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Charlie Cox Thought He Missed His Superhero Shot. Then Came ‘Daredevil.’
“I’m still pinching myself if I’m honest,” the actor said, before extolling the virtues of cold plunges, TSA PreCheck and avoiding social media.As Charlie Cox approached 30, he watched his friends become superheroes — Andrew Garfield was Spider-Man, Henry Cavill was Superman, and Tom Hiddleston was Loki — and made peace with his fate.“I just assumed that the Marvel call was not coming unless maybe for a villain in another 20 years,” he said.Then something crazy happened. The role of the blind vigilante Daredevil became available in a Netflix series in 2015, and Cox was the right age for it. But three seasons later, the show was canceled, and that was that. Or so he thought.Now Cox, 42, is back, this time on Disney+ in “Daredevil: Born Again,” a sort of reboot that finds the crime fighter at war over New York City with his nemesis, the gangster Wilson Fisk, played by Vincent D’Onofrio.“I’m still pinching myself if I’m honest,” Cox said of his return — and hoping for an extended run with the announcement of a new comic in which Daredevil is 60.“That’s excellent; it means I’ve got another 20 years of this, or as long as they’ll have me,” Cox said before elaborating on the virtues of Russian baths and cold plunges, TSA PreCheck and mastering the art of plowing snow.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
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‘The White Lotus’ Luxury: How Branded Collaborations Are Capitalizing on Privilege
The hit HBO series satirizes luxury vacationers’ privilege. That hasn’t slowed demand for branded collaborations that sell the show’s lavish lifestyle.Ahead of the much-anticipated Season 3 finale of “The White Lotus,” HBO’s dark comedy-drama that skewers self-absorbed luxury travelers, some fans will be able to immerse themselves in a version of the show’s opulent settings.The Four Seasons Hotel Westlake Village, in the foothills of California’s Santa Monica Mountains, is offering an “exclusive luxury wellness retreat,” set to begin hours ahead of the finale’s airing on Sunday. The experience is intended to “capture the essence” of this season’s Thailand location.“We’re inviting fans to go beyond watching ‘The White Lotus’ and truly experience it,” Pia Barlow, HBO and Max’s executive vice president of originals marketing, said in a news release about the campaign.The retreat is only one of many “White Lotus” experiences and products pegged to the current season. The premium luggage company Away sold out its “White Lotus” capsule collection, complete with lotus flower-printed interior lining. Clothing retailers including H&M, Abercrombie & Fitch, Bloomingdale’s and Banana Republic have all offered show-inspired resort apparel. (Patrick Schwarzenegger, a star of the season, modeled for Banana Republic.) There is “White Lotus” wallpaper, sunscreen and a travel skin-care set in a branded beach tote. Sunglasses, candles, chocolates and even a Thai coffee-flavored creamer can be purchased by viewers looking to live like the show’s wealthy protagonists.But truly experiencing “The White Lotus” is an inherently dicey proposition. The primary motif of the series — created, written and directed by Mike White — has always been to satirize the wealthy who, even while enveloped by the world’s most tranquil and extraordinary surroundings, can’t help but indulge their egos or keep up with their ever-growing list of grievances. They can’t relax either.“I just was like, I should just do a show about people on vacation who have money, and how money is impacting all of their relationships,” White told The New York Times in 2021, ahead of the Season 1 premiere.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
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‘White Lotus’ Takes On Touchy Subjects. The Southern Accent Is One of Them.
<!–> [–><!–> –><!–> [–> <!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> [–> <!–> –><!–> [–> <!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> Lorazepam, an anti-anxiety drug, seems to be having a moment, thanks to Ms. Ratliff’s frequent mentions, where her accent dances along the open vowels. [–> <!–>Lorazepam–> <!–> [!–> <!–>Lorazepam–> <!–> [!–> <!–>Lorazepam–> <!–> […] More
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For Pierce Brosnan, the World Is Just Enough
On the last day of March, at the Solomon R. Guggenheim Museum in Manhattan, fans approached the actor Pierce Brosnan every few minutes. Some addressed him as Mr. Brosnan, some as Mr. Bond, a reference to the four James Bond movies he made in the 1990s and early 2000s. (Brosnan has a face that demands honorifics.)Dressed in chic monochrome — navy trench, navy pants, a navy ascot at the neck of a navy shirt — he was gracious with them all, if lightly evasive. (And yes, he is the rare man who looks plausible in an ascot.) At 71, he doesn’t often show the whole of himself. People see what they want. Mostly they see Bond.“They miss a lot,” he said. “But it’s not up to me to show a lot. It’s not up to me to do anything but be pleasant.”There has always been more to Brosnan than meets the eye, although what meets the eye is obviously very nice. “He is very fortunate in the genes department,” said Tom Hardy, his co-star on the new Paramount+ gangster series “MobLand.” Brosnan refers to it all as “the Celtic alchemy.”Pierce Brosnan, center, with Helen Mirren and Anson Boon, plays a dapper killer in the new crime drama “MobLand.”Luke Varley/Paramount+, via Associated PressA longtime painter and art enthusiast, Brosnan counts “The Thomas Crown Affair,” a 1999 art heist caper, as the favorite of his movies, mostly because he got to keep the paintings. So when promotional duties brought him to New York — he splits his time between Malibu and Hawaii — he squeezed in a museum visit.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
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‘Yellowjackets’ Season 3, Episode 9 Recap: Motive
Teen Shauna tightens her grip on power. Poor Melissa feels the squeeze.Season 3, Episode 9: ‘How the Story Ends’The penultimate episode of Season 3 opens with a reference to “The Goonies,” the 1985 Richard Donner kids’ adventure movie beloved by Gen X.Adult Van is in her hospital bed. Her teen self is caring for her, dressed as a nurse. The younger Van explains she has a very important question for her fellow redhead, now dying of cancer: “Do you remember ‘The Goonies?’” Of course Van remembers “The Goonies.” (Don’t we all?) And with that she sends the grown-up Van on a quest to find “the treasure.” By the end of the episode we realize the treasure is also her death.On the road to her demise, Van accomplishes a heroic act: She saves Tai from Tai’s evil persona. Just how? It’s a little unclear. Tai is on the verge of death, suffocating in Melissa’s pristine suburban house when Melissa closes the flue to her fireplace as a trap. Van drags her outside and gives her oxygen before returning to confront Melissa. Van goes in there with a plan: She’ll murder Melissa in exchange for her own life. If she sacrifices her former teammate, her cancer will be gone, she thinks.But instead Van dies at the hand of Melissa, who, as predicted, is not as innocent or “normal” as we might otherwise think. Now, to be fair to Melissa, Van was planning to kill her, but when push came to shoving the kitchen knife into Melissa’s chest, Van couldn’t act. Instead, Melissa stabs Van. Clearly, Melissa, despite saying she has moved on, still believes in the Wilderness’s magic.The conclusion to Van’s story line is messy, but so is “The Goonies” — one of those titles that might not be as good as you remember it. In many ways, that makes it the perfect reference for Teen Van, who is stuck in adolescence. It also fits with the general tone of this episode, which is all over the place, offering shocking twists that also seem strangely disappointing. (Just like “The Goonies.”)All season long, the Adult Van and Tai plot has chugged along without much momentum. Now, in the 11th hour, Adult Van is gone and, frankly, it feels as if we hardly got to know her. Despite Lauren Ambrose’s talents, Van was never as compelling as a grown up as she was as a kid. Instead, she was just a tragic figure coloring Adult Tai’s journey. And now she’s dead, her main purpose being to release Tai from a demon.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
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In ‘Dying for Sex,’ Michelle Williams Isn’t Looking for Love
In this new series, based on a true story, Michelle Williams plays a terminally ill woman who wants to devote her remaining days to sexual exploration.Oh how the body keeps the score in “Dying for Sex,” an eight-episode FX dramedy, arriving Friday on Hulu, about a woman with terminal cancer. And if the big mort is near, maybe some petite mort is in order.Michelle Williams stars as Molly, who is sitting in an inert couple’s therapy session with her mild husband (Jay Duplass) when she answers a call from her doctor. Her cancer is back, and it’s Stage 4. She walks out of the office and out of her sexless marriage and into the loving embrace of her BFF (Jenny Slate) and a world of unbridled sexual exploration.Well, bridled a little, in that Molly engages in some bondage play as the show goes on. Her medication is making her horny, but also, simply being alive is itself a horn-inducing endeavor. She experiments with everything, starting with a marathon masturbation session where she tries a variety of vibrators and erotica: a cam guy, a nature documentary, the movie “Speed.” She has never really tried to figure out what she likes, and she’s never had an orgasm with a partner. She wants both of those things to change, and she can’t waste any more time.“You’re going to be dead in five years,” she tells herself. “Nothing matters.” Might as well hit on the guy in the elevator.Might as well swipe and swipe and have all kinds of interesting encounters. She’s not looking for love, she’s looking for pleasure — though she finds a bit of both. She unlocks her inner domme and gets the rush of her life by (consensually) kicking her neighbor (Rob Delaney) squarely in the penis. Unfortunately, this act also breaks her hip; the cancer is in her bones.“Dying” is based on a true story and adapted from the nonfiction podcast of the same name, which was created by the real-life Molly, Molly Kochan, and her best friend, Nikki Boyer, who is a producer on this show. (Kochan died in 2019.) The TV series was created by Kim Rosenstock and Elizabeth Meriwether, and it lives and dies by Williams’s performance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
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Stephen Colbert Likens Trump’s Tariffs to an Economic Infection
“Has anyone thought about injecting our money with bleach?” Colbert said after President Trump’s new tariffs tanked the stock market on Thursday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Downward SpiralThe stock market had its worst day in five years on Thursday, the first day of trading on Wall Street since President Trump announced his new tariffs.“So, worst day for our economy since Covid,” Stephen Colbert said. “Just a little reminder: This time, he’s the disease.”“Has anyone — and I’m just spitballin’ here — has anyone thought about injecting our money with bleach?” — STEPHEN COLBERT“Everyone’s wondering how Trump decided on a tariff rate for each country. Well, it turns out a very precise mathematical formula was created. And then Trump just said, ‘Forget that — we’re doing it Plinko style.” — JIMMY FALLON“Yep, Trump’s tariffs went all the way from 54 percent to 10 percent, and today, so did his approval rating.” — JIMMY FALLON“But, you know what, I’m not too concerned about Donald Trump not understanding how his tariffs work, because he’s Donald Trump — he doesn’t understand how to make money running a casino.” — MICHAEL KOSTA“Now, one bit of good news comin’ out of all this: It’s all pretty solid proof there is no deep state, ’cause if there was, they would’ve stopped this [expletive], OK? But if they do exist, I just want to say to the cabal of financial and governmental elites who pull all the strings behind the scenes, maybe put a pause on your 5G-chip JFK Jr. adrenochrome chemtrail orgy and jump in here, ’cause we’re [expletive] dying.” — STEPHEN COLBERTThe Punchiest Punchlines (Mr. Worldwide Edition)“Yesterday, Donald Trump announced sweeping tariffs across the entire globe: Asia, South America, Narnia, Arendelle, Wakanda, Bachelor Nation.” — MICHAEL KOSTA“President Trump yesterday announced a base line tariff affecting more than 180 countries, including a group of uninhabited islands near Antarctica. So, let that be a warning to you, great Pacific garbage patch.” — SETH MEYERS“Yeah, we put a 10 percent tariff on an island that only has penguins? Trump would have been better off tariffing that island Tom Hanks got stranded on. At least it had one guy and that li’l volleyball he was [expletive].” — MICHAEL KOSTA“Is this a mistake? Look, I know old people butt-dial strangers all the time, but this is the first time I’ve heard of someone butt-tariffing an entire country.” — MICHAEL KOSTA“Yep, Trump put tariffs on almost every single country, and as you would expect, the world is pretty mad at us. Right now, Epcot is down to two countries.” — JIMMY FALLONThe Bits Worth WatchingThursday’s “Tonight Show” musical guest Perfume Genius performed “It’s a Mirror” from his new album “Glory.”Also, Check This Out“‘The Lost Albums’ were full records, some of them even to the point of being mixed and not released,” Bruce Springsteen said in a statement.Sara Krulwich/The New York TimesBruce Springsteen announced a new boxed set featuring 83 songs, including 74 that have never been released. More
