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      ‘X-Men ’97’ Brings the Franchise Back to Its Roots

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      The Disney+ animated series builds on its 1990s predecessor, exploring themes of prejudice and change through the world of Professor Charles Xavier and his mutant pupils.Saturday mornings were sacred for me in the mid-90s. Watching “X-Men: The Animated Series” defined a five-year period that was the most formative of my life.The series, which was broadcast on Fox for five seasons from 1992 to 1997, introduced me and countless other millennials to the expansive world of Professor Charles Xavier and his mutant pupils, as they repeatedly saved humanity and aspired toward a future when they would be accepted as equals. With its classic characters — like the surly Wolverine, always ready with an angry quip, and the menacing Magneto — its steady stream of action sequences and ever-progressing plots, the show was riveting enough to draw in young viewers and yet loyal enough to the original comic books to appease older fans like my father, who would give footnotes on every episode as we watched.It set the standard for the X-Men franchise, which would come to include a tiresome span of uneven, often incoherent films held together in the mighty claws of the indefatigable Hugh Jackman. (That legacy continues this summer with “Deadpool & Wolverine.”) So when I say that the Disney+ series “X-Men ’97” not only meets but also surpasses that original series, I mean that as a commendation of the show itself, but especially of the writer-producer Beau DeMayo, who worked on two seasons before being fired ahead of the series premiere. In an age of constant reboots and sequels, DeMayo and his team built something fresh and innovative from a piece of pop culture nostalgia.“X-Men ’97,” which streamed its season finale on Wednesday, immediately picks up where the original left off: Xavier is dead and the X-Men are left floundering, with the lead couple Scott Summers (Cyclops) and Jean Grey wondering if it’s time to build a life apart from Xavier’s School for Gifted Youngsters. The world is still a place of prejudice and conflict aimed at mutants, who are building a utopian homeland on the island of Genosha. But evil forces, familiar and new, threaten to start a war and mass extinction event that will result in both mutant and human casualties.From the very start, “X-Men ’97” shows an appreciation for, and understanding of, the best elements of the original animated series. It almost exactly replicates the classic opening theme, and the two series begin with first episodes that mirror each other: Both introduce a lost young mutant. The continuity shown to the plot, the characters’ arcs, the animation and even the music is refreshing, particularly because the series doesn’t pander to new audiences. It doesn’t get dragged down by exposition, instead assuming its audience is the same from 1997, ready to pick up where the original series left off.But “X-Men ’97” isn’t so evangelical that it disregards the original’s pitfalls; though forever beloved, “X-Men: The Animated Series,” now seems as stiff as the posture of a Sentinel. Those action-packed story arcs are awkwardly condensed, and the pacing is almost always ungainly. The fight sequences, dazzling at the time, are now jerky and robotic. The dialogue is stilted, and the accents in the voice acting — particularly Gambit’s confusing, inconsistent Cajun twang — are abominable.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How the Language of TV is Influencing How We See Ourselves

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      TikTok has spawned a curious new way of understanding ordinary life: villain arcs, main character energy and seasons. Last summer, I was struck by a video I came across on TikTok. In it, a 20-something flops faceup onto her bed. Her roots are grown out, her eyeliner is heavy and her gaze, vaguely forlorn, is intensified by a key light tinted blue. Her hand gropes around the adjacent night stand to silence her vibrating phone. Then the Netflix logo flashes, followed by a credit line: “A life written and directed by Beatrice Harrods.” A stop-motion sequence follows the passage of time: a vase of chrysanthemums, then roses; one candle, then another; an unfurling rug and the text “Season 2.” Cut back to Harrods: Her roots are touched up, and her gaze, now pointed at the camera, seems to relish being watched.You see a lot of this on TikTok now: videos that describe ordinary life using the language of television. Scroll through, and you’ll find users charting the different “seasons” of their lives or highlighting the emergence of plot “arcs.” You may find users referring to the people in their lives as “casts” — including both passing encounters with “paid extras” and recurring appearances by “guest stars.” A friend’s unexpected appearance might be tagged “NOO! Ur not in this episode” or described, as one user had it, as the moment “when someone from Season 2 of my life somehow crosses over into Season 4.”There is a certain permeability between art and life, and pleasure in perceiving it: We take satisfaction in recognizing our lives in onscreen plot lines, as we thrill to real-life moments that feel “just like a movie.” But TikTok’s video-based format has wildly amplified the impulse to collapse the distance between the two and imagine yourself as an onscreen character. The app’s tools make it easy for people to film and edit footage of themselves, narrating their own stories in breezy narrative beats — making life look like an episode of television. The result is a perfect ecosystem for watching and being watched, where once-passive audiences are encouraged to see themselves as the writers, directors and stars of their own motion pictures. Perhaps there is therapeutic value in conceptualizing your life as a coherent story — one you can not only analyze but direct. One key piece of televisual jargon that has thrived online feels especially suited to this purpose. The “canon event” describes a crucial, sometimes traumatic occurrence that activates or shapes a person’s character. This kind of thinking may be related to therapy, but it has since been extrapolated wholesale into Hollywood tropes. Last year, the popularity of “Spider-Man: Across the Spider-Verse” — with its talk of critical “canon events” shaping the lives of heroes — inspired TikTok users to embrace the term. But in the transition from big to palm-size screen, the idea became a deadpan punchline, identifying not superheroic origin stories but the formative trials of ordinary youth. One video applied the term to “every teenage girl getting into her first situationship with a medium ugly guy that bears a striking resemblance to the rat from Flushed Away.”The challenge, for a narcissist, is to realize that we are all our own protagonists.There’s a related genre of video that encourages viewers to use the visual language of TV to romanticize their lives. This often involves footage of quotidian activities — waiting for the subway, restocking a fridge, pouring a beverage — elevated through production techniques: flattering close-ups, curated props, the amateur’s equivalent of dedicated hair, wardrobe and makeup departments. By reframing mundane activities as the well-lit choreography of a story’s protagonist, these videos render the everyday with a kind of glamour and gravity. If all the world is now a set, “main characters” like these are rewarded by the attention economy — a fact that has inspired some users to turn “main-character energy” into something like a life philosophy. One woman, in the first of 22 “episodes” dedicated to proselytizing her “seasons theory” on TikTok, described how she improved “Season 3” of her life by asking herself what Serena van der Woodsen and Carrie Bradshaw would do. (Those main characters, of “Gossip Girl” and “Sex and the City,” narrativized their own lives for a blog and a newspaper column.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Late Night Looks Forward to the Trump-Biden Debates

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      “Just like that, they’re going head to head, toe to toe, mano a mango,” Stephen Colbert said of two forthcoming presidential debates in June and September.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Mano a Mango’President Biden and Donald Trump agreed to two forthcoming presidential debates on Wednesday.Stephen Colbert joked that “the debate over debating is finally over.”“Just like that, they’re going head to head, toe to toe, mano a mango.” — STEPHEN COLBERT“Yeah, Trump agreed to the debate. He said, ‘I’ll be there, assuming it’s OK with my parole officer.’” — JIMMY FALLON“The first debate will be next month, which is the earliest a presidential debate has ever been, and, if we’re being honest, an early-bird debate feels right for these guys.” — JIMMY FALLON“It’s really quite something to challenge your opponent to a debate anytime, anywhere, anyplace while you’re standing behind barricades at a mandatory court appearance for your criminal trial.” — SETH MEYERSThe Punchiest Punchlines (Let’s Get Ready to Ramble Edition)“Yep, Biden and Trump will meet June 27 on CNN, and one of Biden’s debate conditions was not having an audience, so that explains why it’s on CNN.” — JIMMY FALLON“Biden is looking forward to laying out his 2024 agenda, while Trump is just happy to go somewhere where nobody will draw him while he sleeps.” — SETH MEYERS“Trump jumped right on the offer, posting, ‘Just tell me when — I’ll be there. Let’s get ready to rumble!’ Rumble? I’ve seen your rallies. I think you mean, ‘Let’s get ready to ramble.’” — STEPHEN COLBERTThe Bits Worth WatchingCast members from the new Broadway adaptation of “The Great Gatsby” performed the song “My Green Light” on Wednesday’s “Tonight Show.”What We’re Excited About on Thursday NightThe actor and humorist Nick Offerman will appear on Thursday’s “Daily Show.”Also, Check This OutJoel Grey and Eddie Redmayne each have played the Emcee in the Broadway classic “Cabaret”New York TimesJoel Grey and Eddie Redmayne discussed their shared history of playing the Emcee in “Cabaret” several times over. More

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      Netflix and the N.F.L. Sign a Three-Season Deal

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      Football joins pro wrestling and comedy specials in an expansion of the streaming service’s live offerings, a key step in the company’s overall live TV strategy.Netflix is no longer simply in the “sports-adjacent” business. On Wednesday, the streaming giant announced a three-season deal with the National Football League that will include showing two Christmas Day games on its service this year. It’s the first time Netflix has become partners with a major sports league, and it likely won’t be the last.The move follows Netflix’s increasingly aggressive push into the business of live events. In the past two weeks, “The Roast of Tom Brady” was its most-watched English-language TV show; a quirky six-day John Mulaney talk show went viral as part of the Netflix Is a Joke live comedy festival in Los Angeles; and the stand-up special “Katt Williams: Woke Foke” was viewed 4.3 million times.“Last year, we decided to take a big bet on live — tapping into massive fandoms across comedy, reality TV, sports and more,” Bela Bejaria, Netflix’s chief content officer, said in a statement. “There are no live annual events, sports or otherwise, that compare with the audiences N.F.L. football attracts.”The two Christmas games will pit the Houston Texans against the visiting Baltimore Ravens and the Pittsburgh Steelers against the visiting Kansas City Chiefs (raising the odds for greater viewership with a potential Taylor Swift sighting).The streaming business has matured in the United States, and though Netflix is the dominant service, it still needs to keep growing. With subscriptions relatively maxed out in America, the growth of other revenue streams has become crucial to the company’s success. Advertising is chief among them.At a time when more people are dropping their traditional cable subscriptions, live sports remain catnip for advertisers because they are one place where audiences are guaranteed in real time. That is especially true for the N.F.L., which remains a ratings juggernaut.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Luke Newton Steps Cautiously Into the ‘Bridgerton’ Spotlight

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      Luke Newton has been in the sexy Netflix hit from the start. But a new series, premiering Thursday, will be his first as co-lead — or chief hunk.Luke Newton is yet to experience what it means to be a “Bridgerton” leading man, but he has been trying to prepare himself.He has played Colin Bridgerton on the ornate, sexually charged Netflix show for two seasons, but for the third — which premieres on Thursday — Newton is following in the footsteps of Regé-Jean Page and Jonathan Bailey and stepping into the role of a co-lead — or chief hunk.“I feel slightly overwhelmed,” Newton, 31, said in a recent interview, adding that he was only just starting to appreciate the responsibilities of being a “Bridgerton” lead, rather than a co-star.After watching both Page and Bailey navigate successful seasons and, later, careers in Hollywood, Newton asked both actors for advice. Page just suggested he take a vacation as soon as the season wrapped, Newton said, but Bailey — who continues to play Anthony, Colin’s older brother, in Season 3 — was around to support him throughout. “Whatever stress there was, whatever situation, I could just call him,” Newton said.After the last season aired, Bailey’s status — both as a celebrity and a sex symbol — skyrocketed, leading to an “extraordinary change” in his life, Bailey said. But he wasn’t worried about how his co-star would handle the same shift: He said Newton could deal with the “absurd” nature of a sudden rush of fame.“Bridgerton,” which is based on a series of novels by the author Julia Quinn, follows eight siblings as they pine for love and reckon with relationships in early-19th-century London. The show, produced by Shonda Rhimes, has been praised both for its inclusive casting and raw approach to intimacy onscreen.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jimmy Fallon Celebrates 10 Years of Hosting ‘The Tonight Show’

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      Fallon thanked his wife, his kids, “and, most of all, my lawyer, Michael Cohen.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.What a Difference a Decade MakesJimmy Fallon celebrated 10 years of hosting “The Tonight Show” on Tuesday.“Ten years,” Jimmy Fallon said. “It’s hard to believe, when I got the job, Joe Biden was just a fresh-faced 71-year-old.”“That’s right, we’ve been on the air for one pandemic, two presidential elections and 300 ‘Fast and the Furious’ movies.’” — JIMMY FALLON“Of course, I want to say thank you to my wife, my kids, and, most of all, my lawyer, Michael Cohen.” — JIMMY FALLONThe Punchiest Punchlines (Cohen in Court Edition)“Former President Trump appeared to fall asleep yesterday during Michael Cohen’s testimony for a full half-hour. Again? You know, I was excited for this trial, but it seems like the only thing we’re accomplishing is making sure Trump is well rested before the election.” — SETH MEYERS“During his testimony, Cohen laid out tons of evidence, including tapes, emails, photos and calendar events. It’s pretty impressive — one of Trump’s lawyers might actually win a case.” — JIMMY FALLON“Cohen’s testimony seems to prove that Trump was directly involved in paying off Stormy Daniels. For instance, yesterday, Cohen told the court that after first resisting, Trump eventually ordered him to pay Daniels $130,000, telling him, ‘Just do it.’ In response, Nike has changed their slogan to ‘Yay! Sneakers!’” — STEPHEN COLBERTThe Bits Worth WatchingMs. Lauryn Hill and YG Marley performed a medley of “Ex-Factor/Survival/Praise Jah In The Moonlight” on Tuesday’s “Tonight Show.”What We’re Excited About on Wednesday NightAmy Ryan, who stars in the Apple+ series “Doubt,” will sit down with Desi Lydic on Tuesday’s “Daily Show.”Also, Check This OutJustice Smith and David Alan Grier in “The American Society of Magical Negroes.”Tobin Yelland/Focus FeaturesRecent Black satires like “American Fiction” and “The American Society of Magical Negroes” have used absurdist humor to examine race, with mixed results. More

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      Captain Sandy Yawn of ‘Below Deck Mediterranean’ Marries Leah Shafer

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      Sandy Yawn of “Below Deck Mediterranean” married Leah Shafer on — what else? — a superyacht in Florida.Sandra Dolores Yawn has been locked up, left for dead on a Florida highway and chased through the Red Sea by pirates.In the summer of 2018, Leah Rae Shafer reached out on Facebook to send Ms. Yawn her blessings. Not because she thought Ms. Yawn, who goes by Captain Sandy, needed her well wishes, but because she had started watching “Below Deck Mediterranean” on Bravo.The show follows a crew tasked with catering to a revolving cadre of guests who have chartered a superyacht. Ms. Yawn, a star of the series, is at the helm. Ms. Shafer had written to congratulate her on the show’s success. There was another reason, too. “I thought she was hot,” she said.Ms. Yawn, 59, has been a yacht captain for more than 30 years. Her foray into television, which started in 2017, was not exactly foreordained. Until her mid-20s, “I was a mess,” Ms. Yawn said. “I was always in trouble. I got kicked out of 11th grade. I didn’t go to college.” At 13, at the start of an adolescence spent between Dundee, Fla., where her father lived, and Bradenton, Fla., where her mother lived, she started drinking. By 17, “I was getting arrested so many times I couldn’t even count how many,” she said. Usually a parent bailed her out. Her father’s refusal to do so after one drunken incident landed her a night in jail.In 1989, when she was 25, the revolving door of South Florida treatment centers she had been pushing through quit spinning when a counselor told her she couldn’t return. “She said, ‘Sandy, as soon as you get some money in your pocket you’re going to start drinking again,’” Ms. Yawn said.Fifty-five guests, the maximum allowed aboard She’s a 10 Too, were in attendance. Kelly MartucciWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Zendaya for $200? ‘Jeopardy!’ Plans to Stream a Pop Culture Spinoff

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      Sony Pictures Television said that “Pop Culture Jeopardy!” — which will pit teams of three against one another — would be streamed on Prime Video.“Jeopardy!” has long been ruled primarily by broadcast TV. As a staid, reliable quiz show that had the same host for 36 years, viewers have grown to depend on it at a certain time, on a certain channel.But on Tuesday, Sony Pictures Television, which produces the show, announced a new spinoff — a pop culture edition — that will be streamed only on Prime Video. The spinoff, called “Pop Culture Jeopardy!,” is part of a yearslong expansion of what the show’s producers have called the “Jeopardy!”-verse, as they have pushed new spinoffs and tournaments to shake up the brand, while also avoiding any major changes to the main show that might rankle its most devoted fans.The announcement about the new spinoff said contestants would compete in teams of three. Some of the topics that might come up, it said, include alternative rock music, “The Avengers,” Broadway, mixed martial arts and high-profile celebrities such as Zendaya.Under Michael Davies, who has been an executive producer of “Jeopardy!” since 2021, “Jeopardy!” has undergone a wave of expansion, featuring a new masters league with the show’s most successful players, a Second Chance Tournament that invites back promising contestants and a revival of “Celebrity Jeopardy!”It has not yet been announced who will host the pop-culture spinoff. Since the death of the show’s longtime host, Alex Trebek, in 2020, the succession process has been somewhat tortured. The initial plan to promote the show’s executive producer, Mike Richards, to host imploded after revelations that Richards had made offensive comments on a podcast. For a while, the actor Mayim Bialik split hosting duties with Ken Jennings, the show’s former champion, until Bialik abruptly announced late last year that she had been removed, leaving Jennings as the sole host, at least for now.“Jeopardy!” has had limited ventures into streaming before now. Viewers can stream some “Jeopardy!” episodes on Pluto TV, and the prime-time spinoffs stream on Hulu the day after they first air. The show used to have a sports trivia spinoff that could be found on Crackle, an online streaming service that never quite took off. More