Actors and Actresses

Subterms

    More stories

    • 113 Shares149 Views

      in Movies

      The Best True Crime to Stream: The Fame Monster

      by

      Across television, film and podcasting, here are four picks that explore lesser-discussed crimes involving celebrities.There is an absolute glut of true crime content that involves the rich and famous. These stories also tend to be rehashed and retread because fame breeds fascination, of course, and name recognition helps when seeking the eyes and ears of an audience. But there are plenty of stories involving stars that are just as compelling even if they haven’t gotten the same attention. Here are four of them across television, podcast and film.Documentary film“Fanatical: The Catfishing of Tegan and Sara”The harsh realities of toxic fan culture have gotten more attention in 2024, with pop stars like Chappell Roan and Billie Eilish speaking more openly about the ubiquitousness of harassment and obsession that accompany fame.For this new documentary, the director Erin Lee Carr (“Mommy Dead and Dearest,” “At The Heart of Gold”) weaves together two sides of a shocking story that turned the lives of Tegan and Sara Quin, twin sisters who are the queer folk-pop duo Tegan and Sara, upside down.In the 1990s and 2000s, the sisters had a knack for building community at shows and online, with Tegan in particular feeling a responsibility to their fans. When this familiarity dovetailed with a catfishing scheme, Tegan and many fans became ensnared in a sophisticated identity theft operation that lasted over 15 years. “Fake Tegan systematically destroyed my life,” Tegan says at one point.As layers are peeled back, a more complex picture comes into focus. Unfortunately, the end brings little comfort, only underscoring the magnitude of the discoveries made along the way.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 175 Shares199 Views

      in Movies

      Alec Baldwin’s ‘Rust’ to Premiere: What to Know About the Movie Marked by Tragedy

      by

      The film, whose cinematographer, Halyna Hutchins, was killed in a shooting on the set, is being screened at a festival devoted to cinematography.It was just over three years ago that Alec Baldwin was practicing drawing a gun on the set of the western “Rust” in New Mexico when it went off, firing a live round that killed its cinematographer, Halyna Hutchins, and wounded its director, Joel Souza.The fatal shooting resulted in criminal cases, lawsuits and a reassessment of the use of real guns in Hollywood. In the midst of it all the movie was completed in Montana, with a new cinematographer and only fake weapons allowed on the set, by a team that said it wanted to ensure that Ms. Hutchins’s final work reached the screen.On Wednesday, the 133-minute-long film will have its world premiere at a small if starry film festival in Torun, Poland, called Camerimage, which is devoted to the art of cinematography. Here’s what to know about the unusual event.Will Alec Baldwin be there?Though Mr. Baldwin stars in the film, as a grizzled outlaw named Harland Rust, he is not expected to be in the audience on Wednesday.The film’s main spokesman at the festival will be its director, Mr. Souza, who was injured in the shooting when the bullet passed through Ms. Hutchins and lodged in his shoulder. Mr. Souza completed the project after Ms. Hutchins’s widower, Matthew Hutchins, gave it his blessing and stepped in as an executive producer.“It became very important to me to finish that on her behalf,” Mr. Souza said in an interview this year. “I would never presume to want to speak for somebody who can’t speak for themselves anymore, but I feel pretty damn confident that’s what she would have wanted.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 50 Shares149 Views

      in Theater

      ‘Les Misérables’ Returns Home

      by

      The most famous French musical has never been popular in Paris. A major new production hopes to change that, reworking it for a contemporary French audience.Globally, it’s the most famous French musical. One hundred and thirty million people have seen Jean Valjean face off against Javert, in 22 languages; its downtrodden characters have taken to the barricades in London’s West End nearly continuously since 1985.Everyone knows “Les Misérables.” Everyone — except the French.In a strange twist of fate, “Les Miz,” an adaptation of Victor Hugo’s sweeping novel about justice, poverty and the social reality of 19th-century France, has never been popular in the country of its birth. Despite being created by two Frenchmen, the composer Claude-Michel Schönberg and the lyricist Alain Boublil, it has only been performed in Paris twice since the 1980s. The 2012 film adaptation, starring Hugh Jackman and Anne Hathaway, also performed poorly at the French box office.Now a major new stage production, set to open at the Théâtre du Châtelet in Paris on Wednesday, aims to make “Les Misérables” a star at home, too — with the enthusiastic assent of its creators.During a recent rehearsal, in an impersonal industrial space in Romainville, a Paris suburb, Schönberg, 80, held his fist in the air as the nearly 40-strong cast belted out an impassioned French-language version of the finale, “Do You Hear the People Sing?”Claude-Michel Schönberg, left, and Alain Boublil, right, wrote the music and lyrics for the original French musical, which premiered in 1980. For this year’s revival, Schönberg updated the lyrics based on “the corrections that had been made over time internationally,” he said.Violette Franchi for The New York Times“Returning to France is important to us, because it’s our culture, our way of thinking,” Boublil, 83, said in an interview between rehearsals. “Even though we’ve both lived abroad for a long time, that hasn’t changed.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares189 Views

      in Theater

      Broadway Shows to See This Fall: ‘Our Town,’ ‘Gypsy’ and More

      by

      Broadway Shows to See This Fall: ‘Our Town,’ ‘Gypsy’ and MoreA guide to every show on Broadway, including new musicals, Tony winning-dramas, quirky hits and veterans like “Hamilton” and “Chicago.”Jim Parsons, at left, as the Stage Manager in “Our Town,” which runs through Jan. 19 at the Barrymore Theater in Manhattan.Sara Krulwich/The New York TimesMusicals to Leave You HummingCabaret“Willkommen, bienvenue, welcome” — but for real this time. With a sinuous, sensuous Adam Lambert now starring as the Emcee, Rebecca Frecknall’s darkly seductive take on the Kander and Ebb classic has acquired a much more human feel. Inside Tom Scutt’s Tony-winning immersive design of the Weimar-era Kit Kat Club, the show is newly rebalanced for the better with Auliʻi Cravalho as Sally Bowles and Calvin Leon Smith as Clifford Bradshaw, while Bebe Neuwirth as Fräulein Schneider and Steven Skybell as Herr Schultz will still charm your heart, then break it. (At the August Wilson Theater.) Read the review.The Great GatsbyEva Noblezada (“Hadestown”) stars as Daisy opposite Jeremy Jordan (“Newsies”), who plays his final performance as Gatsby on Jan. 19. This musical adaptation of F. Scott Fitzgerald’s Jazz Age novel has a book by Kait Kerrigan (“The Mad Ones”), with music by Jason Howland and lyrics by Nathan Tysen (both of “Paradise Square”). Marc Bruni (“Beautiful: The Carole King Musical”) directs. Linda Cho’s luxurious 1920s costumes won the show a Tony. (At the Broadway Theater.) Read the review.GypsyGrabbing the baton first handed off by Ethel Merman, Audra McDonald plays the formidable Momma Rose in the fifth Broadway revival of Arthur Laurents, Jule Styne and Stephen Sondheim’s exalted 1959 musical about a vaudeville stage mother and her daughters: June, the favorite child, and Louise, who becomes the burlesque stripper Gypsy Rose Lee. Directed by George C. Wolfe, with choreography by Camille A. Brown, the cast includes Danny Burstein, Joy Woods, Jordan Tyson and Lesli Margherita. (Starts previews Nov. 21 at the Majestic Theater; opens Dec. 19.) Read more about the production.Hell’s KitchenAlicia Keys’s own coming-of-age is the inspiration for this jukebox musical stocked with her songs. With numbers including “Girl on Fire,” “Fallin’” and “Empire State of Mind,” it’s the story of a 17-year-old (Maleah Joi Moon, a newly minted Tony winner making her Broadway debut) in the Hell’s Kitchen neighborhood of Manhattan, growing into an artist. Shoshana Bean (through Dec. 1) and Brandon Victor Dixon play her parents, and Kecia Lewis plays her piano teacher in a Tony-winning performance. Directed by Michael Greif, the show has a book by Kristoffer Diaz and choreography by Camille A. Brown. (At the Shubert Theater.) Read the review.Maybe Happy EndingRobot neighbors in Seoul, nearing obsolescence, tumble into odd-couple friendship in this wistfully romantic charmer of a musical comedy by Will Aronson and Hue Park, starring Darren Criss and Helen J Shen. Michael Arden (“Parade”) directs. At the Belasco Theater. Read the review.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares149 Views

      in Television

      Billy Bob Thornton Reflects on Life and ‘Landman’

      by

      You would think a performing arts hall in Connecticut named after Katharine Hepburn, in a quiet seaside town like Old Saybrook would be safe. You would think a crowd of mostly ex-hippie gray-hairs, who had paid to sit in plush red chairs, hear you sing and have you sign their “Bad News Bears” posters, would be free of hecklers.You would be wrong. And now Billy Bob Thornton, on tour with his rock band the Boxmasters, was going to have to invite a man who had just called him a “condescending jerk” — except he hadn’t shouted “jerk” — to come up and sit on the edge of the stage with him and work this out, man to man. He was going to have to explain, as he has surely gotten tired of explaining, that he isn’t who you think he is.“I can tell you people that I know personally, who will walk by every fan and not even look at them,” he said from the stage. “I stand by the bus and I sign every person’s picture. I talk to everybody. I take a picture with everyone.”It was, in the end, a perfectly pleasant conversation, but one might assume that at 69, a man of Thornton’s acclaim and accomplishments wouldn’t feel the need to plead his case at all. Again wrong. While he was reluctant to talk about the incident when we caught up by phone a few weeks later, he is otherwise open about his insecurities and his feelings of being misunderstood, just as he is open about his disappointments — particularly his disappointments with Hollywood.If Thornton has appeared to pull back from Hollywood a bit in recent years, that is by design. The once up-and-coming filmmaker who wrote, directed and starred in the Oscar-winning “Sling Blade” had already given up writing and directing movies years ago because of how studios treated him just after that 1996 film — something he is “still pissed off” about, he said. He still loves acting but is increasingly selective: His role in the new Taylor Sheridan series “Landman,” premiering Sunday on Paramount+, is one of only a handful of major roles he has taken since “Bad Santa 2,” from 2016.In the new Taylor Sheridan series “Landman,” Thornton plays a guy who is basically Thornton if he had a job putting out fires, figurative and literal, on a West Texas oil field.Emerson Miller/Paramount+We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares169 Views

      in Television

      With Aldis Hodge, ‘Cross’ Seeks Justice … for Its Title Character

      by

      If your idea of Alex Cross is Morgan Freeman from the movies “Kiss the Girls” (1997) and “Along Came a Spider” (2001), the Amazon series “Cross,” based on a best-selling series of novels by James Patterson, might come as a surprise.With his bulging biceps encased in sprayed-on sweaters, Aldis Hodge, who plays the title character in the series, cuts a rather different figure indeed.“They always had me in mediums,” Hodge said, laughing, in a recent video chat. “Actually, the only thing I really had for wardrobe was like, ‘Yo, I need these sweaters to be a little thicker because we are shooting in Canada in the winter.’”Fans of Patterson’s long-running franchise shouldn’t fret, though: The new series, which premiered Thursday on Prime Video, was only shot in Toronto — it is still set in Washington, D.C., like the books. But productions do that all the time. Perhaps more important, Hodge’s Cross lands closer than ever to the way the character is described on the page: tall, 38 in the first novel (like Hodge) and strong enough that, as described in “Kiss the Girls,” he can still pounce after being shot in the heart with a stun gun.Hodge’s character in “Cross” is a widower; one of the show’s central relationships is between Alex Cross and colleague and longtime best friend, Sampson (Isaiah Mustafa). Keri Anderson/Prime VideoObviously this is a helpful quality for a forensic psychologist.“I did tell the casting teams at Paramount and Amazon that as we started to search for our Alex Cross, I’d like to use Aldis Hodge as sort of the blueprint for that,” the series’s showrunner, Ben Watkins, said by phone.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares139 Views

      in Theater

      Timothy West, Who Portrayed Kings and Prime Ministers, Dies at 90

      by

      Timothy West, a versatile actor who portrayed a parade of historical and classical figures onstage and onscreen, and in between became a household name in Britain as a sitcom and soap opera regular, died on Tuesday in London. He was 90.His death was announced by his family on social media. They did not specify where he died but thanked the staffs at a London care home and a hospital for “their loving care” during Mr. West’s final days.With arched brows, narrow eyes and a strong jaw, Mr. West brought a commanding presence to historical figures like Winston Churchill, Joseph Stalin and King Edward VII, and to notables of classic theater like King Lear, Macbeth and Willy Loman.He was perhaps best known to American audiences for his performances in British television imports: the mini-series “Edward the King,” the movie “Churchill and the Generals” and the acclaimed mini-series “Bleak House,” an adaptation of the Charles Dickens novel that was shown on PBS’s “Masterpiece Theater” in 2005.Mr. West, kneeling, in 1970 in “Edward II” with Ian McKellen. He was known to bring a commanding presence to historical figures.AlamyMr. West, left, with Ian Richardson in the BBC drama “Churchill and the Generals.” It was the first of his three career portrayals of the British prime minister.RGR Collection/Alamy Stock PhotoAlthough Mr. West was a staple of British television, had dabbled in radio drama and had several small film roles, his lifelong passion was the theater.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares99 Views

      in Television

      Allison Tolman of ‘St. Denis Medical’ Knows Her Worth

      by

      “Hello, baby,” the actress Allison Tolman said to a handsome male. “Look at your mustache.” He crawled into her lap.This was an afternoon in late September and Tolman, a star of the NBC mockumentary “St. Denis Medical,” which premieres on Nov. 12, was at Meow Parlour, a cat cafe on the Lower East Side. Tolman grew up with cats — alongside dogs, lizards and guinea pigs — and has lived with them for the whole of her adult life. “When you have a home, obviously you put a cat in it,” she said.Her Instagram bio reads “Childless Cat Lady” (also “proud member of the Perfect Breast Community” and “Rich Man”) and on her left ring finger she wears two thin gold bands, one engraved with the name of her first cat, Annie, the other with her current cat, Bud.“I just think I’ll always have cats,” she said. “Cats have their own lives, their own things going on.”Tolman, 42, also keeps busy, selectively. She broke out at 32, with the lead role in the first season of the FX drama “Fargo,” and has spent a decade convincing producers that she is a leading lady, not the co-worker, the best friend, the mom. Choosy, she passes on any role that doesn’t seem substantial enough for her or mentions a character’s weight. (That she is considered a plus-size actress even as she is a straight-size woman “doesn’t make me feel insane at all,” she said dryly.)On “St. Denis Medical,” Tolman, with Kahyun Kim, plays the supervising nurse at an under-resourced hospital.Ron Batzdorff/NBCWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More