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      ‘The Interview’: Vince Vaughn Turned This Interview Into Self-Help

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      The Vince Vaughn who lives in my head is one of my favorite comedic actors. He’s the swaggering, charmingly sarcastic and cheerily ingratiating star of that great run of hit comedies from the early 2000s: “Old School,” “Dodgeball,” “Wedding Crashers,” “The Break-Up.” (His cameo in “Anchorman” and recurring role as Freddy Funkhouser on “Curb Your Enthusiasm” are also prime comedic Vaughniana.) And putting my own preferences aside, I’d argue that there’s a whole microgeneration of dudes who tried to swipe the neo-Rat Pack vibes that Vaughn was able to deploy so winningly in “Swingers.”Listen to the Conversation With Vince VaughnI went in expecting a swaggering, overconfident guy. I found something much more interesting.Subscribe: Apple Podcasts | Spotify | YouTube | Amazon Music | NYT Audio AppIn more recent years, though, after the often R-rated, kind of bro-y comedies with which Vaughn made his mark lost some of their cultural mojo, he has focused more on dramatic roles: the highly anticipated, widely maligned and then critically reconsidered second season of “True Detective,” for example, or his performances in the brutally uncompromising crime films of the director S. Craig Zahler (“Brawl in Cell Block 99,” “Dragged Across Concrete”).But as good as Vaughn can be with darker characters, I never connected those parts to the man who played them. Ahead of our interview, I made the perhaps-common journalist’s mistake of expecting to talk with someone akin to the playfully glib guy from those comedies I love. (That’s in no small part thanks to how Vaughn’s role as a world-weary, wiseass former detective in the new Apple TV+ series “Bad Monkey” scans as a mature update of his comedic persona.) But what I was expecting from Vaughn wasn’t what I got. Instead, I found someone more provocative and earnest, who came most alive when he put me under the conversational microscope. Which is to say, I got a surprise.Hollywood doesn’t know what to do with R-rated comedies anymore. Why do you think they’ve become harder to crack? When you talk about the R comedies in Hollywood, I feel like there’s a set of rules that the executives follow. The goal is not to get fired — they can defend why they greenlit something. The R comedies that took off was the studio saying to young people that were funny, “Go ahead.” They didn’t micromanage. We were on the sets changing lines and trying to make each other laugh. It’s not done as well by committee. They started managing everything too much and trying to control it all.Vince Vaughn with John Favreau in “Swingers” (1996).Miramax Films, via Everett Collection More

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      in Theater

      A Former Monk Who Won Powerball Is Giving Millions to Theaters

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      Roy Cockrum has donated more than $25 million to 39 theaters, helping the Old Globe in San Diego stage the one Shakespeare play it had yet to produce.When Roy Cockrum, a one-time struggling actor and a former monk, won a $259 million Powerball jackpot in 2014, he decided to splurge on something a bit out of the ordinary: supporting nonprofit theater.He set up a foundation that has given away $25 million to 39 American theaters so far, which is why he found himself the other night at the Old Globe in San Diego. He was there to watch the premiere of a production he supported to help the theater reach a milestone: a large-scale staging of the only Shakespeare play it had yet to produce, an adaptation of the somewhat rarely performed three “Henry VI” plays.“The question I put to artistic directors is, ‘Is there a project you’ve always dreamed of doing that you couldn’t afford?’” Cockrum, an apple-cheeked, snowy-haired 68-year-old, said in an interview. “To help artistic directors dream bigger than they would otherwise.”At a time when nonprofit theaters across the country are struggling with rising costs, fewer subscribers, smaller audiences and dwindling corporate philanthropy, Cockrum’s generosity stands out.“He’s an inspiration to other philanthropists at a time when our field is really struggling and where we need innovative ideas about philanthropy to try to move the field forward,” said Barry Edelstein, the Old Globe’s artistic director. “We’re not going to solve the structural financial problems facing the sector through Bernie Sanders-style $27 contributions. It’s going to take really significant infusions at the scale that Roy is doing them.”Cockrum’s support allowed the Old Globe in San Diego to stage “Henry 6,” a large-scale, two-part adaptation of Shakespeare’s three “Henry VI” plays. Ariana Drehsler for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Ashley Park Wants to Laugh (or Cry) With You at the Theater

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      TV shows like “Emily in Paris” and “Beef” are raising her profile, but she’s still a fan of “the magic of a live audience.”Ashley Park has heard the criticism of “Emily in Paris.” The costumes can be garish. (Bucket hats? In the office?!) The characters can be cartoonish. The biggest worry for Emily, the protagonist, is often whether to cut trauma bangs or what outré dress to wear next.“Just relax. We want the show to be fun,” Park, who plays Mindy Chen, Emily’s best friend and an aspiring singer, said in a phone call from her home in Los Angeles. “You can fold your laundry to it. It’s a really easy watch.”In Season 4 of the Netflix comedy series, whose first five episodes begin streaming on Aug. 15, the action moves temporarily to Italy, on a Roman holiday. Another change: For the first time, viewers of the show will get to see winter in Paris.“I don’t think anyone enjoyed that — Paris winter is hard — but the fashion is to die for,” said Park, 33, who previously split her time between New York and California.That move reflects the fact that Park, who earned a Tony nomination as Gretchen Wieners in the Broadway musical “Mean Girls,” has increasingly found herself in demand as a television and film actress.“When John Hoffman, the showrunner of ‘Only Murders in the Building,’ calls you and says, ‘Hey, I would love for you to play this part; you do a duet with Meryl Streep,’ there’s literally zero percent, if not negative percent, hesitation,” said Park, who appeared in Season 3 of the series.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares199 Views

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      ‘Elizabeth Taylor: The Lost Tapes’ and the Moment Star Worship Curdled

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      The documentary blends audio interviews with footage from her life to provide a revealing look not so much at the actress, but at celebrity culture.This summer, thanks mostly to the rise of Glen Powell, I’ve been in a lot of discussions about the state of movie stardom. The jury’s still out on whether we have “real” movie stars today, but it’s clear that the process of becoming a celebrity is different now from what it used to be. Social media and the popularity of small-screen entertainment have changed the game.That question of stardom permeates “Elizabeth Taylor: The Lost Tapes” (premiering Saturday on HBO and Max), an intriguing documentary about one of Hollywood’s most famous actresses, mostly in her own words. In the 1960s, Taylor gave interviews to the prolific journalist Richard Meryman, who died in 2015. Meryman, who had been known for his interviews with celebrities, was researching a book. Recently, more than 40 hours of tapes containing Taylor’s interviews were found in his archive.That audio, in which Taylor is reflective and candid, is the backbone for this documentary. The director Nanette Burstein takes a smart approach to the material, layering the conversation — along with audio from a handful of older interviews with Taylor and some of her friends — on top of archival footage from her life. Taylor became a familiar screen presence while still very young, with her first screen role, in “There’s One Born Every Minute,” hitting theaters when she was 10, in 1942. Soon after, she starred in “Lassie Come Home” and “National Velvet” and turned into a figure of fascination for the audiences. Thus the cameras followed her everywhere.For the Taylor enthusiast, the film is unlikely to reveal much new information. But that’s not really the point. The movie covers each of her eight marriages and many of her projects, but Taylor’s narration focuses largely on her feelings at the time. Because we’re often seeing footage of her public appearances as she talks about her interior life, the result is almost like a behind-the-scenes track, a fresh disclosure of the disjunction between what we think we know about stars — who they are, how they feel — and what’s actually going on inside.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares199 Views

      in Theater

      Adam Driver Is to Star Off Broadway as a Country-Western Singer

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      The actor will return to the stage this fall in a revival of Kenneth Lonergan’s “Hold On to Me Darling.”Adam Driver, a Broadway alumnus and prolific film and television actor best known for “Girls” and “Star Wars,” will return to the stage this fall to portray a narcissistic country-western singer in a limited-run Off Broadway comedy.The play, “Hold On to Me Darling,” was written by Kenneth Lonergan, an accomplished playwright (“The Waverly Gallery”), screenwriter and film director. (He won an Oscar for the “Manchester by the Sea” screenplay.)In “Hold On to Me Darling,” the main character decides to move home to Tennessee after his mother dies. The collision of a big star and a small town fuel the comedy of the play, which was first staged in 2016 at Atlantic Theater Company, an Off Broadway nonprofit.The new production, a commercial endeavor, is to begin previews Sept. 24 and open Oct. 16 at the Lucille Lortel Theater in the West Village. The run is scheduled to last just 13 weeks, although sometimes limited-run plays are extended.The production will be directed by Neil Pepe, who also directed the 2016 version. Pepe is the Atlantic’s artistic director.The producers of this fall’s run are Seaview, Sue Wagner, and John Johnson, who were among the producers of “Danny and the Deep Blue Sea,” which starred Aubrey Plaza and Christopher Abbott and had a run at the Lortel that began last fall. That show’s success helped draw the attention of producers to commercial Off Broadway, a sector of the theater business that had atrophied over time, but is now attracting more interest because the producing costs are far lower than on Broadway.Driver, 40, is no stranger to the stage. A graduate of Juilliard’s acting program, he has appeared on Broadway three times, most recently starring in a 2019 revival of “Burn This,” and he has also performed in several previous Off Broadway productions.Ben Brantley, then the Times’s chief theater critic, named “Hold On to Me Darling” among the best shows of 2016, and praised the play as “a tragicomic commentary on a culture ruled by the religion of fame.” More

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      in Television

      Arrest Warrant Issued for ‘Power Rangers’ Actor Hector David Rivera

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      Mr. Rivera, whose stage name is Hector David Jr., was charged with battery in Idaho after a video showed him pushing an older man who used a walker, the police said.An arrest warrant was issued on Wednesday for an actor who appeared for years as the Green Ranger in “Power Rangers” films and television shows, after a video showed him pushing a man in his 60s who used a walker, the police in Idaho said.The actor, Hector David Rivera, 35, was charged with misdemeanor battery in Idaho after video surfaced on Friday showing him in a dispute with the older man, said Carmen Boeger, a spokeswoman for the Nampa Police Department. Nampa is a city west of Boise with over 100,000 people.The video, captured on Friday on a bystander’s dashboard camera, begins with a dispute over a parking spot between a man wearing a New England Patriots jersey and another who is using a walker. It ends with the first man shoving the other one to the ground before climbing into a black truck. He later drove away, the department said.The 14-second video has no audio and does not show the full interaction. But the truck appears to be parked in a space for people with disabilities, and Ms. Boeger said that the dispute began over a parking spot.Video released by the Nampa Police Department in Nampa, Idaho, showed Hector David Rivera, an actor in the “Power Rangers” franchise, pushing an older man to the ground in a parking lot.Nampa Police DepartmentThe Nampa police identified Mr. Rivera by posting the video on the department’s social media pages and asking the public for assistance, Ms. Boeger said. An arrest warrant was issued on Wednesday, and the victim’s name was not released.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Robert Downey Jr. to Return to Marvel as Dr. Doom

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      The actor announced his return to Marvel’s superhero movie franchise five years after ending his long run as Iron Man.Robert Downey Jr. is going from superhero to supervillain.The actor, who entertained audiences as Iron Man for more than a decade in several Hollywood blockbusters, is returning to the Marvel cinematic universe as the villain Victor von Doom in two upcoming movies.“New mask, same task,” Downey announced at a Comic-Con event in San Diego on Saturday, after he unveiled the character’s signature silver mask and green cloak to the roar of a cheering crowd.“What can I tell you?” he said. “I like playing complicated characters.”Downey is set to appear as the character, simply known as Dr. Doom, in “Avengers: Doomsday,” which is expected to be released in May 2026, and “Avengers: Secret Wars” a year later.Downey, 59, has been a prolific actor since the 1980s, portraying characters both serious and comedic.He received Academy Award nominations for his portrayal of the actor Charlie Chaplin in the 1992 film “Chaplin,” and for his role in the 2008 war comedy “Tropic Thunder.”After multiple probation violations stemming from an arrest on drug and weapons charges, he was sentenced to prison in 1999 and overcame a long battle with substance abuse.This year, he won the Academy Award for best supporting actor for his role in “Oppenheimer,” Christopher Nolan’s film about the making of the atomic bomb during World War II. Downey played the titular character’s political rival, Lewis Strauss.But audiences best know him for helping to start an era of blockbuster superhero movies that began in 2008 with the first “Iron Man” movie.He played the charismatic genius-inventor-billionaire-arms dealer Tony Stark, who becomes Iron Man and eventually leads a team of heroes, the Avengers, who protect the world against dark forces.He played the character in sequels and spinoffs including “Iron Man 2,” “Captain America: Civil War” and “Spider-Man: Homecoming.” He last appeared as Iron Man in the 2019 film, “Avengers: Endgame,” in which the character was killed off.And now Downey is going back to the popular superhero realm with Dr. Doom, a megalomaniacal villainous tycoon from the Marvel comic book series “Fantastic Four,” which was created by Stan Lee and Jack Kirby in 1961.In the series, Dr. Doom wore a threatening silver mask to hide his scarred face.The character was previously played by Julian McMahon in the 2005 film “Fantastic Four” and in the 2007 sequel “Fantastic Four: Rise of the Silver Surfer.” A reboot in 2015 featured the actor Toby Kebbell as Dr. Doom.The casting news comes as Marvel Studios, which has been trying to reverse recent box office misses, brought back two of its most popular characters, Deadpool and Wolverine, with the movie “Deadpool & Wolverine.”The movie was expected to sell roughly $205 million in tickets in the United States and Canada over the weekend, box office analysts said on Saturday. More

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      in Television

      Lisa Kudrow Brings Her Daffy Charm to ‘Time Bandits’

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      The actress dialed up the zaniness in the TV reboot of a Terry Gilliam fantasy classic, created by the team behind “What We Do in the Shadows.”Lisa Kudrow doesn’t particularly like to travel. Raised and based in Los Angeles, she mostly hasn’t had to. Even the quintessential New York sitcom “Friends” was shot in Burbank.“I like L.A.,” she said in a video call from her home there. “I guess vacations are nice, but I feel like I live in a vacation spot so, where am I going? I can watch a video.”But when the filmmaker Taika Waititi sent her a message on Instagram asking if she would come to New Zealand to star in a series-length adaptation of the 1981 Terry Gilliam movie “Time Bandits,” she said yes. It was a six-month commitment, but in one of the few places on Earth Kudrow had always wanted to visit.And, as she said with a laugh, “No one’s putting me in a Hobbit movie.”Fair enough, though there are bigger departures from Middle-earth than “Time Bandits,” a 10-part adventure-fantasy based on a movie about time traveling dwarfs. The series, which debuted Wednesday on Apple TV+, puts a new spin on the beloved film — an ambitious task, given the movie’s bona fides and cult status. The original was written by Gilliam and his fellow Monty Python player Michael Palin, and it starred the likes of John Cleese, Sean Connery, Shelley Duvall and Ian Holm.The new version, created by Waititi and his frequent collaborators Jemaine Clement and Iain Morris, stars Kudrow as the makeshift leader of the bandits, Penelope, who is perturbed by the arrival of a new member, a history-obsessed boy named Kevin (Kal-El Tuck) who accidentally joins them after a portal opens up in his bedroom. Kudrow leads an ensemble cast; Waititi plays the ostensibly benevolent Supreme Being, from whom the bandits have stolen a map of the time portals, and Clement plays Pure Evil, who can’t even say his cosmic nemesis’ name without gagging.From left, Tadhg Murphy, Roger Jean Nsengiyumva, Kudrow, Kal-El Tuck, Kiera Thompson and Rune Temte in “Time Bandits”; Kudrow plays the leader of the titular ragtag crew. Apple TV+We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More