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    Sharon Carter Returns in New 'Falcon and Winter Soldier' Teaser

    Disney +

    This marks Agent 13’s reappearance since ‘Captain America: Civil War’, in which the great-niece of legendary S.H.I.E.L.D. founder and Director Peggy Carter is believed to have already been on the run from her superior.

    Mar 8, 2021
    AceShowbiz – Disney+’s “The Falcon and the Winter Soldier” has released a new TV spot for viewing pleasure ahead of its premiere. In the latest video, which was unveiled on Sunday, March 7, a familiar face can be seen taking the spotlight as she returns to the Marvel Cinematic Universe.
    The teaser opens with Sharon Carter, played by Emily VanCamp, shocking Falcon (Anthony Mackie) and Winter Soldier (Sebastian Stan) with her sudden appearance. The S.H.I.E.L.D. agent can be seen pointing a gun at the two Avengers before greeting them, “Here we go again.”
    In the action-filled trailer, the Agent 13 is also featured beating some guys down. Meanwhile, Falcon and Winter Soldier are joining forces to beat a group of people who use a mask. This marks Sharon’s reappearance since “Captain America: Civil War”, in which the great-niece of legendary S.H.I.E.L.D. founder and Director Peggy Carter was believed to have already been on the run from her superior for breaking the rules.

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    Fans are excited with Sharon’s return as one fan wrote on Twitter, “YESSS KEEP THE SHARON CARTER CONTENT COMING.” Echoing the sentiment, another fan added, “yes pls more sharon.”
    “And hell yeah Emily Vancamp is back as Sharon Carter a.k.a. agent 13 I miss her she’s a badass hope she sticks around in the MCU that be great so I wonder what’s going to happen where she been all this time since after Captain America Civil War,” someone else commented.
    Set after the events of “Avengers: Endgame”, “The Falcon and the Winter Soldier” features Sam Wilson/Falcon and Bucky Barnes/Winter Soldier teaming up in “a global adventure that tests their abilities–and their patience.” In the movie, Steve Rogers decided to retire from his role as Captain America and chose to be living an ordinary life in an alternate reality with his longtime love, Peggy Carter. He gave his shield to Sam instead.
    The cast also includes Wyatt Russell who is tapped to take the role of John Walker, a.k.a. U.S. Agent, who is part of the West Coast Avengers in the comics. Meanwhile, Daniel Bruhl is returning as villain Baron Zemo. Directed by Kari Skogland (“The Handmaid’s Tale”) from a script by Malcolm Spellman (“Empire”), “The Falcon and the Winter Soldier” is set to premiere on March 19, 2021 on Disney+.

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    Katharine McPhee Offers First Glimpse of Newborn Son

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    What’s on TV This Week: ‘Coming to America’ and the Grammy Awards

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyWhat’s on TV This Week: ‘Coming to America’ and the Grammy AwardsThe original “Coming to America” airs on Paramount Network. And this year’s Grammy Awards airs on CBS.Eddie Murphy, left, and Arsenio Hall in “Coming to America.”Credit…Paramount PicturesMarch 8, 2021, 1:00 a.m. ETBetween network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, March 8-14. Details and times are subject to change.MondayCOMING TO AMERICA (1988) 10 p.m. on Paramount Network. In a recent interview with The New York Times, Eddie Murphy and Arsenio Hall discussed the comic chemistry that they share, which is a — perhaps the — key ingredient in this fish-out-of-water comedy. “I’m a stand-up comic and a guy who does TV,” Hall said. “Eddie is a movie star. But we share with each other because the bottom line is we’re both comfortable in our own skin.” In “Coming to America,” Murphy plays a prince from a wealthy African country and Hall plays his sidekick, in a journey that takes that pair to Queens, New York. The movie, directed by John Landis, immortalized Murphy and Hall’s easy rapport; pair it with the sequel, “Coming 2 America,” which was released last week.TuesdayAMERICAN EXPERIENCE: VOICE OF FREEDOM 8 p.m. on PBS (check local listings). The life of the great contralto Marian Anderson — whose groundbreaking career included becoming, in 1955, the first Black singer to perform at the Metropolitan Opera — is covered in this documentary program, which debuted last month and airs again on Tuesday. Its appraisal of Anderson’s life is built around footage of her famous 1939 performance at the Lincoln Memorial, which was attended by 75,000 people and became a symbolic moment in the civil rights movement.COVID DIARIES NYC 9 p.m. on HBO. Five filmmakers in their late teens and early 20s capture their pandemic-era lives in this series of short, first-person documentaries. Several of the filmmakers’ family members are essential workers, including a Washington Heights bus driver and a postal worker.WednesdayCynthia Erivo in “Harriet.”Credit…Glen Wilson/Focus FeaturesHARRIET (2019) 8 p.m. on HBO. Cynthia Erivo will return to screens later this month, playing Aretha Franklin in the third season of National Geographic’s “Genius.” It’s not her first time embodying a foundational figure from America’s past. Erivo played Harriet Tubman in this 2019 biopic, directed by Kasi Lemmons, which dramatizes Tubman’s escape from bondage and her leadership in the underground railroad. Erivo’s performance is “precise and passionate” and the film itself “rousing and powerful,” A.O. Scott wrote in his review for The Times. Leslie Odom Jr. and Janelle Monáe also star, and the score is by Terence Blanchard.CAKE 10 p.m. on FXX. This anthology series is called “Cake,” but what it offers are more like cake pops: Little comedy shorts, both animated and live-action, that make it easy to consume more than you intended. The show’s fourth season, which debuts Wednesday, offers an array of fresh shorts from a variety of creators.ThursdayGeorge MacKay in “True History of the Kelly Gang.”Credit…IFC FilmsTRUE HISTORY OF THE KELLY GANG (2020) 6 p.m. on Showtime 2. It was easy to miss the release of this film last April, when potential U.S. viewers would have been distracted by the newly arrived coronavirus (and by “Tiger King”). But fans of Westerns — intense ones — might consider giving it another look. The movie offers a fictionalized account of the life of the legendary outlaw Ned Kelly, who led a gang in Australia in the 19th century. George MacKay plays Kelly during the gang’s final days, as they evade the law in Australian bush. The film, directed with elaborate flair by Justin Kurzel, is based on a Booker Prize-winning novel by Peter Carey — but Glenn Kenny, in his review for The Times, wrote that the language in the film pales next to the book’s prose. “A climactic shootout with startling strobe-like lighting effects is undeniably impressive,” Kenny wrote. “But the jumpy, springy qualities of the movie’s visual style are unfortunately undercut by its verbal content.”FridayJo Van Fleet and James Dean in “East of Eden.”Credit…Everett CollectionEAST OF EDEN (1955) 6 p.m. on TCM. How do you heave “East of Eden,” John Steinbeck’s chunky and elaborate tale of two families in California’s Central Valley, onto film? This adaptation, directed by Elia Kazan from a screenplay by Paul Osborn, does so by focusing on only a slice of the book. It casts James Dean and Raymond Massey as the sons of a strict Christian farmer, focusing on family tensions that deepen when the younger son (Dean) discovers that his mother (Jo Van Fleet), who he’d been told was dead, is alive and running a brothel in Salinas. He also develops a relationship with his older brother’s girlfriend (Julie Harris). This was Dean’s first leading film role, and he didn’t exactly get a standing ovation from the Times critic Bosley Crowther. “This young actor, who is here doing his first big screen stint, is a mass of histrionic gingerbread,” Crowther wrote a 1955 review. “He scuffs his feet, he whirls, he pouts, he sputters, he leans against walls, he rolls his eyes, he swallows his words, he ambles slack-kneed — all like Marlon Brando used to do. Never have we seen a performer so clearly follow another’s style.” The director, Crowther added, “should be spanked for permitting him to do such a sophomoric thing.” Crowther did like the CinemaScope cinematography, though.SaturdayTHE 2021 NICKELODEON KIDS’ CHOICE AWARDS 7:30 p.m. on Nick. After an admirably weird appearance alongside Maya Rudolph at the Golden Globe Awards last month, Kenan Thompson will take on full hosting duties for this year’s installment of Nickelodeon’s film and TV awards show, where his oddball humor will be served with a side of green slime. The nominees list has little overlap with the higher-brow awards shows. It includes Jim Carrey for “Sonic the Hedgehog” and Vanessa Hudgens for “The Princess Switch: Switched Again.”SundayFrom left: Taylor Swift, Megan Thee Stallion and Dua Lipa are among the artists announced as performers for the 63rd annual Grammy Awards.Credit…Dia Dipasupil/Getty Images For Iheartmedia, Rich Fury/Getty Images For Visible, Kevin Winter/Getty Images For DcpTHE 63RD ANNUAL GRAMMY AWARDS 8 p.m. on CBS. Taylor Swift, Billie Eilish, Dua Lipa, BTS, Harry Styles, Cardi B and Megan Thee Stallion are among the performers at this year’s Grammy Awards ceremony, which will be hosted by Trevor Noah on Sunday night. (The broadcast will mix live and recorded performances.) Swift, Lipa and Beyoncé dominate the nominees list; other performers up for multiple awards include the rapper Roddy Ricch, who will also perform, and the singer-songwriters Brittany Howard and Phoebe Bridgers.AdvertisementContinue reading the main story More

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    Critics Choice Awards 2021: 'The Crown' and 'Ted Lasso' Are Top TV Winners – See Full List

    Netflix/Apple TV+

    As for ‘The Queen’s Gambit’, the Netflix show is presented with one of the huge prizes, Best Limited Series award, edging out ‘I May Destroy You’, ‘Small Axe’ and ‘Normal People’ among others.

    Mar 8, 2021
    AceShowbiz – The 2021 Critics Choice Awards has unveiled the full winners in TV department. Taking place on Sunday, March 7, the award-giving event that was hosted by Taye Diggs saw Netflix’s “The Crown” being the biggest winner that night after collecting four accolades including Best Drama Series.
    Stars Josh O’Connor and Emma Corrin were also presented with an award each earlier that night. O’Connor was named as the Best Actor in a Drama Series for his role as Prince Charles on the hit series. As for Corrin, she took home the trophy for Best Actress in a Drama Series for her portrayal of Princess Diana. Gillian Anderson, who plays Margaret Tatcher on the show, meanwhile, won Best Supporting Actress in a Drama Series.
    Trailing behind with 3 wins was “Ted Lasso”. At the event, the Apple TV+ comedy series starring Jason Sudeikis was named the Best Comedy Series with the actor winning Best Actor in a Comedy Series. Adding the number of the trophy that the show collected at the event was Hannah Waddingham, who won Best Supporting Actress in a Comedy Series for her role on the show.

      See also…

    As for “The Queen’s Gambit”, the Netflix show was presented with one of the huge prizes, Best Limited Series award, edging out “I May Destroy You”, “Small Axe”, “Normal People” and “The Undoing” among others. Lead actress Anya Taylor-Joy was honored with Best Actress in a Limited Series or Movie Made for Television.
    Also collecting 2 wins at this year’s Critics Choice Awards was comedy series “Schitt’s Creek”. Catherine O’Hara won Best Actress in a Comedy Series, while Daniel Levy received the trophy for Best Supporting Actor in a Comedy Series. Find out the full list of movie winners here.
    Full TV Winner List of the 2021 Critics’ Choice Awards:
    Best Drama Series: “The Crown”
    Best Actor in a Drama Series: Josh O’Connor, “The Crown”
    Best Actress in a Drama Series: Emma Corrin, “The Crown”
    Best Supporting Actor in a Drama Series: Michael K. Williams, “Lovecraft Country”
    Best Supporting Actress in a Drama Series: Gillian Anderson, “The Crown”
    Best Comedy Series: “Ted Lasso”
    Best Actor in a Comedy Series: Jason Sudeikis, “Ted Lasso”
    Best Actress in a Comedy Series: Catherine O’Hara, “Schitt’s Creek”
    Best Supporting Actor in a Comedy Series: Daniel Levy, “Schitt’s Creek”
    Best Supporting Actress in a Comedy Series: Hannah Waddingham, “Ted Lasso”
    Best Limited Series: “The Queen’s Gambit”
    Best Movie Made for Television: “Hamilton”
    Best Actor in a Limited Series or Movie Made for Television: John Boyega, “Small Axe”
    Best Actress in a Limited Series or Movie Made for Television: Anya Taylor-Joy, “The Queen’s Gambit”
    Best Supporting Actor in a Limited Series or Movie Made for Television: Donald Sutherland, “The Undoing”
    Best Supporting Actress in a Limited Series or Movie Made for Television: Uzo Aduba, “Mrs. America”
    Best Animated Series: “BoJack Horseman”
    Best Talk Show: “Late Night with Seth Meyers”
    Best Comedy Special: “Jerry Seinfeld: 23 Hours to Kill” & “Michelle Buteau: Welcome to Buteaupia” (tie)
    Best Short Form Series: “Better Call Saul: Ethics Training with Kim Wexler”

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    Olivia Colman Spills How Mother’s Role as NHS District Nurse Connects Her to ‘The Father’

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    ‘Allen v. Farrow’ Episode 3 Recap: Investigations and a Custody Trial

    AdvertisementContinue reading the main storySupported byContinue reading the main story‘Allen v. Farrow’ Episode 3 Recap: Investigations and a Custody TrialFilmmakers delve into dozens of boxes of records that documented the investigations into Dylan Farrow’s accusation of sexual abuse.Mia Farrow with her daughter Dylan in “Allen v. Farrow.” Episode 3 focuses on police and court documents, much of which had never been made public.Credit…HBOMarch 7, 2021In the previous episode of “Allen v. Farrow,” the HBO documentary series that examines Dylan Farrow’s accusation of sexual abuse against her father, Woody Allen, the filmmakers introduced viewers to key video footage of a 7-year-old Dylan explaining events to her mother.Although the footage, shot by Mia Farrow, had not been released publicly before this series, its existence has been the subject of controversy. Allies of Mr. Allen saw it as proof that Mia, Dylan’s mother, had coached Dylan. Others saw it as clear evidence that the accusations were true.Episode 3 revisits this footage and delves into the investigations, court proceedings and familial turmoil that followed.Mr. Allen has long denied the accusations of sexual abuse, and, after the first episode aired, a spokesperson for him said that the docuseries was “riddled with falsehoods.”This episode is built largely off police and court documents, much of which had never been made public, including a trove of more than 60 boxes of documentation that was in a lawyer’s storage room.Frank S. Maco, a state’s attorney in Connecticut, who worked on the case. He asked the child abuse clinic at Yale-New Haven Hospital to evaluate Dylan Farrow.Credit…HBOA high-profile police inquiryIt was Dylan Farrow’s pediatrician who first reported her allegations to the authorities, leading to investigations by the Connecticut State Police and the New York City Child Welfare Administration. (Dylan Farrow said the sexual assault occurred in the attic of the family’s Connecticut summer home.)In an extensive interview, Frank S. Maco, then a state’s attorney in Connecticut, says that he intended to investigate the accusation “quietly,” but that Mr. Allen held a news conference at the Plaza Hotel, where he shared the news of the investigation. Mr. Allen called the allegations a “gruesomely damaging manipulation of innocent children for vindictive and self-serving purposes.” He also declared his love for Soon-Yi Previn, Mia Farrow’s daughter, suggesting that the allegations were a result of Mia lashing out over that relationship.“They were doing a great job painting Mia Farrow as a scorned woman who would say anything,” said Rosanna Scotto, a broadcast reporter who covered the news at the time.Armed with that narrative, Mr. Allen went on a media campaign, while Ms. Farrow stayed relatively quiet. She told filmmakers that she was trying to establish some semblance of normalcy for her children.The Yale-New Haven reportMr. Maco, the prosecutor, said that he asked the child abuse clinic at Yale-New Haven Hospital to evaluate Dylan Farrow, to determine whether she would be traumatized by taking the stand at a trial and whether there were any “impediments” to her ability to testify — including any ability to “perceive, recall and relate.”During a seven-month inquiry, experts interviewed Dylan Farrow nine times, a number that child abuse and legal experts tell the documentary filmmakers was excessive for a child subject.“I would repeat the story over and over and over again,” Dylan Farrow says in the episode. “It was grueling and it was intense.”The final report stated that there were “inconsistencies” in Dylan Farrow’s statements and that she had “difficulties distinguishing fantasy from reality.” It found that her accusations were “likely reinforced and encouraged” by her mother. The clinic shared the results with Mr. Allen and Mia Farrow without telling Mr. Maco they were doing so, he said, and Mr. Allen announced the determinations at a news conference.Later on, during the custody battle between Mr. Allen and Ms. Farrow, the director of the clinic said in a deposition that its practice was to destroy notes; experts interviewed in Episode 3 say that this is antithetical to common practice in their field.The New York investigationThe inquiry by New York City’s Child Welfare Administration was being spearheaded by Paul Williams, a caseworker who interviewed Dylan Farrow and found her to be credible.Within two weeks of the investigation, Mr. Williams determined that there was sufficient information to open a New York-based criminal investigation, but he was told by superiors that in high-profile cases like this one, it was customary for the “big wigs” to take responsibility and for the welfare administration to relinquish control, according to case records reviewed by the filmmakers.A lawyer for Mr. Williams, Bruce Baron, says in the documentary that at the time, his client “wouldn’t shut up” about the case at work, and he was fired for insubordination. Mr. Williams sued the city over the firing, arguing in part that the city had suppressed information about the case; he won in court and got his job back..css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-rqynmc{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:0.9375rem;line-height:1.25rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-rqynmc{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-rqynmc strong{font-weight:600;}.css-rqynmc em{font-style:italic;}.css-yoay6m{margin:0 auto 5px;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}@media (min-width:740px){.css-yoay6m{font-size:1.25rem;line-height:1.4375rem;}}.css-1dg6kl4{margin-top:5px;margin-bottom:15px;}#masthead-bar-one{display:none;}#masthead-bar-one{display:none;}.css-1pd7fgo{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-1pd7fgo{padding:20px;width:100%;}}.css-1pd7fgo:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1pd7fgo{border:none;padding:20px 0 0;border-top:1px solid #121212;}.css-1pd7fgo[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-1pd7fgo[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-1pd7fgo[data-truncated] .css-5gimkt:after{content:’See more’;}.css-1pd7fgo[data-truncated] .css-6mllg9{opacity:1;}.css-k9atqk{margin:0 auto;overflow:hidden;}.css-k9atqk strong{font-weight:700;}.css-k9atqk em{font-style:italic;}.css-k9atqk a{color:#326891;-webkit-text-decoration:none;text-decoration:none;border-bottom:1px solid #ccd9e3;}.css-k9atqk a:visited{color:#333;-webkit-text-decoration:none;text-decoration:none;border-bottom:1px solid #ddd;}.css-k9atqk a:hover{border-bottom:none;}Understand the Allegations Against Woody AllenNearly 30 years ago, Woody Allen was accused of sexually abusing Dylan Farrow, his adopted daughter. A new docuseries re-examines the case.This timeline reviews the major events in the complicated history of the director, his children and the Farrow family.The documentary filmmakers Kirby Dick and Amy Ziering spoke about delving into this thorny family tale. Read our recaps of episode 1 and episode 2.Dylan Farrow wrote an open letter in 2014, posted by the New York Times opinion columnist Nicholas Kristof, recounting her story in detail.Our book critic reviewed Mr. Allen’s recent memoir, “Apropos of Nothing.”A.O. Scott, co-chief film critic, grappled with the accusations and his complicated feelings on the filmmaker in 2018. In looking through Mr. Williams’s case files, the filmmakers found notes about a conversation he had with Jennifer Sawyer, a social worker who had interviewed Dylan Farrow for the Yale-New Haven report. According to the notes, Ms. Sawyer told Mr. Williams that “she believes Dylan” and believed that the child had “more to disclose.”In a seven-month period, Dylan Farrow was questioned nine times by clinic workers.Credit…HBOThe custody battleOn Aug. 13, 1992, nine days after the alleged sexual assault, Mr. Allen sued Mia Farrow for custody of their three children: Dylan Farrow, Moses Farrow and Ronan Farrow.In a taped phone call between Mia Farrow and Woody Allen, Ms. Farrow brings up his lawsuit against her and accusations that she was an unfit mother, to which he responds, “And I’m going to make them stick.” Ms. Farrow begged him to drop the case.During the trial, which started in the spring of 1993, Mr. Allen testified that he believed Ms. Farrow had “brainwashed” her daughter and that he was not alone with Dylan on the day that she said he assaulted her.The judge ultimately sided with Ms. Farrow, saying that Mr. Allen exhibited grossly inappropriate behavior toward Dylan and that “measures must be taken to protect her.” The judge called the Yale-New Haven report “sanitized,” considering the destruction of the notes and the team’s unwillingness to testify at trial.Expert analysisAt the end of the episode, the filmmakers return to the footage of Dylan Farrow taken by her mother, and show child abuse experts analyzing the video for the documentary. At the custody trial, where the footage was entered as evidence, Mr. Allen said that Ms. Farrow had asked her daughter “in a leading way about molestation.”But after seeing the footage, one of the documentary’s interviewees, Anna Salter, a child abuse expert and psychologist, said that Ms. Farrow did not make any “overt suggestions” in her questioning. One “implicit” suggestion Ms. Farrow makes, Dr. Salter said, is asking her daughter if Mr. Allen took her underpants off. (Dylan responds that he hadn’t done so.)“From my point of view, what’s important is Dylan’s response: Does she go along with the suggestion?” Dr. Salter said. “But she doesn’t.”As Ms. Farrow says in a taped phone call between her and Mr. Allen played at the top of the episode: “Dylan’s a baby; how could you do that to her?”Mr. Allen’s response is inaudible.AdvertisementContinue reading the main story More

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    Journalists Rebel at NewsNation, a Newcomer in Cable News

    AdvertisementContinue reading the main storySupported byContinue reading the main storyJournalists Rebel at NewsNation, a Newcomer in Cable NewsTwo top editors at the channel’s new prime-time newscast resigned amid staff complaints of a right-wing tilt and concern over the involvement of the former Fox News chief Bill Shine.A one-on-one interview last September with President Trump, conducted outside the White House by a “NewsNation” anchor, Joe Donlon.Credit…NewsNationMarch 7, 2021Updated 6:53 p.m. ETLast summer, a staff of more than 150 people started putting together “NewsNation,” a three-hour prime-time cable news show that was billed as a throwback to the just-the-facts news programs of TV’s golden age. Unlike the prime-time shows on CNN, Fox News and MSNBC filled with partisan monologues and fiery discussions, “NewsNation” would serve up unbiased news reports in a straightforward manner.The show made its debut in September on WGN America, a Chicago cable channel available in roughly 75 million households across the country. Its development was overseen by Sean Compton, a top executive at Nexstar Media Group, which owns WGN America. He laid out the show’s mission in a January 2020 statement: “We consistently hear from viewers who are seeking straight-ahead, unbiased news reporting that is grounded in fact, not opinion,” Mr. Compton said. “‘News Nation’ will deliver exactly that.”Eager journalists from across the country signed on, some of them moving with their families from far away. But now, six months after its debut, “NewsNation” has abysmal ratings and disaffected staff members who say it has not lived up to Mr. Compton’s billing. In recent weeks, the news director and managing editor have resigned. Six people at the network, who spoke on the condition of anonymity to reveal internal discussions, said “NewsNation” has increasingly become a venue for right-wing views.A Nexstar spokesman had no comment on the resignations and said that NewsNation had “a commitment to deliver unbiased news to our viewers.”The creation of “NewsNation” was just phase one in a larger Nexstar plan to transform WGN America into an all-news channel. To mark the shift, WGN America changed its named to NewsNation on March 1.The unrest at the channel’s flagship newscast started in earnest last month, when an industry publication reported that Bill Shine, a former Fox News co-president and Trump administration official, had been working since June as a “NewsNation” consultant. Until the article appeared, the staff did not know about his involvement, the six people said.Several staff members said the secrecy around the hiring of Mr. Shine caused many people at “NewsNation” to question whether Mr. Compton had been sincere in his pledge to deliver “straight-ahead” coverage, or if he had planned all along to create what one person at the show called “a mini Fox News.” Mr. Compton declined to comment.Code Name: ‘Project Neutral’Nexstar, a public company, became the nation’s largest local TV operator in 2018, when it bought Tribune Media, the television arm of the Tribune Company, for $4.1 billion. Nexstar also gained an executive in the deal: Mr. Compton, the former head of Tribune Media’s programming department who is now the president of Nexstar’s networks division.Mr. Compton, 47, had his first success in radio, having spent 18 years as a high-level executive at Clear Channel Radio and Premiere Radio Networks. In that job, he helped transform Sean Hannity from an Atlanta radio personality into a national star. In 2004, Mr. Compton signed Donald J. Trump to a deal that gave him a commentator role on radio shows across the country.On Sept. 1, the day of the “NewsNation” premiere, Mr. Trump tweeted: “Good luck to Sean Compton, a winner at everything he does.” That night, the show drew an audience of 130,000 viewers, according to Nielsen. Since then the ratings have steadily dropped. Episodes in the week of Feb. 8 had an average audience of 58,000, and fell to 37,000 on March 1.The show had the in-house code name “Project Neutral” during its planning phase. To lead the newsroom, Mr. Compton hired Jennifer Lyons and Sandy Pudar, two well-regarded veterans of the Chicago station WGN-TV.An early warning sign for many people at the show came Sept. 22, when it broadcast a one-on-one interview with President Trump, an interview conducted just outside the White House by a “NewsNation” anchor, Joe Donlon. Mr. Compton had helped arrange the interview, as “NewsNation” noted on its website, and he accompanied the anchor to the White House.Four “NewsNation” staff members said that, in their view, Mr. Donlon had not sufficiently challenged Mr. Trump’s false claims. And some of the anchor’s questions — he asked the president to describe his biggest accomplishment and what he enjoyed about his rallies — struck them as soft, they said. Steve Johnson, The Chicago Tribune’s TV critic, agreed, slamming Mr. Donlon’s performance in a review that called the segment “a 15-minute prime-time opportunity for the president to repeat campaign talking points without having to answer on matters of fact or logic.”Ms. Pudar, the news director, resigned abruptly on Feb. 2. The next day, FTV Live, a cable industry website, broke the news of Mr. Shine’s involvement in “NewsNation,” further inflaming the staff, according to six people at the show.Mr. Shine is a onetime lieutenant to Roger E. Ailes, the network’s late chairman, who was ousted in 2016 after facing accusations of sexual harassment. Mr. Shine himself was pushed out of Fox News in 2017, after he was accused in lawsuits of enabling Mr. Ailes’s behavior. The next year he joined the Trump administration as its communications head. He did not respond to requests for comment.On Feb. 5, Mr. Compton led a meeting of key “NewsNation” staff members, about 40 people in all, according to the six people. He offered his view of the show during the meeting, saying it offered “friendly, vanilla news,” an approach, he added, that was “not working,” according to two people with knowledge of the meeting. Asked about Mr. Shine, Mr. Compton said he was “just a consultant” and urged the staff to keep an open mind about him.Staff members were also critical of a Feb. 3 appearance by Bo Dietl, a former New York Police Department detective and conservative pundit. Mr. Dietl appeared on “NewsNation” to comment on the fatal shooting of two F.B.I. agents in Florida. After a discussion of the case, Mr. Donlon, the anchor, asked Mr. Dietl why the murder rate had risen in some American cities. “It’s very simple,” Mr. Dietl said. “It’s the political liberal Democratic values that are being forced upon us.”The tumult at “NewsNation” continued into March, when Richard Maginn, the managing editor, resigned.Broadcasting a Debunked ClaimIn a call with investors last month, Nexstar’s chief executive, Perry A. Sook, praised “NewsNation.” “Our focus, as you know, is on being down-the-middle, unbiased, presenting both sides of an issue, balanced coverage, and I think we’ve accomplished that,” he said, citing a study conducted by Ad Fontes Media, a media watchdog organization, that in January rated “NewsNation” as neutral.On March 1, the day that WGN America officially became NewsNation, there were changes in the prime-time lineup: “NewsNation” was cut from three hours to two and renamed “NewsNationPrime”; and Mr. Donlon was made the host of a new show, “The Donlon Report,” which allowed him to comment on the news.Last Tuesday, election fraud was the subject of a “Donlon Report” segment. The guest was Jenna Ellis, a lawyer who made regular appearances on behalf of Mr. Trump to trumpet his debunked claims of a rigged vote. “President Trump is absolutely correct that the election results are in doubt,” she said on the show. Ms. Ellis continued in that vein, with the host interrupting her or disputing her claims only occasionally.Toward the end, referring to Mr. Trump, Mr. Donlon asked, “Wouldn’t it help if he came out and conceded?”“That’s not what he should be doing,” Ms. Ellis replied. “What he should be doing is exactly what he did.”AdvertisementContinue reading the main story More

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    'Step Up' Star Terrence Green Disciplined for Making 'Threatening' Gesture at Cop on Set

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    The actor who plays Rigo Octavio on the TV adaptation of the Channing Tatum and Jenna Dewan movie faces punishment for allegedly making a ‘threatening’ gesture at police on the set.

    Mar 7, 2021
    AceShowbiz – Actor Terrence Green has been disciplined after reportedly making a threatening gesture to a policeman while filming his Starz show “Step Up”.
    According to TMZ, Green – who stars as Rigo in the television programme – was shooting scenes for the show at a courthouse in Atlanta, Georgia, this week, when he is said to have approached a cop and made a gesture as though pointing a gun.
    Apparently, the officer was not amused, and Starz are now planning to issue “strong disciplinary action” to Green due to his behaviour.
    “We do not condone any on-set behaviour, even a gesture, that suggests or simulates violence toward another individual,” a spokesperson said, declining to elaborate on the nature of the disciplinary action.

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    Green has yet to comment on the report on his social media pages.
    The TV series was based on the movie of the same name originally starring Channing Tatum and Jenna Dewan. The actor and his former wife served as producers for the TV adaptation.
    The show starred Lauryn McClain and Ne-Yo as well.
    Former “Glee” actress Naya Rivera was also among the cast members. She was replaced by Christina Milian in the third season following her tragic death in July 2020.
    Terrence Green was among the people hit hard by Naya’s passing due to their close relationship. When she was first reported missing, the actor wrote on Instagram, “Aye God…I know we ask a lot of you…because we know what you’re capable of…do that thing you do because I can’t think straight.”

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    Richie Tienken, Whose Comedy Club Propelled Careers, Dies at 75

    AdvertisementContinue reading the main storySupported byContinue reading the main storyRichie Tienken, Whose Comedy Club Propelled Careers, Dies at 75At the Comic Strip, which Mr. Tienken and two partners opened in 1976, Eddie Murphy, Jerry Seinfeld and many others made a lot of people laugh.Richie Tienken onstage at the Comic Strip in Manhattan in an undated photo. He and two partners opened the club in 1976, and a long list of careers began or were advanced there.Credit…via Tienken familyMarch 6, 2021, 3:25 p.m. ETRichie Tienken, a founder of the influential Manhattan comedy club the Comic Strip, where Eddie Murphy, Jerry Seinfeld, Chris Rock and countless other leading comics did some of their earliest work, died on Feb. 27 in Ridgewood, N.J. He was 75.His wife, Jeannie Tienken, confirmed his death and said the cause had not been determined. In recent years, he had struggled with throat cancer.In the mid-1970s, Mr. Tienken, who owned several bars in the Bronx, went to see one of his bartenders, an aspiring comic, perform at the comedy club Catch a Rising Star, which was in Manhattan at the time. It was a Monday night — normally a slow one in the bar business — and Mr. Tienken was impressed by how packed Catch a Rising Star was, as told in his 2012 book, written with Jeffrey Gurian, “Make ‘Em Laugh: 35 Years of the Comic Strip, the Greatest Comedy Club of All Time!”In a telephone interview, Mr. Tienken’s son Richie said another business fact was not lost on Mr. Tienken: At the time, comics weren’t generally paid (though the Comic Strip did eventually start paying modest amounts).“He was paying bands $400 a night” at his bars, the younger Mr. Tienken said. He did the math, and he decided that opening a comedy club to compete with Catch a Rising Star and the Improv, the only other prominent comedy club in Manhattan at the time, could be profitable.He and his partners settled on a run-down bar on Second Avenue between 80th and 81st Streets.“The place was old — really old,” Mr. Tienken wrote in the book. “But the bathrooms were in place, which meant that the plumbing was all in.”The Comic Strip (now known as Comic Strip Live) opened in 1976, and a long list of careers began or were propelled along there.“Richie Tienken’s club gave me my start in comedy,” Mr. Seinfeld, who first performed there in 1976, said through a spokesman. “And he had a wonderful, fatherly way about him that gave us all a feeling of encouragement as we stumbled around his stage trying to figure out how to do it. We all loved seeing him every night, and he took good care of us.”Mr. Tienken, second from left, with, from left, the comedians Jimmy Brogan, Jerry Seinfeld and Mark Schiff. “Richie Tienken’s club gave me my start in comedy,” Mr. Seinfeld said.Credit…via Tienken familyMr. Seinfeld returned to the club to perform a 2017 Netflix special, “Jerry Before Seinfeld,” in which he included the first jokes he told from the Comic Strip stage.Mr. Murphy, soon to achieve stardom on “Saturday Night Live,” was another comic who honed his stand-up at the club in its early days. Mr. Tienken and one of his co-founders, Robert Wachs, managed him for a time, and they both had producer credits on some of Mr. Murphy’s movies.A somewhat later group included Adam Sandler, Ray Romano and Mr. Rock, who wrote the introduction for “Make ‘Em Laugh” and compared comedy clubs like Catch a Rising Star and the Comic Strip to colleges for young stand-ups.“Catch was Yale, and the Strip was Illinois State University, Urbana,” he wrote. “Catch was stressful, like you were always on the verge of being expelled if you didn’t keep up your grades. The Strip was laid back. If you put in the work and studied, you would do well. But if you blew off a term smoking pot, it didn’t go on your permanent record.”And Mr. Tienken?“He had powerful shoulders and was genial,” Mr. Rock wrote, “like a bouncer who babysat on the side.”Richard John Tienken was born on June 11, 1945, in Manhattan. His father, John, was an electrician, and his mother, Helen, was a homemaker and also worked in a department store.He left home at 13, he said — he had stolen a car, and when reform school loomed, he hit the road to avoid it. His father was surprisingly supportive when he announced his plans.“He said, ‘After looking into them’” — that is, reform schools — “‘I understand; here’s 50 bucks,’” Mr. Tienken recalled last year in an episode of Mr. Gurian’s video series, “Comedy Matters.”He sold magazines and delivered groceries, and he eventually got into bar and bingo hall ownership. Then he moved into comedy.Mr. Gurian, a writer, comic and comedy historian who worked with Mr. Tienken again on a 2016 update of the 2012 book that they called “Laughing Legends: How the Comic Strip Club Changed the Face of Comedy,” said that among Mr. Tienken’s innovations was instituting a schedule so comics would know when they were going onstage; in other clubs, they might sit around for hours not knowing when or even whether they would get stage time on a given night.Some of the comics who came through his club were known for edgy material, but Mr. Tienken’s son Richie said his father was a fan of restraint.“He encouraged comics to tell stories about their own life over shock value and vulgarity,” he said.Mr. Tienken married Jeannie Nardi in 1991. In addition to her and his son Richie, Mr. Tienken, who lived in Hawthorne, N.J., is survived by another son, Jonathan; three daughters, Jacqueline, Dawn and Christina; six grandchildren; and two great-grandchildren.Mr. Tienken’s club had financial troubles at times (its post-pandemic future is unclear), and in recent years he had been embroiled in legal battles with the widow of Mr. Wachs, who died in 2013. But in the video interview last year, he said Mr. Seinfeld’s recent special had given the club a financial lift.So did a gesture by another alumnus, Mr. Sandler, who shot part of his 2018 Netflix special called “100% Fresh” there. But unlike the Seinfeld taping, that one was a surprise to Mr. Tienken; his wife kept it a secret from him.“She said to me, ‘When you come in tonight, dress nice,’” he said.AdvertisementContinue reading the main story More

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    'Pose' Bidding Farewell With Upcoming Third Season

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    Billy Porter and his co-stars won’t be back for another season when the upcoming third installment of their hit television drama series comes to an end.

    Mar 6, 2021
    AceShowbiz – Ryan Murphy and Brad Falchuk’s hit TV drama “Pose” is to end after its upcoming third season.
    The acclaimed show, starring Billy Porter, will return to the small screen in May for seven final episodes.
    “We got to tell the exact story we wanted, as we wanted to tell it, and I’m incredibly honored and grateful,” co-creator Murphy said in a statement Friday (05Mar21).

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    Co-creator Steven Canals adds, ” ‘Write the TV show you want to watch!’ That’s what I was told in 2014, while completing my MFA in screenwriting. At the time we weren’t seeing very many black and Latinx characters – that happened to also be LGBTQ+ – populating screens. And so I wrote the first draft of a pilot the ‘younger me’ deserved.”
    “Pose was conceived as a love letter to the underground N.Y. ballroom community, to my beloved New York, to my queer and trans family, to myself. I, along with my incredible collaborators, never intended on changing the TV landscape. I simply wanted to tell an honest story about family, resilience and love. How fortunate am I to have done that for three seasons.”
    “I’m filled with gratitude to our intrepid writers, cast, crew, and producers who worked tirelessly to make Pose come to life, humbled by our loyal audience, thankful to the ballroom community who trusted us to tell their story, overwhelmed by the critics who warmly embraced us, and forever indebted to Ryan Murphy… for changing my life.”

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