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      Book Review: ‘Carson the Magnificent,’ by Bill Zehme with Mike Thomas

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      Johnny Carson dominated late-night television for decades, but closely guarded his privacy. Bill Zehme’s biography, “Carson the Magnificent,” tries to break through.CARSON THE MAGNIFICENT, by Bill Zehme with Mike ThomasMaybe late-night TV shouldn’t be called “late-night TV” anymore, with so many viewers consuming it in clips the morning after, on their phones. Yet the genre’s hallmarks — the avuncular host, the sidekick, the band, the monologue, the desk, the guests — linger. Most were stamped on America’s consciousness by Johnny Carson.A new biography about an old reliable, Bill Zehme’s “Carson the Magnificent” harks back to an era when doom and scroll were biblical nouns and Carson’s “Tonight Show” was a clear punctuation mark to every 24-hour chunk of the workweek — less an exclamation point, maybe, than a drawn-out ellipsis. “They want to lie back and be amused and laugh and have a nice, pleasant and slightly … I hate the word risqué … let’s say adult end to the day,” is how a producer in 1971 described the millions tuning in from home, to Esquire.Carson went off the air in 1992, after three decades on “Tonight,” and left this Earth in 2005. Zehme, a journalist known for his chummy celebrity profiles, struck a book deal almost immediately but struggled to get purchase on his subject— “the ultimate Interior Man,” he despaired to a source, “large and lively only when on camera” — and then was diagnosed with late-stage cancer. He died himself last year at 64, and a former “legman” and friend, Mike Thomas, has finished the project, giving it a doubly valedictory feel.Short but florid, “Carson the Magnificent” is a memorial of the monoculture; a steady parade of mostly men chatting companionably to one another on a padded sectional.Carson was a white whale for Zehme (he’d managed to harpoon Hugh Hefner, Frank Sinatra and the “Tonight” successor Jay Leno, though rather delicately, as if with cocktail toothpicks). After months of faxes and some time backstage inhaling the “cloud of spiced cologne that trails him like an entourage,” Zehme formally met Carson in 2002 and the two men, both said to have unusual professional empathy, had a long lunch at Schatzi on Main, the Santa Monica restaurant owned by Arnold Schwarzenegger. Over the years Zehme amassed piles of Carsonia, like a paisley polyester necktie, and interviewed scores of his intimates, including two of his four wives. (The first was named Joan, though she went by Jody, and the next two Joanne and Joanna. “The man just won’t go for new towels,” Bob Newhart joked.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Kamala Harris Visits ‘Saturday Night Liver’

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      The vice president made a brief appearance on “Saturday Night Live” this weekend.Heading into a new “Saturday Night Live” hosted by the frequent guest John Mulaney on the last weekend before the presidential election, viewers were prepared for surprises. And they surely got one: a cameo appearance from Senator Tim Kaine of Virginia.And — oh yes — a visit from Vice President Kamala Harris, the Democratic presidential nominee, who played herself in the show’s opening sketch, alongside Maya Rudolph, who frequently impersonates Harris on “S.N.L.”In the sketch, Rudolph played Harris preparing for a rally in Philadelphia, speaking into a mirror and saying, “I wish I could talk to someone who’s been in my shoes. You know, a Black, South Asian woman running for president. Preferably from the Bay Area.”The real-life Harris appeared as Rudolph’s reflection and gave her some words of inspiration. “I’m just here to remind you: You got this,” Harris said. “Because you can do something your opponent cannot do: You can open doors.”“S.N.L.” has a tradition of featuring presidential candidates on the show, sometimes just days before the conclusion of the presidential election.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Janey Godley, Scottish Comic Who Brought Humor to Harrowing Topics, Dies at 63

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      A Scottish performer, she said she believed there were “funny sides” to terrible experiences, including some that she drew from her own times of loss and hardship.Janey Godley, a Scottish comedian, actor and writer whose hard-hitting, candid wit established her as a comedy star and who became widely known for her parody voice-overs of elected leaders during the coronavirus pandemic, died on Saturday in Glasgow. She was 63.Her death, at the Prince and Princess of Wales Hospice, was caused by ovarian cancer, according to her manager, Chris Davis. Ms. Godley announced in September that she had exhausted her treatment options and had entered palliative care.She gained a following during the coronavirus pandemic performing parodies that reimagined what officials were saying — or perhaps secretly thinking — during their public addresses. One favorite subject was Nicola Sturgeon, Scotland’s leader at the time.Ms. Sturgeon seemed to appreciate the humor, calling Ms. Godley her “alter ego.” Ms. Godley’s videos, some observers said, led her to become a distinctive voice helping to spread public health messages during the pandemic.Other world leaders were not spared Ms. Godley’s voice-over treatment. Her targets also included Prime Ministers Boris Johnson and Theresa May of Britain, President Donald J. Trump and Queen Elizabeth II.“Here’s the thing: Women my age are constantly being told we don’t know how to work the internet — but I nailed it,” she joked in an interview. “I showed these 22-year-olds how it’s done.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      New Comedy Specials by Tom Papa and Others to Distract You From the News

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      Tom Papa, James Adomian and Emily Catalano take very different, very funny approaches in their new hours.Tom Papa, ‘Home Free’(Stream it on Netflix)If the scroll of election news has you in the mood for some light distraction and cheer-me-up laughs, Tom Papa’s latest special arrives just in time. The ultimate escapist comedian, Papa has built a soothingly funny body of work with a persona that stands out in these anxious times: a sensible optimist who thinks you are too hard on yourself. The title of his last special sums up his message: “You’re doing great!”Papa — the perfect name for his brand of middle-aged dad comedy — tells well-crafted jokes about family secrets and hot-dog-eating contests with the spirit of a self-help guru. Even his complaints come out as gratitude. “A good day is any day I don’t have to retrieve a username and password,” he once joked.In his new special, he opens with an unexpectedly sunny take on being an empty-nester. It’s set up with an unshowy deftness that lets you know you are in good hands. His delivery is lilting and subtle. When one of my daughters was getting a little weepy about the prospect of her sister leaving home, I showed this joke to her and the mood lightened. Papa shot the special in Washington, D.C., and nods to Americans’ exhaustion with politics, before suggesting we take a break from the news now and then. “You can know too much,” he says. “Ignorance is bliss” is a theme.He loves that therapy is popular, but it’s not for him. “I’m having a good time,” he says. “If I go to therapy, they’re going to stop it.” And yet, Papa can sound like a therapist — or at least a comedian version of one.He asks questions that reframe your perspective to something healthier. Is there some “power of positive thinking” hokum here? Sure. But there’s also an entertainer’s ethos that the job is to make you forget your troubles — come on, get happy. This doesn’t mean avoiding darkness. In fact, Papa understands that grim news is necessary to find the incongruity that will make you laugh. In explaining to a child what “nuclear Armageddon” means, he gives it as rosy a slant as one could. “We’re all going to die someday and there’s a way we can all die on the same day.” Then he smiles and does a little dance.James Adomian, ‘Path of Most Resistance’(Stream it on YouTube)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Specials by Tom Papa and Others to Distract You From the News

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      Tom Papa, James Adomian and Emily Catalano take very different, very funny approaches in their new hours.Tom Papa, ‘Home Free’(Stream it on Netflix)If the scroll of election news has you in the mood for some light distraction and cheer-me-up laughs, Tom Papa’s latest special arrives just in time. The ultimate escapist comedian, Papa has built a soothingly funny body of work with a persona that stands out in these anxious times: a sensible optimist who thinks you are too hard on yourself. The title of his last special sums up his message: “You’re doing great!”Papa — the perfect name for his brand of middle-aged dad comedy — tells well-crafted jokes about family secrets and hot-dog-eating contests with the spirit of a self-help guru. Even his complaints come out as gratitude. “A good day is any day I don’t have to retrieve a username and password,” he once joked.In his new special, he opens with an unexpectedly sunny take on being an empty-nester. It’s set up with an unshowy deftness that lets you know you are in good hands. His delivery is lilting and subtle. When one of my daughters was getting a little weepy about the prospect of her sister leaving home, I showed this joke to her and the mood lightened. Papa shot the special in Washington, D.C., and nods to Americans’ exhaustion with politics, before suggesting we take a break from the news now and then. “You can know too much,” he says. “Ignorance is bliss” is a theme.He loves that therapy is popular, but it’s not for him. “I’m having a good time,” he says. “If I go to therapy, they’re going to stop it.” And yet, Papa can sound like a therapist — or at least a comedian version of one.He asks questions that reframe your perspective to something healthier. Is there some “power of positive thinking” hokum here? Sure. But there’s also an entertainer’s ethos that the job is to make you forget your troubles — come on, get happy. This doesn’t mean avoiding darkness. In fact, Papa understands that grim news is necessary to find the incongruity that will make you laugh. In explaining to a child what “nuclear Armageddon” means, he gives it as rosy a slant as one could. “We’re all going to die someday and there’s a way we can all die on the same day.” Then he smiles and does a little dance.James Adomian, ‘Path of Most Resistance’(Stream it on YouTube)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Wendi McLendon-Covey Is No Longer a Brunch Person

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      “I don’t know how to have one mimosa,” said the actress, one of the stars of the new sitcom “St. Denis Medical.” Now she’s a fan of “dunch.”If Wendi McLendon-Covey had her druthers, she and her husband, Greg Covey, would see every band that rolled into Los Angeles.“We usually go to a concert a month,” the actress said. “You’ll see us dancing in the first 10 rows of whatever shows we can get into.”This year, McLendon-Covey, 55, known for her comedic roles in “The Goldbergs,” “Reno 911!” and “Bridesmaids,” has rocked out considerably less because of a packed work schedule. She spent six months filming the new NBC workplace mockumentary “St. Denis Medical,” in which she plays a plucky hospital executive who puts a positive spin on budget crises and bed shortages. The sitcom, the latest from Justin Spitzer (“The Office,” “Superstore”), mines the chaos for levity and normalcy and is set to premiere on Nov. 12.“In every hospital everywhere, there are people that are trying to have a baby shower in the break room while other things are going on,” McLendon-Covey said. “There’s always someone that doesn’t pay in for the ice cream cake, and you’re holding a grudge against that person, but someone has a gunshot wound and you have to attend to that.”On a video call from her home in Long Beach, Calif., she talked about the “ridiculous and hilarious” book that reminds her of doomscrolling, her seven cats and the one band she’s glad she didn’t miss this year. These are edited excerpts.Steely DanWe saw them earlier this year at the Forum. “Peg” is my theme song. Because I love them so much, on “Reno 911!” they wrote in something about my character going on to be a groupie for Steely Dan after we all got fired from the department. In 2007, my husband and I got to see them at Tower Theater in Pennsylvania and go backstage. Walter Becker gave us a shout-out during “Hey Nineteen.” It was like all my Christmases came at once.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jimmy Kimmel Trashes Trump’s ‘Cosplay Garbage Man’

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      Kimmel said that when Trump delivered a speech while wearing an orange safety vest, it was “like a 4-year-old who wants to wear his costume to school.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Trump as Trash ManOn Wednesday, former President Donald Trump spoke to reporters from inside a garbage truck while wearing an orange safety vest.Jimmy Kimmel called Trump “a cosplay garbage man” on Thursday, joking that “the garbage is driving the truck.”“That vest will come in handy when he’s on the side of the highway picking up trash with the other inmates.” — JIMMY KIMMEL“And then this lunatic decides to stay in the garbage costume for the whole duration of his speech, like a 4-year-old who wants to wear his costume to school.” — JIMMY KIMMEL“I have to say; if there is a single image that we will look back on and say, this defines what America was going through in 2024, I think it will be the Republican nominee for president dancing to the song ‘Y.M.C.A.’ in a garbage man costume.” — JIMMY KIMMEL“Donald Trump could never make it as a sanitation worker. It’s a tough job with actual stakes, genuine responsibilities, and no amount of cosplaying can make up for the fact that he’d be really bad at it. He wouldn’t last a day. If Trump was a sanitation worker in New York City, we’d have garbage piled higher than the Empire State Building, as opposed to what we currently have, which is only half as tall.” — SETH MEYERSThe Punchiest Punchlines (Last-Minute Costume Idea Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Culte’ Is a Fascinating Romp Through the Dawn of French Reality TV

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      A new docudrama recounts the conflicts and controversy surrounding “Loft Story,” a French twist on “Big Brother” that divided critics and generations.Anaïde Rozam stars as a reality TV creator in the French series “Culte.”AmazonThe behind-the-scenes French docudrama “Culte” (in French, with subtitles), available on Amazon Prime Video, captures the birth of reality TV in France. And like many births, it’s a messy and emotional process, with plenty of screaming and crying from multiple parties, some unhelpful meddling from the families, fits of doubt and unknown reservoirs of determination.No one is quite the same after, and then there’s this whole new being to take care of. In this case, it’s “Loft Story,” a “Big Brother” adaptation that debuted in April 2001.Isabelle (Anaïde Rozam) is a stymied TV producer, a failure in her publishing-royalty parents’ eyes. She seizes on the format of “Big Brother,” a new hit show in the Netherlands, but the bigwigs are averse to anything they deem trashy. Reality shows are “voyeuristic, macabre, mind-numbing,” says one executive. “Hellish,” another agrees. “We can’t be the nation of Chartres cathedral and 12 dummies living in an apartment.” Well … just you wait, monsieur!Isabelle vows that her show will be something politically provocative, a social experiment with participants who reflect the totality of France in age, income, ethnicity and outlook. But once the production countdown begins, some of her grander ambitions give way to what we can now see as the basis of most reality casting: Round up some sexy drama llamas, and let the cameras roll. No one is prepared for what unfolds — the fame, the derision, the ratings bonanza.Over its six episodes, “Culte” moves with speed and agility — and, praise God, only one timeline — and its characters’ maneuverings are just as loaded and occasionally backstabby as any reality villain’s. The apparently nationwide hand-wringing about the dangers of lowbrow entertainment feel quaint, almost darling. “Does French TV still have morals?” someone wonders.But lurid tabloid stories have a way of setting the conversation, and TV networks are rarely in the morality business; they’re in the ratings business. “The Americans have a term for this,” a network head says, his eyes agleam. “‘Buzz.’” “Loft Story” indeed puts every apiary to shame.“Culte” makes the most of its festive, exciting ambiguities, and the “Loft” folks do not try to occupy a moral high-ground, nor could they really. They merely wander the bumpy natural topologies of society, and maybe no one is much higher or lower than anyone else. More