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    ‘Diana’ Musical Sets Netflix Run — and Broadway Opening Night

    In an unprecedented move, a recording of the show will start streaming in October, while audiences can see it live (if theaters reopen) in December.“Diana,” a new musical about the idolized but ill-fated British princess, managed to get through nine preview performances before Broadway shut down last March.Now, one year, one pandemic, and one Oprah interview later, the show is ready to try again, with a new strategy and a new context.In a first for a Broadway show, a filmed version of the stage production will start streaming before the musical opens. “Diana,” which was shot over a week last September in an audience-less Longacre Theater, will begin streaming on Netflix on Oct. 1, and then two months later, on Dec. 1, will resume previews on Broadway.The musical’s producers announced Tuesday that they intend to open Dec. 16, which is 625 days after its originally scheduled, but pandemic-postponed, opening night. The producers are putting their Broadway tickets on sale now, and counting on the Netflix film, which will have an open-ended run, to boost interest in the stage production.“I think people will see the movie and will say, that’s a show I want to see in person,” said Frank Marshall, a prominent filmmaker who is one of the musical’s lead producers. Another lead producer, the Broadway veteran Beth Williams, acknowledged that the plan involves “a slightly more complicated rollout,” but added “we feel like it’s an incredible opportunity to put ‘Diana’ in front of the global Netflix audience, and then give them an opportunity to see it live.”Broadway, of course, remains closed in an effort to contain the spread of the coronavirus, and producers expect that most full-scale plays and musicals won’t attempt to start performances until after Labor Day. “Diana,” which chronicles the life and death of the Princess of Wales, who was the first wife of Prince Charles, is among the first shows to put tickets on sale and to choose a specific date for a target opening.The scheduling, Marshall said, was a matter of trying to anticipate how the country’s post-pandemic reopening will unfold, and trying to coordinate the two projects to strengthen them both. “We wanted to make sure our marketing plans aligned,” he said. “I’m very optimistic about the fall, for both movies and for Broadway.” (A spokesman for the show declined to say how much Netflix paid for the streaming rights.)The musical, featuring Jeanna de Waal in the title role, is directed by Christopher Ashley and choreographed by Kelly Devine, who previously collaborated on “Come From Away”; it was written by Joe DiPietro and David Bryan (the Bon Jovi keyboardist), who created the Tony Award-winning “Memphis.”Through virtual and in-person work, the show, which had a pre-Broadway production at La Jolla Playhouse, was revised early in the pandemic. The producers said they do not expect further revisions, and expect their cast to remain intact.Diana has remained an object of public fascination in the years since her death in a 1997 car crash. But her story also has a contemporary sequel, as her younger son, Harry, and his wife, Meghan, stepped away from their royal duties, and, in an interview this month with Oprah Winfrey, he said that “my biggest concern was history repeating itself.”The lives of Diana’s children are not the subject of the new show. “You see Diana become a mother, but her children are not in the musical,” Williams said. “We’re telling the story of a complicated marriage, and at the same time we’re telling a coming-of-age story, and we’ve always seen it as a celebration of Princess Diana, whose legacy will live forever.”The producers said they don’t yet know what sort of safety protocols might be required for cast, crew, or ticket holders at the in-person production. Will there even be an opening night party? “There will be a celebration,” Williams said. “It’s too soon to know what that will look like.” More

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    'RHONY': Heather Thomson Refuses to Film Season 13 Following Leah McSweeney Fight

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    The tension between the two Housewives was hinted in season 13 trailer which Bravo released earlier this month in which Leah was heard calling Heather a ‘Karen’ for an unknown reason.

    Mar 30, 2021

    AceShowbiz –
    Heather Thomson may not appear much in season 13 of “The Real Housewives of New York City”. According to a new report, Heather has stopped filming as she’s feuding with co-star Leah McSweeney.

    “Heather’s popular history with the old cast and the excitement about new cast member Eboni Williams prompted production to maneuver her return,” a source claims to Us Weekly. The source also shares that Ramona Singer invited the 50-year-old fashion designer to the Hamptons for the weekend during production.

    That was when Heather and Leah were involved in a verbal fight. “Shortly after she arrived, Leah [McSweeney] and Heather butt heads. Their exchanges got messy and included some name-calling,” the insider details. Heather allegedly “was stunned” over the fight as she “had minimal interaction” with Leah before season 13.

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    “Heather could see Leah was acting up for the cameras and using behavior she considered demeaning and exploitative and frankly, crossed a line,” says the source. “Heather wanted no part of Leah so after she left that weekend Heather had no interest in continuing the season at all and stopped filming.”

    The tension between Heather and Leah was hinted in season 13 trailer which Bravo released earlier this month. The video saw Leah calling Heather a “Karen” for an unknown reason.

    In addition to that, the clip saw Eboni calling out fellow Housewife Ramona for her comment on her housekeeper. She confronted Ramona for referring to her employees for her party as “the help,” saying, “The ‘help’ comment was a little triggering for me.” To that, Ramona fired back, “Here’s to ‘hospitality assistance.’ ”

    Elsewhere in the teaser, Eboni bragged about being the most educated person among other Housewives. “I have more education frankly than anybody at this table,” so the lawyer said. “Don’t come into my house and tell me I dont have an education,” Luann de Lesseps snapped at Eboni who responded, “I can leave your house Lu!”

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    Joel Edgerton to Join 'Obi-Wan Kenobi' Series as Uncle Owen Lars

    Lucasfilm

    Gearing up for its production, the Disney Plus series unveils Kumail Nanjiani, Rupert Friend, O’Shea Jackson, Jr., Sung Kang, Benny Safdie, Moses Ingram and Simone Kessell among the cast ensemble.

    Mar 30, 2021

    AceShowbiz –
    Actor Joel Edgerton is reprising his role as Uncle Owen Lars in the upcoming “Star Wars” spin-off series about Obi-Wan Kenobi.

    “The Great Gatsby” star portrayed a younger version of the character in 2002’s “Star Wars: Episode II – Attack of the Clones”, and its sequel, “Star Wars: Episode III – Revenge of the Sith” in 2005, and now he’s signed up to return as Lars, the stepbrother of Anakin Skywalker, aka Darth Vader, played in the prequel films and the planned “Obi-Wan” series by Hayden Christensen.

    Bonnie Piesse, who previously appeared as Edgerton’s onscreen wife, Beru Lars, is also stepping back into the “Star Wars” Universe, while other new additions to the cast of the Disney+ show include Kumail Nanjiani, Rupert Friend, O’Shea Jackson Jr., Sung Kang, Benny Safdie, Moses Ingram, Simone Kessell, and Indira Varma, whose involvement was announced earlier this month (March 2021).

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    Production on “Obi-Wan Kenobi”, starring Ewan McGregor as the titular Jedi, is set to begin in April, with the story set 10 years after the events of “Revenge of the Sith”. Deborah Chow, who took charge of two season one episodes of “The Mandalorian”, will direct the new series.

    McGregor and Chow will share their executive producer role with Kathleen Kennedy, Michelle Rejwan and writer Joby Harold.

    Back in October 2020, McGregor spilled a bit about the spin-off series during a Zoom appearance on “The Graham Norton Show”. While not revealing much, he stated at the time, “It’s the Obi-Wan Kenobi story, I suppose. It’s not all me, but it certainly will be a lot of me, which is good.”

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    Amanda Seyfried Steps In as Disgraced Elizabeth Holmes in 'The Dropout'

    WENN/Patricia Schlein

    The ‘Mank’ actress has been brought in to the Hulu series, which is based on a podcast about the rise and fall of Holmes and her biotech company Theranos, in the wake of Kate McKinnon’s exit.

    Mar 30, 2021

    AceShowbiz –
    Oscar nominee Amanda Seyfried has replaced Kate McKinnon as billionaire Elizabeth Holmes in Hulu’s upcoming “The Dropout”.

    “Saturday Night Live” regular McKinnon exited the series, based on a podcast about the rise and fall of Holmes and her biotech company Theranos, in February, and now the “Mank” star has stepped up to play the fraudster and also produce the project.

    This role as Holmes was Amanda’s first since receiving a Best Supporting Actress nomination at 2021 Oscars for her portrayal of Hollywood actress Marion Davies in “Mank”. She will be seen starring in Amy Koppelman’s “A Mouthful of Air” as well as an upcoming Netflix thriller, “Things Heard and Seen”.

    Showrunner Elizabeth Meriwether will executive produce this limited drama series along with Liz Heldens, Liz Hannah, Katherine Pope, Rebecca Jarvis, Victoria Thompson and Taylor Dunn. It was suggested that filming may start in May.

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    Holmes founded medical testing start-up Theranos and became the world’s youngest self-made female billionaire in 2014 after claiming scientists at her company would revolutionize blood testing. It was later revealed that none of the tech she created actually worked, putting thousands of people’s health in danger.

    In 2018, Holmes and another former Theranos boss were indicted on a string of wire fraud and conspiracy to commit wire fraud charges for falsifying results to consumers.

    “The Dropout” is the latest screen project to explore Holmes’ story – it was also the subject of the 2020 documentary “The Inventor”, directed by Alex Gibney.

    Jennifer Lawrence had also previously been linked to the role of Holmes in a planned Adam McKay film, called “Bad Blood”, although it’s unclear if the film, initially announced in 2016, is still in development.

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    Addison Rae Supports TikTok Dance Creators Following Backlash Over Her 'Jimmy Fallon' Performance

    NBC

    The ‘Obsessed’ singer, who has been criticized for stealing from Black entertainers without giving due credit, says that ‘it’s kind of hard to credit during the show.’

    Mar 30, 2021

    AceShowbiz –
    Addison Rae has reacted to backlash over her performance on “The Tonight Show Starring Jimmy Fallon”. Having been criticized for stealing from Black entertainers without giving due credit, the “Obsessed” singer stressed that she supports TikTok dance creators.

    The 20-year-old offered her two cents when speaking to TMZ during an outing on Monday, March 29. “I think they were all credited in the original YouTube post, but it’s kind of hard to credit during the show. But they all know that I love them so much. I mean, I support all of them so much. And hopefully one day we can all meet up and dance together,” she said.

    The “He’s All That” actress noted that she already talked about the criticism with host Jimmy Fallon. Despite the heat, she gushed that the performance was such “so much fun.” She further raved, “I’m very grateful and thankful. It was such a great time.”

    When pressed if she has plans to “collaborate” with those creators, Addison was quick to reply, “For sure. I mean, I think ever since the beginning that I’ve been talking about most of them, and um, definitely wanna collab with a lot of them.” She continued, “So hopefully, once the world opens up, we can all meet up and so something together because they’d be so much fun. And they’re also talented. And I definitely don’t do them justice. They’re amazing.”

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    Addison came under fire after she appeared in the Friday, March 26 episode of the late night talk show for a segment called “Addison Rae Teaches Jimmy Eight TikTok Dances”. In it, she performed some popular dances according to cue cards that the TV host held.

    Addison has since been slammed by many on Twitter. One in particular argued, “Addison Rae on Fallon is a prime example of how mediocre and basic white girls talent have to be to get far meanwhile she build her whole brand off of stealing tick tok’s from black girls…let me know when y’all ready to talk about how the media pushes WHITE #AddisonRaeonFallon.”

    The criticism did not stop there. More came forward with one stating, “these moves/dances were made by black ppl yet she’s the one getting the recognition and money. she doesn’t have any individual talent or creativity she’s just an average looking yt girl with colonizer tendencies and she gets all this. ridiculous.” Another raged, “Jimmy Fallon having Addison Rae on for Tiktok dances she clearly stole and butchered from black creators.”

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    'The Voice' Recap: One Coach Uses His Save Right Away as the Battle Rounds Begin

    NBC

    A new episode of the long-running singing competition show marks the premiere of Battle Rounds in season 20, featuring singers going head-to-head before some of them advance to the Knockout Rounds.

    Mar 30, 2021

    AceShowbiz –
    “The Voice” returned with a new episode on Tuesday, March 29. The episode marks the premiere of Battle Rounds in season 20, featuring singers going head-to-head before some of them advanced to the Knockout Rounds. During this round, each coach was given one steal and one save.

    The first battle was between Team Kelly Clarkson’s Ryleigh Modig and Gean Garcia. The pair took the stage to sing “POV” by Ariana Grande. Coach Blake Shelton commented, “If Kelly was here I would tell her, why did you pair these two together, it’s awful, what is she doing.” Kelsea Ballerini, who stepped in for Kelly as she was sick, was having a hard time to choose one between the amazing singers. Eventually, Riley won with John Legend and Nick Jonas hitting their buttons to steal Gene. Gene chose John.

    The next singers to go head-to-head were Connor Christian and Aaron Konzelman from Team Blake. The two sang Waylon Jennings’ “Ain’t Living Long Like This”. Nick gushed over Connor’s “rasp” while he loved Aaron’s “professional qualities.” As for John, he said, “I really had a fun time listening to the whole thing.” Coach Blake commented, “Aaron, I don’t know how you manage to do anything else when you are so good at this. Connor, once you are in the zone, nobody can get you out of there.” Blake eventually announced Connor as the winner and no one unfortunately stole Aaron.

    Dana Monique and Devan Blake Jones from Team Nick then hit the stage to belt out “Stuck on U” by Ariana Grande and Justin Bieber. Blake mentioned about Dana’s “powerful” vocal. John added, “Devan, I really think you are a great vocalist, you have so much fire, my only concern is that there were a few accuracy issues when it came to the pitch. Dana, you looked natural up there, when it came to execution you were on point the whole time.” Dana won the battle. However, Devan stayed on the competition as Nick decided to save him.

      See also…

    Battling next were Team John’s Christine Cain and Pia Renee who sang Brandy’s song “Baby”. “I feel like I just watched a sass off. Both of you look amazing, you look like I have it together, I am ready to go, and I think as a woman in music it is important to know yourself like that and I see that in both of you as well and that is really amazing,” Kelsea gushed. Meanwhile, Blake said, “Christine, you are such a good singer but at times I felt like you were so laid back and it goes to Pia and she explodes with these vocal moments that really hit the mark. For that reason, I think I would go with Pia.” The winner of the battle was Pia and no one stole Christine.

    Team Nick’s Jose Figueroa Jr. and Awari were then up next, singing “You Say” by Lauren Daigle. “This is genuinely a tough decision Nick Jonas. I feel like your voice Jose was a little more fluid and a little more effortless. Awari I love how strong and solid your voice is. Nick, I might very slightly edge towards Awari and I’m not even sure about that, it’s very close,” John commented. Nick also called the duet “phenomenal.” Eventually, Nick picked Jose as the winner of the battle. Awari was sent home as nobody hit their buttons.

    The final battle that night was between Ethan Lively and Avery Robinson as they sang “Just Got Started Lovin’ You” by James Otto. “I felt like it was inviting, the performance. This song did have that low note and I felt like Ethan has that robust low tone. It is amazing to me that Ethan is only seventeen. I think at this moment, Ethan did a little bit better, but this song played to his strengths,” John raved. “Ethan, you made Nick half the man, you made him jealous. Avery, you came in high demand, you had all four coaches want you. I say you come alive up there,” Blake added. After a tough decision, Ethan was named as the winner. As Avery was available to steal, Kelsea stole Avery on behalf of Kelly.

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    CBS Shuts Down Report That Sharon Osbourne Received $10M for Leaving 'The Talk'

    CBS/Monty Brinton

    The network announced Sharon’s departure in a statement on Friday, March 26, two weeks after the 68-year-old British was involved in a heated argument about race with black co-host Sheryl Underwood.

    Mar 30, 2021

    AceShowbiz –
    CBS has responded to a report claiming that CBS gave Sharon Osbourne up to $10 million ahead of her exit from “The Talk”. According to Page Six, a source spilled that Sharon “is walking away with a $5 to $10 million minimum payout and was able to spin that it was her decision [to leave the show].”

    Another source, meanwhile, added that the wife of Ozzy Osbourne would be speaking out about her exit “when she is ready.” The informant continued, “She has been on that show for 11 years and knows all the secrets.”

    CBS, however, has denied the claims. “False, inaccurate or untrue. Take your pick,” a CBS spokesperson said.

    The network announced Sharon’s departure in a statement which was released on Friday, March 26, two weeks after the 68-year-old British was involved in a heated argument about race with black co-host Sheryl Underwood. “Sharon Osbourne has decided to leave ‘The Talk’. The events of the March 10 broadcast were upsetting to everyone involved, including the audience watching at home,” the statement read.

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    “As part of our review, we concluded that Sharon’s behavior toward her co-hosts during the March 10 episode did not align with our values for a respectful workplace,” the statement continued.

    CBS also denied Sharon’s claims that she was “blindsided” by producers over the confrontation in the episode. “We also did not find any evidence that CBS executives orchestrated the discussion or blindsided any of the hosts,” the statement also read. “At the same time, we acknowledge the Network and Studio teams, as well as the showrunners, are accountable for what happened during that broadcast as it was clear the co-hosts were not properly prepared by the staff for a complex and sensitive discussion involving race.”

    “During this week’s hiatus, we are coordinating workshops, listening sessions and training about equity, inclusion and cultural awareness for the hosts, producers and crew. Going forward, we are identifying plans to enhance the producing staff and producing procedures to better serve the hosts, the production and, ultimately, our viewers,” the statement concluded.

    Sharon received backlash after she defended Piers Morgan who said that he didn’t believe Meghan Markle’s claims, including her racism experience in the royal family. “I am with you. I stand by you,” she tweeted at the time. “People forget that you’re paid for your opinion and that you’re just speaking your truth.”

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    Sean Bean Talks About Derailing ‘Snowpiercer’

    In an interview, the actor discussed Monday’s Season 2 finale, his character’s Trumpian qualities and whether he would be up for a “Game of Thrones” prequel.This interview includes spoilers for Monday’s season finale of “Snowpiercer.”As Ned Stark, the initial, if short-lived protagonist of HBO’s “Game of Thrones,” Sean Bean was the first actor to utter that show’s signature phrase: “Winter is coming.”In his latest series, TNT’s “Snowpiercer,” winter has arrived — the Big Freeze, a cataclysmic temperature collapse that has disabled the Earth and forced a few thousand survivors to seek shelter aboard a train that hurtles perpetually around the icy planet. (The premise is taken from a series of graphic novels by Jacque Lob, Jean-Marc Rochette and Benjamin Legrand, as well as from Bong Joon Ho’s film adaptation.) Now, though, the story’s ice age might be ending; the Earth might warming enough to support life again. Once more, though, the biggest obstacle to this healing is humanity itself.Bean’s character, Wilford, was little more than an idea in Season 1, a Wizard of Oz-like figure who had been installed in the minds of the passengers as the world’s savior. This lie was kept alive for years by the train’s designer and engineer, Melanie (Jennifer Connelly), who created Wilford out of old voice recordings that she edited into new speeches. But in Season 2, Wilford himself showed up, determined to take charge. This Wilford was more of a cruel Joffrey than an honorable Ned Stark, ready to kill and humiliate his subjects and engineer problems only that he could fix, and thus receive godlike worship in return.Wilford’s gaslighting manipulations and abuses were an unsettling study of cultlike leaders, indoctrination, propaganda and authoritarianism. After a year of lockdown, the real-life parallels were sometimes too claustrophobic — and too relevant — to be seen as pure escapism.In Monday’s Season 2 finale, Wilford once again attempted to sabotage humanity’s best hope, this time in the form of Melanie, who had ventured outside the train to gather data about Earth’s possible warming. (“See ya!” he shouted as the train rumbled by.) In the end, though, it was Wilford himself who was left stranded, the engine cut loose by a few passengers. Come Season 3, which is being filmed now in Vancouver, these two factions will have to reach a truce in order for “Snowpiercer” — the train and the show — to move forward.During a phone call from Vancouver, Bean discussed diving into his fiendish role, why Wilford enjoys a good blood bath and whether the actor would be willing to do a “Game of Thrones” prequel. These are edited excerpts from the conversation.When Alex (Rowan Blanchard) slashed your throat in the finale, I thought you might die. But then I remembered reading that you had stopped taking roles in which your character would be killed off. Is that still the case?[Chuckles.] It was a bit worrying, actually! I forgive you for thinking it might be the end. I think everyone expects me to die at some point in this series. That’s what I do.I worked on a film recently called “Possessor,” and I was supposed to die in that. I asked them: “Why don’t you just badly injure me instead? You can put me in a wheelchair.” They said OK. So by the end of the film, I’ve got brain damage, but at least I’m alive. I’m not really that bothered by dying if there is a justifiable reason for it, but I don’t want to keep dying all the time. And it kind of gives the game away if you see me and you think, “How long is this guy going to last?” So when I do survive, it’s a bit of a surprise!Wilford does a lot of surprising things. He would rather sabotage humanity’s best chances of survival than deal with his own petty jealousy. Wouldn’t it be more advantageous just to steal the credit for Melanie’s discoveries?Yeah, I wonder about that. What does he actually want to achieve? There’s got to be an ultimate goal. But he doesn’t want anybody else to make decisions. I’m sure he’d like someplace safe to live, someplace more temperate. But if he can’t discover it himself, he would very happily sweep aside whoever did. He wants to be the one to say: “I found this myself. I’m colonizing it. It’s going to be named after me.” He’ll use any means to achieve that.Bean, who was famously killed off early in “Game of Thrones,” now has a reputation for playing characters who die. “That’s what I do,” he said.Helen Sloan/HBOHis willingness to sacrifice everyone else for his short-term gains reminded me of how some politicians responded in the early days of the coronavirus pandemic.Leaders in America got the nod that the pandemic was going to happen and sold their shares. People with prior knowledge preferred to make a profit first. It is a despicable reaction.I wonder if that was a political move, right at the beginning, to put all the blame on China. I guess the origins of it don’t matter anymore, but I do wonder about this slandering of different countries for political reasons. In the midst of all this, they’re still being political, which is astounding.Was there any aspect of Donald Trump that affected your portrayal of Wilford?He’s an easy target. [Laughs.] If I’m honest, I used to enjoy watching Donald Trump. I found him highly entertaining and rather funny. I didn’t trust him. I didn’t like much of his policies, or what he believed in. But he talked like a regular guy, and that kind of brought you in. He also could just dismiss someone very quickly and start laughing about it. I couldn’t help but notice that and apply a little of that attitude in Wilford.Trump liked to use the rhetoric and the platitudes that a lot of American presidents use, including Joe Biden: “We’re all in this fight together” or “Loyalty is rewarded.” It sounds a little more sinister coming from Wilford, but it’s the same kind of message — it sounds grand, but it doesn’t actually mean anything. Wilford’s a good orator. He likes the sound of his own voice, and he likes dressing up to address an audience. That’s why he’s successful — he’s attractive, charming and witty. But that just masks the savagery, barbarism and cruelty.But there are other monsters out there, present-day and past, who are more fitting comparisons for Wilford. I don’t think Bill Gates is a particularly attractive character — he’s certainly a man who relishes control, and I’m a bit wary of that kind of guy. Jeff Bezos, various others, they’ve got so many billions, but they’re still trying to get more. It’s not even the money. They really want to be influential in the world and put forward their ideas. They want to continue trying to get to the top, whatever the top may be. That’s Wilford. He just wants to be top dog and have ultimate power over life and death.Wilford is not exactly anti-science, but he seems only interested in certain kinds of science.He’s like Dr. Frankenstein, with the capability of creating monsters. He spent a lot of time researching how to suffer extreme cold conditions, and that’s been demonstrated with Icy Bob (Andre Tricoteux) and now Josie (Katie McGuinness). He’s just experimenting. That’s another aspect of Wilford, meddling with people’s lives, treating them like animals. That’s where he spends a lot of his time, pursuing things that wouldn’t be allowed in normal society.Like his bath ritual, joining people in the tub and convincing them to slit their own wrists?It’s like a game. Kevin (Tom Lipinski) is lulled into a trance-like state, because he thinks so much of Wilford. He loves him. And Wilford convinces Kevin: “Get in the bath, sit in the bath. And I’ll talk about what you did and how it was wrong. Here’s a razor blade!” [Laughs.] It’s kind of his mantra: “Here’s a way to make it go away. You don’t have to worry. Everything’s fine.”He did that with Miss Audrey (Lena Hall), too. He doesn’t care about people. He does care about Miss Audrey, in that he has a fanciful, romantic vision of her, kind of twisted and lustful. But apart from that, humans are just like ants to him.Were there any scenes you found hard to wrap your mind around?The mango sex scene was a difficult scene for me and Lena Hall. That took it to a new level of weirdness. We were making it up as we went along. I was putting the mango between her legs, she was putting it between mine, and it became a sensual encounter, in a warped and tasty way.The way this season ends, the uncoupled train and engine will have to be reconnected. What does that mean for Wilford’s reign?Maybe we’ll get to see him in a more reasonable light. There are moments where he has to bargain with people, comply with some of their demands and try to be diplomatic. He’s in such a dire situation, so he does have to work with Layton (Daveed Diggs). This might give the audience the impression that Wilford’s folding, but there’s always an ulterior motive — it’s never simple. That’s how cunning he is, how good he is at scheming.HBO is developing several “Game of Thrones” prequels, one of which would be about Robert’s Rebellion.Is that King Robert Baratheon? I keep hearing about so many different remakes. I mean, there’s a “Lord of the Rings” series coming, too. I might be too old to play Ned Stark again. That’s the trouble, isn’t it? It depends on how far you go back, doesn’t it? I’d love to reprise the role. Maybe they could do that thing they did with Robert De Niro in “The Irishman,” do a few alterations! [Laughs.] I don’t see why not. More