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      Late Night Sends Up ‘Space Cowboy’ Jeff Bezos

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      Stephen Colbert joked that the Amazon billionaire came back from space “extra divorced.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘A Mash-Up Between Buzz Lightyear and Woody’Late-night hosts had fun with the Amazon founder Jeff Bezos’s brief trip to space on Tuesday. Stephen Colbert welcomed his audience by saying, “So happy you could all join us tonight for a momentous day in the history of some people having way too much money.”Colbert noted that, despite the amount of coverage devoted to the event, it wasn’t all that newsworthy.“Here’s how I know it’s not important — I hosted the last one of these, OK? For Branson,” Colbert said, referring to the billionaire entrepreneur Richard Branson, who took his own trip to the edge of space last week. “Lot of fun, but talk show hosts don’t anchor historic events — except, of course, when Arsenio Hall interviewed the Berlin Wall.”The hosts couldn’t resist talking about what Bezos was wearing when he returned — a cowboy hat.“I guess space turns you into Kenny Chesney.” — JIMMY FALLON“You know you’re rich when you put that on and everyone who works for you goes, ‘Oh, it looks great, yeah. You’re a man of the people, just going to space.’” — JIMMY FALLON“He looks like a mash-up between Buzz Lightyear and Woody.” — JIMMY FALLON“He got the spacesuit and cowboy hat together by searching for the midlife crisis bundle: ‘Is a soul patch too much?’” — JIMMY FALLON“A cowboy hat? So he went into space and somehow became extra divorced.” — STEPHEN COLBERTThe Punchiest Punchlines (Jeff’s Rocket Edition)“Today millions of people all over the world looked up and said, ‘Wow, that thing sure looks like a penis.’” — ANTHONY ANDERSON, guest host of “Jimmy Kimmel Live”“I guess it’s true what they say, billionaires and their rockets end up looking just like each other.” — STEPHEN COLBERT“It’s the only rocket that shrinks in the cold.” — JIMMY FALLON“They designed it at the Johnson Space Center.” — TARIQ TROTTER of The Roots, the house band on “The Tonight Show”“It looks like R2-D2 took some Viagra.”— JIMMY FALLON“They don’t keep it in a hangar, they keep it in the top drawer of a bedside table.” — TARIQ TROTTER“Next stop, the ‘O’ zone.” — JIMMY FALLON“It’s not that hard to get to space.” — TARIQ TROTTERThe Bits Worth WatchingJimmy Fallon challenged the Jonas Brothers to “Sing It Like,” with Nick Jonas having to perform Olivia Rodrigo’s “Good 4 U” like he just had his tongue pierced.What We’re Excited About on Wednesday NightLorde will go day drinking with Seth Meyers on Wednesday’s “Late Night.”Also, Check This Out“I’m writing this not as the prince I was born but as the man I have become,” Prince Harry said in a statement accompanying the book’s announcement.Pool photo by Yui MokPenguin Random House promises Prince Harry’s forthcoming memoir will be “an intimate and heartfelt memoir from one of the most fascinating and influential global figures of our time.” More

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      How Disney is Chipping Away at Netflix's Dominance

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      The cracks are showing in Netflix’s worldwide dominance.Netflix is still king of streaming video, but audiences are slowly shifting toward new rivals, namely the Walt Disney Company’s Disney+, according to research from Parrot Analytics.Netflix’s share of worldwide demand interest — a measure, created by Parrot, of the popularity of shows and a key barometer of how many new subscribers a streaming service is likely to attract — fell below 50 percent for the first time in the second quarter of the year.The company’s “lack of new hit original programming and the increased competition from other streamers is going to ultimately have a negative impact on subscriber growth and retention,” Parrot said in a news release before Netflix announced its quarterly earnings on Tuesday.Netflix said it had attracted 1.5 million new subscribers in the second quarter of the year, beating the low bar it had set when it told Wall Street that it anticipated adding just one million.The company said it expected to add about 3.5 million new subscribers in the third quarter, lower than the approximately 5.5 million that investors were expecting. Netflix shares fell as much as 4 percent in after-hours trading on Tuesday before bouncing back a little.The company now has 209 million subscribers, but it lost 430,000 in the United States and Canada, its most lucrative region, over the period. It now has 73.9 million subscribers in that market, with about 66 million in the United States.In a letter to shareholders, Netflix said that “Covid-related production delays in 2020 have led to a lighter first-half-of-2021 slate.” Netflix relies on creating as many different shows and films for as many different audiences as possible, and the pandemic upset that formula, forcing the shutdown of productions around the world.Traditional media players have started to consolidate, again, potentially setting off another race for talent, studio space and production resources. In May, Discovery announced that it would buy WarnerMedia from AT&T, creating the second-largest media giant, behind Disney and ahead of Netflix. Less than two weeks later, Amazon announced that it would buy Metro-Goldwyn-Mayer, home to the James Bond franchise, for $8.45 billion, a price many analysts considered rich.In the earnings call after the report, Reed Hastings, Netflix’s co-chief executive, said he didn’t think it made sense for Netflix to jump into the consolidation game. He even offered his own analysis of some of the industry’s biggest deals, including Disney’s acquisition of the bulk of Rupert Murdoch’s 21st Century Fox.“Certainly Disney buying Fox helps Disney become more of a general entertainment service rather than just a kids and family,” he said. “Time Warner-Discovery — if that goes through — that helps some, but it’s not as significant, I would say, as Disney-Fox.”Mr. Hastings’s co-chief executive, Ted Sarandos, offered a sharper critique of these megadeals. “When are they one and one equals three? Or one and one equals four?” he asked. “Versus what most of them tend to be, which is one and one equals two.”Netflix has downplayed competition concerns even as newer entrants have chipped away at its long-held grip. Disney+ more than doubled its share of demand interest in the second quarter compared with a year earlier, and Amazon Prime Video, AppleTV+ and HBO Max are also gaining, according to Parrot.In its letter to shareholders, Netflix said the industry overall was “still very much in the early days” of the transition from traditional pay television to streaming.“We are confident that we have a long runway for growth,” it said. “As we improve our service, our goal is to continue to increase our share of screen time in the U.S. and around the world.”Mr. Hastings said competition would further stoke streaming across all companies.“As you get new competition in, you get validation — more reasons to get a smart TV or unlimited broadband,” he said. “So for at least the next several years, the growth story of streaming as a whole is very intact.”But Netflix hasn’t seen any impact from the “secular competition,” Mr. Hastings said, referring to Disney or HBO. “So that gives us comfort,” he added.Netflix, he said, is really competing against traditional television, and the “shakeout” won’t happen until streaming makes up the majority of viewing. He cited the latest study from Nielsen, which showed that streaming accounts for about 26 percent of television viewing in the United States, with Netflix making up about 6 percent. Disney+ is far behind at 1 percent.In other words: If Disney+ is hurting us, we haven’t seen it.The argument that Netflix has been competing with regular television and other streamers for a long time overlooks the fact that new rivals like Disney+ and AppleTV+ are much cheaper than Netflix (and subscription television). And although those services produce far fewer originals than Netflix, they appear to be getting more bang for their buck.In the second quarter, Disney+ got a big boost of demand interest from “The Falcon and the Winter Soldier,” a series based on the Marvel Cinematic Universe, which has thoroughly dominated the box office in recent years. “Loki,” another Marvel spinoff, also helped, according to Parrot.Amazon Prime Video got a boost in the period with “Invincible,” an animated superhero series for adults. And AppleTV+ attracted new customers with three originals: “Mosquito Coast,” a drama based on the 1981 novel; “For All Mankind,” a sci-fi series; and “Mythic Quest,” a comedy series that takes place in a game developer studio.Speaking of, Netflix said this month that it planned to jump into video games. It has hired a gaming executive, Mike Verdu, formerly of Electronic Arts and Facebook, to oversee its development of new games. It’s a potentially significant move for the company, which hasn’t strayed far from its formula of television series and films.The company called gaming a “new content category” that will be a “multiyear effort” and said it would be included as part of a subscribers’ existing plans at no extra cost. Games will first appear on its mobile app, an environment that already allows for interactivity. The vast majority of Netflix’s customers watch on big-screen televisions.Gaming isn’t meant to be a stand-alone or a separate element within Netflix. “Think of it as making the core service better,” Mr. Hastings said. “Really, we’re a one-product company with a bunch of supporting elements.” More

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      Late Night Jumps on Olympic Athletes’ Cardboard Beds

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      “That’s nice, you finally reach your Olympic dreams and have to sleep on an Amazon box,” Jimmy Fallon joked on Monday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Bedtime StoriesThere was rampant speculation on Monday that the beds provided to athletes at the Tokyo Olympics were designed to discourage intimate contact that could transmit the coronavirus. Though the social media theory was quickly debunked, the beds are indeed made of cardboard so they can be recycled after the Games.“That’s nice, you finally reach your Olympic dreams and have to sleep on an Amazon box,” Jimmy Fallon joked on Monday.“That’s right, a bed designed to discourage sex, or as it’s also known, an air mattress.” — JIMMY FALLON“Oh yeah, if there’s anything Olympic athletes hate it’s a challenge. Some of those people can do back flips on a three-inch beam. If you really want to stop them from having sex, do what I did in college and put ‘Star Wars’ sheets on them.” — SETH MEYERS“By the way, it turns out the beds were not made of cardboard to discourage sex, but to encourage people to recycle, which is another way to discourage sex.” — SETH MEYERS“I can’t wait for six months from now to read toilet paper labels that read ‘Made from 100 percent recycled Olympic sex bed.’” — STEPHEN COLBERT“And athletes, remember: If you’re recycling, you’ve got to break down your Olympic sex bed. Make sure to separate your sex bed from your sex bottles and your sex cans.” — STEPHEN COLBERTThe Punchiest Punchlines (Consider the Source Edition)“This weekend President Biden went after big social media platforms like Facebook for not doing enough to stop the spread of Covid misinformation. Yeah, our country has gone from ‘The only thing we have to fear is fear itself’ to ‘Please don’t take medical advice from a meme.’” — JIMMY FALLON“Seriously, you know there’s a problem with Facebook when you can find more honest information on Tinder.” — JIMMY FALLON“Makes you miss the good old days when Facebook’s primary function was helping you find unflattering pictures of your ex’s new boyfriend: ‘Cargo shorts? There’s no way Diane’s happy with him — then why is she smiling?’” — STEPHEN COLBERT“Yeah, Biden doesn’t want Facebook to prevent young people from getting vaccinated. Everyone under 30 heard and was like, ‘That is so cute, but literally none of us use Facebook.’” — JIMMY FALLONThe Bits Worth WatchingIn Monday night’s “Closer Look,” Seth Meyers put the spotlight on Donald Trump and Bill O’Reilly’s struggle to sell tickets for their joint speaking tour.What We’re Excited About on Tuesday NightJason Sudeikis will be on Tuesday’s “Late Show” to talk about the new season of his Emmy-nominated show, “Ted Lasso.”Also, Check This OutOlivia Scott Welch, left, and Kiana Madeira play lovers and heroes in the “Fear Street” films.Netflix“Fear Street” allows a lesbian romance to blossom among the blood and gore of the new horror trilogy on Netflix. More

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      Chicago Comedy Institution iO Theater Will Reopen After Sale

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      The storied improv center closed under the financial strain of the pandemic, but a buyer has purchased both the building and the brand.More than a year after it was announced that the Chicago improv mainstay iO Theater was closing permanently because of the financial strain of the pandemic, the theater’s building and brand have been sold to local real estate executives, the institution’s founder said Monday.Charna Halpern, who started iO four decades ago, said the theater would reopen under the ownership of Scott Gendell and Larry Weiner, who both run real estate companies in the Chicago area. The closure of the theater — which played a crucial part in the careers of Tina Fey, Amy Poehler and Stephen Colbert — was a major loss for the city’s community of improvisers, many of whom studied, performed and socialized there.“It’s a huge relief that this thing I’ve been working on for 40 years is going to continue,” Halpern said.In a statement, Gendell and Weiner, who describe themselves as lifelong friends, said that they planned to “continue the cultural gem that is this iconic theater.”In June 2020, three months into the pandemic, Halpern announced that she was closing iO for good, saying that the pressure of mounting bills, without any income during the shutdown, had become untenable. “At this point in my life, I can’t continue the struggle to stay open,” Halpern said then.The announcement came at the same time that performers associated with iO called for major efforts to improve diversity and equity there. In a petition, they said they would refuse to perform at iO unless its leadership met a series of demands: they asked Halpern to “publicly acknowledge and apologize for the institutional racism perpetuated at iO,” as well as hire a diversity and inclusion coordinator.About a week after the petition was published and Halpern had agreed to work toward meeting the demands, she announced that iO would close for good, stunning performers. She said in an interview this May that if iO had been on better financial footing, she would have met with the protesters and addressed their concerns, but that she could not do so when the theater’s prospects were so bleak.In the months since Halpern put the building, at 1501 North Kingsbury Street, on the market, her hopes that someone would step in to save the institution brightened and flickered out again and again. She said recently there had been at least three interested buyers, including a Hollywood talent agency. At one point she contemplated reopening the theater herself, but a leaky roof introduced another financial roadblock, she said.For the time being, the closed theater appears frozen in time, with signs pointing audiences where to line up for shows that were scheduled for March 2020.Now, the task of making the theater’s four stages operational again will be up to the new owners, whose deal was finalized last week, Halpern said. She declined to disclose the price. With this sale, as well as that of another storied comedy theater, Second City, Chicago’s improv scene looks very different than it did a year ago. Second City had faced its own accusations of institutional racism and calls for reform, and new leaders there pledged to “tear it all down and begin again.” In February, it was sold to a private equity group, ZMC, run by Strauss Zelnick, and in May it resumed live performances.Though it is unclear when iO will reopen, the sale will help the city become a comedy “mecca” again, Halpern said, after months of darkened theaters. For Halpern, who has run the theater from the beginning and — along with her partner Del Close — helped transform improvisation from a marginal art form into a bustling business, it is unclear what her role will be going forward, though she says, “I’m happy to return in some capacity if they want me.”“The other day I turned over the keys,” she added, “and when they walked me out and said, ‘Thank you, Charna,’ it was the first time I cried. It really hit me.” More

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      What’s on TV This Week: The Olympics and the Jonas Brothers

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      NBC Olympics coverage will begin on Friday with the opening ceremony, and the Jonas Brothers try their hand at Olympic-level athleticism.Between network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, July 19-25. Details and times are subject to change. More

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      Bourdain Documentary’s Use of A.I. to Mimic Voice Draws Questions

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      The documentary “Roadrunner” by Morgan Neville uses 45 seconds of a voice that sounds like Bourdain, generated with artificial intelligence. Is it ethical?The new documentary about Anthony Bourdain’s life, “Roadrunner,” is one hour and 58 minutes long — much of which is filled with footage of the star throughout the decades of his career as a celebrity chef, journalist and television personality.But on the film’s opening weekend, 45 seconds of it is drawing much of the public’s attention.The focus is on a few sentences of what an unknowing audience member would believe to be recorded audio of Bourdain, who died by suicide in 2018. In reality, the voice is generated by artificial intelligence: Bourdain’s own words, turned into speech by a software company who had been given several hours of audio that could teach a machine how to mimic his tone, cadence and inflection.One of the machine-generated quotes is from an email Bourdain wrote to a friend, David Choe.“You are successful, and I am successful,” Bourdain’s voice says, “and I’m wondering: Are you happy?”The film’s director, Morgan Neville, explained the technique in an interview with The New Yorker’s Helen Rosner, who asked how the filmmakers could possibly have obtained a recording of Bourdain reading an email he sent to a friend. Neville said the technology is so convincing that audience members likely won’t recognize which of the other quotes are artificial, adding, “We can have a documentary-ethics panel about it later.”The time for such a panel appears to be now. Social media has erupted with opinions on the issue — some find it creepy and distasteful, others are unbothered.And documentary experts who frequently consider ethical questions in nonfiction films are sharply divided. Some filmmakers and academics see the use of the audio without disclosing it to the audience as a violation of trust and as a slippery slope when it comes to the use of so-called deepfake videos, which include digitally manipulated material that appears to be authentic footage.The director Morgan Neville said in a statement on Friday about the use of A.I. that “it was a modern storytelling technique that I used in a few places where I thought it was important to make Tony’s words come alive.”Bryan Bedder/Getty Images for Tribeca Festival“It wasn’t necessary,” said Thelma Vickroy, chair of the Department of Cinema and Television Arts at Columbia College Chicago. “How does the audience benefit? They’re inferring that this is something he said when he was alive.”Others don’t see it as problematic, considering that the audio pulls from Bourdain’s words, as well as an inevitable use of evolving technology to give voice to someone who is no longer around.“Of all the ethical concerns one can have about a documentary, this seems rather trivial,” said Gordon Quinn, a longtime documentarian known for executive producing titles like “Hoop Dreams” and “Minding the Gap.” “It’s 2021, and these technologies are out there.”Using archival footage and interviews with Bourdain’s closest friends and colleagues, Neville looks at how Bourdain became a worldwide figure and explores his devastating death at the age of 61. The film, “Roadrunner: A Film About Anthony Bourdain,” has received positive reviews: A film critic for The New York Times wrote, “With immense perceptiveness, Neville shows us both the empath and the narcissist” in Bourdain.In a statement about the use of A.I., Neville said on Friday that the filmmaking team received permission from Bourdain’s estate and literary agent.“There were a few sentences that Tony wrote that he never spoke aloud,” Neville said in the statement. “It was a modern storytelling technique that I used in a few places where I thought it was important to make Tony’s words come alive.”Ottavia Busia, the chef’s second wife, with whom he shared a daughter, appeared to criticize the decision in a Twitter post, writing that she would not have given the filmmakers permission to use the A.I. version of his voice.A spokeswoman for the film did not immediately respond to a request for comment on who gave the filmmakers permission.Experts point to historical re-enactments and voice-over actors reading documents as examples of documentary filmmaking techniques that are widely used to provide a more emotional experience for audience members.For example, the documentarian Ken Burns hires actors to voice long-dead historical figures. And the 1988 documentary “The Thin Blue Line,” by Errol Morris, generated controversy among film critics when it re-enacted the events surrounding the murder of a Texas police officer; the film received numerous awards but was left out of Oscar nominations.But in those cases, it was clear to the audience that what they were seeing and hearing was not authentic. Some experts said they thought Neville would be ethically in the clear if he had somehow disclosed the use of artificial intelligence in the film.“If viewers begin doubting the veracity of what they’ve heard, then they’ll question everything about the film they’re viewing,” said Mark Jonathan Harris, an Academy Award-winning documentary filmmaker.Quinn compared the technique to one that the director Steve James used in a 2014 documentary about the Chicago film critic Roger Ebert, who, when the film was made, could not speak after losing part of his jaw in cancer surgery. In some cases, the filmmakers used an actor to communicate Ebert’s own words from his memoir, or they relied on a computer that spoke for him when he typed his thoughts into it. But unlike in “Roadrunner,” it was clear in the context of the film that it was not Ebert’s real voice.To some, part of the discomfort about the use of artificial intelligence is the fear that deepfake videos may become increasingly pervasive. Right now, viewers tend to automatically believe in the veracity of audio and video, but if audiences begin to have good reason to question that, it could give people plausible deniability to disavow authentic footage, said Hilke Schellmann, a filmmaker and assistant professor of journalism at New York University who is writing a book on A.I.Three years after Bourdain’s death, the film seeks to help viewers understand both his virtues and vulnerabilities, and, as Neville puts it, “reconcile these two sides of Tony.”To Andrea Swift, chair of the filmmaking department at the New York Film Academy, the use of A.I. in these few snippets of footage has overtaken a deeper appreciation of the film and Bourdain’s life.“I wish it hadn’t been done,” she said, “because then we could focus on Bourdain.”Christina Morales contributed reporting. More

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      She’s One of China’s Biggest Stars. She’s Also Transgender.

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      Jin Xing, the first person in China to openly undergo transition surgery, is a household name. But she says she’s no standard-bearer for the L.G.B.T.Q. community.Jin Xing, a 53-year-old television host often called China’s Oprah Winfrey, holds strong views about what it means to be a woman. She has hounded female guests to hurry up and get married, and she has pressed others to give birth. When it comes to men, she has recommended that women act helpless to get their way.That might not be so unusual in China, where traditional gender norms are still deeply embedded, especially among older people. Except Ms. Jin is no typical Chinese star.As China’s first — and even today, only — major transgender celebrity, Ms. Jin is in many ways regarded as a progressive icon. She underwent transition surgery in 1995, the first person in the country to do so openly. She went on to host one of China’s most popular talk shows, even as stigmas against L.G.B.T.Q. people remained — and still remain — widespread.China’s best-known personalities appeared on her program, “The Jin Xing Show.” Brad Pitt once bumbled through some Mandarin with her to promote a film.“All my close friends teased me: ‘China would never let you host a talk show,’” Ms. Jin said, recalling when she first shared that goal with them. “‘How could they let you, with your transgender identity, be on television?’”But even as Ms. Jin’s remarkable biography has elevated her to an almost mythic level, it has also, for some, made her one of the most perplexing figures in Chinese pop culture.Ms. Jin on the set of “The Jin Xing Show” with her co-anchor, Shen Nan. For years, the show was one of the most popular in China.The Jin Xing ShowThough often lauded as a trailblazer for the L.G.B.T.Q. community, she rejects the role of standard-bearer and criticizes activists whom she perceives as seeking special treatment. “Respect is earned by yourself, not something you ask society to give you,” she said.She also has attracted fierce criticism for her views on womanhood. In a 2013 memoir, Ms. Jin wrote that a “smart woman” should make her partner feel that she was a “little girl who needs him.” On “The Jin Xing Show,” she told the actress Michelle Ye that only after giving birth would she feel complete.“You say that as if you’ve given birth,” Ms. Ye said with a nervous laugh.Ms. Jin didn’t pause. “I’ve given rebirth to myself,” she said.Ms. Jin bristles at being called a conservative. If she were a male chauvinist, she said, she would have continued living as a man. She has denounced gender-based employment discrimination and called out China’s Women’s Day as an empty commercial holiday. In May, she was featured in a Dior campaign celebrating women’s empowerment, in which she said the most important thing any woman could be was independent.Still, she admits that she is not looking to upend the rules set by men, only to help women better navigate them.In addition to appearing on television, Ms. Jin hawks products on internet livestreams.Gilles Sabrié for The New York Times“What percentage of the world’s leaders are queens or female presidents? They’re still mostly men,” said Ms. Jin. “If men conquer the world to prove themselves, women can conquer men to prove themselves.”Ms. Jin was born in 1967 in Shenyang, in China’s northeast, to an army officer father and translator mother. In memoirs, she described being pleased when family friends compared her to a “lively little girl” for her love of song and dance.At 9, she was recruited by a military dance troupe. Her mother opposed the choice, but not on gender grounds, wanting her to instead continue with regular schooling, Ms. Jin wrote. Both boys and girls could earn prestige by dancing in the military, where the arts were seen as important propaganda tools.As a teenager, Ms. Jin won a dance scholarship to New York, where in 1991 The New York Times called one of her performances “astoundingly assured.” After four years in the United States, she toured Europe — picking up French and Italian, in addition to the English, Chinese, Korean and Japanese she already knew.But in 1993, at 26, she returned to China to prepare to come out as transgender.Though she had known she was female since she was 6, she did not want to announce it until she was sufficiently prepared, Ms. Jin said. Transition surgery, though legal, was heavily stigmatized. She decided to wait until she had become one of China’s most prominent dancers.“When you haven’t accumulated enough power, you can’t speak out,” she said. “Once you’ve achieved enough strength, and people can’t knock you down, then you can face them.”Ms. Jin with members of the Jin Xing Dance Theatre in “Shanghai Tango” at the Joyce Theater in New York City in 2012.Andrea Mohin/The New York TimesHer calculation appeared correct. While some attacked her after her surgery, much of the public reception was supportive.China in some ways offers more recognition to transgender people than to gay people, said Bao Hongwei, a scholar of Chinese queer culture at the University of Nottingham, in England. In the 1980s and 1990s especially, surgery was seen as a cure that allowed transgender people to live within traditional gender roles.“She upholds all the gender norms,” Professor Bao said. “I think all this contributed to her being recognized in China’s media sphere.”Yet even as Ms. Jin hewed to certain norms, she flouted others.She founded Jin Xing Dance Theatre, the country’s first private dance group, in 1999. She became a single mother, adopting three children, though China’s one-child policy was still in place at that time.And she has made being unapologetically blunt the secret to her success on television.Ms. Jin’s television fame began in 2013, when her at-times abrasive assessments of competitors on a dance show earned her the nickname Poison Tongue. In 2015, she channeled that popularity into “The Jin Xing Show.” With guests she was warm and conspiratorial.Ms. Jin instructing dancers from her troupe in Shanghai in 2006. The Jin Xing Dance Theatre was the country’s first private dance group.Mark Ralston/Agence France-Presse — Getty ImagesBut she also didn’t hesitate to name celebrities who she thought lacked talent. She spoke openly about taboo issues, including sex.She was polarizing but wildly popular, saying on her show that 100 million people tuned in each week.Ms. Jin has consistently rejected the idea that her fame was tied to her transgender identity.“Don’t think that I did surgery and became an enchanting person. Wrong. When I was a boy, I was plenty enchanting,” she said. “Stick whatever label on me, male or female, I’m still a very luminous person.”In 2017, “The Jin Xing Show” was abruptly canceled. At the time, Ms. Jin blamed “small people” who were jealous of her success, but the details of the decision have never been made public.Since then, she has continued to run her dance troupe, sold products on internet livestreams and hosted matchmaking shows, though none has approached the popularity of her talk show.Ms. Jin has long talked openly about taboo issues, including sex.Gilles Sabrié for The New York TimesGuo Ting, a gender studies scholar at the University of Hong Kong, said Ms. Jin’s ebb in popularity coincided with a broader government crackdown on gender-related activism. While there is no clear link between the two, the state has recently sought to promote traditional values, Dr. Guo said.Still, others noted, many in China have grown more accepting of transgender people. They said they hoped Ms. Jin — vital as she had been to that acceptance — would no longer be the community’s only face.“I see Jin Xing as part of our parents’ generation: They have achieved progress in their time, but to us, they may seem outdated,” said Jelly Wang, 25, a transgender rights activist in Sichuan Province.That assessment is just fine with Ms. Jin.“I have always acted entirely according to my own wishes,” she said. “If I indirectly became an idol to some young people, that’s fine, but I have never made myself into a leader.“By living healthily and facing life positively, I’ve already positively impacted society,” she continued. “That’s enough.” More

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      Jimmy Fallon: Trump Wanted a General With Coup Appeal

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      “You can tell a leader really knows his stuff when he uses the phrase ‘do a coup,’” Fallon said of Trump, who belittled a general for fearing he might try to stay in power.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘I’d Coup You’In a new book about Donald Trump’s final year in office, the authors write that Gen. Mark A. Milley, the chairman of the Joint Chiefs of Staff, feared Trump would attempt to stage a coup to remain in power after losing the election. Trump responded on Thursday: “If I was going to do a coup, one of the last people I would want to do it with is Gen. Mark Milley.”“You can tell a leader really knows his stuff when he uses the phrase, ‘do a coup,’” Jimmy Fallon joked on “The Tonight Show.”“For the next 15 minutes, he named all the people he would do a coup with: ‘I’d coup you. I’d coup you. You’re coup-able.’” — JIMMY FALLON“OK, you’ve clearly put some thought into this thing you’re ‘not into.’” — STEPHEN COLBERT“We really need to come up with a better early warning system than tell-all books. ‘We’re in danger — quick, get me a typewriter!’” — SETH MEYERS“In a new book, Milley reveals that following the election night, he thought the ex-president ‘was stoking unrest, possibly in hopes of an excuse to invoke the Insurrection Act and call out the military,’ saying, ‘This is a Reichstag moment.’ No surprise — the last president was very popular with the alt-Reich.” — STEPHEN COLBERT“Of course, the Reichstag fire was in 1930s Germany, when an attack on the country’s legislative branch was used as a pretext to solidify fascist control. What the MAGA crowd did this year was totally different — because it was in English.” — STEPHEN COLBERTThe Punchiest Punchlines (Olivia Rodrigo Edition)“During a visit to the White House yesterday, pop star Olivia Rodrigo made a surprise appearance at the afternoon press briefing to help promote youth vaccinations, which should have a big impact on the millions of teens who watch the White House press briefings.” — SETH MEYERS“That’s right, pop star Olivia Rodrigo made a surprise appearance at the afternoon press briefings. It was almost as surprising as when Sarah Sanders would appear at one.” — SETH MEYERS“Side note here — it’s nice to see a real celebrity at the White House after the last four years, when the previous president could only manage to dig up the likes of Ted Nugent or Scott Baio.” — SETH MEYERS“Biden’s got huge celebrities helping him out with an unprecedented nationwide campaign to get Americans vaccinated against a deadly disease, and all Trump could muster was 18 holes with Kid Rock and his flag pants, which look like something you buy for six bucks at a truck stop because you tore the [expletive] out of your good pants rock-climbing on peyote.” — SETH MEYERSThe Bits Worth WatchingBarry Jenkins, an Oscar-winning screenwriter and director, talked to Desus and Mero about telling stories of Black trauma onscreen.Also, Check This OutDavid Byrne, center, with Chris Giarmo, left, and Tendayi Kuumba in “American Utopia.”Sara Krulwich/The New York TimesBroadway is finally back, with new Covid safety protocols and productions in previews still working out the kinks. More