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    How Did ‘Dancing With the Stars’ Become a Gen Z Hit? TikTok, Of Course.

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    After almost 20 years on air, the reality competition series made changes that brought a surge of younger viewers.The world has changed around “Dancing With the Stars” since the competition series became a hit after its 2005 premiere. Though producers have periodically experimented with casting, canned hosts and tweaked the elimination process, the heart of the show — pairs of professional dancers and celebrities performing weekly and facing elimination based on scores from judges and fan votes — has remained intact.That formula meant “D.W.T.S.” had an audience with a median age of 63.5 in 2022. But in the past two seasons — after almost 20 years and 500 episodes — the show has grabbed hold of Gen Z viewers through its canny use of TikTok, casting of younger dance pros and the chance virality of “wow moments” from routines.“We’ve kind of hit this tipping point where now we feed TikTok, TikTok feeds back to us,” said Conrad Green, the showrunner.Ahead of the Season 33 semifinals, Green and two of the show’s professional dancers, Rylee Arnold, 19, and Witney Carson, 31, explained their parts in making “Dancing With the Stars” a hit with Gen Z.Charli D’Amelio was an influencer contestant for the streaming era.In 2022, Disney execs removed “Dancing With the Stars” from network TV, making it available only via the Disney+ streaming app, a move aimed at drawing older viewers to the service, which predominantly catered to children from the ages 2 to 17.

    @officialdwts The countdown to #DisneyNight is on! Join us in ONE HOUR – 8/7c on ABC and Disney+. 🐭✨ #DWTS ♬ original sound – Dancing with the Stars #DWTS We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘The Bachelor’ Is Shattering Its Own Fairy Tale

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      Recent revelations about contestants’ troubling backgrounds have punctured the franchise’s fantasy — that reality TV is a secure place to look for love.Just three years ago, the “Bachelor” franchise was in serious need of a revival. The longtime host, Chris Harrison, had left the show and ratings sagged. Instead of 10 million viewers, premieres now brought in closer to 2 or 3 million.In 2023, ABC pumped new life into the franchise with “The Golden Bachelor,” a version of the dating contest that followed Gerry Turner, a 72-year-old widower who proudly wore a hearing aid and spoke of finding love after the death of his wife. The premiere brought in over 4 million live viewers (and totaled over 7 million including streaming), making it the franchise’s most-watched debut since 2020.But the show’s honeymoon has not lasted. “The Bachelor” and its various iterations have long promised viewers some semblance of a fairy-tale romance, providing charmed but closed environments where the leads can suss out the suitors’ intentions through extravagant dates, like hot air balloon rides and castle visits. Recent revelations about the show have punctured this fantasy.Just before Turner handed out his final rose, The Hollywood Reporter published details about his past (a spotty work résumé, a trail of scorned lovers) that challenged his image as a sympathetic figure, as put forth on the show. (Turner declined to comment for the article.) His subsequent marriage to Theresa Nist, the season’s “winner,” ended after three months.The most recent season of “The Bachelorette,” which debuted in summer 2024, cast Jenn Tran as the series’s first Asian American lead, a role she hoped would bring positive visibility. “Anytime Asians were in the media, it was to fill a supporting character role, to fulfill some sort of stereotype,” Tran said in an interview with The New York Times before the show’s premiere. “I always felt boxed in by that, because I was like, I don’t see myself onscreen. I don’t see myself as a main character.”But her quest for love ended in public humiliation. On the live special “After the Final Rose,” she revealed through tears that Devin Strader — the contestant she proposed to in the series finale — had broken off their engagement over the phone. Seeing him for the first time since the breakup, Tran sobbed uncontrollably on the show as producers made her watch the proposal in front of a national audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In ‘High Potential,’ Kaitlin Olson Gets Smart

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      Earlier this month, the actress Kaitlin Olson was in her Los Angeles kitchen slicing a lemon.“I was really cutting it hard,” she said. “I put 100 percent of my effort into it.”The knife slipped, nearly severing her pinkie, which explained why, on a morning a few days later in Manhattan, Olson, 49, had accessorized her black silk blouse and black pants with a black finger splint. (She also wore an array of diamonds, one the size of a kumquat.) The look was working. A waiter asked if she was in town for fashion week.There are few things that Olson — tall and emphatically blond, with screwball energy — does lightly. As concerns comedy, physical stunts and also apparently cooking, her approach is full contact. On the set of “It’s Always Sunny in Philadelphia,” the cheeky FX comedy she has co-starred in for nearly 20 years, she has broken her foot, slashed open her calf and suffered at least one possible concussion. “Definitely worth it,” she said of the scene.This wasn’t her first food-prep injury, and she skipped the emergency room. She didn’t have the time. In addition to “Sunny,” she is a guest actor on the HBO show “Hacks” and the star of a new ABC procedural, “High Potential,” in which she plays a cleaning woman with savant-like tendencies who consults for the police. It premieres on Tuesday.In “High Potential,” Olson’s character cleans the police station … and soon helps the officers solve cases.David Bukach/DisneyWhile it is not Olson’s first series lead (that would be the Fox comedy “The Mick”) or her only chance to flaunt her aptitude for drama (see also: “Hacks”), “High Potential” showcases her dizzy, daffy, sardonic gifts. Which Olson appreciates.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Emmy Viewership Rises to 6.9 Million Viewers

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      The uptick puts the Emmys among the award shows, such as the Oscars, that have had audience gains in the past few years.For the first time in three years, viewership for the Emmy Awards has gone in an upward direction.The Emmys drew an audience of 6.9 million on ABC on Sunday night, according to Nielsen, a healthy increase following a strike-delayed ceremony in January that drew a low of just over 4 million viewers.The ratings increase finally follows a trend of other award shows, such as the Oscars and Grammys, which have had viewership gains over the past few years. And it also stops the bleeding for an event that was dangerously approaching the low ratings of the Tony Awards.Even with the increase, the Emmys has lost a substantial amount of its audience in recent years. As recently as 2018, the event regularly drew more than 10 million people.Sunday’s telecast had some advantages over the last show. The January ceremony ran head-to-head against an N.F.L. playoff game, and was on the tail end of a frenetic stretch of award shows that included the Golden Globes and the Critics Choice Awards. Sunday’s show was back in the Emmys’ traditional mid-September slot that viewers have come to expect.The Emmys has long had the unfortunate — but accurate — reputation of being numbingly predictable. Indeed, in recent years, voters have tended to shower the same show (“Schitt’s Creek,” “The White Lotus,” “Ted Lasso,” “Succession”) with award after award. But on Sunday, there was an unusual turn of events: There were numerous upsets.“The Bear” won four Emmys on Sunday but, in a big surprise, “Hacks” won best comedy. Voters gave “Shogun” best drama honors, but also delivered unexpected wins to shows like “Slow Horses” and “The Morning Show.” “Baby Reindeer” took best limited series, but “True Detective,” “Fargo” and “Ripley” also had wins on Sunday.Reviews for the telecast, which was hosted by the father-and-son duo of Eugene and Dan Levy, were decidedly mixed. The Los Angeles Times described the telecast as “casually interesting” while Variety called it “humdrum” and Rolling Stone said it was “blah.” More

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      How to Watch the Emmy Awards

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      The Emmys are on Sunday night at 8 p.m. Eastern, two hours after the red carpet festivities begin.It has been only eight months since the strike-delayed Emmys ceremony in January, and now it is time for the television industry to toast itself once again.For the first time in the 75-year history of the Emmys, there will be two awards shows in the same calendar year. Here’s how to watch on Sunday:What time does the show start?The ceremony begins at 8 p.m. Eastern (5 p.m. Pacific) and will be held at the Peacock Theater in downtown Los Angeles. Unlike the Oscars, the Emmys usually finish on schedule, in about three hours.Where can I watch?ABC is broadcasting the ceremony, making it simple to watch for anyone with access to network television. Online options are a bit trickier. There are plenty of streaming services that have ABC, including YouTube TV or Fubo, but you will need a subscription to those distributors.The Emmys will eventually stream on Hulu, but with a significant catch: The ceremony will not be available until Monday.What’s eligible?Shows that premiered from June 2023 to May 2024. This is why the second season of “The Bear,” which premiered last year, is nominated for Sunday’s event, rather than the third season, which debuted three months ago.“Shogun” (25) and “The Bear” (23) lead the list of nominees.Who’s hosting?The father-and-son duo of Dan and Eugene Levy, the creators of “Schitt’s Creek.” The Levys are familiar faces to award show viewers: “Schitt’s Creek” won big at the Emmys in September 2020, held virtually because of the pandemic, and Dan Levy became the first performer to collect four Emmys during a prime-time telecast (for writing, directing, best supporting actor and best comedy).When is the red carpet?The cable network E! will air a red carpet show that begins at 6 p.m. Eastern and will be hosted by Laverne Cox, the comedian Heather McMahan and the E! host Keltie Knight.ABC has a red carpet show of its own; it begins at 7 p.m. Eastern and will be hosted by the veteran anchor Robin Roberts and the ABC News correspondent Will Reeve. More

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      How to Watch and Stream the Emmy Awards: Time, Hosts and More

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      The Emmys are on Sunday night at 8 p.m. Eastern, two hours after the red carpet festivities begin.It has been only eight months since the strike-delayed Emmys ceremony in January, and now it is time for the television industry to toast itself once again.For the first time in the 75-year history of the Emmys, there will be two awards shows in the same calendar year. Here’s how to watch on Sunday:What time does the show start?The ceremony begins at 8 p.m. Eastern (5 p.m. Pacific) and will be held at the Peacock Theater in downtown Los Angeles. Unlike the Oscars, the Emmys usually finish on schedule, in about three hours.Where can I watch?ABC is broadcasting the ceremony, making it simple to watch for anyone with access to network television. Online options are a bit trickier. There are plenty of streaming services that have ABC, including YouTube TV or Fubo, but you will need a subscription to those distributors.The Emmys will eventually stream on Hulu, but with a significant catch: The ceremony will not be available until Monday.What’s eligible?Shows that premiered from June 2023 to May 2024. This is why the second season of “The Bear,” which premiered last year, is nominated for Sunday’s event, rather than the third season, which debuted three months ago.“Shogun” (25) and “The Bear” (23) lead the list of nominees.Who’s hosting?The father-and-son duo of Dan and Eugene Levy, the creators of “Schitt’s Creek.” The Levys are familiar faces to award show viewers: “Schitt’s Creek” won big at the Emmys in September 2020, held virtually because of the pandemic, and Dan Levy became the first performer to collect four Emmys during a prime-time telecast (for writing, directing, best supporting actor and best comedy).When is the red carpet?The cable network E! will air a red carpet show that begins at 6 p.m. Eastern and will be hosted by Laverne Cox, the comedian Heather McMahan and the E! host Keltie Knight.ABC has a red carpet show of its own; it begins at 7 p.m. Eastern and will be hosted by the veteran anchor Robin Roberts and the ABC News correspondent Will Reeve. More

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      In the Presidential Debate, Kamala Harris Produced the Show She Wanted

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      In Tuesday’s debate, the vice president made herself the studio audience for a cringe comedy starring her opponent.At the ABC presidential debate, Kamala Harris had a programming challenge. Working against an experienced reality-TV professional, a savant of live broadcasts, she had to pull off a successful reboot of Democrats’ least-favorite TV show of the 2024 season: the June debate that saw the self-immolation of President Biden.There were some hurdles. The same rules in place on CNN in June still held. There was no studio audience, and each candidate’s microphone would be turned off when the other was speaking. When Mr. Biden was still running, these guardrails were meant to avoid the dumpster fire of cross-talk and shouting that marked the first 2020 debate. But that would frustrate Ms. Harris’s campaign goal, which was to encourage Mr. Trump to be his own worst enemy.So she, and whoever prepared her for Tuesday’s showdown, did what prime-time producers have done since TV’s early days: They worked within the constraints of the medium to produce the show they wanted.If Mr. Trump could not bluster and shout over her, she would need to get him to melt down on his own time. If he could not stalk her onstage, as he did with Hillary Clinton in 2016, she would have to use the staging and the split-screen to create a dominance contest on her own terms.It began before the first question was asked. Ms. Harris crossed the stage toward Mr. Trump and offered her hand. The handshake was a small exercise of control, designed to be seen by a prime-time audience: She was the active party, initiating the encounter, and he the reactive one, accepting. She introduced herself — “Kamala Harris” — as if to anticipate his habit of mispronouncing her first name. Visually, she made herself the focus of attention, the protagonist of the drama.Then she set about making Mr. Trump into the antagonist she wanted, needling and baiting him, pulling his levers and pushing his buttons.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Anna Sorokin Is Anna Delvey Again, This Time on ‘Dancing With the Stars’

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      The woman who impersonated a German heiress will reprise her false identity on season 33 of the show, becoming the latest contestant with legal or other troubles.It’s a familiar lineup for this season’s “Dancing With the Stars.”There are the athletes: the former N.F.L. receiver Danny Amendola and the Olympic gymnast Stephen Nedoroscik. There are the reality TV stars: Jenn Tran of “The Bachelorette” and a “Real Housewives” cast member, Phaedra Parks. There are the actors whose stars have dimmed: Eric Roberts and Tori Spelling.But there is also an eye-opening choice: Anna Sorokin, the fake heiress convicted of larceny and theft who was announced along with the rest of the cast for season 33 of the show on “Good Morning America” on Wednesday.Sorokin masqueraded as “Anna Delvey,” claiming to be a wealthy German heiress, and she used that identity to con people in New York City society out of large sums of money, a jury found. She was sentenced to four to 12 years in prison in 2019 and released in 2022.“I’d be lying to you and to everyone else and to myself if I said I was sorry for anything,” she told The New York Times in 2019.ABC, which broadcasts “Dancing With the Stars,” did not immediately reply to a request for comment on Sorokin’s casting.A news release disclosing the cast identified her as Anna Delvey, not Sorokin, and breezily referred to her as an “artist, fashion icon and infamous NYC socialite.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      What to Expect From Wednesday’s Emmy Nominations

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      The top nominees are announced at 11:30 a.m. ET. “Shogun” and “The Bear” are poised to have a big day.Just six months after a strike-delayed ceremony, the Emmys are back.Nominations for television’s most prestigious award show will be unveiled on Wednesday morning. “Shogun,” the lush period drama, and “The Bear,” the anxiety-inducing comedy, are poised to have a big day. Netflix’s “Baby Reindeer” is expected to stand out among limited series.There is a considerable cloud hanging over Emmy nomination day this year. Last year’s double strikes, along with several years of cost cutting, have put the industry in the throes of a contraction. The Peak TV era is now firmly in the rearview mirror. To wit, the number of shows submitted for Emmy consideration this year plummeted.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More