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    Sophia Bush Announces Partnership to Expand the Reach of Her Podcast Show

    WENN

    The ‘One Tree Hill’ star is taking her long-running audio series ‘Work In Progress’ to top podcast platform Wondery as she continues to interview influencers and change makers.

    Mar 28, 2021

    AceShowbiz –
    Actress and activist Sophia Bush has partnered with bosses at top podcast platform Wondery to expand the reach of her long-running audio series.

    The “One Tree Hill” star has been podcasting since long before the COVID pandemic kicked in last year (20) and the audio broadcasting medium exploded.

    Now, Sophia is taking her hit show, “Work In Progress”, to Wondery, where she will continue her interviews with change makers, influencers and politicians.

    Previous guests have included Hillary Clinton, Natalie Portman, designer Diane von Furstenberg, and Spanish chef Jose Andres.

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    It’s not Sophia’s only media news this week (ends26Mar21) – she was also named the co-founder of and advisor for new company Fashionkind, and plans to work to reduce the environmental impact of garment design, manufacture, and sales.

    Writing on Instagram, Bush shares that she and her new partner Nina Farran “will work to do all we can to help change fashion from within and bring real change to the industry at large…”

    “This is a huge endeavor – a moonshot if you will – and we hope you’ll be part of the journey as we grow, and strive to create a more beautiful and more equitable world,” she said.

    In another post, the actress added, “I wanted to see how we might go about creating industry-wide change. For so long, that kind of change felt more like a dream than a reality that I might be able to contribute to. So you can imagine how incredibly excited I was to have the opportunity to work on changing that from within!”

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    Fred Armisen Tapped to Lead New Podcast Series 'The Sketch Factor'

    WENN

    The former ‘Saturday Night Live’ regular is set to play a billionaire oddball who judges a comedy sketch in the upcoming podcast series due to debut on Spotify.

    Mar 28, 2021

    AceShowbiz –
    Actor, comedian, and drummer Fred Armisen is taking his unique skills to the crowded audio arena for a new show.

    In the new podcast, “The Sketch Factor”, the “Saturday Night Live” star, who is known for his celebrity impersonations, will play a character called Xandor Szavost.

    Described by Variety as “an inventor, philanthropist and billionaire who’s using his fortune to finance an audio sketch-comedy competition for his own amusement,” the fictional oddball will judge a comedy sketch as part of each short episode.

    Guest comedians will include Kurt Braunholer, Jo Firestone, Maggie Champagne, Tim Robinson, Josh Ruben, Yamanika Saunders, and Seaton Smith.

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    The show will be produced by Radio Point bosses and will debut on 1 April (21), exclusively on Spotify.

    Chiefs at the platform, who are working to expand its podcast division, will also roll out another audio series the same day, “Flameout”, in which a troupe of comedians will tackle famous business failures. Episodes will introduce out-of-control bosses who steered their companies off the rails, to be played by “Wet Hot American Summer” star Michael Ian Black, “Up Early Tonight” ‘s Abbi Crutchfield, “The Other Two” actor Joel Kim Booster, Candice Thompson, Chinedu Unaka, Atsuko Okatsuka, Alison Becker, and Baron Vaughn.

    It’s a busy time for Candice, who has just launched “Nosy Neighbors”, another Spotify original that she co-hosts with “The Mindy Project” ‘s Chinedu Unaka. The two funnywomen analyse bad behaviour and personal disputes, some caught on camera, as well as online neighborhood bickering.

    Every episode will include a real-life comedian telling their own nosy neighbour story.

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    Racist Moments in WWE Catalog Are Missing on Peacock Streaming

    Peacock, NBCUniversal’s streaming service, is now showing old and new episodes of WWE Network wrestling. Some troubling segments in the network’s history disappeared in the transfer.Fans of the WWE Network have seen and heard racist tropes in the ring for years.In 1990, during a showdown between Roddy Piper and Bad News Brown, a Black wrestler, Mr. Piper, who is white, showed up to the match with half his face painted black.In 2005, Vince McMahon, the chief executive of WWE, used a racial slur repeatedly in a prepared skit before he was taken down by Dwayne Johnson, then known as the Rock.Until recently, those segments were available to watch on the WWE Network, which allowed subscribers to revisit old episodes and seasons of WrestleMania going back to the 1980s. But this month, after WWE episodes began moving to Peacock, NBCUniversal’s fledgling streaming service, longtime viewers of wrestling noticed they could not find either segment.“The whole match is gone,” said Christopher Jeter, 30, who has watched professional wrestling since he was 10 and now writes about it for Daily DDT, a news and opinion site about WWE. “I wouldn’t say it’s a big loss.”NBCUniversal said that Peacock was “reviewing WWE content to ensure it aligns with Peacock’s standards and practices,” as it does other shows and films on the platform.“Peacock and WWE are reviewing all past content to ensure it fits our 2021 standards,” WWE said.NBCUniversal said in January that Peacock had acquired exclusive streaming rights to WWE Network content through a multiyear agreement.In March, the company announced that Peacock would feature WWE “fan-favorite content at launch, including all past WrestleManias leading up to WrestleMania 37.”The company said that Peacock would continue to add WWE Network content to its library, making the entire archive available to fans.The removal of the segments come as other streaming services and entertainment companies have sought to give audiences context for older films and television shows that feature offensive content.Disney’s streaming service includes a 12-second disclaimer that cannot be skipped before films like “Dumbo” and “Peter Pan” that tells viewers they will see “negative depictions” and “mistreatment of people or cultures.”“These stereotypes were wrong then and are wrong now,” the disclaimer warns. “Rather than remove this content, we want to acknowledge its harmful impact, learn from it and spark conversation to create a more inclusive future together.”This month, Turner Classic Movies showed 18 classic films, including “The Jazz Singer” and “Breakfast at Tiffany’s,” that were preceded by commentary from film experts who prepared viewers for scenes they could find jarring or upsetting.HBO Max initially removed “Gone With the Wind” from its streaming service, then added it again with a four-minute introduction by the TCM host Jacqueline Stewart, who explains the enduring cultural importance of the film even as it “denies the horrors of slavery as well as its legacies of racial inequality.”Last June, an NBC spokesman said four episodes of “30 Rock” that featured blackface were being removed from circulation at the request of Tina Fey, the show’s creator, and Robert Carlock, an executive producer and showrunner.Mr. Jeter, the WWE fan who writes about wrestling, said that racist and sexist depictions of women, Black people and other people of color have long been a part of professional wrestling.“It became such a part of watching the product that it became expected,” he said. “But it’s not why I watch wrestling.”Most fans, he said, watch wrestling because they enjoy the combination of athleticism and dramatic storytelling. The racist tropes were often a distraction from that, Mr. Jeter said.“I’m sure there are fans who are saying, ‘Why are you censoring?’” he said. “But it really isn’t a big deal that they’re getting rid of these stories and segments that haven’t really aged well, and weren’t really good at the time.” More

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    'Coronation Street' Star Bill Roache Written Out of Show to Recover From Covid-19

    ITV

    The Ken Barlow depicter has been forced to take a hiatus from the long-running soap opera to enter quarantine and recover after he tested positive for coronavirus.

    Mar 28, 2021

    AceShowbiz –
    Actor Bill Roache was forced to take time off filming U.K. soap opera “Coronation Street” after contracting Covid-19.

    The 88-year-old, who has played Ken Barlow in the show since its 1960 debut, tested positive for the coronavirus and was written out of the soap as he took time to recover.

    However, a spokesperson for the ITV show has confirmed Bill is on the mend and is set to return to the famous cobbles “as soon as possible.”

    “Following recent reports about his health, William Roache has asked us to clarify that he took time off work after testing positive for Covid,” they told the Daily Mirror. “He has recovered well and is looking forward to returning to the cobbles as soon as possible.”

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    A source added that storylines involving Ken were “currently being written,” explaining bosses are “limiting the time we are filming with the more elderly cast during the pandemic.”

    “He is doing really well and is looking forward to returning,” they shared. “Bill is such a well-loved member of the team and everyone is delighted he has recovered so well.”

    “We can’t wait to have him back.”

    Like most projects, “Coronation Street” halted filming when the lockdown was first announced in March 2020. The cast and crew resumed filming in a restricted manner several months later. Due to social distancing guideline, they used real-life couples as body doubles for kissing scenes.

    “Coronation Street” wasn’t the only show employing the clever trick. Another U.K. soap opera “EastEnders” and U.S. daytime series “The Bold and The Beautiful” also recruited real-life partners for intimate scenes.

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    Craig muMs Grant, Actor and Slam Poet, Dies at 52

    He was a star of the HBO series “Oz” under the name muMs, which he also used on the poetry circuit both before and after finding success on television.Craig muMs Grant’s biggest success as an actor was the role of Poet on the HBO prison drama “Oz,” but fans of that series were accustomed to seeing him credited simply as muMs. It was a name he adopted as a young man when he was exploring rap and slam poetry, influences that he said changed his life.“Before hip-hop,” as he put it in “A Sucker Emcee,” an autobiographical play he performed in 2014, “I couldn’t speak.”Mr. Grant compiled a respectable career as an actor. He appeared on “Oz” throughout its six-season run, which began in 1997, and turned up in spot roles on series including “Hack,” “Boston Legal” and “Law & Order” and its spinoffs, and in movies like Spike Lee’s “Bamboozled” (2000). But before his “Oz” breakthrough he was a familiar presence on the slam poetry circuit in New York and beyond; he was in the 1998 documentary “SlamNation” as part of the Nuyorican Poets Cafe’s slam team.He returned to his poetry/rap roots often, even after “Oz” gave him a measure of fame — appearing onstage with the Labyrinth Theater Company in New York, where he was a member of the ensemble, and performing at colleges and small theaters all over the country.Mr. Grant, third from left, in an episode of the HBO series “Oz” in 1997. He played Poet, a drug addict who writes verses while incarcerated.HBO“I love words,” he told The Indianapolis Star in 2001. “Anybody ever wanted to buy me anything for Christmas or my birthday, they can buy me a dictionary. The bigger, the better.”Mr. Grant died on Wednesday in Wilmington, N.C., where he was filming the Starz series “Hightown,” in which he had a recurring role. He was 52.His manager, Sekka Scher, said the cause was complications of diabetes.Craig O’Neil Grant was born on Dec. 18, 1968, in the Bronx. His father, Samuel, was a locksmith and carpenter at Montefiore Hospital, and his mother, Theresa (Maxwell) Grant, was a teacher.Mr. Grant graduated from Mount Saint Michael Academy in the Bronx and was taking college courses in Virginia when, he said, he started exploring writing, seeking to infuse poetry with the energy of the rap music he enjoyed.“The problem with poetry is, a lot of the audience sometimes has a short attention span,” he told the Indianapolis paper years later. “So poetry has to have rhythm to capture people who can’t listen for so long. They’ll just close their eyes and ride the rhythm of your voice.”He took the name “muMs” when he was around 20. He was in a rap group, he told The Philadelphia Daily News in 2003, and still had a bit of a youthful lisp, so a friend suggested he call himself “Mumbles.”“I thought about that for a week and shortened it to muMs,” he said, and then he turned that into an acronym for “manipulator under Manipulation shhhhhhh!” That phrase, he told the Indianapolis paper, symbolized the notion that “as great as I want to become or as great as I think I am, I can always go to the edge of the ocean, stand there and realize I’m nothing in comparison to the universe.”Back in New York, he didn’t succeed as a rapper. But he began performing spoken-word poetry at places like the Nuyorican Poets Cafe, which is where someone involved in developing “Oz” saw him and recommended that Tom Fontana, the show’s creator, give him a look. Mr. Grant auditioned by performing one of his poems, and he was cast as Poet, a drug addict who writes verses while incarcerated.Mr. Grant, who lived in the Bronx, joined Labyrinth in 2006 and appeared in various roles in its productions. He also began writing plays, including “A Sucker Emcee,” in which he told his life story largely in rhymed couplets while a D.J. working turntables provided a soundtrack.Mr. Grant is survived by his partner, Jennie West, and a brother, Winston Maxwell.In 2003 Mr. Grant released a spoken-word album called “Strange Fruit,” taking the title from the song about lynchings famously recorded by Billie Holiday in 1939.“Today, strange fruit means we’re the product of everything Black people have been through in this country — Middle Passage, Jim Crow, segregation,” he told The Baltimore Sun in 2004. “It’s a new way of looking at it. The metaphor of strange fruit means life and birth for me, where it used to mean lynching and death. Blacks have been doing that for years, taking the bad and flipping it, making the best of a bad situation.” More

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    Wyatt Russell Auditioned for Captain America Years Before Joining 'The Falcon and The Winter Soldier

    WENN/Brian To

    During an appearance on ‘Good Morning America’, the son of Kurt Russell and Goldie Hawn admits he did not thing he was ever actually in competition for the role that went to Chris Evans.

    Mar 27, 2021

    AceShowbiz –
    Actor Wyatt Russell’s career has come full circle with Marvel series “The Falcon and The Winter Soldier” as his very first audition was for the original “Captain America” movie.

    The son of Kurt Russell and Goldie Hawn was unveiled as “the new Captain America” at the end of the first episode of the Disney+ series, which premiered last week (March 19), with Wyatt’s character taking on the mantle following the departure of Chris Evans as Steve Rogers and his superhero alter ego.

    The role is one Wyatt was apparently destined to play as he reveals he actually tried out for 2011’s “Captain America: The First Avenger”, in which Evans made his debut as the titular icon.

    “It’s a fun story,” he shared on breakfast show “Good Morning America”. “I think that honestly, the first audition was really more just something to read, to see if I was any good at acting or not. I don’t think I was ever actually in competition for the role, but it was crazy.”

    Almost a decade later, Wyatt was invited back to Marvel Studios to audition for a top secret project – and everything was kept so under wraps, he didn’t know what he was trying out for until after he had actually landed the role.

    “This time it came around, and… I had no idea even what it was,” he confessed. “[His agent] was just like, ‘Marvel wants you to read for something, go for it.’ I found out after I got the part what it was…”

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    Wyatt has since been forced to stay silent regarding further details about his version of Captain America, refusing to reveal if his character is a good or a bad guy.

    “You’re gonna have to [watch to] find that out,” he said, before quipping, “There’s two men in black suits here with red dots trained on my forehead if I give you any information!”

    Wyatt joins his dad Kurt in the Marvel world, and recalls his father only had two key pieces of advice to share with him when he learned of his part in “The Falcon and the Winter Soldier”.

    “He thought it was great [news],” Wyatt recalled. “His advice is always the same: if it’s good, it’s good, and you do it and you try to be the best you can, and be weary of the suit!”

    “Everybody seems to have the same issue with the suit – the suits are sort of difficult to live in for that many hours a day,” Wyatt added.

    Kurt was cast as Ego in 2017’s “Guardians of the Galaxy Vol. 2”.

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    Sharon Osbourne Leaves 'The Talk' After Racism Scandal

    CBS/Cliff Lipson

    The news of her departure arrives two weeks after the 68-year-old British was involved in a heated argument with black co-host Sheryl Underwood as the former was confronted over her support to Piers Morgan.

    Mar 27, 2021

    AceShowbiz –
    Sharon Osbourne is leaving “The Talk”. The news of her departure was announced by CBS in a statement which was released on Friday, March 26, two weeks after the 68-year-old British was involved in a heated argument about race with black co-host Sheryl Underwood.

    “Sharon Osbourne has decided to leave ‘The Talk’. The events of the March 10 broadcast were upsetting to everyone involved, including the audience watching at home,” the statement read. “As part of our review, we concluded that Sharon’s behavior toward her co-hosts during the March 10 episode did not align with our values for a respectful workplace.”

    Through the statement, CBS also addressed Sharon’s claims that she was “blindsided” by producers. The wife of Ozzy Osbourne previously shared that they gave other co-hosts cue cards of questions in which they confronted Sharon for defending pal Piers Morgan who claimed that he didn’t believe Meghan Markle’s revelations in her and Prince Harry’s bombshell interview with Oprah Winfrey.

    Shutting down Sharon’s claims, the statement continued, “We also did not find any evidence that CBS executives orchestrated the discussion or blindsided any of the hosts.” It added, “At the same time, we acknowledge the Network and Studio teams, as well as the showrunners, are accountable for what happened during that broadcast as it was clear the co-hosts were not properly prepared by the staff for a complex and sensitive discussion involving race.”

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    “During this week’s hiatus, we are coordinating workshops, listening sessions and training about equity, inclusion and cultural awareness for the hosts, producers and crew. Going forward, we are identifying plans to enhance the producing staff and producing procedures to better serve the hosts, the production and, ultimately, our viewers,” the statement concluded.

    Sharon has been under fire after she defended Piers in a tweet. “I am with you. I stand by you,” she wrote at the time. “People forget that you’re paid for your opinion and that you’re just speaking your truth.”

    Her decision to support Piers, who declared he didn’t believe anything the Duchess had said, including accusing members of the royal family of racism, was then brought into the topic in an episode of the popular talk show as Sheryl asked her what she would say to people who felt it was racist to defend a person making such comments.

    To the question, Sharon replied, “For me, at 68 years of age to have to turn around and say ‘I ain’t racist’ – what’s it got to do with me? How could I be racist about anybody? How could I be racist about anybody or anything in my life? How can I?”

    “I will ask you again, Sheryl, I was asking you during the break and I’m asking you again. And don’t try and cry, because if anyone should be crying, it should be me,” Sharon responded. “This is the situation: you tell me where you have heard him say – educate me. Tell me when you have heard him say racist things. Educate me. Tell me.”

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    ViacomCBS stock tanks, losing more than half its value in less than a week.

    Shares of ViacomCBS, the media goliath led by Shari Redstone, took a nosedive this week, with the company losing more than half of its market value in just four days.The stock was as high as $100 on Monday. By the close of trading on Friday it had fallen to just over $48, a drop of more than 51 percent in less than a week.There’s no better way to say it: The company’s stock tanked.What happened? Several things all at once. First, it is worth noting that ViacomCBS had actually been on a bit of a tear up until this week’s meltdown, rising nearly tenfold in the past 12 months. About a year ago, it was trading at around $12 per share.That rally came as the company, like the rest of the media industry, had made a move toward streaming. It recently launched Paramount+ to compete against the likes of Netflix, Disney+, HBO Max and others. The service tapped ViacomCBS’s vast archive of content from the CBS broadcast network, Paramount Film Studios and several cable channels, including Nickelodeon and MTV.That shift matters because ViacomCBS has been hit hard by an overall decline in cable viewership. The company’s pretax profits have fallen nearly 17 percent from two years ago, and its debt has topped more than $21 billion.But the stock rose so much that Robert M. Bakish, ViacomCBS’s chief executive, decided to take advantage of the boon by offering new shares to raise as much as $3 billion. The underwriters who managed the sale priced the offering at around $85 per share earlier this week, a discount to where it had been trading on Monday.You could say it backfired. When a company issues new stock, it normally dilutes the value of current shareholders, so some drop in price is expected. But a few days after the offering, one of Wall Street’s most influential research firms, MoffettNathanson, published a report that questioned the company’s value and downgraded the stock to a “sell.” The stock should really only be worth $55, MoffettNathanson said. That started the nosedive.“We never, ever thought we would see Viacom trading close to $100 per share,” read the report, which was written by Michael Nathanson, a co-founder of the firm. “Obviously, neither did ViacomCBS’s management,” it continued, citing the new stock offering.Streaming is still a money-losing enterprise, and that means the old line media companies must still endure more losses over more years before they can return to profitability.In the case of ViacomCBS, it seemed to hasten the cord-cutting when it signed a new licensing agreement with the NFL that will cost the company more than $2 billion a year through 2033. As part of the agreement, ViacomCBS also plans to stream the games on Paramount+, which is much cheaper than a cable bundle.As the games, considered premium programming, shift to streaming, “the industry runs the risk of both higher cord-cutting and greater viewer erosion,” Mr. Nathanson wrote.On Friday, an analyst with Wells Fargo also downgraded the stock, slashing the bank’s price target to $59.But the market decided it wasn’t even worth that much. It closed on Friday barely a quarter above 48 bucks. More