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      in Movies

      Teri Garr Found the Soul in Memorable Ditsy Blondes

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      In “Tootsie,” “After Hours” and other films, she played truly unhinged characters while also layering in sadness or drama.In “Tootsie,” Teri Garr perfected the polite way to say you had a bad time at a party. Bidding a friend good night, her character, a struggling actress named Sandy, tells him, “It was a wonderful party, my date left with someone else, I had a lot of fun, do you have any seconal?”She sounds sunny as she’s saying all this and barely takes a breath. It’s a master class in comedic despair.Garr, who died on Tuesday at 79 from complications of multiple sclerosis, turned the neurotic basket case into an art form. On paper a Teri Garr role could be written off as a daffy blonde, but in her hands she gave these women depth and made them entrancingly funny.Garr came from a show business family — her father was a vaudevillian, and she arguably inherited that can-do spirit of performing. Though she had appeared in a number of television shows and films throughout the 1960s, including as a dancer in multiple Elvis flicks, she was introduced to most audiences in Mel Brooks’s “Young Frankenstein” (1974, not currently streaming), playing Inga, the laboratory assistant to Gene Wilder’s Frederick Frankenstein. (Don’t mispronounce it.)Brooks first presents her lying in the back of a hay wagon. She’s beautiful and busty, but immediately lands her first punchline.“Hello,” she says seductively, in her ostensibly Transylvanian accent. “Would you like to have a roll in the hay?” Wilder pauses, taken aback by her apparent forward proposition. She interjects, brightly. “It’s fun!” She starts flinging her body around, singing, “Roll, roll, roll in the hay.” She doesn’t mean the sexual innuendo — or maybe she does.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      ‘Bob’s Burgers’ Actor Sentenced to One Year in Prison for Role in Jan. 6 Riot

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      The actor, Jay Johnston, pleaded guilty in July to obstructing police during the riots at the Capitol on Jan. 6, 2021, according to prosecutors.Jay Johnston, a comedian and actor who voiced Jimmy Pesto Sr. on the Fox sitcom “Bob’s Burgers,” was sentenced to a year and a day in prison over his involvement in the attack on the U.S. Capitol on Jan. 6, 2021.Mr. Johnston, 55, pleaded guilty in July to a felony charge of obstruction of law enforcement after reaching a plea agreement that dropped three other charges originally brought against him. The actor was arrested in June 2023 in California with the help of internet sleuths who identified Mr. Johnston after the F.B.I. posted photos of him at the Capitol during the riot. Three other people who know Mr. Johnston also identified him.While Mr. Johnston is best known for his role in “Bob’s Burgers,” he was a regular on the 1990s sketch comedy show, “Mr. Show with Bob and David,” as well as on “The Sarah Silverman Program.” He has mostly starred in comedies on television and in movies.He will be on supervised release for two years after his yearlong prison sentence, according to a news release from the U.S. attorney’s office for the District of Columbia. U.S. District Judge Carl J. Nichols also ordered Mr. Johnston to pay a $2,000 fine.Authorities said that when rioters broke through police barricades, Mr. Johnston continued to get closer to the police line. Security footage showed that he had helped push others up against police officers who were pinned against a door near the tunnel entrance of the Capitol building, prosecutors said.Mr. Johnston also filmed the crowds throughout the day on his phone, according to the news release. A person who knows Mr. Johnston showed investigators a text message that he had sent in which he admitted to having been at the Capitol.“The news has presented it as an attack,” the message stated, according to court documents. “It actually wasn’t. Thought it kind of turned into that. It was a mess. Got maced and tear gassed and I found it quite untastic.”Investigators also found that he had booked flights to arrive in Washington on Jan. 4, 2021, and to return to Los Angeles three days later.Mr. Johnston is one of more than 1,500 people who have been charged with crimes related to the Jan. 6 riots at the Capitol, according to the Justice Department. More

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      in Movies

      David Harris, Actor in the Cult Classic ‘The Warriors,’ Dies at 75

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      He played Cochise, a member of the Warriors gang who navigated a panoply of costumed aggressors in New York City.David Harris, who played a member of a street gang in the 1979 cult classic movie “The Warriors,” died on Friday at his home in New York City. He was 75.His daughter, Davina Harris, said the cause was cancer.As the Warriors evaded and did battle with rival crews in New York City streets and subway cars, Mr. Harris in the role of Cochise dutifully supported his brothers. In a gang that conformed to matching red leather vests, Cochise cut a defiant presence with his headband and turquoise necklaces that bobbed to the rhythm of their violent journey home to Coney Island.After the Warriors are falsely accused of killing a gang leader, they have to navigate a panoply of colorful and costumed rivals — malevolent mimes, pinstriped baseball bat thumpers and villains aboard a school bus fit for “Mad Max.”In a movie with moments (the sinister bottle clinking, the baritone bellow of “Can you dig it?”) that have been recreated and parodied in media in the decades since the film’s release, one of Mr. Harris’s scenes inside a rival gang’s den was a central point in the mayhem.After being seduced by an all-female gang, a party in an apartment quickly turns sideways, with a hand near Mr. Harris’s face suddenly wielding a switchblade. He bobs and dodges, jumps and jukes before swinging a chair and plowing through a door that allows him and his fellow members to escape bullets and blades.“We thought it was a little film that would run its little run and go, and nobody would ever talk about it again,” Mr. Harris said in an interview in 2019 with ADAMICradio, an online channel about TV, films and comics.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      Mimi Hines, a Replacement Star in ‘Funny Girl,’ Dies at 91

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      She was best known as half of a comedy team with her husband, Phil Ford, until her hall-filling voice earned her raves in a role made famous by Barbra Streisand.Mimi Hines, a powerful singer and live-wire comedian who etched her name in Broadway lore as the replacement for Barbra Streisand in the original production of “Funny Girl,” died on Oct. 21 at her home in Las Vegas. She was 91.Her death was confirmed by her lawyer and friend Mark Sendroff.A “mischievous sprite,” as The New York Times once called her, the diminutive Ms. Hines brought an outsize energy to her work, whether she was dishing out one-liners in nightclubs as half of a comedy-and-song duo, Ford & Hines, with her husband, Phil Ford, or delivering showstopping numbers to packed houses on Broadway.During her peak in the 1950s and ’60s, journalists often noted her elfin quality and her distinctive facial features — cleft chin, deep dimples and wide, toothy grin — which she was not shy about using as a comic prop.When Mike Wallace interviewed her and Mr. Ford in 1961, he informed her that a newspaper writer had recently described her as “two buck teeth and a carload of talent.”“That’s not true,” she responded. “My whole mouth is buck.”Ms. Hines and Mr. Ford got their first big break in 1958 on “The Tonight Show,” which at the time was hosted by Jack Paar. It was the first of several “Tonight” appearances they would make over the years. Her rendition of the song “Till There Was You” from “The Music Man” moved Mr. Paar to tears.“It was a magic night on TV,” Ms. Hines said in a 1963 interview with The Prince Herald Daily Tribune of Saskatchewan. “They say 12 million people saw it.” They also appeared on several episodes of “The Ed Sullivan Show,” as well as on many other variety and talk shows.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Ron Ely, Who Played an Updated Tarzan in the 1960s, Dies at 86

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      He later built a career as a reliable TV guest star. His life turned tragic in 2019 when his son killed Mr. Ely’s wife and was then shot to death by the police.Ron Ely, a veteran television actor best known for his role as an educated, urbane vine-swinger on the 1960s show “Tarzan,” died on Sept. 29 at the home of one of his daughters near Santa Barbara, Calif. He was 86.That daughter, Kirsten Ely, announced the death on Wednesday on social media. It had not been previously reported.A tall, muscled Texas native, Mr. Ely (pronounced “EE-lee”) had made his name by the early 1960s as a reliable supporting actor on popular TV shows like the sitcoms “Father Knows Best,” “How to Marry a Millionaire” and “The Many Loves of Dobie Gillis” before landing the lead role on “Tarzan” in 1966.The show, which ran on NBC for 57 episodes across two seasons, featured a Tarzan updated for a modern audience. Gone were the semi-verbal grunts of previous iterations; in this version, Tarzan had left the jungle and learned the ways of modern civilization before deciding to return to the creature comforts of his former home.Gone, too, was Jane, Tarzan’s traditional love interest, though Cheetah, his chimpanzee sidekick, remained.Mr. Ely performed almost all his own stunts, which left him with two broken shoulders, a torn back muscle and two lion bites.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      Jeff Bezos and Jessica Chastain Toast a Daring ‘Sunset Boulevard’ on Broadway

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      Outside the St. James Theater on Sunday night, curious onlookers joined a throng of photographers as, amid a sea of flash bulbs, stars descended on a black carpet for the opening night of a buzzy new revival of the classic musical “Sunset Boulevard.”“I’m thrilled to see this,” said Betty Buckley, 77, who played the role of the faded silent-film star Norma Desmond in the Andrew Lloyd Webber musical in London and on Broadway in the 1990s.The show, which tells the story of Ms. Desmond’s descent into madness as she is forced to come to grips with an industry that discards its female stars at an ever-earlier age, stars the 46-year-old Nicole Scherzinger, a former Pussycat Doll, in the role.The new production, helmed by the minimalist director Jamie Lloyd, who also directed a London run last year, is in many ways a daring update of the original musical, which opened in the West End in 1993.The show’s director, Jamie Lloyd, with its choreographer, Fabian Aloise, at the after-party.Tom Francis, who plays the young screenwriter Joe Gillis, received a standing ovation for a sequence in which he sings the show’s title number as he is followed onto the street by a live feed.Rebecca Smeyne for The New York TimesJessica Chastain was nominated for a Tony Award last year for starring in Mr. Lloyd’s previous Broadway production, a revival of “A Doll’s House.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Toni Vaz, Stuntwoman and Founder of N.A.A.C.P. Image Awards, Dies at 101

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      She created a program to honor Black artistic success in the 1960s. But she spent decades trying to get its organizers to recognize her role.Toni Vaz, who cut a path as one of the first Black stuntwomen in Hollywood, with appearances in more than 50 movies, and then created the N.A.A.C.P. Image Awards to recognize the often unsung work of Black writers and performers, died on Oct. 4 in Los Angeles. She was 101.Cheryl Abbott, her great-niece, said her death, at a retirement home for actors in the Woodland Hills neighborhood, was caused by congestive heart failure.The notion of a Black stunt performer did not really exist when Ms. Vaz began her career in the 1950s — she and others were officially cast as extras, received no training, and often did not know what dangers they might face on a set until the cameras began to roll.During the filming of “Porgy and Bess” (1959), Ms. Vaz was instructed to lean out a window to catch a glimpse of two of the film’s stars, Sammy Davis Jr. and Sidney Poitier. Unbeknown to her, a carpenter had purposely weakened the railing; it broke as soon as she leaned on it, sending her falling several feet onto a mattress.Shaken, she was handed a shot of brandy to recover.Throughout her career, Ms. Vaz played a critical part in support of Black actresses like Eartha Kitt, Cicely Tyson and Juanita Moore as they began to break out of the racially stereotyped roles that had long been their only options in Hollywood.But she and other Black stunt performers were typically paid less than their white counterparts for the same work. Standing in for Ms. Moore in a scene for “The Singing Nun” (1966), she and a white stuntwoman were directed to crash a jeep; Ms. Vaz got $40, she told the interviewer Amie Jo Greer in 2010, while the white performer got $350.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      How Chris Perfetti of ‘Abbott Elementary’ Spends His Sundays

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      On his weeks off from shooting the ABC sitcom, the actor unwinds by whipping up “the biggest salad ever” and seeking out a Sunday-night show.For the actor Chris Perfetti, who lives in a fifth-floor walk-up in Brooklyn Heights, every day is leg day.“It’s worth it for the view,” said Mr. Perfetti, 35, who portrays the sixth-grade teacher Jacob Hill on “Abbott Elementary,” Quinta Brunson’s public school mockumentary set in Philadelphia. The fourth season premiered this month.Mr. Perfetti, a longtime New York theater actor who broke out on the show in 2021, still considers Brooklyn home, though he is also in Los Angeles six months of the year shooting “Abbott.” (He recently bought a 100-year-old cottage in the woods in Los Angeles’s Laurel Canyon neighborhood, though he said he has no plans to give up his Brooklyn one-bedroom, where he lives on the building’s top floor.)“I definitely miss New York when I’m in L.A. more than I miss L.A. when I’m in New York,” said Mr. Perfetti, who was born in Rochester, N.Y.He studied drama at the State University of New York at Purchase in Westchester County and spent his weekends taking Metro-North trains into Manhattan to see shows.“I pretty much jet back here as soon as they call cut on ‘Abbott,’” he said.LATE START I wake up before noon, but not by much. “Abbott” requires me to wake up in the wee, wee dark hours of the morning — I’m usually up at 4:30 or 5:30 a.m. to be on set. That requires an alarm every day, so on the days when I’m not shooting, I let my body get as much sleep as I can.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More