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      In Praise of Patrick Wilson, Scream King

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      The classically trained actor has been acclaimed for his work onstage. But in ghost stories like “Insidious” and “The Conjuring,” he’s proven to be a master of horror.Ed Warren is sitting in a musty living room in North London, trying to establish contact with a demon. Behind him sits a little girl, said to be possessed. The demon won’t talk, she insists, unless he faces away and gives him some privacy. With his back to the girl, Ed gets down to business. “Now come on out and talk to us,” he says brightly. More

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      Gavin MacLeod, ‘Mary Tyler Moore’ and ‘Love Boat’ Actor, Dies at 90

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      After years as a journeyman with a long list of credits but little name recognition, he found stardom on two of the biggest television hits of the 1970s and ’80s.Gavin MacLeod, who tasted stardom after years as a journeyman actor when he landed roles on two of the most successful television series of the 1970s and ’80s — as the news writer Murray Slaughter on “The Mary Tyler Moore Show” and Capt. Merrill Stubing on “The Love Boat” — died on Saturday at his home in Palm Desert, Calif. He was 90. His nephew Mark See confirmed the death. He said that the cause was unknown, but that Mr. MacLeod had recently had health issues.When Mr. MacLeod was invited to audition for the pilot of “The Mary Tyler Moore Show” in 1970, he was almost 40, a recovering alcoholic and still looking for a breakthrough role after more than a dozen years as a working actor with a string of modest stage, film and television credits — notably on the sitcom “McHale’s Navy” — but little name recognition.The audition was for the role of Lou Grant, the gruff newsroom boss of Ms. Moore’s character, Mary Richards, a sweet-natured associate news producer at a fictional Minneapolis television station. But Mr. MacLeod asked instead if he could read for the more understated role of Murray, saying he felt more comfortable playing Mary’s co-worker than her superior. (The role of Lou Grant went to Ed Asner.)“The Mary Tyler Moore Show” ran from 1970 to 1977 and became one of the most acclaimed comedies in television history, winning Emmys and a devoted audience, not least because it centered on a young, single professional woman — still an adventurous premise at the time — and offered quick-witted comedy with generous doses of the real world, addressing serious topics like drug use, homosexuality, women’s rights and premarital sex.As Murray, the balding, humble head writer and Mary’s office best friend, Mr. MacLeod was given to firing zingers at the show’s other regulars, especially the pompously vain anchorman, Ted Baxter (Ted Knight, a longtime friend of Mr. MacLeod’s). He saw Murray as an Everyman character.Mr. MacLeod, right, played a humble TV news writer and Ed Asner played his gruff boss on “The Mary Tyler Moore Show.”Photofest“Murray represented all the brown-baggers — not just in newsrooms, but in all sorts of professions,” he wrote in his autobiography “This Is Your Captain Speaking: My Fantastic Voyage Through Hollywood, Faith and Life” (2013). “People felt they knew me.”Just weeks after “The Mary Tyler Moore Show” finished filming its final episode, Mr. MacLeod was offered the lead role of Captain Stubing on “The Love Boat.” That show was a hit as well, running from 1977 to 1986.Mr. MacLeod and other cast members from “The Love Boat” received a star on the Hollywood Walk of Fame in 2018. From left: Fred Grandy, Ted Lange, Jill Whelan, Mr. MacLeod, Cynthia Lauren Tewes and Bernie Kopell.Mike Nelson/EPA, via Shutterstock“The Love Boat,” which revolved around Mr. MacLeod’s affable white-suited captain and a crew of regulars, ventured into new television territory by offering simultaneous plot lines in each episode, all having to do with the humorous, and amorous, adventures of the cruise ship’s passengers, played by guest stars. (Mr. MacLeod later became a pitchman for Princess Cruises.) But unlike “The Mary Tyler Moore Show,” which was acclaimed for its writing and its willingness to defy the sanitized conventions of situation comedy, “The Love Boat,” produced by Aaron Spelling, was vilified by critics as just another example of safe, formulaic TV comedy. Mr. MacLeod defended the show. “I don’t care if it reflects life or not,” he said. “I love happy endings. Life’s so heavy these days that people want to escape.”Gavin MacLeod, the older of two children, was born Allan George See on Feb. 28, 1931, in Mount Kisco, N.Y. His family later moved to nearby Pleasantville. His father, George, was an electrician who died of cancer in 1945; his mother, Margaret (Shea) See, had worked for Reader’s Digest.Allan graduated from Pleasantville High School in 1947 and received a scholarship to Ithaca College, in upstate New York, graduating in 1952 with a degree in drama.After a stint in the Air Force, he moved to New York City to look for acting jobs, working at first as an usher and an elevator operator at Radio City Music Hall, where he met Joan Rootvik, a Rockette. They married and went on to have four children before divorcing in 1972.In the early 1950s he adopted his stage name in remembrance of Beatrice MacLeod, his drama teacher at Ithaca. He chose the first name Gavin after a character in an episode of the anthology television series “Climax.”After finding some stage work, Mr. MacLeod made his television debut as a guest star on “The Walter Winchell Files,” a crime drama. His first credited movie role was a small part as a police lieutenant in “I Want to Live!,” a 1958 drama with Susan Hayward as a woman facing the death penalty. In 1959 he appeared in the Korean War film “Pork Chop Hill” and Blake Edwards’s naval comedy “Operation Petticoat.”By the 1960s Mr. MacLeod was appearing regularly on television series, with guest-starring roles on “Perry Mason,” “Combat!,” “Death Valley Days,” “Dr. Kildare,” “The Untouchables” and other shows. His part on “McHale’s Navy,” which starred Ernest Borgnine, was his first job as a series regular. His character, Seaman Joseph Haines, one of a crew of misfits aboard a World War II PT boat, was known as Happy. But Mr. MacLeod, feeling underused, was anything but.“I had, like, two lines a week,” Mr. MacLeod said in a videotaped interview for the Archive of American Television. “I started feeling sorry for myself; I started drinking. I felt that as an actor I was just going down the tubes.”As he told the story, one night he was driving, while drunk, on Mulholland Drive in the hills above Los Angeles when he impulsively decided to kill himself by driving off the road. But he stopped himself, jamming on the brakes at the last moment. Shaken, he recalled, he made his way to the nearby house of a friend, the actor Robert Blake, who persuaded him to see a psychiatrist.He quit “McHale’s Navy” in 1964, after two seasons, and began finding more satisfying parts, including a supporting one in the 1966 film “The Sand Pebbles” with Steve McQueen.After his divorce, Mr. MacLeod married Patti Kendig, a dancer, in 1974. They also divorced, in early 1982, but remarried each other in 1985, by which time they had both become born-again Christians. Mr. MacLeod documented their story, as well as his decades-long struggle with alcoholism, in a 1987 book, “Back on Course: The Remarkable Story of a Divorce That Ended in Remarriage.”In addition to his wife, Mr. MacLeod is survived by two sons, Keith and David; two daughters, Meaghan MacLeod Launier and Julie MacLeod Ruffino; 10 grandchildren; one great-grandchild; and a brother, Ron See.Mr. MacLeod became active in religious-oriented entertainment, hosting programs on the Trinity Broadcasting Network and starring in Christian-themed films like “Time Changer” (2002) and “The Secrets of Jonathan Sperry” (2008).His later television work also included guest-starring roles on “The King of Queens,” “Jag,” “Touched by an Angel” and “Oz,” the HBO prison drama. In 2010, according to his autobiography, Mr. MacLeod quit television in the middle of an audition for an episode of “Cold Case” and returned to what he said was his greatest professional love: theater. He did do some television work after that, but most of his work for the rest of his life was in stage productions in the Los Angeles area.William McDonald and Jesus Jimenez contributed reporting. More

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      Natalie Morales Makes Her Directing Debut. Twice.

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      With “Plan B” and “Language Lessons,” the actress is finally getting to start a career behind the camera, a goal one talent agency couldn’t understand.If the pandemic had a silver lining for Natalie Morales, it’s that she got to spend part of a summer lockdown in Los Angeles directing “Language Lessons,” a low-budget, character-driven movie that she co-wrote and starred in with Mark Duplass, one of her filmmaking heroes. More

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      Mike Faist Isn’t Sure About This Whole Acting Thing

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      “I can’t tell if I hate acting or if I love it too much,” he said ahead of the debut of the Amazon series “Panic.” Coming soon, a major role in Steven Spielberg’s “West Side Story.” For now, he’s going to Ohio.Tall and lanky, looking as if he were born wearing Wranglers, Mike Faist cuts quite a striking figure in the Amazon Prime series “Panic”: His character, Dodge Mason, is a Stetson-wearing rodeo dude who breaks untamed horses, then soulfully gazes into their eyes. More

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      Colman Domingo’s Crooked Summer

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      Colman Domingo — actor, playwright, dramaturge, producer, professor and the fella who showed up to this year’s Oscars in a hot pink sequined Versace suit — is likely best known for his character of Victor on television’s “Fear the Walking Dead.” He’s also brought a sensitive soulfulness to the array of characters he’s portrayed in some of the past decade’s most prominent Black films: “The Butler,” “Selma,” “42,” “The Birth of a Nation,” “If Beale Street Could Talk” and “Ma Rainey’s Black Bottom.” More

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      Mark York, Actor on ‘The Office,’ Dies at 55

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      The Ohio native, who advocated greater visibility onscreen for people with disabilities, appeared in early seasons of the NBC sitcom as Billy Merchant.Mark York, the actor best known for playing Billy Merchant on the NBC sitcom “The Office,” died last week in Dayton, Ohio. He was 55.His death was confirmed by the Montgomery County coroner’s office, which said on Tuesday that he had died in a hospital of natural causes. Mr. York’s family said in an obituary that he had died after “a brief and unexpected illness.”Mr. York appeared in four episodes of “The Office” from 2006 to 2009 as the property manager of the office park where Dunder Mifflin, the fictional paper company at the center of the series, made its home. His character, Billy Merchant, who like Mr. York was a paraplegic, was introduced in the second season when Michael Scott, the bumbling branch manager played by Steve Carell, brought him to the office for a cringe-inducing meeting on disability awareness.In the scene, Mr. York’s character gamely answers Michael’s clueless questions about his wheelchair use. But when Michael tries to equate it with burning his foot on a George Foreman grill, Billy interrupts: “You know what, Michael? Let me stop you right there … and leave.”“The letters I get about the character are great,” Mr. York told People magazine in 2010, saying one fan had written that he “shed light on how crazy office politics can be” for workers with disabilities who are just trying to do their jobs.Making wheelchair users more visible onscreen was only one of Mr. York’s goals. He also supported efforts to find a cure for spinal cord injuries, serving as the Southern California representative for SCI Research Advancement, a nonprofit foundation that works to expedite research.“He would constantly come up with ideas for us, and ultimately he came up with an idea to contact the White House,” Will Ambler, the founder of the group, said in an interview.In January 2010, Mr. York, Mr. Ambler and one of the foundation’s board members met in Washington with Kareem Dale, President Barack Obama’s special assistant for disability policy, and other government officials. Mr. York, an avid traveler, drove there from Ohio in his car, a red Dodge Magnum with hand controls that he called Roxanne and had more than 300,000 miles on it.For wheelchair users, driving is a way of regaining freedom, and Mr. York “just took it to the highest level he could,” Mr. Ambler said, adding, “He was liberated, he was free and he could go anywhere he wanted.”Although they didn’t get the changes that they proposed, the group has pressed on and Mr. York had recently suggested approaching the White House again.“He was working on it until the very end,” Mr. Ambler said.Cast members from “The Office” shared their condolences on Twitter.“He was a terrific human, a positive force and a dynamic actor,” said Rainn Wilson, who played Dwight Schrute.Marcus A. York was born on Nov. 27, 1965, in Arcanum, Ohio, and graduated from Arcanum High School. In 1988, a car accident left him disabled. The accident gave him “a new lease on life,” according to a biography on his website, and he graduated from Anderson University in Indiana with majors in psychology, sociology and social work. While he was in college, friends encouraged Mr. York to pursue modeling and acting, and he later moved to California.In addition to television commercials, Mr. York appeared in the shows “8 Simple Rules” and “CSI: NY.” He also had an uncredited role in the 2001 film “A.I. Artificial Intelligence.”According to his obituary, he had been working in recent years as an inventor and had obtained two patents.Mr. York is survived by his parents, Glenn and Becky York, and three brothers, Brian, Jeff and David. More

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      A ‘Hamilton’ Star Discovers Lunatic Comedy With ‘Girls5eva’

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      Renée Elise Goldsberry plays a delusional diva reuniting a girl group in a music biz satire executive produced by Tina Fey. It’s her midcareer moment.It could have happened in her early 20s, fresh from college, with a face like a cherub and lungs like a hurricane, when she booked an understudy role in a Broadway-bound show that never arrived. Or 10 years later, when she moved to Los Angeles and sang with a jazz ensemble. Or five years after that, back in New York for a run on “One Life to Live,” or in the decade following, spent bounding between plays and short TV stints. More