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      ‘The Interview’: Nate Bargatze Doesn’t Mind if You Think He’s an Idiot

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      It’s often the case that when stand-up comedians seize the public’s attention, it’s because they exude a sense of danger. They say what others don’t have the nerve to say, about topics others won’t raise, in language others never use. There’s an aura of transgressive truth-telling around this type of comedy star, best exemplified by the likes of Richard Pryor, Chris Rock and Hannah Gadsby — people who met the moment fearlessly.In this moment, though, one so sorely in need of fearless truth-telling, Nate Bargatze has rocketed to stardom by doing pretty much the opposite. Low-key and G-rated, his comedy traffics in comfortably relatable stories about the foibles of family life, his confusion with modern living and being a bit of a dim bulb. He is hardly the first clean stand-up to achieve tremendous success (though stylistic antecedents like Jerry Seinfeld and Ray Romano were able to ride a bygone wave of smash network sitcoms), but he has done it with no hits to his comedic credibility. It’s instructive, I think, that both my mother-in-law, hardly an aficionado of stand-up, and my best friend, a snob when it comes to the form, were excited to learn I was interviewing Bargatze.The gentle and inclusive approach of Bargatze, a 46-year-old Tennessee native, helped make his tour last year the highest-grossing one by a comedian. Two widely praised turns hosting “Saturday Night Live” (you may have seen his viral sketch “Washington’s Dream”) raised his profile outside the world of stand-up. Just this week, CBS announced that he has been tapped to host the Emmy Awards in September. And he is also branching out with a book, the self-deprecatingly titled “Big Dumb Eyes: Stories From a Simpler Mind,” which will be published on May 6. Such self-deprecation is a Bargatze trademark, but, as I learned, it also conceals some bold ambitions.The stand-up comic discusses having a magician for a father, the challenge of mainstream comedy and his aspirations to build the next Disneyland.Subscribe: Apple Podcasts | Spotify | YouTube | Amazon | iHeart | NYT Audio AppIt’s interesting to read articles about you since your career has really taken off. The writers always try to explain why you’ve gotten so big. What’s your hunch about that? Talking about relatable things and authenticity. Not that I’m going out for authenticity. But you’re in a world where you have the “Wicked”s and these “Avengers” movies — and that’s great, but there’s not a regular person on a screen anymore. Movies used to be like “Planes, Trains and Automobiles” and “Home Alone”: That’s a regular guy in this movie that you enjoy watching. It’s easier to take in. And you don’t always want to be thought-provoked. That’s something I’ve tried to stay clear of because I’m trying to sell you something. I need you to be able to come and trust that you’re going to get the entertainment that I am showing you that I am selling you.You said you’re selling something, which is an interesting thing to hear. That’s true for just about everyone in the entertainment business, but usually people aren’t explicit in saying it. Why do you think there’s hesitation on the part of some entertainers to say, “I’m selling something”? It’s got this weird self-importance: “I have a platform, so I need to say something.” I’m anti-platform. If I want to give you my opinion and tell you what I think, that’s about me. When I go onstage, I try to remind myself this night’s not about me. If it becomes about me, it’s too much. I can’t handle it. But if I can make it for other people, now I’m an employee and I’m working. It’s not about my self-importance. More

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      How ‘The Jennifer Hudson Show’ Took Over TikTok

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      I have never watched an episode of “The Jennifer Hudson Show.” Yet here I am at my desk, singing to myself: “Aaron. Pierre. That’s Mufasa.”If you’re familiar with the tune, you’re singing it now too. If not, picture Pierre, the dashing actor who voiced the title character in “Mufasa: The Lion King,” strut-dancing his way down a hallway surrounded by … Actually, just watch it below and then keep reading.

      @jenniferhudsonshow Aaron Pierre, that’s Mufasa #thejenniferhudsonshow #jenniferhudson #aaronpierre #jhud ♬ original sound – Jennifer Hudson Show OK, welcome back.“The Jennifer Hudson Show,” a daytime talk show, is not a top syndicated program, according to the ratings agency Nielsen. But it has amassed a huge social media following with its behind-the-scenes promotional videos.Before taking the stage, guests make their way down a hallway as members of the show’s staff serenade them with a complicated, customized hype song, sung entirely from memory. Some of the biggest names in American culture — Michelle Obama, Usher, Angela Bassett — have danced, skated or nervously shimmied through this “spirit tunnel” as the TikTok cameras roll.Some of the videos are awkward. Some are suave. Most go viral.During the show’s first season in 2022, members of the show’s staff learned that cheering for Hudson before she took the stage boosted her confidence and energy.

      @jenniferhudsonshow We got @imkevinhart #thejenniferhudsonshow #jenniferhudson #kevinhart #jhud ♬ original sound – Jennifer Hudson Show

      @jenniferhudsonshow It’s Gwen! @Gwen Stefani! S-T-E-F-A-N-I! #thejenniferhudsonshow #jenniferhudson #gwenstefani #jhud ♬ original sound – Jennifer Hudson Show We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Love Island: Beyond the Villa’ Will Follow Season 6 Cast Around Los Angeles

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      Trying to capitalize on the success of the sixth season of “Love Island USA,” Peacock announced a series that would follow former islanders around Los Angeles.In its sixth season, “Love Island USA,” an American remake of the popular British dating reality show, found its footing with fans. That season, which aired on Peacock last summer and was hosted by Ariana Madix, a veteran of “Vanderpump Rules,” was the top-rated reality series in the United States for multiple weeks and a hot topic on social media. It also produced some of the franchise’s most memorable couples, many of whom are still together.Given that success, it was not a surprise this week when Peacock announced “Love Island: Beyond the Villa,” a spinoff series featuring some of the islanders from Season 6.Here’s what we know.How is it different from the original show?“Love Island USA” is a reality dating competition that gathers a group of contestants, called islanders, into a luxury villa — Season 6 was set in Fiji — and has them couple up, either out of true love, friendship or simply for survival. Single islanders are kicked out of the villa, and every so often viewers are given the chance to vote out their least favorite couple. The pair voted “most compatible” at the end wins a cash prize.“Love Island: Beyond the Villa” appears to be more of a straightforward reality show, without a competition element. According to Peacock, the show will follow several of the cast members “around Los Angeles as they navigate new careers, evolving friendships, newfound fame and complex relationships outside of the Love Island villa.”Who’s going to be on it?Almost all of the Season 6 favorites are slated to star in the show, including two couples that made it to the finale: JaNa Craig and Kenny Rodriguez, and Leah Kateb and Miguel Harichi. Kendall Washington, who split from his finale partner, Nicole Jacky, will also star in the show alongside Olivia Walker, Connor Newsum and the exes Aaron Evans and Kaylor Martin.Ms. Craig and Mr. Rodriguez, who made it to the Season 6 finale, are both part of the main cast for “Love Island: Beyond the Villa.”Eugene Gologursky/Getty ImagesIn something of a surprise, only half of Season 6’s winning couple was officially announced as being part of the show: Serena Page, who, alongside her partner, Kordell Beckham, took home the grand prize, will appear. But Mr. Beckham — the younger brother of the N.F.L. player Odell Beckham Jr. — is not listed as a main cast member.Ms. Page cleared up the gossip around Mr. Beckham’s absence rather quickly, replying to a fan on Snapchat, “He’s gunna be in it with me!!!” and saying that he could not be announced as part of the main cast because he had booked another role.Also missing from the listed cast was Robert Rausch, a veteran of Seasons 5 and 6 of the show, though Peacock’s announcement said other islanders would appear, so he might be on at some point.What else do we know?Peacock did not release a trailer or announce a release date for the show, but the streamer said it would be coming in summer 2025. More

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      Stephen Colbert Translates Trump’s Italian Tariff Talk

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      “The Late Show” host said Italy’s prime minister, Giorgia Meloni, is “seen as something of a Trump whisperer” after she visited the White House on Thursday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Speaking Trump’s LanguagePresident Trump hosted Prime Minister Giorgia Meloni of Italy at the White House on Thursday.On “The Late Show,” Stephen Colbert said that hopes were high that Meloni, a right-wing populist and a favorite of Trump’s, could convince him to loosen up on tariffs. His admiration for her was demonstrated again when he marveled at her Italian-speaking ability during their news conference.“[imitating Trump] It sounded great — it was beautifully presented. I’ll have the same thing she ordered, but double meatball, double parm.” — STEPHEN COLBERT.“Trump got a visit from the prime minister of Italy today. He had them bring in lunch from the Olive Garden to make her feel at home.” — JIMMY KIMMEL“Things went so well that they planned a second play date. Meloni announced that Trump has accepted her invitation to come to Italy for an official visit, and Trump is going to blend right in with the Italians, because he looks like a pile of prosciutto with a little spaghetti on top.” — STEPHEN COLBERTThe Punchiest Punchlines (High Holy Day Edition)“Easter weekend is almost upon us. And, man, oh man, if Jesus comes back and sees what’s going on, we are in deep trouble.” — JIMMY KIMMEL“For the first time since 2014, Easter and 4/20 will land on the same day this year, which is going to lead to some very long and confusing egg hunts.” — JIMMY KIMMEL“This Sunday, He is risen, and you is high.” — STEPHEN COLBERT“Easter and 4/20 seem like a natural pairing ’cause whoever came up with our Easter traditions was definitely stoned.’” — STEPHEN COLBERTThe Bits Worth WatchingThe actress Nancy Kwan discussed her new book, “The World of Nancy Kwan: A Memoir by Hollywood’s Asian Superstar,” with host Ronny Chieng during Thursday’s “Daily Show.”Also, Check This OutKelly Marie Tran, left, Lily Gladstone, Han Gi-Chan and Bowen Yang in “The Wedding Banquet.”Luka Cyprian/Bleecker Street/ShivHans Pictures Starring Kelly Marie Tran, Lily Gladstone and Bowen Yang, Andrew Ahn’s “The Wedding Banquet” is a 21st-century twist on Ang Lee’s 1993 queer classic. More

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      ‘The Rehearsal’ Is an Awkward, Dazzling Ride

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      For Season 2, Nathan Fielder’s focus is commercial airline safety, hardly a typical topic for comedy. But his approach is never typical.The first season of HBO’s “The Rehearsal,” which aired in 2022, was an entrancing experiment. Created by and starring the comedian Nathan Fielder, the show began with a relatively simple but absurd premise: What if you could rehearse for events in your everyday life — like, for instance, having a difficult conversation with a friend? Eventually, the experiment turned into a large-scale simulation in which Fielder “rehearsed” raising a kid, a feat that, because of child labor rules and an accelerated timeline, involved a rotating cast of child actors.The second season premieres on Sunday, anticipated by the question: How is Fielder is going to top that first brilliantly uncomfortable season? His answer is to turn his attention to the world of commercial airline safety, and what results is both sidesplitting and one of the most stressful television watching experiences in recent memory.The season revolves around Fielder’s personal research into the causes of aviation disasters — a premise he admits isn’t particularly ripe for a comedy. (“So far, I was failing,” he narrates in what is perhaps the show’s first joke. “We were over 10 minutes into this episode with zero laughs.”) He has concluded that a primary cause of crashes is a lack of communication in the cockpit, where the second-in-command feels too intimidated to press his or her concerns with the captain.Fielder’s solution? Getting the pilots to open up through his rehearsal methods involving professional actors. But in Fielder’s universe, nothing is that straightforward.Working with real pilots and building a full-size replica of a Houston airport terminal, Fielder takes bizarrely hilarious detours. One involves a singing competition called “Wings of Voice.” Another uses oversize puppets to examine the life of the “Miracle on the Hudson” pilot Chesley Sullenberger.Fielder’s life-or-death subject is distressingly topical, but “The Rehearsal” is interested in more than aviation. It is a study of human behavior and the masks people wear, investigating the psychology not only of the pilots but also of the actors Fielder employs and, ultimately, of Fielder himself.Fielder draws from his own life more than ever — including in references to his other shows “Nathan for You” and “The Curse” — all while keeping the audience guessing about how much of what he is showing us is just a character. But his typically deadpan persona takes on new weight here. “The Rehearsal” remains one of the best comedies out there, but what’s at stake is no joke. More

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      Stephen Colbert Defends PBS and NPR Against Trump’s Defunding Plan

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      Colbert said both public media entities are “already operating on a shoestring budget — Daniel Tiger can’t even afford to wear pants.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Bert and Ernie Have Wives Now’Earlier this week, the Trump administration announced plans to rescind $1.1 billion in federal funding from NPR and PBS.On Wednesday, Stephen Colbert worried that both public media entities are “already operating on a shoestring budget — Daniel Tiger can’t even afford to wear pants.”“And with the administration calling the shots, it could mean changes to public programming. So NPR fans, get ready for ‘Fresh Air’ to become ‘Cough Cough,’ and PBS fans can look forward to ‘Sesame Street: Bert and Ernie Have Wives Now.’” — STEPHEN COLBERT“The White House says PBS funding does not ‘align with the Trump administration’s priorities,’ including a PBS program from 2022 about a transgender woman who comes out to members of their bowling league in Ohio. OK, well I get that, ’cause America can’t be allowed to find out that trans people bowl. Because then, other trans bowlers might bowl as well, and if the bowling alleys allow — the pins are women, the pins clearly are women, and the balls are boys, if you use two balls, and then, and then, and then where do the fingers go? I’m not sure where that — and the bowling shoe spray turns my feet into women? I don’t … What would the problem be?” — STEPHEN COLBERTThe Punchiest Punchlines (Round Trip Edition)“So the plan, as I understand it, I’m sure we’ll get more details, is if you’re an undocumented immigrant, Trump wants you to go home, but if you’re good at home, he will get you back into the country. They will fly you out of the country and then bring you back. Who came up with this plan, Spirit Airlines?” — JIMMY KIMMEL“You know, usually when Trump offers an immigrant money and plane tickets to go away, it’s because he’s getting divorced. Melania is like, ‘Am I eligible for this?’” — JIMMY KIMMEL“[imitating Trump] I mean, what can we do? America is a gentle, passive giant that would never put pressure on a sovereign nation. Now, then, Denmark, suck on these tariffs and gimme-gimme Greenland.” — STEPHEN COLBERTWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In ‘Your Friends & Neighbors,’ the Watches Steal the Show

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      “Your Friends & Neighbors” strives to comment on the vacuousness of wealth while simultaneously glorifying the spoils of being really, really rich.It appeared as if Jon Hamm were, once again, selling us something.Mr. Hamm, who has lent his assertive baritone to Mercedes-Benz ads, an American Airlines spot and a Super Bowl intro, was this time on television enumerating the merits of an expensive wristwatch. Only this time, it wasn’t for an ad. It was a scene from the first episode of “Your Friends & Neighbors,” by Apple TV+, a new soft satire of the financially fortunate.“The Patek Philippe Nautilus sealed 18-karat white-gold blue sunburst dial, water-resistant up to 30 meters,” Mr. Hamm intoned in voice-over, as graphics whizzed across the screen noting the watch’s 2.3-millimeter thickness and other wonky specs. Up flashed the price of this timepiece: $70,110 at retail, but around $169,000 on the resale market.In the show’s first episode, Andrew Cooper, a hedge fund titan who is played by Mr. Hamm and goes by the nickname Coop, finds himself unceremoniously out of a job. With a shriveling bank account and a money-burning lifestyle, he turns to robbing his well-off neighbors.His first target is the Patek. As Coop pulls the watch from a cubbyhole of similar timepieces, he treats viewers to a data-dense recap of what makes the watch so special — and, by extension, so worth stealing.“Like the ads say, you never actually own a Patek Philippe,” Mr. Hamm says in character. “You merely look after it for the next generation.”In the series, Mr. Hamm plays Andrew Cooper, a hedge fund titan who ends up stealing from friends after losing his job.Apple TV+We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Government Cheese’ Review: Moving on Up, to the Surreal Side

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      The comedy, starring David Oyelowo, straddles a border between the pioneering Black sitcoms of the 1970s and dreamy modern dramedies like “Lodge 49.”Hampton Chambers, the would-be patriarch played by David Oyelowo in the Apple TV+ series “Government Cheese,” bears some resemblance to a classic sitcom dad. He has moved on up, finding a home in a tidy San Fernando Valley suburb for his wife and two sons and striving to keep them there. He is obsessed with taking family photos. He cajoles his rebellious younger son into a weekend fishing trip at a nearby lake, with predictably comic results.But what distinguishes Hampton, and “Government Cheese,” are the ways in which he departs from the stereotype. The fishing trip is a cover for a nighttime burglary. The photos are exculpatory evidence. He owes a debt to a local criminal clan of seven thuggish French Canadian brothers. His George Jefferson cockiness is cracked by fissures of guilt, fear and regret; he pleads with Yahweh for forgiveness.That might make Hampton sound like a Walter White (“Breaking Bad”) or a Marty Byrde (“Ozark”), losing his way under pressure. But “Government Cheese,” which premiered on Tuesday with three of its 10 episodes, is indeed a comedy, if a barbed and mysterious one; it straddles a border between the pioneering Black sitcoms of the 1970s (it’s set in 1969) and the fable-like dramedies of the streaming era, particularly “Lodge 49,” a show it strongly evokes. (There is also some “Fargo” in it, at the darker end.)“Absurdism” and “surrealism” are the words Apple TV+ has applied most liberally in the show’s publicity materials. American comedy very rarely commits to these qualities, though. What “Government Cheese” really offers is something softer and more common: a mildly sardonic, artfully presented magical realism.Hampton is in prison for petty fraud when the show starts, about to be paroled. He comes home to find that his family has been hijacked by the ’60s. One son, Einstein (Evan Ellison), is a soft-spoken prodigy who sees his future in pole vaulting; the other, Harrison (Jahi Di’Allo Winston), is a budding radical who wears a Billy Jack hat and identifies with the Chumash people. Hampton’s wife, Astoria (Simone Missick), has a job and a man on the side, and sees her husband’s return as a threat to her tentative freedoms.Hampton’s hopes of proving himself and keeping his family together are pinned to a gizmo he invented in the prison machine shop, a self-sharpening drill. (It isn’t clear whether it actually works.) In his way are the comically violent Prévost brothers, as well as the everyday difficulties of being out of place, as an ex-con and a Black man, in both suburban Los Angeles and the aerospace industry. That’s why he reluctantly puts the drill to use as a safecracking tool, in league with his old friend Bootsy (a jovial Bokeem Woodbine).We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More