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      Our Predictions for the Oscar Nominees in Six top Categories

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      It’s an unusually wide open year for the Academy Awards. But our expert has a good idea about what will make the cut. Here are his projections.When it comes to the Oscar nominations, which will be announced on Tuesday, I would advise you to expect the unexpected: This is an unusually fluid awards season, and most of the top categories still feel up for grabs.(Well, all the top categories except for the supporting actor race. But who won’t be excited to watch the “Everything Everywhere All at Once” star Ke Huy Quan win that one in a walk?)Still, as your Projectionist, it’s my job to at least give you a hint of the unexpected, so with that in mind, here are my projections for the nominations in the top six Oscar categories, gleaned from industry chatter, the televised boosts offered by the Golden Globes and Critics Choice Awards, and the recent nominations from the Screen Actors Guild, Producers Guild of America and Directors Guild of America.Best PictureThree films have been nominated by the producers, directors and actors guilds — “Everything Everywhere All at Once,” “The Fabelmans” and “The Banshees of Inisherin” — and each has won a televised award for best film, too. Those are your front-runners in a category that recently expanded to 10 guaranteed slots, followed closely by “Tár,” the intellectual favorite, and “Top Gun: Maverick,” the popcorn pick.The next two slots should go to two box-office success stories: “Elvis,” the rare adult drama to make a killing last year, and “Avatar: The Way of Water,” which has put up eye-popping numbers all through the Oscar-voting period and is poised to pass $2 billion worldwide.What about another huge sequel, “Black Panther: Wakanda Forever,” which made the producers’ lineup, and the epic-scaled “RRR” and “The Woman King,” both of which that guild snubbed? ABC executives would be thrilled if the telecast could tout those crowd-pleasers, but the expanded best picture lineup has never been dominated by so many action-driven blockbusters. (And I’d have more faith in “Wakanda Forever” if the Screen Actors Guild, which gave the first “Black Panther” its top film prize, had nominated this sequel in the same category.)The best actor winner almost always hails from a film nominated for best picture, so if you think a resurgent Brendan Fraser could go all the way this year, then expect a nod here for “The Whale,” which cast him in a transformative role as a 600-pound recluse. And though Netflix has been pushing “Glass Onion: A Knives Out Mystery,” it’s the streamer’s German-language “All Quiet on the Western Front” that most resonates with the voters I’ve spoken to.There’s still a shot that the Sarah Polley-directed “Women Talking,” which received a SAG ensemble nomination, or the British fave “Aftersun” could show up here. But I’m predicting the final slot goes to the class-warfare comedy “Triangle of Sadness,” which won the Palme d’Or at the Cannes Film Festival, just as another social satire, “Parasite,” did four years ago.Best DirectorLast year, four of the five people nominated by the Directors Guild also went on to receive an Oscar nomination, and I expect that crystal ball to prove just as predictive this time around. The safest contenders appear to be Steven Spielberg, whose ninth Oscar nomination would tie him with Martin Scorsese for the second-most best director nominations ever, behind William Wyler’s 13; Todd Field for “Tár; and Daniel Scheinert and Daniel Kwan, who directed “Everything Everywhere All at Once” and will be the first duo nominated in this category since Joel and Ethan Coen for 2010’s “True Grit.”Martin McDonagh failed to make the best director lineup for his Oscar-winning “Three Billboards Outside Ebbing, Missouri,” a reminder that dialogue-driven comedies aren’t always showy enough for this branch. Still, I expect that his new film, “The Banshees of Inisherin,” where the conversations are punctuated by some stunning scenery, will finally earn him entry into this race.I’d be a bit surprised if the fifth D.G.A. pick, the “Top Gun: Maverick” director Joseph Kosinski, makes it in: The film is well-made, but it lacks an auteurist stamp. “Avatar: The Way of Water” could only have been directed by James Cameron, but voters will probably wait until his franchise concludes to honor him. And though there are worthy women who ought to be contenders in this category — among them, Gina Prince-Bythewood (“The Woman King”), Sarah Polley (“Women Talking”) and Charlotte Wells (“Aftersun”) — their films aren’t assured of making the best picture lineup.There could be a surprise from the international film community here, as this branch has recently sprung for the likes of Ryusuke Hamaguchi and Thomas Vinterberg. But I’m betting on a big name, the Australian auteur Baz Luhrmann (“Elvis”), who has embraced the awards-season campaign trail with zeal.Best ActorThis front-loaded race boasts four contenders that pull from some of the academy’s most favored archetypes. You’ve got a makeup-aided comeback performance (Brendan Fraser in “The Whale”), a movie star proving there’s more to him than people might have suspected (Colin Farrell in “Banshees”), a singing, strutting biopic performer (Austin Butler in “Elvis”) and a well-regarded but oft-overlooked veteran (Bill Nighy in “Living”).After that, there are no guarantees. Though “Top Gun: Maverick” will rack up mentions in other categories, when academy voters consider nominating a Tom Cruise performance, they want to see him stretch. Other big stars in contention all have significant drawbacks: Hugh Jackman (“The Son”) leads a film that was critically savaged, Tom Hanks scored a heartland hit (“A Man Called Otto”) that coastal voters aren’t watching, and Will Smith (“Emancipation”) … well, you know.Occasionally, you’ll see someone in the best actor category whose film doesn’t factor into any other race, but that party crasher is usually a well-respected veteran — a Denzel, a Willem, a Viggo — and not Adam Sandler, whose SAG nomination for the basketball drama “Hustle” may be all he can muster. So I’m projecting that our fifth nominee will be Paul Mescal, whose acclaimed “Aftersun” is at least in best picture contention, and whose rising-star trajectory (after his breakthrough in the limited series “Normal People”) is something the academy will be keen to get in on.Best ActressThe duel between the “Tár” star Cate Blanchett and the “Everything Everywhere” actress Michelle Yeoh will almost certainly be Oscar night’s most suspenseful contest. But in the meantime, who will keep the two of them company in this category?Like Blanchett and Yeoh, Viola Davis of “The Woman King” was nominated by the Screen Actors Guild, the Golden Globes and the Critics Choice Awards, so she should have a safe berth here. The other two slots are harder to call. Ana de Armas managed a SAG nomination for playing Marilyn Monroe in “Blonde,” but the movie is polarizing. And as Oscar voting began, a raft of famous names suddenly took to social media to tout Andrea Riseborough’s performance as a struggling alcoholic in “To Leslie,” though it’s unclear whether that grass-roots campaign will move the underseen indie to the front of voters’ queues.I think one of the remaining slots will go to the “Till” star Danielle Deadwyler, who won the Gotham Award for her lead performance, a victory tempered by surprise snubs from the Independent Spirit Awards and Golden Globes. Finally, reserve a spot for the “Fabelmans” star Michelle Williams: Though SAG omitted her, I think that headline-making snub will actually remind people to vote for her, as it did last year with Kristen Stewart for “Spencer.”Best Supporting ActorThree of the last five supporting actor races have featured a pair of nominees competing from the same film. Could this year offer two such duos?Both Brendan Gleeson and Barry Keoghan from “Banshees” ought to make the cut: It’s Gleeson’s gruffness that sets the plot in motion, and Keoghan’s tragic fool that makes you laugh, then weep. “The Fabelmans” also has a well-liked pair of contenders in Paul Dano, who plays the introverted father of our young Spielberg stand-in, and Judd Hirsch, cast as his rambunctious great-uncle. Gleeson, Keoghan and Dano were all nominated by the screen actors, and though the 87-year-old Hirsch missed there, I suspect option-addled Oscar voters will default to a few key titles and nominate as many people as they can from them, as Emmy voters recently have.Who else may be chosen as an eventual runner-up to the “Everything Everywhere” star Ke Huy Quan, the comeback kid who has dominated this awards season and will cruise to an easy Oscar victory? Eddie Redmayne (SAG-nominated for “The Good Nurse”) and Brian Tyree Henry (“Causeway”) could make it in, though their movies are hardly juggernauts. Tom Hanks (“Elvis”) and Brad Pitt (“Babylon”) are Oscar-winning veterans in higher-profile films, but Hanks was critically derided and “Babylon” bombed.If there is a surprise late entry, I’d look to Ben Whishaw, who offers sensitive support to the female ensemble in “Women Talking,” or Woody Harrelson as a Marxist cruise captain in “Triangle of Sadness,” who could show up here if the movie overperforms.Best Supporting ActressAll hail the queen: Angela Bassett has already won televised trophies at the Golden Globes and Critics Choice Awards for playing a grief-stricken monarch in “Black Panther: Wakanda Forever.” Though comic-book actors usually have to don Joker greasepaint if they want Oscar voters to pay attention, it’s well past time for Bassett to earn her second Oscar nomination, since her first came all the way back in 1994 for “What’s Love Got to Do With It.” The 64-year-old Bassett has been too good for too long, and the academy would err by curtailing her moment.Do we have room in this race for another duo? Earlier in the season, it looked like Claire Foy and Jessie Buckley from “Women Talking” would be that pair, but the Screen Actors Guild failed to nominate either, despite liking the movie enough to give it an ensemble nod. Instead, the “Everything Everywhere” co-stars Jamie Lee Curtis and Stephanie Hsu both made the SAG shortlist and ought to repeat here: Curtis is a veteran actress campaigning hard for her first nomination, while Hsu, who impresses in a tricky dual role, is peaking at just the right time.That’s one film with a quartet of likely nominees in its cast. Another is “Banshees,” which will almost certainly earn its fourth acting nomination, for Kerry Condon as Farrell’s feisty sister. But the fifth supporting actress slot could go to any number of women, including Dolly de Leon, whose cruise-ship cleaner comes to the fore late in “Triangle of Sadness,” and Janelle Monáe, who’s terrific in “Glass Onion” but must gun for an acting nomination that even the first “Knives Out” didn’t manage.When in doubt, let’s default to archetypes. This category frequently makes room for what I’ll dub the Patient Partner, someone who offers supportive ballast to a dominant, tricky lead character (even if that support and patience is sorely tested). This race offers two such contenders: Nina Hoss, whose loaded glances to Blanchett say so much in “Tár,” and the SAG nominee Hong Chau, who shines in “The Whale” as Fraser’s caregiver. Chau also had a scene-stealing turn in this season’s culinary horror-comedy “The Menu,” and taken together, they are evidence of an expansive taste in roles that I project will give her the edge. More

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      Gina Lollobrigida, Movie Star and Sex Symbol, Is Dead at 95

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      She began her career in her native Italy and, although she achieved fame in America worked more often in Europe. She later had a second career as an artist and filmmaker.Gina Lollobrigida, the Italian movie actress who became one of the post-World War II era’s first major European sex symbols, died on Monday in Rome. She was 95.The death was confirmed by her agent, Paola Comin. Ms. Lollobrigida had already appeared in more than two dozen European films when she made her first English-language movie: John Huston’s 1953 camp drama, “Beat the Devil,” in which she played Humphrey Bogart’s wife and partner in crime. That film, and the attention she garnered in “Fanfan la Tulipe,” an Italian-French period comedy released in the United States the same year, were enough to put her on the cover of Time magazine in 1954.She went on to unqualified American movie stardom, exuding a wholesome lustiness in a handful of high-profile films. She starred in “Trapeze” (1956) with Burt Lancaster and Tony Curtis; “The Hunchback of Notre Dame” (1956), as Esmeralda, Quasimodo’s beloved beauty (Anthony Quinn played Quasimodo); “Solomon and Sheba” (1959), a biblical epic with Yul Brynner; “Come September” (1961), a romantic comedy with Rock Hudson; and “Buona Sera, Mrs. Campbell” (1968), a comedy about an unwed mother.Throughout her career, however, she continued to make many more European films than American ones. She starred with the continent’s leading men, including Jean-Paul Belmondo, Marcello Mastroianni, Jean-Louis Trintignant and Yves Montand.A 1955 film, “La Donna Più Bella del Mondo” (“The Most Beautiful Woman in the World” — a term some in Hollywood came to use about Ms. Lollobrigida herself), released in the United States as “Beautiful but Dangerous,” brought Ms. Lollobrigida her first major acting award: the David di Donatello, Italy’s equivalent of the Oscar. She won the Donatello twice more, for “Venere Imperial” (1962), in a tie with Silvana Mangano, and for “Buona Sera, Mrs. Campbell,” in a tie with Monica Vitti.Ms. Lollobrigida with Burt Lancaster, left, and Tony Curtis in the 1956 film “Trapeze.”Associated PressMs. Lollobrigida was always considered more a sex symbol than a serious actress — at least by the American press — but she was also nominated for a BAFTA award as best foreign actress in “Pane, Amore e Fantasia” (1953). She received Golden Globe nominations for “Buona Sera, Mrs. Campbell” in 1969 and for a recurring role on the prime-time television soap “Falcon Crest” in 1985.After two decades in front of the camera, she embarked on a multifaceted second career as artist and filmmaker. She published her first book of photographs, “Italia Mia,” in 1973. “Believe it or not, she takes good pictures and isn’t just trading on her name,” Gene Thornton of The New York Times wrote.Ms. Lollobrigida greeted the crowd at the Cannes Film Festival in 1965.Agence France-Presse — Getty ImagesShe wrote, directed and produced “Ritratto di Fidel,” a documentary based on her exclusive interview with Fidel Castro, the Communist leader of Cuba, which was shown at the 1975 Berlin film festival. She was also a sculptor, and an exhibition of 38 of her bronze pieces was presented at the Pushkin Museum in Moscow, among other venues, in 2003.Ms. Lollobrigida was awarded the French Legion of Honor in 1993. She ran unsuccessfully for the European Parliament in 1999.Liugina Lollobrigida was born on July 4, 1927, in Subiaco, Italy, east of Rome. She was one of four daughters of Giovanni Lollobrigida, a furniture maker, and Giuseppina (Mercuri) Lollobrigida. In her teens she studied art. But after she was discovered by a movie director, Mario Costa, she began appearing in small roles in 1946.By 1949 she was a star, billed second in “La Sposa Non Può Attendere” (“The Bride Can’t Wait”). The next year she appeared in “Miss Italia,” inspired by her real-life experience: She had come in third in the 1947 Miss Italy pageant. (The winner, Lucia Bosé, and the first runner-up, Gianna Maria Canale, also went on to movie careers.)Ms. Lollobrigida in New York in 2010. After two decades in front of the camera, she embarked on a multifaceted second career as artist and filmmaker.Keith Bedford for The New York TimesAfter her film career wound down in the early 1970s, Ms. Lollobrigida appeared on television in Europe and the United States, including the “Falcon Crest” episodes and an American television movie, “Deceptions” (1985), in which she played an excitable duchess entertaining in Venice. Her last feature film appearance was in “XXL” (1997), a French comedy that also starred Gérard Depardieu, about a Jewish family in the garment trade.She married Milko Skofic, a Yugoslavian-born physician who became her manager, in 1949. The couple separated in 1966 and divorced in 1971. Their son, Milko Jr., survives her, along with a grandson.In 2006 she announced plans to marry Javier Rigau y Rafols, a 45-year-old Spanish businessman. But she canceled the wedding less than two months later, reportedly because of overwhelming press attention.Ms. Lollobrigida broke a thigh bone in a fall last year and had surgery to repair it in September. She said she was able to walk again soon afterward.Ms. Lollobrigida was often outspoken in interviews. In 1969 she suggested that women pretended to be stupid in front of men. She claimed to have no beauty secrets and to do no exercise other than dancing, and to have no objections to being seen as a sex object and being told that she had a beautiful body. “Why should I be offended?” she said in a 1995 interview with The New York Times. “It’s not an insult.”Yet she had grown philosophical with age. “Success is something that goes up and down,” she said in the same interview. “I was hungry, I was rich, the life changed again, and now I’m not rich, but I still have my mind.”Alex Marshall and Elisabetta Povoledo contributed reporting. More

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      ‘Emily in Paris’ Star Would Like Your Paris Tips

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      Lily Collins explores the city, and the world, with the help of Monocle, word searches and Norwegian coffee.Lily Collins has been “Emily in Paris” for so long that she’s expected to be a Parisian authority. Three seasons into her run as Emily Cooper, an American marketing executive on assignment in the City of Light, she spends large portions of the year in France and is constantly asked for recommendations. But she’s there to work.“I don’t have as much free time as I wish that I had to explore,” she said in a phone interview, which she conducted from her car, parked next to the road in Los Angeles before an appointment. “I’m constantly discovering new places and asking for people’s lists because I like the non-tourist spots.”Collins, 33, has been building her own list by scootering along the Seine, making regular visits to Canal Saint-Martin, and getting to know the side streets around the Clignancourt flea market. But, she admits, one of the best sights in the city is still its most famous.“Whenever I’m in the city and I look up and I see the Eiffel Tower, it doesn’t matter how many times I’ve seen it, I still get giddy,” she says. “It’s such a feat.”Season 3 of “Emily in Paris” began streaming on Netflix last month. Collins spoke with us about Five Minute Journals, the concept of hygge and other things she gravitates to at home, in Paris and beyond. These are edited excerpts from the conversation.1. Greeting Cards I have a box where I keep cards that I’m saving for people. Some are over 10 years old. I have people in mind and I’ll get them cards knowing that one day they’re going to have a 25th birthday and they will need this card. I love the idea that a single piece of paper can say so much about how you’ve been thinking of someone.2. Self-Portraits It’s so interesting when an artist or a photographer paints, draws or takes a self-portrait because it’s such an inside look into how someone views themselves. The late photographer Vivian Maier is a really beautiful example.3. The Five Minute Journal It gives you easy prompts to answer and helps you be aware of how you can view things in multiple different ways. Instead of saying the crap that happened to you that day and how you were so upset about something, you get to look at how you could have handled certain things throughout the day better, what you were grateful for, what you’re excited about and what’s good in your life. You also write daily affirmations and things that you would like to accomplish. It’s beautiful to look back to previous journals and see how far you’ve grown.4. Treehotel One of the bucket-list places that I’d been wanting to stay in was the Treehotel in Swedish Lapland, which is basically a collection of beautiful tree houses. Each tree house looks like something different — a bird’s nest, a U.F.O., a steel dragonfly. My husband booked us one during our honeymoon that’s high in the trees. Staying there, you get to feel like an adventurer and you get that little kid feeling that I’ve always loved.5. Word Searches I have always carried a word search book with me on flights. It’s a way to turn my mind off. They put me in a kind of meditative trance. Also, I get a weird sense of accomplishment when I complete one.6. Dried Flowers When we go to farmers’ markets, I always end up finding amazing dried flowers. I sometimes keep them for years so I can look at different flowers and remember where I got them. If I get them from a farmers’ market in a different city or in a different country, I push them in books and bring them back. They’re such romantic mementos.7. “Van Go” On the Magnolia Network show “Van Go,” Brett Lewis converts things like vans and sprinters into homes, stores, food trucks — whatever people want. It’s an interesting way to see what people need, what they want and what their aesthetics are. It’s also a look at what the core necessities are when you pare things down and what can be done in such a small space.8. Hygge I’ve always been someone who loves being cozy: cozy socks, my grandma’s cozy sweater, a fire going, playing a game with friends or family — being cozy in an environment is so important to me. When I learned about the Danish concept, hygge, I felt seen, like, oh my God, someone gets me.9. Coffee I look for coffee shops everywhere I go. In a foreign city, they can provide a sense of home and a sense of comfort. There’s a Norwegian coffee brand called Tim Wendelboe that I’ve discovered on our many trips to Denmark. It’s probably the most incredible coffee I’ve ever had.10. Monocle When we’re traveling, we sometimes schedule our trips around things we read about in Monocle magazine. Art, fashion, you name it, they have the places where residents go and that celebrate local artisans. It also can help dictate where we go next. If there’s a place that is so cool and has all these amazing places to visit that we didn’t know about, maybe that’s the next destination. More

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      Is Stephanie Hsu the ‘Dark Horse’ of Award Season?

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      Every time Stephanie Hsu thinks she has gotten used to the reactions to “Everything Everywhere All at Once,” something new manages to throw her for a loop.And on Friday night at a West Hollywood hotel bar, it was Steve Buscemi.“I’m sorry to be so rude,” said the 65-year-old actor, who sidled up to our table during an interview to say hello to Hsu. It turned out that Buscemi was a major fan of “Everything Everywhere,” the sci-fi hit in which Hsu plays the unhappy daughter of Michelle Yeoh’s multiverse-skipping savior: He’d seen the movie multiple times, including at an actors guild screening earlier that evening.Hsu, 32, is often stopped by people who love “Everything Everywhere,” but this was a pinch-me moment that she met with a big grin. Buscemi asked for a picture, and the buoyant Hsu leaped out of our booth to pose with him, then returned to her dirty martini. “That was crazy,” she told me after he left. “It’s all crazy!”Though the film came out nearly a year ago, its award-season afterlife has proved so potent that “Everything Everywhere All at Once” has begun to sound less like a title and more like the organizing principle of Hsu’s day planner. On the day we met, she had just completed several interviews and a pit stop at the Palm Springs International Film Festival; a few days later, she’d attend the Golden Globes, where her co-stars Jamie Lee Curtis, Ke Huy Quan and Yeoh were all nominated and where the latter two won major awards.Hsu was not nominated for a Globe, and as the ensemble’s least-known member, she has sometimes been left out of the awards conversation, though she did receive a Screen Actors Guild nomination on Wednesday morning. Funny and refreshingly honest, Hsu understands that nothing is guaranteed this awards season, and many may see her as an underdog. “The elephant in the room,” she said, “is the dark horse of me.”Still, even if Hsu isn’t as famous as her veteran co-stars, her presence is no less pivotal. In “Everything Everywhere,” Hsu plays Joy, who is crestfallen that her mother, a Chinese American laundromat owner named Evelyn (Yeoh), makes so little effort to understand her. It’s crucial that we feel for Joy because we soon learn that in every other universe but ours, she’s a flashy, universe-collapsing supervillain named Jobu whom our Evelyn is charged with defeating. Hsu drew a map to track how fed-up Joy became the nihilistic Jobu, and tried to imbue her baddie with a strong emotional core: Underneath it all, this is a supervillain who wants nothing more than to be embraced by her mother.Hsu bristled initially when Jamie Lee Curtis advised her to stay centered with the film starting to take off. But Hsu added, “As the year has unfolded, I’ve realized how little I knew about anything.”Ryan Pfluger for The New York TimesThe result is a big-screen breakthrough for Hsu, who had been best known for playing Mei Lin on “The Marvelous Mrs. Maisel” and for Broadway roles in “SpongeBob SquarePants: The Musical” and “Be More Chill.” She likens her awards-season stint to film school on steroids. “There are moments where it’s so fun, so joyous, so inspiring,” Hsu said. “And then there are moments where maybe you feel a little bit icky, because you realize that something’s happening behind the curtain that perhaps you were always suspicious about, but you just didn’t know how political it gets.”Still, whenever she gets too caught up in award shows and industry attention, Hsu endeavors to remember the often-tearful reactions of the fans who have flagged her down to talk about how much “Everything Everywhere” moved them.“I’m witnessing other people’s humanity in a way that is very alive,” she said, “and I’m like, ‘Oh my God, we did that. We did something that made people start crying even when they think about it.’ And that’s crazy. That came from our labor of love.”Inside the World of ‘Everything Everywhere All at Once’In this mind-expanding, idiosyncratic take on the superhero film, a laundromat owner is the focus of a grand, multiversal showdown.Review: Our film critic called “Everything Everywhere All at Once” an exuberant swirl of genre anarchy.The Protagonist: Over the years, Michelle Yeoh has built her image as a combat expert. For this movie, she drew on her emotional reserves.A Lovelorn Romantic: An ‘80s child star, Ke Huy Quan returns to acting as the husband of Yeoh’s character, a role blending action and drama.The Costume Designer: Shirley Kurata, who defined the look of the movie, has a signature style that mixes vintage, high-end designers and an intense color wheel.Gotham Awards: At the first big show of awards season, which is a spotty Oscar predictor but a great barometer for industry enthusiasm, the film took the top prize.Here are edited excerpts from our conversation.It’s been almost a year since “Everything Everywhere” came out, and you’re still going. How does it feel at this late date?A whole pandemic happened between when we filmed and now, so it’s kind of surreal. Obviously, it’s my first time on a press run like this, and it’s been wild, but so many people haven’t actually seen the movie yet, and it’s been really delightful to still bring it into people’s lives. I think its superpower is to somehow be able to make you feel a part of the mess of humanity again. To feel those roller-coaster feelings beside a stranger is a special thing.This script came to you shortly after you wrapped the third season of “Mrs. Maisel,” which you shot alongside “Be More Chill.” Did you feel ready for it?That was the first year where I finally admitted to myself that I was an actor. I’ve always been a little bit punk rock — probably in an impostor syndrome way — where everything always felt like an accident: How did I stumble onto Broadway? How did I stumble onto this TV show? And to do a show on top of that, it asked so much of my discipline and rigor that I was like, “OK, this is what I do.” And with that came a lot of responsibility and weight.It’s not fun to talk about identity or race because you want to talk about art and the craft, but the reality was that I’d never seen myself as a lead on Broadway because I was like, “I’m not a ‘Miss Saigon’ person, so there’s no path for me there.” And I never thought I could be in a period piece on television because every version I’ve ever seen of that is incredibly offensive. And so that year, I was breaking down all these barriers that had been placed around me, carving my own path in a really real way.Hsu, left, with Ke Huy Quan, Michelle Yeoh and James Hong in “Everything Everywhere All at Once.”Allyson Riggs/A24, via Associated PressBefore you had those stage and screen roles, you spent a lot of time doing experimental theater. Do you think you were rejecting the mainstream because you thought it might reject you?At the time when I was finishing school and living in New York, those roles were not available in the mainstream. And I had no interest in selling myself or just shrinking myself to an inappropriate cameo just so that I could say I added one more thing to my résumé. I remember in 2012, I went into a commercial audition and they were like, “OK, could you do it again, but with a more Asian accent?” And I said, “I’m so sorry, but this role is not for me. I don’t do that and I’m not interested in this part.”I walked out and I was fuming. I sat next to this actor and asked him, “Did they ask you to do an accent?” He was Asian and spoke perfect English, and he was like, “Well, yeah.” And I’m like, “Did you do it?” And he said, “I have no other choice.” I understand that people want to make it and they only see one path and have to bend and fold to have a life in the arts, but I always thought if that’s how it’s going to go for me, then I’m going to work at a bar or in a wood shop. I have to make things that matter to me. Life is too short to completely dehumanize yourself.When you came on board “Everything Everywhere,” did you think about how the movie would resonate for people who also don’t tend to see themselves onscreen?I knew the movie was going to be special, but I had no idea it was going to do what it has done. And it’s been really healing for me to hear how many people have been affected by it. So many daughters and mothers have been coming to me crying, saying, “I saw myself in the movie,” or “My relationship with my mother is just like that.”When you say that it’s been healing, what was it healing in you?I don’t know if I could ever make this film again because at that point in my life, I had nothing to lose. There really were no eyes on me, so I got to bring everything I value as an artist into that role, and the affirmation I have received has validated that the wildness and imagination inside of me is really resonating with a large mass of people.Your directors, Daniel Scheinert and Daniel Kwan, said this awards season has been emotional for the cast and crew. How have you experienced it?At the Gotham Awards, [the “Tár” director] Todd Field said we have to eradicate the word “best” when we talk about how we value art, and I felt that so deeply. But also on the same evening, when Ke won best supporting actor, I stood up so fast and screamed so loud that I almost passed out. And then when we won best picture, I couldn’t believe it. I’m not sentimental about this kind of stuff and yet I could not stop crying onstage.Why do you think you reacted that way?Even as a kid with ideas, I just never thought it could be me up there with my friends, making something I believe in that is being celebrated. I remember sitting in front of a TV when Halle Berry won at the Oscars — the only woman of color who’s ever won best actress — and I don’t remember anyone else who won that night, but I remember that moment. I’ve been reflecting on that a lot, because I didn’t realize how much I had deleted the possibility from my mind that I could actually ever be a part of this industry in a real way, doing something that I value and love. So to get to be there and feel this big hug from our peers felt completely surreal.I’m still processing all of it. I’m trying to allow myself to also feel vulnerable in this ride, because there are highs and there are definitely a lot of lows. I think the biggest thing I’ve been trying to balance is how to genuinely receive the goodness while not protecting myself too much that I can’t enjoy the ride. It’s a sweet, sweet moment that may never come again. But also, you can’t get attached to the sweetness, because then you start chasing something that’s not real.Hsu saw few actresses of color winning honors when she was coming up: “I didn’t realize how much I had deleted the possibility from my mind that I could actually ever be a part of this industry in a real way.”Ryan Pfluger for The New York TimesTell me more about those highs and lows.After Jamie Lee Curtis saw the movie at South by Southwest, she took me aside and said, “This year is going to be a total roller coaster for you. Center yourself.” And I remember thinking, “Jamie, listen, I’m a grown-ass woman and I’ve been around the block. I know how to stay centered.” But as the year has unfolded, I’ve realized how little I knew about anything.You have to hold onto your self-worth in such a profound way, and it’s hard, because it feels like other people’s opinions of you are going to affirm whether or not you get to keep making movies, which is such a crazy trap and also very real, right? But I’ve had to continue to remind myself that I got to this moment without anyone ever knowing anything about me, so it really is just all about the work.And it’s work that people are responding to with a lot of passion.Yeah, but this industry is weird. You have moments like the one we just had with Steve Buscemi, and then you also have moments where you walk on a carpet and people are like, “Lana Condor, Lana Condor!”No! Did that happen?It was just once, but it was very pronounced. In everybody’s defense, my mom also thinks I look like Lana Condor: She sent me a picture of Lana Condor a year ago and was like, “You look like this woman.” But after the Lana Condor thing happened, we were at a screening in New York, and a bunch of people kept going up to my publicist and the Daniels’ publicist, who are both Asian, and they were like, “Congratulations, your performance is incredible.” And they were like, “Huh?”So listen, this ride is amazing, but that is real. We have not transcended this moment, right? James Hong [who plays Yeoh’s father] started acting at a time when people wouldn’t even say his name, they would literally just call him “Chinaman” and say “Get on your mark.” Michelle waited almost 40 years for her first chance of being No. 1 on the call sheet, and Ke left acting for [nearly] 20 years. As successful as this film has been, the biggest fear on the other side is “What if this is my last chance?”How different are you now than you were a year ago?The biggest thing I’ve learned from this past year is how to continue to show up for myself. This is not something I ever thought I would be in the conversation for, but I know I brought something to this project that is completely singular. Sometimes, things have made me want to just completely disappear into the background, but there are people who felt something in this character, people who are rooting for roles like this to exist, people who are rooting, also, for me to elbow more space or even just to stand here.And so it really is the masses that have been continuing to push me forward to show up for myself. Because as confusing as all of this is, I am so proud of our movie and what I was able to bring to it, and proud for it to be my big introduction to what I believe art can or should be. Whether that is clean enough for people to digest, that’s a whole other story. More

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      SAG Award Nominations 2023: The Complete List, Snubs and Surprises

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      “The Banshees of Inisherin” and “Everything Everywhere All at Once” pick up important nods. Michelle Williams is shut out.The dark Irish comedy “The Banshees of Inisherin” and the sci-fi hit “Everything Everywhere All at Once” led this year’s nominations for the Screen Actors Guild Awards, which were announced on Wednesday morning. What’s more, both films tied a SAG record: Each scored four individual acting nominations plus an ensemble nod, a five-nomination tally that has only been managed in the past by “Shakespeare in Love,” “Chicago” and “Doubt.”Coming one day after a Golden Globes ceremony that also saw “Banshees” and “Everything Everywhere” reap significant rewards, both films can be considered top contenders as we enter the homestretch of Oscar season. Steven Spielberg’s autobiographical “The Fabelmans,” which took the Globes for best director and best drama, was dealt the most significant SAG snub when its star, Michelle Williams, failed to make the powerhouse best actress lineup.All three movies were nominated for SAG’s top ensemble award, though the category was filled out by the surprise appearances of “Babylon” and “Women Talking,” two films that could not muster a single individual acting nomination between them.As a predictor of eventual Oscar success, the SAG Awards can be hit or miss. Last year, even though all four of the actors who won SAGs went on to triumph at the Oscars, the two shows had very different lists of nominees: In the supporting actor and actress races, for example, just two of the SAG nominees in each category went on to receive an Oscar nomination.That means some of Wednesday’s snubbed actors could still break through with Oscar voters, just as SAG snubs like Kristen Stewart (“Spencer”) and Judi Dench (“Belfast”) managed last year. But it also means that your eventual Oscar winners will probably come from these SAG shortlists.The SAG Awards will be handed out on Feb. 26. Here is the complete list of nominees:FilmOutstanding Cast“Babylon”“The Banshees of Inisherin”“Everything Everywhere All at Once”“The Fabelmans”“Women Talking”Actor in a Leading RoleAustin Butler, “Elvis”Colin Farrell, “The Banshees of Inisherin”The Projectionist Chronicles a New Awards SeasonThe Oscars aren’t until March, but the campaigns have begun. Kyle Buchanan is covering the films, personalities and events along the way.Meet the Newer, Bolder Michelle Williams: Why she made the surprising choice to skip the supporting actress category and run for best actress.Best-Actress Battle Royal: A banner crop of leading ladies like Michelle Yeoh and Cate Blanchett rule the Oscars’ deepest and most dynamic race.‘Glass Onion’ and Rian Johnson: The director explains why he sold the “Knives Out” franchise to Netflix, and how he feels about its theatrical test.Jostling for Best Picture: Weighing voter buzz, box office results and more, here’s an educated guess about the likely nominees for best picture.Brendan Fraser, “The Whale”Bill Nighy, “Living”Adam Sandler, “Hustle”Actress in a Leading RoleCate Blanchett, “Tár”Viola Davis, “The Woman King”Ana de Armas, “Blonde”Danielle Deadwyler, “Till”Michelle Yeoh, “Everything Everywhere All at Once”Actor in a Supporting RolePaul Dano, “The Fabelmans”Brendan Gleeson, “The Banshees of Inisherin”Barry Keoghan, “The Banshees of Inisherin”Ke Huy Quan, “Everything Everywhere All at Once”Eddie Redmayne, “The Good Nurse”Actress in a Supporting RoleAngela Bassett, “Black Panther: Wakanda Forever”Hong Chau, “The Whale”Kerry Condon, “The Banshees of Inisherin”Jamie Lee Curtis, “Everything Everywhere All at Once”Stephanie Hsu, “Everything Everywhere All at Once”Stunt Ensemble in a Movie“Avatar: The Way of Water”“The Batman”“Black Panther: Wakanda Forever”“Top Gun: Maverick”“The Woman King”TelevisionEnsemble in a Comedy Series“Abbott Elementary”“Barry”“The Bear”“Hacks”“Only Murders in the Building”Ensemble in a Drama Series“Better Call Saul”“The Crown”“Ozark”“Severance”“The White Lotus”Actor in a Comedy SeriesAnthony Carrigan, “Barry”Bill Hader, “Barry”Steve Martin, “Only Murders in the Building”Martin Short, “Only Murders in the Building”Jeremy Allen White, “The Bear”Actress in a Comedy SeriesChristina Applegate, “Dead to Me”Rachel Brosnahan, “The Marvelous Mrs. Maisel”Quinta Brunson, “Abbott Elementary”Jenna Ortega, “Wednesday”Jean Smart, “Hacks”Actor in a Drama SeriesJonathan Banks, “Better Call Saul”Jason Bateman, “Ozark”Jeff Bridges, “The Old Man”Bob Odenkirk, “Better Call Saul”Adam Scott, “Severance”Actress in a Drama SeriesJennifer Coolidge, “The White Lotus”Elizabeth Debicki, “The Crown”Julia Garner, “Ozark”Laura Linney, “Ozark”Zendaya, “Euphoria”Actor in a TV Movie or Limited SeriesSteve Carell, “The Patient”Taron Egerton, “Black Bird”Sam Elliott, “1883”Paul Walter Hauser, “Black Bird”Evan Peters, “Monster: The Jeffrey Dahmer Story”Actress in a TV Movie or Limited SeriesEmily Blunt, “The English”Jessica Chastain, “George & Tammy”Julia Garner, “Inventing Anna”Niecy Nash-Betts, “Monster: The Jeffrey Dahmer Story”Amanda Seyfried, “The Dropout”Stunt Ensemble in a TV Series“Andor“The Boys”“House of the Dragon”“Lord of the Rings: The Rings of Power”“Stranger Things” More

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      Michelle Yeoh Wins Best Actress Golden Globe for ‘Everything Everywhere All at Once’

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      Michelle Yeoh’s star turn as a multiverse-cruising immigrant mother in the sci-fi comedy “Everything Everywhere All at Once” was a hit with both critics and audiences, propelling her to her first Golden Globe. The martial arts star, who has performed in dozens of action films, took on a part that the writer-directors Daniel Kwan and Daniel Scheinert originally wrote for the actor Jackie Chan.Here is her full acceptance speech:Wooo, OK, I’m just going to stand here and take this all in. Forty years, not letting go of this. So just quickly, thank you Hollywood Foreign Press for giving me this honor. It’s been an amazing journey, an incredible fight to be here today. But I think it’s been worth it.I remember when I first came to Hollywood, it was a dream come true until I got here because — look at this face. I came here and was told, “You’re a minority” and I’m, like, “No, that’s not possible.” And then someone said to me [speaking slowly], “You speak English.” I mean, forget about them not knowing Korea, Japan, Malaysia, Asia, India. And then I said, “Yeah, the flight here was about 13 hours long, so I learned.”As time went by — I turned 60 last year. And I think all of you women understand this as the days, the years, and the numbers get bigger, it seems like opportunities start to get smaller as well. And it probably was at a time where I thought, “Hey, come on girl, you had a really, really good run, you worked with some of the best people, Steven Spielberg, Jim Cameron and Dan Boyle.” And so it’s good, it’s all good. Then along came the best gift, “Everything Everywhere All at Once.”[music starts]Shut up, please. [Laughter] I can beat you up. And that’s serious. I thank you A24 for believing in these two goofy, insanely smart, wonderful geniuses, the Daniels, who had the courage to write about a very ordinary immigrant, aging woman, mother, daughter, who was trying to do her audit; she was being audited by the I.R.S., played by the most amazing Jamie Lee Curtis. I love you.I was given this gift of playing this woman who resonated so deeply with me and with so many people because at the end of the day, in whatever universe she was at, she was just fighting, fighting for love for her family.And Evelyn Wang was no one without Ke Huy Quan — Raymond Wong — and there was no joy in her life without Stephanie Hsu. The most amazing Stephanie Hsu and my hot dog lover, Jamie Lee Curtis, to Jonathan Wong, my producer, thank you for being there with us every step of the way. My manager, David Unger, and Kit Wong, who believed in me. And this is also for all the shoulders that I stand on, all who came before me who looks like me, and all who are going on this journey with me forward. So thank you for believing in us. Thank you. Thank you so much. More

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      Kevin Costner Couldn’t Get His Golden Globe Due to California Storms

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      When the Golden Globes returned to NBC on Tuesday night after last year’s telecast was canceled amid concerns about the organization that gives out the awards, it was an open question whether Hollywood’s biggest stars would come back. Plenty did, making the evening feel in many respects like a return to shows of the past.But a handful of winning actors and actresses were not there to collect their awards.Cate Blanchett, who won for her portrayal of a virtuosic conductor in “Tár,” was not on hand to accept her Globe for best actress in a motion picture drama; she was said to be filming in Britain. And Amanda Seyfried, who won for her portrayal of the failed biotech founder Elizabeth Holmes in “The Dropout,” was unable to accept her award; she was said to be working on a new musical.Kevin Costner could not pick up his statuette for best actor in a TV drama series for “Yellowstone” for another reason: he was prevented from driving to Beverly Hills from his home in Santa Barbara by the severe rainstorms and flooding that have hit California. Nearly 50,000 residents across California have received evacuation orders, and at least 17 people have died since December.“This is a sad story right now,” said Regina Hall, who accepted his award, as audience members laughed. “He’s stuck in Santa Barbara. Let’s pray, everyone.”Zendaya, who plays the troubled teen in “Euphoria,” won best actress in a TV drama series and was also absent from the award show. The actress apologized on Instagram for not being able to attend, thanked the Golden Globes and shared her admiration for her fellow nominees. More

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      Golden Globes: How to Watch, What to Know About the Scandal

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      The group that puts on the ceremony has promised reforms since it plunged into scandal two years ago. On Tuesday, it will try to win back viewers.In 2021, actors accepted Golden Globes remotely at a time when organizers were just beginning to grapple with a growing scandal around finances, ethics and diversity in its ranks.Last year, NBC refused to air the show at all, saying that the Hollywood Foreign Press Association, the troubled organization at the center of the scandal, needed time to make “meaningful reform.”But on Tuesday, the 80th annual Golden Globe Awards are back on NBC with a show that will attempt to win the trust of viewers and participants.What is not yet clear is how many of those viewers will return, after a precipitous drop in ratings during the pandemic, and whether celebrities and other members of the industry will appear en masse.The Globes have long had a reputation for booziness and irreverence. Will the revived ceremony still be seen as a less-staid alternative to the Academy Awards? Or will the Hollywood Foreign Press take the show more seriously?Here’s a brief history of the ceremony’s downfall, how its organizers are trying to rehabilitate it and what to expect from this year’s telecast.What brought down the Golden Globes?Days before the ceremony in 2021, an investigation by The Los Angeles Times took account of financial and ethical lapses at the Hollywood Foreign Press Association and revealed that it had no Black members.Inside the World of ‘Everything Everywhere All at Once’In this mind-expanding, idiosyncratic take on the superhero film, a laundromat owner is the focus of a grand, multiversal showdown.Review: Our film critic called “Everything Everywhere All at Once” an exuberant swirl of genre anarchy.The Protagonist: Over the years, Michelle Yeoh has built her image as a combat expert. For this movie, she drew on her emotional reserves.A Lovelorn Romantic: An ‘80s child star, Ke Huy Quan returns to acting as the husband of Yeoh’s character, a role blending action and drama.The Costume Designer: Shirley Kurata, who defined the look of the movie, has a signature style that mixes vintage, high-end designers and an intense color wheel.Gotham Awards: At the first big show of awards season, which is a spotty Oscar predictor but a great barometer for industry enthusiasm, the film took the top prize.At the time, there were 87 total members in the group, and a lawsuit filed by a Norwegian reporter, Kjersti Flaa, who had thrice been denied admittance to the group, accused members of accepting “thousands of dollars in emoluments” from members of the industry who were campaigning for recognition at the Globes. (A lawyer for the association said the lawsuit was a “a transparent attempt to shake down the H.F.P.A. based on jealousy,” The Los Angeles Times reported.)One story of wooing voters became emblematic of a reputation for accepting lavish perks. The Netflix comedy series “Emily in Paris,” which was the subject of lackluster reviews, received two nominations after dozens of association members flew to Paris to visit the “Emily” set and were put up by the Paramount Network at a five-star hotel.There was also scrutiny over how much members were paid for their involvement. According to filings from the tax year ending in June 2019, the nonprofit paid more than $3 million in salaries and other compensation to members and staff. Serving on one committee, for instance, meant $1,000 a month, a 2021 internal association report shows.How did the H.F.P.A. react?At the ceremony in 2021, the hosts, Tina Fey and Amy Poehler, made repeated jabs at the press association over its lack of Black members, and midway through the program, leaders of the group took the stage and pledged to increase the diversity of its membership.In the two years since, it has recruited new members, overhauled eligibility rules and enacted a stricter code of conduct. All existing members — some of whom have had their journalistic credentials questioned over the years — needed to reapply. The 96-member group now has six Black members — up from zero in 2021 — and has added 103 nonmember voters, a dozen or so of whom are Black.Todd Boehly, the interim chief executive, has moved to end the association’s tax-exempt status and turn it into a for-profit company with a philanthropic arm. (He has been awaiting final governmental approval for that plan, after which he is expected to disband the H.F.P.A.)How has Hollywood responded?The H.F.P.A.’s practices have been scrutinized for decades, but this time, Hollywood couldn’t turn away.Netflix, Amazon and WarnerMedia said they would not work with the association unless changes we made.There were condemnations by A-list stars and producers. Shonda Rhimes called out the organization for its treatment of her shows; Tom Cruise returned his Globe trophies; Scarlett Johansson suggested the industry step back from the H.F.P.A. until it tackled “fundamental reform.”And more than 100 Hollywood publicity firms called on the association to “eradicate the longstanding exclusionary ethos and pervasive practice of discriminatory behavior, unprofessionalism, ethical impropriety and alleged financial corruption.” Until the group made its plans for change public, the firms said, they would not advise their clients to engage with the group’s journalists.Now that the organization has outlined its plans for reform, publicists and agents say that some stars are open to participating, while others want the Globes to be permanently retired. Based on this year’s list of presenters — which include Billy Porter, Natasha Lyonne and Quentin Tarantino — many are planning to show up on Tuesday.When and how do I watch?Wait, aren’t awards shows usually on Sunday? Typically, but this one was bumped to avoid clashing with NBC’s “Sunday Night Football.”Held at the Beverly Hilton in Beverly Hills, Calif., the telecast will air at 8 p.m. Eastern time, 5 p.m. Pacific time on NBC. For the first time, the show will also be available simultaneously online, through NBCUniversal’s streaming service, Peacock.Who is the host?The comedian Jerrod Carmichael will be the master of ceremonies. His HBO special “Rothaniel,” in which he came out as gay, won an Emmy and was considered among the best of 2022. And he may be familiar to NBC viewers from his 2015-17 sitcom, “The Carmichael Show,” or from his turn as host of “Saturday Night Live” last year.Who is expected to attend?The show has announced a list of presenters, including Ana de Armas, who is nominated for her performance as Marilyn Monroe in the Netflix biopic “Blonde”; Jamie Lee Curtis, who is up for a supporting actress award for “Everything Everywhere All at Once”; and Niecy Nash, who is nominated for her role in Netflix’s “Monster: The Jeffrey Dahmer Story.”Also listed as presenters are Ana Gasteyer, Colman Domingo, Michaela Jaé Rodriguez, Nicole Byer and Tracy Morgan. Eddie Murphy and the producer Ryan Murphy are receiving special honors.It is not likely to be clear until Tuesday whether a significant group of celebrities intends to boycott the ceremony.Brendan Fraser, who is nominated for best actor in a drama for his performance as a morbidly obese man in “The Whale,” has said that he would not attend the ceremony, citing the H.F.P.A.’s handling of his accusation that a former leader of the organization, Philip Berk, groped him at a luncheon in 2003. Berk denied the accusation and is no longer a member.Who is up for awards?The film with the most nominations is “The Banshees of Inisherin,” an Irish drama from the writer-director Martin McDonagh about a fractured friendship. It is up for eight awards. “Everything Everywhere All at Once” — the sci-fi comedy about a Chinese immigrant and laundromat owner, which is co-directed by Daniel Kwan and Daniel Scheinert — is up for six.The best film directing category contains some heavyweights — James Cameron for “Avatar: The Way of Water,” Steven Spielberg for “The Fabelmans” and Baz Luhrmann for “Elvis” — as well as McDonagh, Kwan and Scheinert.On the television side, the schoolroom sitcom “Abbott Elementary,” created by Quinta Brunson, is up for the most awards, with five nominations, including best musical or comedy series.In the increasingly prestigious limited series category, the talked-about drama “White Lotus” is up against “Pam & Tommy,” “The Dropout,” “Black Bird” and “Monster.”HBO Max and Netflix are tied with the highest number of nominations, at 14 each.Brooks Barnes contributed reporting. More