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      in Television

      Walton Goggins Knows ‘The White Lotus’ Had to End This Way

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      “I realized that there was really no other conclusion,” the actor said in an interview on Monday about the season finale.This interview includes spoilers for the season finale of “The White Lotus.”A man with a name like Rick Hatchett was unlikely to die in his bed.He didn’t. In the Season 3 finale of “The White Lotus,” Rick, played by Walton Goggins, gunned down Jim Hollinger (Scott Glenn), whom Rick had long believed to be his father’s killer. (A posthumous twist: He was actually Rick’s father.) Then Rick was shot, in the back, by the gentle but ambitious security guard Gaitok (Tayme Thapthimthong). Most tragic: Rick’s sunshiny girlfriend, Chelsea (Aimee Lou Wood), was mortally wounded in the crossfire. With her dying in his arms, Rick fell into the hotel’s lily pond. In that moment, Goggins believes, Rick finds peace.“For me, it was being released from pain,” he said.On the morning after the finale, Goggins, a celebrated character actor currently also starring in “The Righteous Gemstones” and “Fallout,” discussed fate, love and why the story would have turned out differently if he and Rick could have somehow had a few beers together. These are edited excerpts from the conversation.Did you feel that this ending was inevitable? Was Rick always meant to die?Yeah, I do believe that. I didn’t see it coming when I read the scripts. But after I read them and absorbed them, I realized that there was really no other conclusion. It couldn’t have ended any other way.In the previous episode, he stopped himself from killing Jim. In the finale, he can’t resist. Why?His life has been defined by this single event [Jim’s murder of his father, which turns out to be a false story his mother told]. He has allowed this event to become his life story. Who is he without this villain in his life? Because without it, he would have to take responsibility for the decisions that he’s made and for not moving past it. Being face-to-face with his tormentor allowed him to express this deep feeling — all he needed in that moment was for this person to bear witness to his pain. That surprised Rick as much as anyone else. Reading it the first time, I thought that he was going to pull the trigger. When he didn’t, I was in tears about that and overjoyed for this revelation and this moment of peace.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      Denis Arndt, Who Was a First-Time Tony Nominee at 77, Dies at 86

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      After more than 40 years as a stage and television actor, he broke through in “Heisenberg” as a butcher who has a romance with a much younger woman.Denis Arndt, a former helicopter pilot whose acting career reached its zenith when he made his Broadway debut at age 77 in the comedy “Heisenberg” and earned a Tony Award nomination, died on March 25 at his home in Ashland, Ore. He was 86.His wife, Magee Downey, confirmed the death. She said the specific cause was not known. Mr. Arndt built his reputation as a stage actor at the Oregon Shakespeare Festival in the 1970s and ’80s. He later became a familiar face on television series like “L.A. Law” and “Picket Fences” and played one of the detectives who interrogate Sharon Stone in a famous erotically charged scene in “Basic Instinct” (1992).He first appeared in “Heisenberg,” a two-character play by Simon Stephens, which the Manhattan Theater Club produced at City Center’s Studio at Stage II in 2015. The play transferred to the Samuel J. Friedman Theater on Broadway the next year.Mr. Arndt played Alex, a reserved, 75-year-old Irish-born butcher, who is in a London train station when he is unexpectedly kissed on the neck by Georgie (Mary-Louise Parker), a loud, impulsive and mysterious 42-year-old American. Her boldness ignites a romance.Ben Brantley, reviewing “Heisenberg” in The New York Times, called Mr. Arndt and Ms. Parker “the sexiest couple on a New York stage now.” Mr. Arndt, he wrote, “makes what has to be the most unlikely and irresistible Broadway debut of the year. He lends roiling, at first barely detectable energy to the seeming passivity of a man who, on occasion, finds himself crying for reasons he cannot (nor wants to) explain. But this ostensibly confirmed celibate oozes a gentle, undeniable sensuality.”Mr. Arndt with Mary-Louise Parker in “Heisenberg.” Ben Brantley of The New York Times called them “the sexiest couple on a New York stage now.”Richard Termine for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Jay North, Child Star Who Played ‘Dennis the Menace,’ Dies at 73

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      Mr. North was best known for playing the towheaded Dennis Mitchell on the television series, which ran on CBS from 1959 to 1963.Jay North, who played the well-meaning, trouble-causing protagonist of the popular CBS sitcom “Dennis the Menace” from 1959 to 1963, died on Sunday at his home in Lake Butler, Fla. He was 73.His death was confirmed by Laurie Jacobson, a friend of Mr. North’s for 30 years. The cause was colorectal cancer, Ms. Jacobson said.Mr. North played the towheaded Dennis Mitchell, who roamed his neighborhood, usually clad in a striped shirt and overalls, with his friends, and often exasperated his neighbor, a retiree named George Wilson, who was played by Joseph Kearns. Herbert Anderson played Dennis’s father, and Gloria Henry played his mother.Dennis winds up causing lots of trouble, usually by accident.In one episode, a truck knocks over a street sign, and Dennis and a friend stand it up — incorrectly. Workmen then dig a gigantic hole, meant to be a pool for a different address, in Mr. Wilson’s front yard.The show, which was adapted from a comic strip by Hank Ketcham, presented an idyllic, innocent vision of suburban America as the 1950s gave way to the tumultuous ’60s.But things were not easy for Mr. North behind the scenes.Many years after “Dennis the Menace” ended, Mr. North said that his acting success came at the cost of a happy childhood.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares169 Views

      in Theater

      Olivier Awards Winners 2025: ‘Giant,’ ‘Fiddler on the Roof’ and More

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      The play, about Roald Dahl’s antisemitism, took home three awards at Britain’s equivalent of the Tonys. So did a “Fiddler on the Roof” revival and a folk rock “Benjamin Button.”“Giant,” a play about Roald Dahl’s antisemitism starring John Lithgow as the truculent children’s author, was one of the big winners at this year’s Olivier Awards, Britain’s equivalent of the Tonys.The play, which was staged at the Royal Court last year and is transferring to the West End on April 26, took home three awards at Sunday’s ceremony at the Royal Albert Hall in London: best actor, for Lithgow; best supporting actor for Elliot Levey as a publisher trying to get Dahl to apologize for his statements about Jews; and the coveted best new play award.For that final prize, “Giant” bested four other titles, including “The Years,” an acclaimed staging of a Frenchwoman’s life (featuring a back-street abortion and late-in-life affair) that is running at the Harold Pinter Theater until April 19.The success for “Giant” was perhaps unsurprising given how much critics praised its opening run. Clive Davis, in The Times of London, said the “subtle, intelligent and stylishly crafted” drama, written by Mark Rosenblatt and directed by Nicholas Hytner, “deserves to transfer to a bigger stage.” (Lithgow has said in interviews that he wants to take the play to Broadway.)Houman Barekat in a review for The New York Times said that Lithgow was “superb as the beleaguered but unrepentant writer, blending affable, avuncular esprit with scowling, cranky prickliness and nonchalant cruelty.Lara Pulver and Adam Dannheisser in “Fiddler on the Roof.”Johan PerssonWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      ‘The Interview’: Bill Murray Says He’s Not the Man He Used to Be

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      In Bill Murray’s new movie, “The Friend,” currently in theaters and based on the beautifully bittersweet novel by Sigrid Nunez, he plays Walter, a writer and professor who is best friends with Iris, played by Naomi Watts. Through an upsetting course of events, Iris, who lives in a modest apartment in Manhattan, winds up having to take in Walter’s Great Dane. Not exactly ideal for her or the dog, and not exactly thoughtful of Walter.Witty and charismatic but also self-centered and responsible for real damage, Walter shares much in common with many of Murray’s late-career roles. I often think of the dramatic parts that he has specialized in since the late ’90s (consider the melancholy men of a certain age in “Rushmore,” “Lost in Translation,” “On the Rocks,” “St. Vincent” and so on) as being akin to alternate-world versions of the comedy characters that made him a star. Because Peter Venkman in “Ghostbusters” or Phil Connors in “Groundhog Day,” to pick just two of his most memorable comedic creations, could also be selfish and mean but, in the end, got away with it. Not so with Walter and his ilk. It’s as if Murray’s latter-day characters are suffering the karmic payback owed to his earlier ones.A similar balancing act — between charm and callousness, buoyancy and bad moods — has surfaced in Murray’s offscreen life too. Yes, he is a globe-trotting avatar of joyful surprise, known for his party crashing and playful high jinks, but directors and co-stars like Geena Davis, Lucy Liu, Richard Dreyfuss and Harold Ramis have said Murray was, to put it very mildly, not easy to work with. And in 2022, a female staff member working on the film “Being Mortal” claimed that Murray, who is 74, behaved inappropriately with her on set. She said that he straddled her and kissed her through masks, which they were wearing as part of Covid-19 protocols. The production was shut down, and eventually they reached a settlement.Given all this, Murray, enigmatic and mercurial, is a hard one to figure out. But on a rainy day in late March, at a hotel in downtown Manhattan, I had a chance to try.Listen to the Conversation With Bill MurrayThe actor talks about his new film “The Friend,” his jerky past and what he doesn’t get about himself.Subscribe: Apple Podcasts | Spotify | YouTube | Amazon | iHeart | NYT Audio AppYou know, at The Times earlier today, your co-star in “The Friend,” the dog, was having his photo taken. He is a striking dog: 150 pounds, a Great Dane. His name is Bing. Bing! He lives in Iowa, and after a nationwide search he was chosen as the dog of the moment. He wasn’t wearing a tight sweater or anything. He was just the most capable dog. More

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      in Television

      Charlie Cox Thought He Missed His Superhero Shot. Then Came ‘Daredevil.’

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      “I’m still pinching myself if I’m honest,” the actor said, before extolling the virtues of cold plunges, TSA PreCheck and avoiding social media.As Charlie Cox approached 30, he watched his friends become superheroes — Andrew Garfield was Spider-Man, Henry Cavill was Superman, and Tom Hiddleston was Loki — and made peace with his fate.“I just assumed that the Marvel call was not coming unless maybe for a villain in another 20 years,” he said.Then something crazy happened. The role of the blind vigilante Daredevil became available in a Netflix series in 2015, and Cox was the right age for it. But three seasons later, the show was canceled, and that was that. Or so he thought.Now Cox, 42, is back, this time on Disney+ in “Daredevil: Born Again,” a sort of reboot that finds the crime fighter at war over New York City with his nemesis, the gangster Wilson Fisk, played by Vincent D’Onofrio.“I’m still pinching myself if I’m honest,” Cox said of his return — and hoping for an extended run with the announcement of a new comic in which Daredevil is 60.“That’s excellent; it means I’ve got another 20 years of this, or as long as they’ll have me,” Cox said before elaborating on the virtues of Russian baths and cold plunges, TSA PreCheck and mastering the art of plowing snow.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      ‘White Lotus’ Takes On Touchy Subjects. The Southern Accent Is One of Them.

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      <!–> [–><!–> –><!–> [–> <!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> [–> <!–> –><!–> [–> <!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> [–><!–> –><!–> Lorazepam, an anti-anxiety drug, seems to be having a moment, thanks to Ms. Ratliff’s frequent mentions, where her accent dances along the open vowels. [–> <!–>Lorazepam–> <!–> [!–> <!–>Lorazepam–> <!–> [!–> <!–>Lorazepam–> <!–> […] More

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      in Television

      For Pierce Brosnan, the World Is Just Enough

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      On the last day of March, at the Solomon R. Guggenheim Museum in Manhattan, fans approached the actor Pierce Brosnan every few minutes. Some addressed him as Mr. Brosnan, some as Mr. Bond, a reference to the four James Bond movies he made in the 1990s and early 2000s. (Brosnan has a face that demands honorifics.)Dressed in chic monochrome — navy trench, navy pants, a navy ascot at the neck of a navy shirt — he was gracious with them all, if lightly evasive. (And yes, he is the rare man who looks plausible in an ascot.) At 71, he doesn’t often show the whole of himself. People see what they want. Mostly they see Bond.“They miss a lot,” he said. “But it’s not up to me to show a lot. It’s not up to me to do anything but be pleasant.”There has always been more to Brosnan than meets the eye, although what meets the eye is obviously very nice. “He is very fortunate in the genes department,” said Tom Hardy, his co-star on the new Paramount+ gangster series “MobLand.” Brosnan refers to it all as “the Celtic alchemy.”Pierce Brosnan, center, with Helen Mirren and Anson Boon, plays a dapper killer in the new crime drama “MobLand.”Luke Varley/Paramount+, via Associated PressA longtime painter and art enthusiast, Brosnan counts “The Thomas Crown Affair,” a 1999 art heist caper, as the favorite of his movies, mostly because he got to keep the paintings. So when promotional duties brought him to New York — he splits his time between Malibu and Hawaii — he squeezed in a museum visit.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More