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    Joy Behar Denies 'Taking a Dig' at Caitlyn Jenner Despite Repeatedly Using the Wrong Pronoun

    WENN/Joseph Marzullo/Avalon

    The ‘View’ co-host accidentally refers to the former Olympic gold medalist as ‘he’ instead of ‘her’ when they are discussing the latter’s intention to run for California governor on the show.

    Apr 24, 2021

    AceShowbiz –
    Joy Behar did not intentionally misgender Caitlyn Jenner. Despite repeatedly using the wrong pronoun when discussing the latter’s intention to run for California governor on “The View”, the show’s co-host was reportedly not “taking a dig” at the athlete-turned-reality star.

    Offering more details of the 78-year-old’s phrasing was Page Six. A source told the outlet, “This was not political or her taking a dig. She didn’t say it pointedly. She kept making the mistake. She corrected herself, and then accidentally did it again.”

    The source went on stressing, “She was not being malicious by any means.” The insider further noted that she is an “advocate” who “has been honored by [LGBTQ+ rights group] GLAAD.”

      See also…

    Joy made the blunder on “The View” on Friday, April 23 when weighing in on Caitlyn’s gubernatorial run. “He’s got this guy Brad Parscale running his campaign. What do you think about that? I mean that guy was accused of using campaign funds to enrich himself,” she told co-host Sunny Hostin, before correcting herself, “That’s who is running his campaign, or her campaign, rather.”

    The comedienne then apologized on the show after going on a commercial break. “So first of all let me apologize for my pronoun mix-up, I think I just didn’t get enough sleep last night. I had no intention of missing them up, and I tried to correct it immediately, but, whatever, it just came out, so I’m sorry if anybody was upset by that,” she pointed out.

    Joy’s apology, however, was not well received by some people. “It was completely tone-deaf, the apology,” a separate source told Page Six. “I do think it was an honest mistake, but the apology was completely dismissive. She misgendered the woman four times and then said, ‘whatever.’ ” Another insider, meanwhile, described it as “so disrespectful” and “embarrassing.”

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    Sarah Jessica Parker's Farting Scene is Chris Noth's 'Sex and the City' Favorite

    New Line Cinema

    The actor who played Mr. Big in the franchise has a lot of fond memories working on the Carrie Bradshaw series but his favorite one is a gassy scene featuring SJP.

    Apr 24, 2021

    AceShowbiz –
    Chris Noth’s favourite “Sex and the City” moment was smelly not sweet – because Sarah Jessica Parker’s character farted on him in bed.

    The actor played the show’s Mr. Big – the on-off love interest of Sarah Jessica’s character Carrie Bradshaw for years – and he has really fond memories of working with her, but their best time together revolved around a gassy scene.

    “My favourite (episode) was when she farted in bed,” he laughed on America’s “The Kelly Clarkson Show”, “and I insisted on doing the sound (for the scene) to get it right – because I’m an expert in farts.”

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    The scene sparked a prank idea for Noth, who later picked up a whoopee cushion. “She’s (Parker) getting a glass of wine and I put it (whoopee cushion) on her chair, and we were discussing future vacations and she sits on it and goes, ‘Waaaahh,’ ” he chuckled.

    Reminiscing about other favourite moments, Chris added, “I also enjoyed falling into the pond with her in Central Park (New York) – that was a one take shot. There were so many great moments of comedy. It was just a blast.”

    Noth and show favourite Kim Cattrall won’t be joining Parker, Kristin Davis, and Cynthia Nixon for the upcoming HBO Max reboot of the beloved series, titled “And Just Like That…”, but it was announced earlier this week (beg19Apr21) that John Corbett, who played Aidan in the TV series, has signed on to return.

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    Melissa Rivers Slams 'Marvelous Mrs. Maisel' Bosses for Not Acknowledging Mom Joan as Inspiration

    WENN/Amazon Prime

    The only child of late comedienne Joan Rivers feels ‘hurt’ and ‘violated’ as no one from the Amazon hit series acknowledged that the show was inspired by her mom.

    Apr 24, 2021

    AceShowbiz –
    Melissa Rivers wants her later mother, comedian Joan, recognised as one of the inspirations behind Amazon’s hit series “The Marvelous Mrs. Maisel”.

    The star died in 2014 at the age of 81, and Melissa insists her mother’s life mirrors that of the lead character Miriam ‘Midge’ Maisel, who swaps being a housewife for a stand-up comic in the 1950s.

    “Everybody’s saying, ‘Oh, it’s Joan, it’s Joan, it’s Joan, it’s Joan’ and yet I never hear from the people that make it or the actors,” Melissa said during an appearance on the “Behind the Velvet Rope” with David Yontef podcast.

    While she has never seen an episode of the show, Melissa insists the character, played by Rachel Brosnahan, is “clearly a compilation” of the female comedians of that era, including her mother, who shot to fame in 1965 as a guest on “The Tonight Show”.

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    “Not even saying like, it’s completely her, but to say she was one of our inspirations,” she continued. “And because of that, I felt so violated in a weird way… Not even saying like, it’s completely her, but to say she was one of our inspirations.”

    And although Melissa says she is not interested in taking any legal action, she would just like an acknowledgment from the show’s bosses.

    “I would have no legal grounds, not one, but on a human level it still hurts me,” she explained. “I want to be happy that they win and I can’t be. And I could be completely wrong.”

    “People could say, ‘You know, you’re crazy. You’re being stupid.’ But to me, like I said, all they ever had to do was reach out and acknowledge,” she continued. “All I ever wanted was a note, maybe a thank you in one of the acceptance speeches after all these years.”

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    George Clooney Rules Out 'ER' Reboot, Co-Star Agrees It Would 'Cheapen' the Legacy

    WENN

    The Dr. Doug Ross depicter dismisses calls for ‘ER’ revival during a reunion event and his two former co-stars, Julianna Margulies and Carol Hathaway, agree with him.

    Apr 24, 2021

    AceShowbiz –
    George Clooney doesn’t think an “ER” reboot would fare as well as the original series.

    The actor became a household name after playing Dr. Doug Ross for 15 seasons on the medical drama – which ran from 1994 to 2009 – but suggested he wouldn’t be up for reprising the role if the show was to return to screens because he’s unconvinced it could match the consistent quality displayed in the programme’s original run.

    Asked about the possibility during a live virtual reunion of the “ER” cast on “Stars in the House” to support co-star Gloria Reuben’s non-profit organisation, Waterkeeper Alliance, he said, “I don’t know. The hardest part is that when you look at the show and consistently over so many years – it would be hard to say that you could do it at the level that we did it. I’m not sure that that’s available.”

    George has been enjoying old episodes of the show recently with his wife Amal and praised the series as “such great television.”

    He gushed about the show’s season one episode “Love’s Labor Lost”, “This is better than anything I see in film or anywhere. This is stunning. It’s stunning work.”

    “I felt that way about a lot of episodes I watched. I’m not sure (about a reboot)… it’s hard to catch lightning again.”

      See also…

    His former co-star Julianna Margulies agreed, insisting a reboot would “cheapen” the show’s legacy.

    The actress – who played Carol Hathaway – said, “You can’t capture lightning in a bottle twice. I think you have to leave what was so beautiful and move on, because it just feels cheap… It would cheapen it for me.”

    However, Ming-Na Wen admitted she’d enjoy returning to play Jing-Mei Chen just because it would mean she could reconnect with the cast again.

    She said during the reunion, which was streamed on People magazine’s social channels, “I would love to reboot only to be able to hang out with this group of people, the talent.”

    “As you get older, the appreciation level and the awareness is so much greater. Just such great fortune. I would love to have been, even now… just even this, surrounded by these people.”

    George admitted he’d been “excited” about reconnecting for the virtual reunion.

    He said, “I’m excited to see this gang. These are people that I really love, you know, and that – we grew up together, really grew up together, in many ways, and it’s fun to see you guys.”

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    Gal Gadot to Shine Light on Real-Life Wonder Women in New Docu-Series

    Instagram

    The ‘Wonder Woman’ actress is set to front a National Geographic project, teaming up with her own husband to shine a light on six inspirational women around the world.

    Apr 24, 2021

    AceShowbiz –
    “Wonder Woman” star Gal Gadot is using her fame to highlight real-life heroes in a new project for National Geographic.

    The Israeli actress, who announced on Thursday (22Apr21) she’s expecting her third daughter, has partnered with her husband, Yaron Varsano, to produce a six-part docuseries, “National Geographic Presents: Impact with Gal Gadot”, in which she tells the “special stories” of six females around the world working to better their communities.

    “(In) every episode we’re going to show a different real-life hero,” Gal said during an appearance on “Live with Kelly and Ryan”.

    The former beauty queen, who became a global superstar following the huge success of 2017’s “Wonder Woman”, has been looking to find a way to channel her fame for good, and she’s convinced “Impact” is just the ticket.

    “After the success of Wonder Woman and fame and all of that, I just wanted to do something good and use the broad reach that I have to people through social media,” she revealed.

      See also…

    The couple came up with the idea for the series after catching a short film shot by pal Ryan Pallota about a 20 year old who lives in the slums of Rio de Janeiro, Brazil.

    “She used to be a ballerina,” Gal shared. “She had to stay in the favelas (slums) to help her mother and she basically created an amazing outlet for the girls in one of the most dangerous parts of Rio… She opened a dance school and the thing about living in the favelas is so many kids don’t have access to go to school or to do much with their lives… And basically she broke this cycle for over 250 girls, who are (now) super empowered…”

    And Gal, who will reteam with “Wonder Woman” director Patty Jenkins for a third outing as Diana Prince following last year’s hit sequel, “Wonder Woman 1984”, is convinced the six stirring and empowering tales are airing at just the right time.

    “We’re living in a world where there’s so much hate and division and negativity,” she added. “I just wanted to bring light and positivity and goodness.”

    “National Geographic Presents: Impact with Gal Gadot” debuts on 26 April.

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    ‘The Falcon and the Winter Soldier’ Series Finale Recap: ’Tis of Thee

    If you came for the action, you probably finished the series satisfied. If you came for the characters, maybe not so much.Season 1, Episode 6: ‘One World, One People’What was the best part of “The Falcon and the Winter Soldier”? Was it the action? The first episode kicked off with an aerial fight sequence exciting enough to be in a Marvel movie; and throughout the series, even when the plot was less than gripping, the director Kari Skogland and the stunt and special effects teams could pep up almost any episode with some high-flying, hard-punching, shield-flinging thrills.The series finale, “One World, One People,” leans hard on the big action set pieces. More than half of the episode is dedicated to a multistage, multilocation battle between the heroes and the violent anti-nationalist organization the Flag Smashers. Sam — now clad in his new hybrid Captain America/Falcon costume, complete with both shield and wings — performs phenomenal feats of strength and agility as he battles the kickboxing mercenary Batroc, chases a helicopter and saves a truck full of hostages from plunging to the ground.Meanwhile, Bucky, Sharon Carter and John Walker all cross paths out in the street, fighting directly against Karli Morgenthau and the Smashers. Before the melee is done — ending with Batroc and Morgenthau shot dead by Sharon — we see motorcycle stunts, martial arts, and superpowered combat.So, yes … if you tuned into “The Falcon and the Winter Soldier” each week to see big-budget super-heroics, then you should have been pretty pleased by this finale. But if you watched this show for the characters? You may have been disappointed.As I mentioned in last week’s recap, the writers left themselves a lot of work to do in their final chapter. This show about Captain America’s legacy ultimately had five or six major characters, each with an arc to complete in a way-too-crowded finale: Sam, Bucky, Walker, Sharon, Morgenthau and Baron Zemo.Bucky’s story is perhaps the cleanest and most heartening. He gets to deliver a touching warning to Morgenthau, letting her know she will be haunted by the people she kills, no matter the reason. After the fighting is done, he completes his list of amends, finally confessing to his neighbor Yori Nakajima (Ken Takemoto) that the Winter Soldier killed his son. In a sweet montage of life in Louisiana at the end of the episode, Bucky seems at peace, playing with Sam’s nephews. It’s nice!But it’s harder to know what to make of the endings for Zemo, Morgenthau and especially Sharon. The Baron’s presence in this episode is almost an afterthought as he remotely engineers the bombing of a surviving cadre of Flag Smashers. As for Morgenthau, even before she is killed she has begun to lose the faith of her people, who question her bloodthirsty win-at-all-costs mentality and her apparent need for martyrdom.Neither Zemo nor Morgenthau has a particularly strong finish, in large part because of the big twist in this episode: revealing that Sharon has been the series’s real villain, pulling the strings as the Power Broker. This doesn’t come out of nowhere. Sharon seemed pretty shady when she first appeared back in Episode 3, and that never really changed — all the way up to this finale’s mid-credits scene, which showed her worming her way back into the U.S. intelligence services with plans to exploit her new access for profit.Still, given that she wasn’t prominently featured throughout “The Falcon and the Winter Soldier,” it is an odd choice to center on Sharon at the end. It makes the show’s entire thematic and narrative focus feel misdirected.Sebastian Stan in “The Falcon and the Winter Soldier.”Marvel Studios/Disney+The episode’s credited writers, Malcolm Spellman and Josef Sawyer, are on firmer ground with their two Captains: Walker, who gets rebranded at the end of this episode as U.S. Agent (just as that character did in the comics), and Sam, who shakes off his doubts and critics and figures out what kind of Captain America he wants to be.Walker is such a fascinating character: a fiercely honed and doggedly faithful warrior, nurturing resentment toward the superpowered people who get all the headlines. When the Contessa Valentina Allegra de Fontaine reappears in this episode, promising to put him to work representing the interests of the powerful in a complicated post-Blip world, that’s a fitting fate for a man so committed to a “might makes right” worldview that he dosed himself with a dangerous, destabilizing serum.In fact, Walker’s lingering problems probably should’ve been recognized more in this finale. But the character works well here (as he did in the comics) as a contrast to Captain America. Again, this episode too quickly resolves some of the series’s thorniest themes about who should and shouldn’t try to represent American ideals. After all his soul-searching, Sam finally claims the Captain America title with a tidy speech, in which he says he is choosing to fight for his home and for the rights of the marginalized.But Sam’s off-the-cuff manifesto is very much in the spirit of Captain America, who from the comic book pages to the multiplex has nearly always been both a champion of the underdog and a force for fairness. Having a new Captain America with no super powers — who can tell the world, “The only power I have is that I believe we can do better” — makes sense.There were a lot of different paths “The Falcon and the Winter Soldier” could’ve followed to get this point where Sam finally claims the shield. I think the show meandered too much, shoehorning in too many side characters and too much Marvel mythology. Nevertheless, it was a rush in Episode 1 to see the Falcon zooming through the air. In the end, it is even more satisfying to see the new Captain America doing the same.The all-winners squadI appreciated the callbacks to earlier episodes, as when one of the spectators calls Sam “the Black Falcon” and another says, “I thought Captain America was on the moon.” Some of this show’s best moments involved the nonheroes, trying to live their lives while supernatural phenomena and property-demolishing super fights happened around them. It made me think that a TV version of Kurt Busiek and Alex Ross’s “superheroes as seen by ordinary folks” comic book series, “Marvels,” would work really well.We got another look this week at that amazing Captain America museum exhibit, which included a section dedicated to Isaiah Bradley’s super-soldier service. This exhibit was first featured in the Captain America movies. It has always impressed me with how much it looks like a real museum installation, complete with video-screens and memorabilia. One of the great pleasures of the Marvel Cinematic Universe — including this TV version — is the level of fine detail, indicating that no expense was spared.One last thought on this largely enjoyable if scattershot show: Unlike the Marvel movies, “The Falcon and the Winter Soldier” ends with so many unresolved and newly generated story lines that I have no idea what Marvel Studios is going to do with all this material — if anything. Will we ever see the U.S. Agent again? What about Sharon? Captain America? Some of the Marvel movies and TV shows in development could use these characters. (“Hawkeye” and “Secret Invasion” on the small screen, for example, or “Black Widow” and “Black Panther II” on the big one). But it seems equally likely that some of these threads will be left dangling forever. After this show and “WandaVision,” I’m not seeing the same sense of direction that distinguished the earlier M.C.U. projects. Here’s hoping the future series and films bring some clarity. More

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    Bethenny Frankel Is Back on TV Because ‘I Know What People Want to See’

    In “The Big Shot With Bethenny,” on HBO Max, millennial strivers will compete to help Frankel run her Skinnygirl empire.If reality television is a game, Bethenny Frankel belongs among its M.V.P.sFrankel, 50, began her on-camera career in 2005, during the Martha Stewart season of “The Apprentice.” She came in second, with Stewart telling her, “You’re spunky, you’re a show-off, you feel you have to make a physical impression.”If that made Frankel wrong for Martha Stewart Living Omnimedia, it made her right for “The Real Housewives of New York City,” which premiered in 2008, even though she wasn’t a housewife then and has never really been one since.Frankel spun a tossed off cocktail order in Season 1 — “the skinny girl’s margarita” — into the premixed cocktail brand Skinnygirl. She sold it to Beam Global for $100 million in 2011, retaining her rights to the brand name. (Beam got the premixed drinks business; Frankel kept everything else.) She has since parlayed her reality fame into food stuffs, supplements, cookware, shapewear and under her Bethenny label, eyewear.She is, in her words, “the H.B.I.C. of a major empire.” She recently signed a multiyear deal with iHeart Radio to bring her “Just B with Bethenny Frankel” podcast to the network and to produce others.Her endemic hustle extends to the disaster-relief initiative, B Strong. While raising money for hurricane and earthquake relief, the initiative, in partnership with Global Empowerment Mission, has distributed more than $19 million in aid and personal protective equipment during the Covid-19 crisis.“The Big Shot With Bethenny” is the “authentic modern version of ‘The Apprentice,’” Frankel said.Krista Schlueter/HBO MaxOn television, Frankel used “The Real Housewives” as a vaulting horse toward a couple of Bravo spinoffs; a single season of a syndicated talk show, “Bethenny”; and a bunch of appearances on “Shark Tank.” She quit “The Real Housewives” in August 2019 after eight on-and-off seasons, citing spiritual corrosion.“I was making great money, but I didn’t feel good about it,” she said. “If I’m really as successful and smart and savvy and legit and the-Emperor-does-have-clothes as I think I am, then that’s not really where I should be anymore.”But she didn’t stay away from reality television long. She teamed with Mark Burnett (“The Apprentice,” “Survivor”) and MGM Studios to create “The Big Shot with Bethenny.” “In business and television she is a clear force of nature, deservedly so,” Burnett wrote in an email.  In “The Big Shot,” premiering April 29 on HBO Max, millennial strivers attempt to become Frankel’s vice president of operations at Skinnygirl. Nominally a business competition show, it dispenses with most hallmarks of the genre — imagine “The Apprentice” with 100 percent more entropy.“I can let two people go. Hire everybody. Fire everybody,” Frankel says in the first episode. “I can do whatever I want.”On a recent afternoon, Frankel arrived at a Soho loft where some of the show was shot — lipped, lashed, bronzed, glamorous even through the Zoom screen. During an hourlong interview, she discussed entrepreneurship, her Martha Stewart beef and how to make reality TV more real. These are edited excerpts from the conversation.How did you end up on “The Apprentice” in the first place?I’d never watched a ton of television, but I said, “I could get on ‘The Apprentice.’” I said to my partner, “Go buy the least expensive video camera you can find and just videotape me selling cookies.” I got called, which was the craziest thing of my life, and I went to Bloomingdale’s and used my credit card to buy a Moschino red jacket. I went to this hotel, they interviewed me. I didn’t make it. But I’ve always been a connector, like, follow through, send a card, send a gift. Connect. So I kept in touch with the same producers and casting directors without looking too desperate. And they said, “OK, now it’s the Martha Stewart ‘Apprentice,’ here’s your chance.” I wanted it more than anything in the world. I didn’t want the fame per se. I wanted the job.You made it to the finale, then lost. Do you feel like you were robbed?I ran into Martha Stewart shortly after. I was wearing a really sexy dress. Intentionally. She was standing next to Jon Bon Jovi. And she said to him: “This is Bethenny, she was just on my show. And she’s mad at me because she didn’t win.” And I said: “Martha, I’m not mad at you. You’re like an ex-boyfriend that I hate but I’m still in love with.”Frankel and Dawna Stone were finalists in the Martha Stewart season of “The Apprentice.”Virginia Sherwood/NBCFrankel with Alex McCord, left, and Jill Zarin in “The Real Housewives of New York City.” Frankel left the franchise in 2019.Barbara Nitke/BravoThen you went onto other reality shows, “Housewives,” the Bravo spinoffs, “Shark Tank,” “Skating With the Stars.” How do people who know you only from TV see you?People think I’m scathing, abrupt, aggressive, intense, passionate, smart, successful, secretive, stealthy, a baller, manipulative, funny. I think I said intense? Economical, organized, efficient, reliable, honest.What do we get wrong? What don’t we see?What people probably don’t realize or believe is I am the most private person that I know, which is the craziest irony. I’m private about moments and experiences. I’m more of a homebody than anybody that I know, short of someone being agoraphobic. I do not leave my house and I do not put on hair and makeup unless I’m being paid to.Few people have used reality TV as successfully as you have. Was that always your plan?Going on “Housewives” was strategic. It’s not that easy to get on TV. I wanted to be a natural food chef. I wanted to be on the Food Network, and this is a place to show that I’m a natural food chef. Once it started, I thought: This is going to be a game changer. This is going to be very disruptive. But I was always honest about what I was doing.The premise of “The Big Shot With Bethenny” is that you need to hire a vice president of operations for Skinnygirl. What does a vice president of operations do?I wanted a second in command. The people at MGM wanted the title because the audience can digest and understand the title. What I really needed in my business was my person, who can think like me, manage the shop like me, edit a social post, have a vision.“What people probably don’t realize or believe is I am the most private person that I know,” Frankel said.Celeste Sloman for The New York TimesIs a reality show the best way to find that person?I’ve never looked at a résumé, ever. Headhunters give you people that are like, “Next Tuesday, I have a doctor’s appointment, and two years from July, I need to take a three-week trip, and what time is my lunch break?” I didn’t come up that way. We just worked. It’s hard to find people like that. That’s who I go for. I don’t care if you know anything — you’re loyal and you’re smart and you work hard. That is all you need.People competing for a job on a reality show sounds a lot like “The Apprentice.”Initially, I wanted to be disassociated from “The Apprentice.” It’s not real. It’s manufactured. Everything going on with our projects was really going on. So for example, I really have a shapewear brand; we really had to create a campaign for it. That was really happening. I really have salad dressings and preserves. The built-in projects are real; they have real stakes. Also, when you watch “The Apprentice,” do you ever see him in his pajamas? You ever see him at home with his wife? I imagine Donald Trump eats cereal. Do we see that? No. Do you see me in my life? Yes. The authentic modern version of “The Apprentice,” that’s what this really is.“The Apprentice” has a very predictable structure. Watching your show, I had no idea what would happen.Our executive producer produced “America’s Top Model.” Mark Burnett has produced “The Apprentice,” “Shark Tank,” “Survivor.” I get that they feel safety in format. I feel trapped and suffocated by it. Like, I’m back on my talk show directing traffic between a soufflé and fall florals. On my own reality shows and on the “Housewives,” I would say, “Let’s do real.” So all of the things that are shocking are not contrived. There were so many things not planned. It’s a very different show for that reason because it’s based in authenticity.So without too many spoilers, did it work out? Did you get your person?This experience gave me the person and I’m so excited.What have you learned about being good at being on television?People always say get out of your own head — it’s not entirely true. Reality television is the highlights. Something’s a sound bite. Something’s a takeaway. Something’s entertaining. I know what people want to see. I know what people want to drink. I understand what people think is entertaining. More

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    Late Night Celebrates Earth Day

    “Earth Day started back in the ’70s with very lofty goals and has kind of turned into, ‘Guys, please, just for one day try not to light garbage on or near a panda bear, OK?’” Jimmy Kimmel said.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. We’re all stuck at home at the moment, so here are the 50 best movies on Netflix right now.Save the Rainforest (Cafes)Late-night hosts celebrated Earth Day on Thursday, with Jimmy Kimmel touching on the holiday’s origins.“Earth Day started back in the ’70s with very lofty goals and has kind of turned into, ‘Guys, please, just for one day try not to light garbage on or near a panda bear, OK?’” Jimmy Kimmel joked.“There are so many amazing things from Earth. I mean, we have oceans and mountains, and shaving cream, and pine cones and the iPhone. We’ve got monkeys; we’ve got chocolate-covered raisins. Ryan Gosling, we’ve got Ryan Reynolds. We’ve got the Aurora Borealis. Pens are good. ‘Property Brothers,’ Magic Johnson, tennis rackets, yoga pants, poodles, tacos, yarn, marshmallows and Mr. T. I mean, that is a diverse portfolio of things that we should be grateful for.” — JIMMY KIMMEL“Of course, Earth Day is like prom in that every year has a theme. This year’s is ‘Restore Our Earth.’ Yes, we have to, or pretty soon the theme’s going to be ‘Enchantment Under the Sea.’” — STEPHEN COLBERT“A lot of stores celebrated Earth Day. H&M added a section for sustainable items, Lowe’s offered a free garden-to-go kit, and Subway recycled last week’s tuna.” — JIMMY FALLON“I’m kidding around, but protecting the Earth is serious. I mean, can you believe that in 1999, we had nearly 50 Rainforest Cafes, and now we’re down to almost 20?” — JIMMY FALLONClimate ChangesPresident Biden’s climate summit was a related hot topic, with late-night hosts touching on the president’s announcement that the United States will cut its carbon emissions in half by 2030.“Added Biden, ‘Of course that responsibility will ultimately fall to President the Rock.’” — SETH MEYERS“Other countries are cautiously optimistic now. They’re like, ‘OK, but last year, weren’t you the guys saying climate change isn’t real? Which America are we talking to?’” — JIMMY KIMMEL“The science is absolutely clear that it’s necessary to avoid a worldwide catastrophe. No one should be against this, so naturally, almost every Republican is against this.” — JIMMY KIMMEL“Climate change is getting harder to ignore. Last year, wildfires blazing in the Arctic Circle set new emissions records, the Atlantic hurricane season raged stronger than ever, and we reached the end of the hottest decade ever recorded. Most of that came in the last year due to the rise in ‘Bridgerton’ butt.” — STEPHEN COLBERT“The tone of the summit was that we’re all responsible. But you know, Costa Rica was looking at the U.S. and China like: ‘Yeah, this is all our fault, right? Yeah. We’re all to blame.’” — JIMMY FALLONThe Punchiest Punchlines (Earth Day Edition)“Happy Earth Day! Everyone is in the spirit. This morning at 7-Eleven, I saw a rat drinking a Big Gulp with a metal straw.” — JIMMY FALLON“Today was Earth Day. ‘Ah, yes, the place I’m totally from,’ said Mark Zuckerberg.” — SETH MEYERS“That’s right, today was Earth Day even though I didn’t planet.” — SETH MEYERS“Today was the 51st Earth Day, although the Earth was like, ‘Let’s say — let’s just tell people I’m 35.’” — JAMES CORDEN“Humans celebrating Earth Day is like fleas celebrating Dog Day.” — JIMMY KIMMELThe Bits Worth WatchingDesus and Mero caught up with a friend of the show, Issa Rae, about her official new status as media mogul after Ms. Rae, the “Insecure” creator and star, signed an eight-figure deal with WarnerMedia.Also, Check This OutFans have gotten their wish: LeVar Burton is slated to guest-host “Jeopardy!” the last week of July.Etienne Laurent/EPA, via ShutterstockAfter fans campaigned online, LeVar Burton will guest-host “Jeopardy.” More