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      How ‘Succession’ Turns Getting What You Want Into Hell

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      The characters in HBO’s prestige hit let us set aside judgment and just marvel at how ardently, how comically, people will chase after the worst thing for them.Two years ago, as HBO’s “Succession” finished its second season, we saw Logan Roy, the head of a right-wing media empire, looking for someone in his inner circle to serve as the scapegoat for a corporate scandal. One candidate was his hapless son-in-law, Tom Wambsgans. But Shiv, Logan’s daughter, asked him to spare her husband, and Logan’s sights turned instead to his second-born son, Kendall. For once, though, Kendall would not do the old man’s bidding: He showed up at a news conference and, instead of taking the heat, blamed his father.The pandemic kept “Succession” from continuing the story until this fall; its third season, nine episodes in all, ended Dec. 12. But it featured, midway through that run, a remarkable moment that captured the series’ great trick: Whenever these One Percenters succeed, the outcome is worse than if they had failed.Because with Kendall gone rogue, it is indeed Tom who volunteers for sacrifice and resigns himself to facing criminal charges. He assumes he has few days left as a free man, so he spends them reading prison blogs and trying to get used to cheap food. It’s only in the seventh episode that he learns the federal investigation he was afraid of will most likely end in a financial penalty. Suddenly spared years behind bars, he heads to the office of his wary sidekick Greg and destroys it in celebration: Screaming, he flips over a desk and leaps atop some filing cabinets, pounding his chest. But his ecstasy is short-lived. An episode later, Shiv — under the guise of role play — tells him she doesn’t really love him, though she would consider having the child he wanted. Having avoided prison, Tom gets to remain in a loveless union, trapped in a cage of wealth he lacks the audacity to leave. He wins, and he may well be worse off for it.Tom’s fate seems to have taken a very different turn in the season’s finale. But those earlier scenes reminded me, more than anything, of “Peep Show,” the sitcom that Jesse Armstrong, the creator of “Succession,” made in Britain between 2003 and 2015. The series, which used point-of-view shots and voice-overs to reveal its protagonists’ inner thoughts, centered on two characters: Mark, a cynical and awkward loan manager, and Jez, his perpetually out-of-work roommate. Its humor derived from many things — Mark’s repressed fury and anxious conservatism, Jez’s sexual carelessness and delusions of cool — but the writer Jim Gavin, creator of the AMC show “Lodge 49,” reported in 2016 that he had discovered the “central narrative conceit” beneath all of it. “Mark and Jez,” he wrote, “ALWAYS get what they want” — and it inevitably turns out to be terrible. “Getting what you want is a form of hell,” he wrote, “and ‘Peep Show’ is nothing if not a complete and terrifying vision of hell.”“Succession,” a prestige hit, attracts far more attention in America than “Peep Show.” Perhaps that’s why, amid obsessive discussion of each episode’s winners and losers, it’s not often noted how much this tradition continues among the Roys. Look at both shows together, and you sense a creeping, overarching worldview. Each sets its characters in looping environments where it’s rare for them to face lasting consequences. Instead, they are constantly humiliated by their own desires — and then, even more so, by the fulfillment of those desires.Throughout the early seasons of “Peep Show,” for instance, we watch Mark pine after a co-worker named Sophie, played by Olivia Colman. But when he finally succeeds in his romantic pursuit of her, it becomes clear that they have little in common — a fact that Mark, clinging to what he suspects is his sole chance to be a normal man, strains to ignore. The two become engaged based on a miscommunication, and Mark spends an entire season trudging toward a wedding he dreads, fearing it will be too embarrassing to back out. But there, again, he gets what he wants, in the worst way: After a catastrophic ceremony, Sophie flees, seeks an annulment and convinces all their co-workers that Mark is a monster.“Peep Show” was unquestionably a comedy, an unglamorous half-hour of laughs. “Succession” is an hour long, with remarkable acting and an HBO budget. As a result, critical discussion around it has often focused on form: Is this a comedy? A drama? A “sitcom trapped in the body of a drama” (as Slate had it)? “Seinfeldian in its cyclical efforts” (The New Yorker)? Has its repetitive nature made it boring? The Nation said the show has a “repetition compulsion”; The Atlantic explained its stasis by asserting that “late capitalism will always insulate the extraordinarily privileged from real consequences.”It’s true that the patterns of a sitcom, in which hardly anything ever truly changes, run the risk of disappointing prestige-TV viewers who tune in anticipating real stakes or didactic punishment for the superrich. But the circularity of such comedy is, typically, cozy. Sitcoms assure us that their worlds will remain stable, that the characters will arrive each week to behave in exactly the manner we’ve become so fond of. This was true of “Peep Show,” but in the most unsettling way possible. Mark and Jez were self-aware enough to realize how hopelessly stuck with each other they were; they knew full well that whenever either of them achieved what he wanted, the other would promptly help ruin it. As Gavin noted, “Virgil makes clear to Dante that all the souls in Hell remain there by choice,” unable to let go of the very thing that damned them in the first place. Mark and Jez will repeat their mistakes forever.It’s as if he literally can’t perish, as if hell cannot exist without the devil.What makes “Succession” a variety of sitcom is the way it, too, relishes this vision of the afterlife. The Roy children’s battle for status mostly immiserates them, yet they can’t abandon it. Each time they help save the family empire, their father lambastes or humiliates them for their trouble. Even Logan’s death scares repeat: It’s as if he literally can’t perish, as if hell cannot exist without the devil. As the show’s third season ended, we saw his children scramble once again to maintain family control of the company — to remain in the very cycle they’ve all toyed with escaping. They failed. But can there be much doubt that the situation will reset, as it has in the past, just as surely as a sitcom character’s new adventure will resolve itself in 30 minutes, leaving things right where they began? In Armstrong’s hands, character flaws are not simply quirks to be blithely repeated for our amusement. They are anchors that are constantly degrading the characters’ own lives. “Peep Show” let that degradation sit, awkwardly and hilariously, on the screen. “Succession” finds the tragedy at the heart of the sitcom form, the structure whose characters can never break free of it.The Roys’ corporation feels like their show’s Sophie. I’ve never had any trouble imagining what would happen if Kendall or his siblings wrested control of it from their father, or what they would do to address its many failings: They’d have absolutely no idea. Like Mark on “Peep Show,” they’d struggle to admit their victory was hollow from the start. This is the joy of Armstrong’s shows: They let us set aside judgment and just marvel at how ardently, how comically, people will chase after the worst thing for them. People, each season suggests, do not change that much. What we share with the Roys and two inept London flatmates might be, simply, that we only think we want them to, and would probably hate it if they ever did.Above: Screen grabs from HBO and YouTube.Alex Norcia is a writer in Los Angeles. He last wrote for the magazine about John Krasinski’s YouTube show “Some Good News.” More

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      Best Comedy of 2021

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      The return of indoor shows brought comedy closer to normal, and there were plenty of specials from Bo Burnham, Tig Notaro, Roy Wood Jr. and others.From left, a scene from Tig Notaro’s HBO special “Drawn,” Susie Essman in HBO’s “Curb Your Enthusiasm” and Tiffany Haddish in Netflix’s “Bad Trip.”From left: HBO; John P. Johnson/HBO; Dimitry Elyashkevich/NetflixComedy got dangerous in 2021. Not cancel-culture dangerous (though after creating one of the loudest controversies of the year with his Netflix special “The Closer,” Dave Chappelle might disagree). More like “I might contract Covid at this show” dangerous. After a (hopefully) once-in-a-lifetime shutdown of live performances, audiences returned to indoor shows, and comics picked up where they left off. These are some of the highlights.Best Punch Line Inside a Club to Defuse Covid AnxietyOne night at the Comedy Cellar, Dave Attell told a guy in the crowd: “I’m glad you’re wearing a mask because we need a survivor to tell the story.” But in the basement of the West Side Comedy Club, Bill Burr took down the elephant in the room even quicker: “I’m happy to be down here working on a new variant.”Best Experimental ComedyTig Notaro is not the first stand-up to turn herself into a cartoon, but her “Drawn” HBO special was the most ambitious attempt, using a different animated style for each bit — realistic one moment, whimsically fantastical the next, veering from the perspective of the audience to a cockroach. Imagine if Pixar did stand-up.A scene from “Drawn,” an animated HBO special from Tig Notaro, which uses a different animated style for each bit.HBOBest Musical ComedyThis was the year that visual humor caught up to the verbal kind in comedy specials. Bo Burnham invented a new comic vocabulary with his Netflix hit “Inside,” a filmic meditation on isolation, the internet and ironic distance itself. It was so tuneful and thematically well made that a blockbuster musical is surely in his future.Best Opening BitIn “Imperfect Messenger,” a Comedy Central special packed with refined comic gems, Roy Wood Jr. begins by discussing things that are not racist but feel racist. Things that have, as he puts it while rubbing his thumb and his fingers together as if he’s grasping at something, “the residue of racism” — like when white people use the word “forefathers,” or when you go somewhere and there’s “too many American flags,” which he calls “too much freedom.” He rubs his fingers and thumb again and asks: “How many American flags equal one Confederate flag?”Roy Wood Jr. in his Comedy Central special “Imperfect Messenger.”Sean Gallagher/Comedy CentralBest DirectingWith a jangling horror soundtrack, claustrophobic close-ups and the menacing humor of a Pinter play, the movie “Shiva Baby” offers a modern spin on the postgraduate angst of “The Graduate.” Its director, Emma Seligman, is the most promising cringe-comedy auteur to come along in years.Best MemoirIn the Audible original “May You Live in Interesting Times,” Laraine Newman describes studying with Marcel Marceau, dating Warren Zevon and farting in front of Prince. She gives you what you want in a “Saturday Night Live” memoir, but what makes her audiobook excel is her nimble voice, impersonating a collection of characters, none more charismatic than her own.Best Documentary“Mentally Al” catches up with the unsung comic Al Lubel when he’s near broke, disheveled and struggling with an impossibly dysfunctional relationship with his mother. Onstage, however, he’s consistently hilarious, even when the audience doesn’t think so. After countless documentaries about how a really funny person became a star, there’s finally a revelatory one exploring why one didn’t.Best Political ComedySometimes the most powerful punch is a jab. In “Oh God, an Hour About Abortion” — an understated, humane and deeply funny examination of the experience of having an unwanted pregnancy and an abortion — Alison Leiby uses observational comedy to reframe a political question at a critical moment for reproductive rights.The comedian Alison Leiby performing at Union Hall in Brooklyn in September.Krista Schlueter for The New York TimesBest Keystone Cops UpdateNot since Chaplin has running from the police been as funny as Tiffany Haddish in “Bad Trip,” a scripted movie on Netflix that includes unscripted scenes, such as Haddish emerging from under a prison bus dressed in an orange jumpsuit, forcing a male bystander into an uncomfortable decision.Best SpecialThere’s never been a better year for handsome comics making jokes about their fraying mental health. Along with Bo Burnham unraveling onscreen and John Mulaney describing the depths of his addiction in live shows, the British comic James Acaster delivered his masterwork, “Cold Lasagne Hate Myself 1999,” on Vimeo. It’s a nearly three-hour show, wildly funny and deeply felt, that mocks how easily mental struggles can be turned into entertainment before doing just that.Best Arena SpectacleThere were prop missiles, shining diamonds and a massive sign that announced “World War III” in lights. I’m still not sure what the battle was about, but as soon as the born entertainer Katt Williams charged into the Barclays Center, yellow sneakers a blur, it was clear he had won.Best Netflix DebutNaomi Ekperigin is a natural — a comic that can make you laugh at just about anything: summing up Nancy Meyers movies, vaccines, clichés (why L.A. sucks), the way she says “OK.” In a half-hour set, as part of the collection “The Standups” that will be released on Netflix on Dec. 29, she even has two different jokes about the color beige that earn laughs. It’s a delight.Naomi Ekperigin performs in Season 3 of “The Standups,” coming to Netflix on Dec. 29.Clifton Prescod/NetflixBest Grand Unified TheoryIn describing how the porn industry pioneered everything on the internet, from user-generated content to diversity casting, Danny Jolles, in his endearing and far too overlooked Amazon Prime Video special, “Six Parts,” finds a new way to describe the fragmentation and filtering of the news: fetishes. All news, he argues, has become “kink news,” catering to our narrow, even perverse whims.Best Inside Comedy ParodyLast year ended with the release of “An Evening With Tim Heidecker,” a parody of edgy stand-up comedy that was a bit too vague to really resonate. Now, Heidecker hit the bull’s-eye with his recent YouTube spoof of The Joe Rogan Experience; its 12-hour running time (really one hour on a loop) is its first joke. So precise, so meticulously sensitive to the details, to the cadence and lingo of that podcast, his conversation with two sycophantic guests (played with pitch-perfect smarm by Jeremy Levick and Rajat Suresh) is a master class in sounding absolutely earth-shattering while saying precisely nothing.Best Argument for the Staying Power of ‘Curb Your Enthusiasm’No comedy that started in 2000 should still be this funny. Part of the reason for this feat is the consistently elite supporting performances, none more important than Susie Essman, who shined this year. Famous for her volcanic fury, she can do dry and understated just as well. I have not laughed louder at a television show this year than after hearing her say the word “caftan.”Susie Essman, left, plays Susie Greene in the long-running HBO series “Curb Your Enthusiasm.”John P. Johnson/ HBOMost Underrated Star ComicJim Gaffigan has put out so much material for so long that he’s easy to take for granted. The fact that he’s family friendly probably doesn’t help his press either. His dynamite new special, “Comedy Monster” (premiering Tuesday on Netflix), may be his best, showing Gaffigan at his most dyspeptic. It suits him. Who would have thought that he would so satisfyingly eviscerate marching bands and parades? Or have the most unexpected prop joke of the year (keep an eye out for a grand piano). More

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      Seth Meyers Wants Fox News to Stop Saying ‘Big Meat’

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      As Fox hosts went after President Biden over rising prices, Meyers found their choice of words a little distracting.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Where’s the Beef?On his last “Closer Look” of the year, Seth Meyers tackled some Fox News coverage of President Biden’s response to inflation — specifically, rising meat prices.“Recently, the White House said the blame for rising meat prices rests in part with meat conglomerates, and then Fox News decided to repeat a term for those companies to deride Biden that — well, let’s just say the term was a little distracting,” Meyers said on Thursday.That term? “Big Meat.”“Why are they saying ‘Big Meat’ so much? Is this ‘Fox News After Dark’?” — SETH MEYERS“They sound like they’re on a press tour for a porno about a pizza delivery guy.” — SETH MEYERS“The worst part of that segment came when Rudy got confused and accidentally Googled ‘Big Meat.’”— SETH MEYERS“Maybe they’re just sticking up for Big Meat because that was Trump’s Secret Service code name.” — SETH MEYERSThe Punchiest Punchlines (Thong Edition)“If you fly Spirit, that’s the oxygen mask that drops down in an emergency.” — JIMMY FALLON, on a United Airlines passenger who wore a red thong on his face to protest mask requirements (and who later compared himself to Rosa Parks)“A few minutes later, an air marshal walked over and gave him a mouth wedgie.” — JIMMY FALLON“Rosa Parks? My man, don’t be so modest — you’re more than Rosa Parks. If anything, you’re the Martin Luther King of white dudes comparing themselves to Black heroes for no reason.” — TREVOR NOAH“You know, for real, sometimes I think conservatives are right: America shouldn’t be teaching the history of racism in schools, because then at least white people wouldn’t know who to compare themselves to when they get kicked off airplanes for doing dumb [expletive]. ‘I’m exactly the same as — huh, I can’t think of anybody, you know? Maybe I’m just a [expletive] wearing panties on my face. I need to re-evaluate my behavior.’” — TREVOR NOAH“And, by the way, can we all agree there’s no way this dude just starting sniffing thongs during the pandemic? I bet you he’s been going around for years like, ‘Looks like I got kicked out of the dorm because I’m once again the Rosa Parks of my sister’s friend’s underwear drawer.’” — TREVOR NOAHThe Bits Worth WatchingScarlett Johansson tells Jimmy Fallon about meeting Judge Judy (she was star-struck).Also, Check This OutOlivia Rodrigo, members of the cast of “Reservation Dogs” and a scene from “Sanctuary City.”Clockwise from left: Mat Hayward/Getty Images; Jeremy Dennis for The New York Times; Sara Krulwich/The New York TimesOlivia Rodrigo and the cast of “Reservation Dogs” are among the breakout stars of 2021. More

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      ‘And Just Like That’ Recap, Episode 3: A Week of Discovery

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      Miranda ponders new directions while Carrie is drawn back into the orbit of an old rival.Season 1, Episode 3: ‘When in Rome’It turns out Miranda doesn’t need red hair to be spicy.If you picked up on a bit of flirtation between her and Che right after their decidedly uncute meet in Episode 2, you might have been onto something. At the very end of Episode 3, after she, Carrie and Charlotte take in the live comedy set Che is recording for Netflix, Miranda fibs to her pals that she’s headed home but instead sneaks back in to see her new friend at the after party.Showing a bit of nerves, Miranda is a chatterbox and can’t keep herself from fawning over Che, who tells her to breathe. Oh, Miranda breathes. In a sexy, showstopping move, Che shotguns a drag of weed smoke into Miranda’s mouth, nearly kissing her, and quite possibly shaking her to the core.How did we get here?Well, Miranda told us long ago, in the original “Sex and the City” series, that her husband Steve Brady (David Eigenberg) isn’t a “core-shaker.” He and Miranda were more congenial than amorous, and in “And Just Like That,” this still seems to be the case.Miranda and Steve haven’t had sex in years, she reveals to Charlotte over coffee, somewhat casually. She wonders if they’re even still a couple, or just “roommates with ice cream and a kid.”Che’s act offers an exciting counterpoint to such humdrum domesticity. It is a raucous, LGBTQ+-centered party filled with jokes that feel more like rallying cries, with the comedian telling the crowd that confusion is a good thing — a notion Miranda realizes she relates to — and that if there’s something they don’t like, whether it’s their shirt or maybe even their identity, they can change it. Could Miranda be ready to upset her settled life in favor of a personal revolution? And if so, might it alleviate the need she feels to carry mini bottles of vodka around in her backpack?The ‘Sex and the City’ UniverseThe sprawling franchise revolutionized how women were portrayed on the screen. And the show isn’t over yet. A New Series: Carrie, Miranda and Charlotte return for another strut down the premium cable runway in “And Just Like That,” streaming on HBO. Off Broadway: Candace Bushnell, whose writing gave birth to the “Sex and the City” universe, stars in her one-woman show based on her life. In Carrie’s Footsteps: “Sex and the City” painted a seductive vision of Manhattan, inspiring many young women to move to the city. The Origins: For the show’s 20th anniversary in 2018, Bushnell shared how a collection of essays turned into a pathbreaking series.The wisdom layered within Che’s rowdy, raunchy set isn’t lost on Charlotte either, who takes mental notes between chuckles on how the message relates to her own life. Rose, her youngest, has just confessed that she doesn’t always feel like a girl. Charlotte isn’t quite sure how seriously to take this at first, nor is her best friend Anthony, who basically tells her to ignore it.But during Che’s show, the vibe of acceptance and self-love pulsing through the crowd encourages Charlotte to follow her instincts and ensure that Rose feels supported. She calls Rose after the performance just to say “I love you.” Like a typical teen, Rose just wants to go back to playing Mario Kart.For Carrie, Che’s event is mostly an escape from a week otherwise filled with heartache and humiliation. Natasha Naginsky (Bridget Moynahan), a.k.a. the “idiot stick figure with no soul,” reappears and, to my own personal delight, so then does nutty, neurotic Carrie.Early on in the episode, in the reading of Big’s will, Carrie finds out that her late husband has left a cool million to Natasha, his ex-wife. Carrie can’t help but wonder — no, completely obsess over — why.Carrie spirals (classic Carrie) and becomes convinced that Big and Natasha were still in touch before his death — perhaps they even were having an affair.She roots through her and Big’s apartment for clues and is taunted by a photo she finds in his wallet of Gogi, an old dog she never knew about. What else doesn’t she know? It’s an urgent question that seems to have only one answer: that Natasha was really the love of Big’s life, and he regretted choosing Carrie over her.Despite Miranda and Charlotte’s reassurances, Carrie has to hear from the woman herself whether this is true. She emails Natasha but gets stonewalled. She messages her on Instagram but gets blocked. So Carrie concludes that the logical next step is to show up unannounced at Natasha’s office.In a demoralizing sequence of events, Natasha’s assistant lies to Carrie’s face, saying Natasha is in Rome as a means of shooing her out of the lobby, only for Carrie to see Natasha moments later in her office window. Worse, Natasha sees Carrie on the sidewalk, pointing up at her like a deranged stalker. As if that weren’t mortifying enough, a few days later Carrie walks in on Natasha using the bathroom at a coffee shop.They are both so startled that Carrie spills her hot drink and badly burns her hand. Despite not wanting to engage with Carrie, Natasha takes pity on her in a scene that harkens back to the moment in the original series when she caught Carrie sneaking out of her and Big’s marital abode.During that scene, Natasha injures herself, and Carrie takes care of her. Now it is Carrie who needs the first-aid, and Natasha owes her one. She gives Carrie ice and some desperately needed closure, telling her that she and Big haven’t been in contact since their divorce. Natasha has no idea why he would leave her money, and she doesn’t want it. There was no affair, and no love lingering between her and her ex-husband.Carrie reasons that the gift was probably Big’s way of apologizing to Natasha, something Carrie feels compelled to do as well. They part ways cordially with a promise not to bother each other on social media.Big not alerting his wife to the loaded line item in his will was wildly inconsiderate, which happens to be his signature trait. Even from beyond the grave, he still has the power to knock Carrie off balance and worse, make her feel like she isn’t enough.Which is to say that Big is still classic Big, even when he’s dead. More

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      Chris Noth Peloton Ad Pulled After Sexual Assault Allegations

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      The online ad, a response to the “Sex and the City” reboot, was removed after The Hollywood Reporter published an article in which two women accused the actor of sexual assault.Peloton pulled down a popular online ad featuring the actor Chris Noth on Thursday after The Hollywood Reporter published an article in which two women accused him of sexual assault.The article detailed the accusations of two women, identified with pseudonyms, who claimed Noth — who played Mr. Big on “Sex and the City” and stars in its new reboot — sexually assaulted them in separate incidents in 2004 and 2015. In a statement, Noth called their accusations “categorically false.”After the allegations surfaced, Peloton, the stationary-bike maker, removed a widely viewed online ad featuring Noth. It had quickly put up the ad after the first episode of the “Sex and the City” reboot — the HBO Max limited series, “And Just Like That” — depicted Mr. Big dying of a heart attack after riding a Peloton bike.“Every single sexual assault accusation must be taken seriously,” Peloton said in a statement. “We were unaware of these allegations when we featured Chris Noth in our response to HBO’s reboot.”One woman told The Hollywood Reporter that Noth, 67, raped her in 2004, when she was 22, after inviting her to his apartment building’s pool in West Hollywood; the woman said that after the assault, a friend took her to the hospital, where she received stitches. Another woman said he assaulted her in 2015, when she was 25, after a date in New York City.“The encounters were consensual,” he said in the statement. “It’s difficult not to question the timing of these stories coming out. I don’t know for certain why they are surfacing now, but I do know this: I did not assault these women.”Noth, who also had roles in “Law & Order” and “The Good Wife,” is best known for his role as Mr. Big, the central love interest and eventual husband of Carrie Bradshaw (Sarah Jessica Parker) in “Sex and the City.” His death in the reboot shocked fans and set social media ablaze. Peloton’s stock dropped the day after the episode became available.Three days after the episode debuted, Peloton tried to make the most of the ill-fated product placement by releasing the parody ad, which features Noth lounging with his Peloton instructor, extolling the health benefits of the exercise machine while he flirted with her. In the clip, Mr. Noth suggestively raises an eyebrow, seemingly glancing back toward the bedroom, and asks, “Shall we take another ride? Life’s too short not to.”Then, after the sexual assault allegations surfaced, Peloton’s post on Twitter that included the video disappeared. In a statement, the company said it had archived social media posts related to the video and stopped promoting it while it sought to “learn more” about the allegations.HBO declined to comment. More

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      Stephen Colbert Holds the Republican Caucus in Contempt

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      Colbert noted that the House voted to hold Mark Meadows in criminal contempt, “and the rest of us can just keep holding him in regular contempt.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Consequences, ConsequencesOn Tuesday night, the House voted to hold Mark Meadows, who served as chief of staff to former President Donald J. Trump, in criminal contempt for refusing to cooperate with its investigation into the Jan. 6 attack on the Capitol.“Yes, hell yes! Criminal contempt — and the rest of us can just keep holding him in regular contempt,” Stephen Colberts said on Wednesday.“The consequences are severe. Meadows could be sentenced to a year in prison, or even worse, another month working for Trump.” — JIMMY FALLON“Of course, Meadows needs a good lawyer, so the first thing he did was pull up Rudy Giuliani’s number and delete it.” — JIMMY FALLON“The Republican caucus is an accessory to this coup, and we recently got more evidence of that in the form of text messages to Mark Meadows, like this one received on Jan. 7 from a Republican lawmaker: ‘Yesterday was a terrible day.’ Well, I mean, at least we can all agree on that.’” — STEPHEN COLBERT‘We tried everything we could in our objection to the six states. I’m sorry nothing worked.’ Oh, so he regrets not being able to drown Lady Liberty in a bathtub. It’s like sending a sympathy card that says, ‘My deepest condolences that you lived. I was rooting for the tumor!’” — STEPHEN COLBERT“So, who sent these messages? Well, the identity of these lawmakers was not being disclosed, so people on Twitter are now guessing names like Paul Gosar, Jim Jordan, Devin Nunes, Matt Gaetz, Ted Cruz and Josh Hawley — and you can play the home version in the fun new game ‘Clue-less.’” — STEPHEN COLBERT“These messages have the ring of unfiltered truth because they’re taken from Mark Meadows’ two personal phones — and nothing says ‘innocent’ like a second cellphone.” — STEPHEN COLBERTThe Punchiest Punchlines (Holiday Parties Edition)“The White House is skipping their annual holiday parties because of Covid this year — and because Joe Biden goes to sleep at 4 p.m.” — JIMMY KIMMEL“This is in stark contrast to the previous White House’s ‘Catch the holiday fever’ themed droplet jamborees.” — JIMMY KIMMEL“The White House just announced, due to Covid concerns, instead of the traditional holiday parties, he’s inviting guests to come see the decorations on a 30-minute self-guided tour, which is just a fancy way of Biden saying, ‘Come if you want, but I ain’t gonna be there!’” — JIMMY FALLON“That’s right, a self-guided tour of a historic Washington building. That’s basically how Fox News described Jan. 6.” — JIMMY FALLON“The Democratic National Committee held its annual holiday party last night outside of the Hotel Washington, due to the spread of the Omicron variant. Meanwhile, the Republican holiday party just added more mistletoe.” — SETH MEYERS“President Biden attended the D.N.C.’s annual holiday party last night and gave a 10-minute speech in just under an hour.” — SETH MEYERSThe Bits Worth WatchingSamantha Bee modernized “’Twas the Night Before Christmas” to show support for elves and their unions.What We’re Excited About on Thursday NightThe longtime friends Anderson Cooper and Andy Cohen will appear on Thursday’s “Late Show.”Also, Check This OutThe author bell hooks in 1995. Her work, across some 30 books, encompassed literary criticism, children’s fiction, self-help, memoir and poetry. Monica Almeida/The New York TimesThe pathbreaking Black feminist writer bell hooks died on Wednesday. She was 69. More

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      Late Night Praises Fox News Hosts for Their Acting Skills

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      The news that Fox News anchors sent texts on Jan. 6 urging President Trump to speak out against the insurrection while blaming antifa on air was the talk of late night on Tuesday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Stop the InsanityLate night was aflutter on Tuesday with the revelations that the Fox News commentators Brian Kilmeade, Sean Hannity and Laura Ingraham sent pleading texts to Mark Meadows on Jan. 6, asking President Donald J. Trump to speak out and stop the insurrection.Stephen Colbert joked that Meadows, Trump’s last chief of staff, “even got an Instagram post from Judge Jeanine’s box of wine.”“Gee, if only they had some sort of media outlet where they could have said that publicly.” — JIMMY KIMMEL“This is like finding out the flight attendant who’s been telling you that it’s just a little turbulence is going back into the cockpit, like, ‘Doesn’t anybody know how to fly this thing? We’re all gonna die!’” — TREVOR NOAH“Yeah, it came out that Fox News hosts were begging for Trump to do something. And today Fox News hosts lit their tree on fire again just to change the subject.” — JIMMY FALLON“So, the Jan. 6 attack scared Laura Ingraham — and keep in mind, her side gig is appearing in your bathroom mirror if you whisper ‘Medicare for all’ three times.” — STEPHEN COLBERT“The records show that then-White House chief of staff Mark Meadows also received a text from Fox News host Brian Kilmeade that said, ‘Please get him on TV. Destroying everything we’ve accomplished.’ That is a shocking revelation — they had to beg Trump to go on TV?” — SETH MEYERS“Trump was like, ‘If I replied to every text that said “What you’re doing is crazy,” I’d never get anything done.’” — JIMMY FALLON“Trump didn’t want to hear it. Not only did Trump ignore texts from Fox News, he also dropped them from his family cellphone plan.” — JIMMY FALLON“And I love that they were so concerned that this could ruin Trump’s legacy: ‘If he gets somebody killed today, no one will remember that time he told everyone to drink bleach.” — TREVOR NOAH“If one person at your network has no integrity, that’s a problem. If nobody has integrity, that’s a company policy.” — TREVOR NOAH“If you’re looking for some silver lining here, I don’t think we give the Fox News gang enough credit for their acting — it’s really good.” — JIMMY KIMMELThe Punchiest Punchlines (What’s His Number Edition)“According to newly released records, Donald Trump Jr. texted then-White House chief of staff Mark Meadows during January’s Capitol attack, urging him to make President Trump condemn the violence. Then he texted again, saying, ‘Fine, I’ll tell him myself — just give me his number.’” — SETH MEYERS“Yeah, Trump ignored the advice of those closest to him and also Don Jr.” — JIMMY FALLON“And then this text: He said, ‘Dad, you have to stop this right now.’ He wrote back, ‘Who is this?’” — JIMMY KIMMEL“You cannot give Don that number. It’s too risky — he might give it to Eric.” — STEPHEN COLBERT“Don Jr. texted Meadows, asking him to do something. Meanwhile, Eric Trump texted, ‘Does anyone know where my Paw Patrol slippers are?’” — JAMES CORDEN“Now clearly, Don Jr.’s texts didn’t work, which honestly I’m kind of glad about because the only thing worse than an insurrection would have been to thank Don Jr. for stopping the insurrection.” — TREVOR NOAH“Of course, Don Jr. has spent the last 11 months praising his father’s lack of action. And Eric — his son, Eric Trump, didn’t send any texts at all. He did not text Mark Meadows, because, well, in fairness he was stuck in a claw machine at a Dave & Buster’s in Silver Spring.” — JIMMY KIMMELThe Bits Worth WatchingWill Forte joined his friend and former “Saturday Night Live” co-star Seth Meyers for some day drinking on Tuesday’s “Late Night.”What We’re Excited About on Wednesday Night“The Late Show” will celebrate the 20th anniversary of “Lord of the Rings.”Also, Check This OutJamie Mccarthy/Getty ImagesJohn Cameron Mitchell takes inspiration from New Orleans, modern fairy tales and Mavis Staples. More

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      Michael Gargiulo Dies at 95; Documented the Moscow ‘Kitchen Debate’

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      Sent to the Soviet Union in 1959 to promote color television, he ended up taping what he later called a “turning point” in U.S.-Soviet relations.Michael Gargiulo, an Emmy Award-winning television director and producer who immortalized the impromptu 1959 “kitchen debate” between Vice President Richard M. Nixon and the Soviet leader, Nikita S. Khrushchev, in Moscow, died on Nov. 30 at his home in Manhattan. He was 95.His son, Michael, an anchor for “Today in New York” on NBC, said the cause was congestive heart failure.The made-for-television moment took place during a brief thaw in the Cold War, with the finger-wagging performances by Nixon, on the eve of his campaign for the Republican presidential nomination, and the pugnacious Khrushchev starting in the kitchen of a model home at an American trade fair in Sokolniki Park.The two world leaders had been steered to the $14,000 “typical American house” by William Safire, who would later become a speechwriter for Nixon and an opinion columnist for The New York Times, but who at the time was handling public relations for a Long Island homebuilder. (It was Mr. Safire who gave the house the name “Splitnik,” because it was bisected by a walkway for spectators.)The largely good-natured tit-for-tat escalated as Nixon and Khrushchev wended their way through the exhibition hall. They were headed for the studio and control room that Mr. Gargiulo (pronounced gar-JOOL-oh) and his team had assembled for RCA at the invitation of the State Department to promote American technological superiority in color television.“As they were walking in, we were already recording,” Mr. Gargiulo recalled in an interview with his son in 2019. “They didn’t even know we were rolling.”Through interpreters, the U.S. vice president and the Soviet leader conducted a guns-and-butter debate on the merits of capitalism versus Communism, which Mr. Gargiulo and his team shot, ostensibly so they could immediately replay it to demonstrate the wonders of color TV.But while Nixon had been warned to be on his best behavior (so Khrushchev would accept an invitation to a subsequent summit meeting), neither official could resist a microphone and a camera.Nixon acknowledged Soviet advances in outer space; Khrushchev, sporting an incompatible Panama hat and oversize suit, conceded nothing.“In another seven years we will be on the same level as America,” he said. “In passing you by, we will wave to you.”Mr. Gargiulo said the two men had promised that the debate would be broadcast in both Russia and the United States. But a few hours after it ended, he said, Kremlin aides demanded that he turn the original tape over to them.By then, it had already been spirited out of the Soviet Union by NBC (which was part of RCA at the time) to be shared with CBS and ABC, but Mr. Gargiulo offered to share a copy with the Soviets. As a result, the debate was seen on both sides of the Iron Curtain that evening.“It was what we call a virtual draw,” Mr. Gargiulo said of the confrontation.The Moscow trip — on which he was accompanied by his wife, who was pregnant with their son — left him with warm memories as well as accolades.“I never felt more patriotic,” he said. “This was world leaders taping on the sly and slipping it out of the country.”“I can’t imagine anybody thinking that was not a turning point in both of our relationships,” he added.Things ended up better for Mr. Gargiulo than they did for the debaters, at least in the short term. Nixon lost the 1960 presidential race, and Khrushchev was deposed in 1964.Mr. Gargiulo accepted a Daytime Emmy Award from the actor John Gabriel and the model Cheryl Tiegs in 1978. He won 10 Emmys in his career, including a lifetime achievement award in 2015.Disney via Getty ImagesHe began his career by directing stage shows in the Catskills, then joined NBC in New York, where he became staff director of local programming. He directed the game shows “To Tell the Truth,” “The Price Is Right,” “Match Game,” “Password” and “The $10,000 Pyramid.” He also directed special events for CBS, including “All-American Thanksgiving Day Parade,” a pastiche of parade coverage from New York and other cities.His final directing credit was the Tournament of Roses Parade on CBS in 2003.He won 10 Daytime Emmys in his career, including a lifetime achievement award in 2015.Michael Ralph Gargiulo was born on Sept. 23, 1926, in Brooklyn to Louis and Josephine (Talamo) Gargiulo. He grew up above his father’s restaurant, a Coney Island landmark.He attended St. Augustine’s High School in Brooklyn and completed high school while serving in the Caribbean Defense Command of the Army Air Forces at the end of World War II. He graduated from the University of Missouri on the G.I. Bill.In 1958, he married Dorothy Rosato. In addition to their son, she survives him, as do their daughter, Susan, who works for Nickelodeon, and three grandchildren. More