ABC Inc

Subterms

    More stories

    • 150 Shares99 Views

      in Television

      How to Watch and Stream the Emmy Awards: Time, Hosts and More

      by

      The Emmys are on Sunday night at 8 p.m. Eastern, two hours after the red carpet festivities begin.It has been only eight months since the strike-delayed Emmys ceremony in January, and now it is time for the television industry to toast itself once again.For the first time in the 75-year history of the Emmys, there will be two awards shows in the same calendar year. Here’s how to watch on Sunday:What time does the show start?The ceremony begins at 8 p.m. Eastern (5 p.m. Pacific) and will be held at the Peacock Theater in downtown Los Angeles. Unlike the Oscars, the Emmys usually finish on schedule, in about three hours.Where can I watch?ABC is broadcasting the ceremony, making it simple to watch for anyone with access to network television. Online options are a bit trickier. There are plenty of streaming services that have ABC, including YouTube TV or Fubo, but you will need a subscription to those distributors.The Emmys will eventually stream on Hulu, but with a significant catch: The ceremony will not be available until Monday.What’s eligible?Shows that premiered from June 2023 to May 2024. This is why the second season of “The Bear,” which premiered last year, is nominated for Sunday’s event, rather than the third season, which debuted three months ago.“Shogun” (25) and “The Bear” (23) lead the list of nominees.Who’s hosting?The father-and-son duo of Dan and Eugene Levy, the creators of “Schitt’s Creek.” The Levys are familiar faces to award show viewers: “Schitt’s Creek” won big at the Emmys in September 2020, held virtually because of the pandemic, and Dan Levy became the first performer to collect four Emmys during a prime-time telecast (for writing, directing, best supporting actor and best comedy).When is the red carpet?The cable network E! will air a red carpet show that begins at 6 p.m. Eastern and will be hosted by Laverne Cox, the comedian Heather McMahan and the E! host Keltie Knight.ABC has a red carpet show of its own; it begins at 7 p.m. Eastern and will be hosted by the veteran anchor Robin Roberts and the ABC News correspondent Will Reeve. More

    • 138 Shares99 Views

      in Television

      In the Presidential Debate, Kamala Harris Produced the Show She Wanted

      by

      In Tuesday’s debate, the vice president made herself the studio audience for a cringe comedy starring her opponent.At the ABC presidential debate, Kamala Harris had a programming challenge. Working against an experienced reality-TV professional, a savant of live broadcasts, she had to pull off a successful reboot of Democrats’ least-favorite TV show of the 2024 season: the June debate that saw the self-immolation of President Biden.There were some hurdles. The same rules in place on CNN in June still held. There was no studio audience, and each candidate’s microphone would be turned off when the other was speaking. When Mr. Biden was still running, these guardrails were meant to avoid the dumpster fire of cross-talk and shouting that marked the first 2020 debate. But that would frustrate Ms. Harris’s campaign goal, which was to encourage Mr. Trump to be his own worst enemy.So she, and whoever prepared her for Tuesday’s showdown, did what prime-time producers have done since TV’s early days: They worked within the constraints of the medium to produce the show they wanted.If Mr. Trump could not bluster and shout over her, she would need to get him to melt down on his own time. If he could not stalk her onstage, as he did with Hillary Clinton in 2016, she would have to use the staging and the split-screen to create a dominance contest on her own terms.It began before the first question was asked. Ms. Harris crossed the stage toward Mr. Trump and offered her hand. The handshake was a small exercise of control, designed to be seen by a prime-time audience: She was the active party, initiating the encounter, and he the reactive one, accepting. She introduced herself — “Kamala Harris” — as if to anticipate his habit of mispronouncing her first name. Visually, she made herself the focus of attention, the protagonist of the drama.Then she set about making Mr. Trump into the antagonist she wanted, needling and baiting him, pulling his levers and pushing his buttons.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares169 Views

      in Television

      Anna Sorokin Is Anna Delvey Again, This Time on ‘Dancing With the Stars’

      by

      The woman who impersonated a German heiress will reprise her false identity on season 33 of the show, becoming the latest contestant with legal or other troubles.It’s a familiar lineup for this season’s “Dancing With the Stars.”There are the athletes: the former N.F.L. receiver Danny Amendola and the Olympic gymnast Stephen Nedoroscik. There are the reality TV stars: Jenn Tran of “The Bachelorette” and a “Real Housewives” cast member, Phaedra Parks. There are the actors whose stars have dimmed: Eric Roberts and Tori Spelling.But there is also an eye-opening choice: Anna Sorokin, the fake heiress convicted of larceny and theft who was announced along with the rest of the cast for season 33 of the show on “Good Morning America” on Wednesday.Sorokin masqueraded as “Anna Delvey,” claiming to be a wealthy German heiress, and she used that identity to con people in New York City society out of large sums of money, a jury found. She was sentenced to four to 12 years in prison in 2019 and released in 2022.“I’d be lying to you and to everyone else and to myself if I said I was sorry for anything,” she told The New York Times in 2019.ABC, which broadcasts “Dancing With the Stars,” did not immediately reply to a request for comment on Sorokin’s casting.A news release disclosing the cast identified her as Anna Delvey, not Sorokin, and breezily referred to her as an “artist, fashion icon and infamous NYC socialite.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 88 Shares129 Views

      in Television

      What to Expect From Wednesday’s Emmy Nominations

      by

      The top nominees are announced at 11:30 a.m. ET. “Shogun” and “The Bear” are poised to have a big day.Just six months after a strike-delayed ceremony, the Emmys are back.Nominations for television’s most prestigious award show will be unveiled on Wednesday morning. “Shogun,” the lush period drama, and “The Bear,” the anxiety-inducing comedy, are poised to have a big day. Netflix’s “Baby Reindeer” is expected to stand out among limited series.There is a considerable cloud hanging over Emmy nomination day this year. Last year’s double strikes, along with several years of cost cutting, have put the industry in the throes of a contraction. The Peak TV era is now firmly in the rearview mirror. To wit, the number of shows submitted for Emmy consideration this year plummeted.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares199 Views

      in Movies

      Martin Starger, Influential Shaper of TV and Movies, Dies at 92

      by

      In his decade at ABC, long the doormat network in prime time, he helped guide it toward the No. 1 spot. He later produced “Nashville” and won an Emmy for “Friendly Fire.”Martin Starger, who as a senior executive at ABC in the 1970s helped bring “Happy Days,” “Roots,” “Rich Man, Poor Man” and other shows to the small screen — and the network nearly to the brink of No. 1 in prime time — before turning to producing movies, most notably Robert Altman’s “Nashville,” died on May 31 at his home in Los Angeles. He was 92.His death was confirmed by his niece, Ilene Starger, a casting director.Mr. Starger joined ABC in the mid-1960s and rose to positions of increasing importance, culminating in his promotion to president of ABC Entertainment in 1972. The entertainment mogul Barry Diller, who was one of his protégés at ABC, described Mr. Starger in an email as “the quintessential television executive of the 1970s.” He was, Mr. Diller said, the “essence of N.Y. smarts: suave, sophisticated and funny. He was culturally ahead of his audience but was pragmatic in his programming choices, but ever striving for better.”From left, Anson Williams, Donny Most, Ron Howard and Henry Winkler in an episode of “Happy Days,” one of the shows Mr. Starger helped bring to the air as an ABC executive.ABC Photo Archives/Disney, via Getty ImagesMr. Starger’s time at ABC was characterized by the network’s long struggle to break out of last place in prime time, behind CBS and NBC, in what was then a three-network universe.Mr. Starger and other executives balanced middlebrow programs, including “Marcus Welby, M.D.” and “The Six Million Dollar Man,” with TV movies like “The Missiles of October” (1974), which dramatized the Cuban missile crisis, and prestigious mini-series like “Roots,” based on Alex Haley’s book about his family history.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares199 Views

      in Television

      Caitlin Clark Hype Will Test the W.N.B.A.’s Television Limits

      by

      The docuseries “Full Court Press” closely tracked college stars like Clark and Kamilla Cardoso. Fans who want to follow elite W.N.B.A. rookies could have a tougher time.The decision makers for the docuseries “Full Court Press” chose wisely when selecting which women’s college basketball players they would follow for an entire season.They recruited Caitlin Clark, whose long-distance shots at the University of Iowa made her a lucrative draw. Kamilla Cardoso, a Brazilian attending the University of South Carolina, could provide an international perspective. Kiki Rice, from the University of California, Los Angeles, would be the talented but reserved young prospect.Those selections proved fortuitous when each player advanced deep into the N.C.A.A. tournament. Clark and Cardoso competed in the most-watched women’s championship game in history before becoming two of the top three picks in the W.N.B.A. draft.“The way that it turned out, it’s like, ‘This is not real life,’” said Kristen Lappas, the director of the four-part ESPN series that will air on ABC on Saturday and Sunday. “That just doesn’t happen in documentary filmmaking.”Interest in women’s basketball is surging because of young talent. Clark, Cardoso and other top rookies like Angel Reese and Cameron Brink are providing the W.N.B.A. a vital infusion of star power, quickly obliterating one record when 2.4 million viewers watched April’s draft.Now the league, whose media rights package expires in 2025, must capitalize by making sure fans can easily follow the players they grew to love during their collegiate careers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares199 Views

      in Movies

      ‘Barbenheimer,’ and an Early Start, Boost Oscar Ratings to 4-Year High

      by

      ABC’s telecast of the 96th Academy Awards on Sunday drew 19.5 million viewers, according to Nielsen.The comeback of live event TV continues.ABC’s telecast of the 96th Academy Awards on Sunday drew 19.5 million viewers, hitting a four-year viewership high, according to Nielsen. The live TV audience was up from last year’s 18.8 million, the third consecutive year that Oscar viewership has grown.The ratings report will prompt cheers at ABC and the academy, which bumped the start of the venerable awards ceremony to 7 p.m. Eastern, an hour earlier than usual, in the hopes that more viewers would stick around through the final categories.That approach appeared to pay dividends, as did the numerous nominations for the big box office hits “Barbie” and “Oppenheimer” — a change from recent years when more obscure films dominated the ceremony. Jimmy Kimmel also received warm reviews in his fourth outing as host, leaving him one away from matching another late-night star who moonlighted at the Oscars, Johnny Carson.Nielsen said that Sunday’s Oscars were the most-watched network awards show since February 2020, extending a recent trend where viewer interest has perked up for the kind of mass cultural events that struggled during the pandemic.In February, 16.9 million people watched the Grammy Awards, a 34 percent increase from last year. Viewership of the Golden Globes in January rose 50 percent compared with a year ago. The Super Bowl between the Kansas City Chiefs and the San Francisco 49ers beat ratings records with an audience of 123.7 million. Even ratings for the 2023 Tony Awards, traditionally the least-viewed of the “EGOT” quartet, rose modestly.At Sunday’s Oscars, Billie Eilish sang her pop ballad “What Am I Made For?” and Ryan Gosling delivered a cheeky yet dedicated performance of “I’m Just Ken.” The choreography, which drew on Busby Berkeley films and the Marilyn Monroe musical “Gentlemen Prefer Blondes,” was complemented by a cameo by the thrash-rock guitarist Slash and a bevy of supporting Kens from “Barbie,” including Simu Liu.ABC, which has the broadcast rights to the Oscars through 2028, said that it had sold out its advertising inventory for Sunday’s event. The network did not share prices, but advertising executives said ABC had charged $1.7 million to $2.2 million for a 30-second spot, up slightly from last year. Some of the ads turned up in the broadcast itself, like a plug for Don Julio tequila, in which Guillermo Rodriguez, a Kimmel sidekick, offered the beverage to celebrities in the audience.In 2021, for a stripped-down pandemic Oscars held in a Los Angeles train station, only 10.4 million people tuned in. Viewership rose in 2022 to 16.6 million people, in part because of the bizarre spectacle of Will Smith slapping Chris Rock.Still, there is no question that TV viewing habits have changed. Before 2018, the Oscars telecast had never dropped below 32 million viewers. More

    • 125 Shares139 Views

      in Television

      Former Trump Aide Alyssa Farah Griffin Becomes a Liberal Favorite

      by

      Now and then during an election cycle, a Republican pundit becomes something of a hero to Democrats.Peggy Noonan, a conservative Wall Street Journal columnist and former speechwriter for Ronald Reagan, George H.W. Bush and George W. Bush, filled that role in the months leading up the 2008 election, after she had pilloried the second Bush administration over its invasion of Iraq and criticized Sarah Palin, the Republican vice-presidential nominee.Nicolle Wallace and Steve Schmidt, veterans of John McCain’s failed 2008 presidential campaign, reached pundit primacy on MSNBC excoriating the tea party activists then in ascendance.A rising star of the current season is Alyssa Farah Griffin, a former communications director for President Trump who is now a co-host of ABC’s “The View” and a regular commentator on CNN.Ms. Farah Griffin, who resigned from the Trump administration in December 2020, garnered wide attention with a tweet she posted on Jan. 6, 2021: “Dear MAGA — I am one of you. Before I worked for @realDonaldTrump, I worked for @MarkMeadows & @Jim_Jordan & the @freedomcaucus. I marched in the 2010 Tea Party rallies. I campaigned w/ Trump & voted for him. But I need you to hear me: the Election was NOT stolen. We lost.”Three years later, Ms. Farah Griffin, 34, spends many of her nights at the CNN headquarters in the Hudson Yards district of Manhattan, bantering with Van Jones, David Axelrod and other liberal commentators.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More