindled their old friendship, only to bail when professional concerns got in the way. At their son’s high school carnival, Chuck had won a private dinner for two with the Michelin-starred chef Daniel Boulud, to which he invited Wendy for old time’s sake. But poor Boulud, playing himself, wound up serving the multicourse meal to their nanny and himself instead. C’est la vie!In the end, however, Chuck’s reunion with Troy bore no fruit, legally speaking. Wags was one step ahead of him, tipping off the elite brothel that the cops were on the way; the pros in question converted the place into the world’s least-geriatric bridge club, stymying Chuck’s attempt to tie Prince to illegal activities and thus scupper his Olympic bid.Even Chuck’s Plan B winds up D.O.A. With the help of his lieutenants, Dave and Karl (who’s been increasingly entertaining), Rhoades pinpoints the Olympic “fixer” Colin Drache as the recipient of a $5 million bribe, presumably from Prince. (Even Wags, of all people, is aghast at the brazen nature of the graft, at least as it pertains to a self-conceptualized straight arrow like Prince.) But just when he’s ready to make an arrest amid New York City’s celebration for securing the games, Drache simply vanishes, like Keyser Soze.In a way, watching this season of “Billions” is like watching some kind of ethical disease spread. Taylor Mason, head of the Prince Capital subsidiary Mase Carb, could well be patient zero. The one-time wunderkind spends this episode setting up a crowdsourced algorithm for investment ratings, then lording it over an established ratings agency in order to force them to downgrade the Metropolitan Transportation Authority. The idea is to allow Prince to weasel his way back into the system after his previous $2 billion donation to the authority backfired, abrogating the city’s need for his big ideas to improve the subway.It’s such an effective play that the governor, the mayor and the head of the M.T.A. can basically only nod and go along with it. Prince is upset that Taylor and his own right-hand man, Scooter, went behind his back with the plan, but he knows how to take a W. Still, he insists he’s not like some drunk dad from whom the booze needs to be hidden at Christmas; he wants to be included in future maneuvers of this sort.Meanwhile, Rian, who has been spending the season as a sort of Jiminy Cricket-style externalization of Taylor’s conscience, rues handing over the spiffy new ratings algorithm to the corrupt old guard just to have it squashed. The Rian-Taylor dynamic is one of the show’s most intriguing at this point; I have no idea where the endgame is with these two.But the most compelling duo in this episode is Chuck and Dave, thanks to their verbal sparring over the nature of extreme wealth. Chuck has the zeal of the convert when it comes to the rich: He calls billionaires a threat to democracy itself and says that the lower classes have been sold a myth because they hope against hope to be rich themselves one day. Dave argues that “only those with wealth have the privilege of resenting it, but for the rest of us, it’s that dream that makes us go.”Honestly? For as shrewd a legal operator as Dave is made out to be, her position sounds hopelessly jejune. I mean, Horatio Alger? In this economy? Please. By contrast, Chuck’s rage against the billionaire class reads like a logical and narratively fruitful outgrowth of his old enmity for one specific billionaire, Bobby Axelrod, and his current grudge against Axe’s successor, Mike Prince. Chuck has met the enemy, and he is cash.Loose change:No “Godfather” allusions that I caught this week, but there was a shout out to another gangster movie, “A Bronx Tale.” For my money, though, the best pop-culture reference of the episode was a subtle but unmistakable quote from “The Big Lebowski” when Chuck talks about the scholarship students sponsored by Prince: “Proud we are of all of them,” he says, quoting Julianne Moore’s Maude Lebowski on the “Little Lebowski Urban Achievers.”As a charter member of the Karl Allard fan club, I was delighted to no end by this episode as it revealed the wild side of the old legal hand. Dave recoils in borderline disgust as Karl recalls nights in an Okinawa sex club with viper-seasoned sake; Chuck gazes at him incredulously as he describes his prowess as a “spirit guide” in the psychedelic era. (“Loose, breathable clothing is key.”)Still no clues as to whatever Mike’s secret agenda may be, beyond his vaguely proclaiming, “I plan on having a lifetime of grand projects.”Crucial to all of Mike Prince’s plans is the approval of his semi-estranged wife Andy, an Olympic-level rock-climbing coach. She ends the episode with an anecdote about racing up a summer-camp rock wall to kiss pinups of era-appropriate heartthrobs at age 8 and by extracting a promise from Prince to fly back and forth to Denver. Can he really be trusted to put his marriage ahead of his city?“The year Sperrys or a Vineyard Vines blazer shows up on Kevin’s Christmas list is the year we’re transferring him to public school”: Wendy is decidedly sour on her son’s private-school upbringing after she and Chuck are confronted by an obnoxious parent at the carnival, who calls Chuck a communist and Wendy a Karen. As an aside, the way they ferociously stick up for each other makes me think there’s still dramatic juice to be squeezed from their relationship.For all of Chuck’s self-conception as a man of the people, he still reacts like a scalded dog at the prospect of his son going to — gasp — Cornell instead of Yale.“That guy … a Cypress Hill song comes to mind,” says Prince of Chuck. Which one, I wonder? “Insane in the Brain”? “How I Could Just Kill a Man”? Uh, “Hits from the Bong”?Chuck on that fancy brothel: “These places shuffle locations like handsy priests change dioceses.” As a veteran of a Catholic upbringing, this one hit home hard.“Next time I pay every employee their full night’s wages,” Wags says to one of the brothel’s workers, “something unspeakable is going to transpire, and I will be right in the middle of it.” Now that’s our Wags! More

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      Mitchell Ryan, Who Played the Villain in ‘Lethal Weapon,’ Dies at 88

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      Mr. Ryan, who appeared in the TV series “Dark Shadows,” played a brutal businessman in “Santa Barbara” and a wealthy father in the sitcom “Dharma & Greg.”Mitchell Ryan, an actor known for his role in the gothic soap opera “Dark Shadows” and who played a heroin-dealing retired general in the action movie “Lethal Weapon,” died at his home in Los Angeles on Friday. He was 88.The cause was heart failure, Ro Diamond, who represented Mr. Ryan for more than 40 years, said on Saturday.With his square jawline and slicked-back hair, Mr. Ryan entertained moviegoers and television fans in a career that spanned more than 50 years, beginning with an uncredited part in the movie “Thunder Road” (1958).His breakout performance came in 1966 when he landed a role in “Dark Shadows,” a popular soap opera about the adventurous lives of the affluent Collins family. Set in the fictional town of Collinsport, Maine, the family experiences supernatural events and are tormented by strange beings, such as ghosts, witches and zombies.Mr. Ryan played Burke Devlin, an ex-convict who returns to Collinsport and seeks revenge on the family.“It was a wonderfully written Gothic kind of melodrama and Burke was this marvelous, mysterious character,” Mr. Ryan recalled decades later in an interview. “And actually, there wasn’t a whole lot to do with it except bring a lot of my passion to it and just allow it to come out.”He was fired from the show because of his alcoholism.Mr. Ryan, second from left, with Joan Bennett, left, and Louis Edmonds, second from right, in “Dark Shadows” in 1966.ABC Photo Archives/Disney General Entertainment Content, via Getty ImagesHe recalled in his memoir, “Fall of a Sparrow,” how grateful he was to have overcome his struggles with sobriety. “I’m blessed that, 30 years a drunk, I’ve managed to live a working actor’s life to be envied,” he wrote.He added that “sober for the next 30 years, I’m told I’ve come out of it all a good and a useful human being.”Another major role came in 1987, when he played an antagonist in “Lethal Weapon,” which starred Mel Gibson and Danny Glover. Mr. Ryan recalled in an interview that people involved with the film initially believed it was destined to flop.“It was a total scary mess for everybody,” he said, noting that the script was constantly being rewritten. “Nobody knew what was going on.”Mr. Ryan played a retired general-turned-heroin smuggler who delivers commands in a calm and collected cadence but is inclined to raging outbursts.The film would gross more than $100 million worldwide at the box office.“We were all absolutely totally shocked and dumbfounded when it turned out to be an enormous hit,” Mr. Ryan said.He joked that the series of films that followed made everybody richer, except him because his character, Gen. Peter McAllister, was in a vehicle that was struck by a bus. “Poor Mitch, I got killed,” he said.Mr. Ryan continued to play parts in more than two dozen television series but found that his ego was getting inflated. He wrote on his website that “the more successful I became, the easier it was to take credit for what ‘I’ accomplished.”Mr. Ryan, left, star of Arthur Miller’s play “The Price,” with Lee Marvin, right, and Mr. Marvin’s wife, Pamela, backstage at the Playhouse Theater in New York in 1979.Dan Grossi/Associated PressIt was a behavior that he believed would be “deadly in the long run and not in accordance with reality,” he wrote.Still, in interviews, he would frequently say that he was grateful for his long acting career, which, as a child, seemed unlikely.Mitchell Ryan was born on Jan. 11, 1934, in Cincinnati and raised in Louisville, Ky., by his mother, who was a writer, and his father, who was a salesman. Information about survivors was not immediately available on Saturday.He said that, as a boy, he would often invent people he could be one day and had no idea that he was “acting a role, as it was all real to me.”He served in the U.S. Navy and then pursued work in theater. “I can’t count the number of plays I have done, but it could easily be over one hundred,” he wrote.For 15 years, he acted in a play almost every night in road shows, on Broadway and Off Broadway. Even while working on “Dark Shadows,” he was still performing plays at night after leaving the television set, which, he said, was “not a very good idea.”In 1989, he played Anthony Tonell, a brutal businessman, in “Santa Barbara,” a television series about several wealthy families in California. From 1997 to 2002, he portrayed Edward Montgomery, a wealthy and eccentric father, in the sitcom “Dharma & Greg.”In the preface of his memoir, Mr. Ryan wrote: “A young man became an actor because someone thought he had the right look for a part. A pleasing voice. And he wasn’t doing something else just then.”“And he stayed an actor,” he added, “because, remarkably, he was good at it.” More

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      Actress Morena Baccarin Cooks a Brazilian Stew

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      The actress stars in the NBC thriller, “The Endgame.”“If I take these home to my kids and they don’t like them, I’m going to kill them,” the actress Morena Baccarin said.This was on a sopping morning at Rio Supermarket, a Brazilian grocery in the Astoria neighborhood of Queens. Ms. Baccarin, an Emmy-nominated actress, moved from Rio to New York City at 10. She still craves the foods of her childhood, like coxinhas, chicken and potato croquettes, formed into a golden-brown kiss. She placed two orders — one for her, one for her children — in rapid Portuguese and then bit into a croquette, somehow managing not to smear her lipstick.“It’s not part of my diet, but I can’t not eat these,” she said. “It’s deep fried and it’s heaven.”Ms. Baccarin, 42, had come to Rio Market on a recent Friday at the suggestion of two of her cousins, the same cousins who had given her the flamingo pink earrings she wore. She had an afternoon shoot for “The Endgame,” the thriller series that recently premiered on NBC. But she hoped to have just enough time to shop for ingredients and then rush home to make moqueca, a Brazilian fish stew, for her three children: an 8-year-old son, whom she co-parents with her first husband, the producer Austin Chick, and a 5-year-old daughter and 11-month-old son with her current husband, her “Gotham” co-star Ben McKenzie.Ms. Baccarin in a scene from “The Endgame,” a TV thriller in which plays an international arms dealer.Virginia Sherwood/NBCShe grabbed a basket and began to fill it with frozen cheese bread, bay leaves, herbal tea and a carton of brigadeiros, Brazilian sweets made from condensed milk, cocoa powder and butter.“The kids will forgive me for working all day if I bring that home,” she said, striding through the aisles in a camel-hair coat. Her manner was energetic, efficient, self-effacing. Her hair hung like a skein of silk, immune to humidity.Ms. Baccarin started acting early — her mother had been an actress in Rio, her father a journalist at Globo. “I love hiding in character,” she said. “I mean, obviously, it’s me, but I like to pretend that it’s not. I tell myself that I’m creating this whole new person.”So even as she struggled to assimilate to Manhattan life, she kept at it, honing her craft first at the Fiorello H. LaGuardia High School of Music & Art and Performing Arts, and then at the Juilliard School. She never felt that she fit in there.“I was not a favorite,” she said. “I had a lot of attitude.” Juilliard taught her technique, stamina, survival, but not how to embrace her strengths or her ethnicity. After graduating, she thought she would do classical theater; Hollywood called instead. “I felt like I was letting everybody down,” she said.She had a breakout role as a courtesan in Joss Whedon’s short-lived space Western “Firefly.” (She did not experience abuse from Mr. Whedon, but she does not dispute that others may have.) On set she discovered that her training helped her to handle elevated, stylized text and make it sound natural, which probably explains why she has found her way to so many superhero projects including “Gotham,” “Deadpool,” and “Justice League Unlimited.” Her work on the Showtime thriller “Homeland” earned her an Emmy nomination.Her character in “The Endgame,” an arms dealer and criminal mastermind named Elena Federova, has no superpowers. She doesn’t need them. “What’s really fun about this character is I just get to mess with people constantly and poke at their weak spots,” Ms. Baccarin said. She also gets to do stunts. In heels.That day she wore sensible ankle boots, which clacked against the ground as she added palm oil to her basket, then hot sauce for her husband. She spotted a 12-pack of soda flavored with guaraná berries. “It’s the best. So sweet,” she said. She upgraded her basket to a cart.Ms. Baccarin wore googles as she chopped an onion at home for a traditional Brazilian stew.Shina Peng for The New York TimesAfter adding coconut milk, herbal tea, hearts of palm, biscuits, juice, cheese and a pair of Havaianas flip flops for her nanny, she paid, toting her haul to a waiting SUV. Half an hour later it delivered her to her South Brooklyn kitchen, in the basement of a brownstone.Growing up, Ms. Baccarin rarely cooked. “My mom always swore that I would never cook for any man,” she said. But as a working actress, she learned to cook for herself and her friends. “It feels like the most like caretaking and loving stuff you can do,” she said.She learned some Brazilian dishes from her cousins, some from cookbooks. Her husband, despite having grown up in Texas, taught her a few more.After removing her coat, she laid out the ingredients and then snapped on a pair of swimming goggles as she briskly chopped an onion, which she slid into bubbling palm oil. Minced garlic followed, then sliced bell peppers, then leeks, a last-minute substitute for lemongrass. “I’m doing it a little bit differently,” she said.From the refrigerator she took a packet of fish and another of shrimp, which her husband had bought that morning. The shells were still on the shrimp. “Guys never get it right, but he’s so sweet I can’t complain,” she said. The shrimp, still unshelled, went in too, along with a bottle of coconut milk, a squeezed lemon, cilantro and salt.“And bay leaves,” she said. “I’m a rebel.”She stirred the soup, blew on it, tasted it. She added more salt and more cilantro and tasted it again. Then she took a sip from a freshly chilled guaraná soda.“I’m such the quintessential Brazilian right now,” she said. More