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    What Inspires Peter Capaldi: Vermeer, ‘Demon Copperhead,’ ‘The Wire’

    Seeing “A Maid Asleep” at the Met, he said, “without wishing to sound pretentious about it, it was the first picture that I developed a relationship with.”Sometimes it pays to stick close to home.The more Peter Capaldi heard as his wife, the producer Elaine Collins, and the writer Paul Rutman hashed out the story line for the new Apple TV+ thriller “Criminal Record,” the more he hinted that he was their man.They cast him as Daniel Hegarty, a veteran detective on the police force, who has a murky past. As Rutman wrote the script, Capaldi’s voice and face were front and center.“That’s the first time that has really happened to me,” said Capaldi, whose adversary, June Lenker — a younger detective contending with misogyny and racism within the force — is played by Cush Jumbo. “I know that that’s who they’re visualizing, so I was able to respond to the material from quite an early date.”Capaldi also had to veil his emotions, a rather tall order for an actor who starred as the 12th Doctor in “Doctor Who.”“I had to hide what was really going on, but at the same time, you still have to have something going on,” he said in a video interview from London, before chatting about the Scottish artist John Byrne and walking in the footsteps of the Romans. “You can’t just sit there.”These are edited excerpts from the conversation.1Vermeer’s ‘A Maid Asleep’Without wishing to sound pretentious about it, it was the first picture that I developed a relationship with. I was in New York doing a show and perhaps going through some melancholic times and carousing too much and enjoying Broadway, but not really that happy myself. So I would often go to the Met and sit and look at that picture if I was feeling anxious. There was a spirit of wisdom and calmness that reached out.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Paul Giamatti, Bradley Cooper, Da’Vine Joy Randolph and More Celebrities at the National Board of Review gala

    The stars were among the 17 honorees at the annual National Board of Review gala, as awards season ramps up.On a not-at-all red carpet inside Cipriani 42nd Street in Midtown Manhattan on Thursday night, Da’Vine Joy Randolph was glowing.“The fact that these people actually even seen my work is just mind-blowing,” said the actress, a star of “The Holdovers,” who was being honored with the National Board of Review’s best supporting actress prize at its annual film awards gala, just days after she had won her first Golden Globe on Sunday for her role in the film.A few feet away on the gray carpet was Celine Song, who came to accept the prize for best directorial debut for “Past Lives.” She was sporting a tuxedo jacket, a long skirt and a bow tie.“Because the movie is so personal, any time somebody connects to the film, I always feel less lonely; I feel very seen and understood and embraced,” said Ms. Song, who based the romantic film partly on her own experience with a childhood friend.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Clive Owen Takes on ‘Monsieur Spade,’ Inspired by Bogart

    In an early scene in “Monsieur Spade,” a new six-part series from AMC, the American detective Sam Spade, played by Clive Owen, is lying on his side, grimacing as a doctor examines his nether regions. “Best prostate of the morning,” the doctor says cheerfully, snapping off his rubber gloves. Then he motions Spade his office to tell him he has emphysema and must stop smoking.Spade, the behatted and inscrutable hero of Dashiell Hammett’s novel “The Maltese Falcon,” getting a prostate check, and quitting smoking?Yes indeed. The new series, written by Scott Frank (“The Queen’s Gambit”) and Tom Fontana (“Homicide”), is set in 1963, some 20 years after the events of John Huston’s 1941 film, in which Humphrey Bogart played Spade. This time, the detective retired and living in the village of Bozouls in the South of France.When viewers meet Spade, he is living quietly in the South of France, mourning his wife.Jean-Claude Lother/AMCIn a flashback at the start of the first episode, we learn that Spade was hired to bring a girl, Teresa, to her father in Bozouls. Mission unsuccessful: Her father is missing. But Spade does meet a wealthy, glamorous widow, Gabrielle (Chiara Mastroianni), who asks him to stay and take on another job.The pair fall in love and marry, and when we meet Spade, he is a widower who has inherited Gabrielle’s beautiful house, swimming pool, vineyards and wealth. He is living quietly, still mourning Gabrielle (who we see in frequent flashbacks), speaking bad French and rather liked by the insular locals, until — naturally! — the past comes back to make trouble.“This genre has always been catnip for me,” said Frank, who also directed the show, in a recent joint interview with Fontana. But when he was approached about creating a show based on Spade, Frank said, he initially turned it down, because he had another Hammett project in mind.Then he had a thought: “What happens to these Bogart-esque guys when they get old.” He contacted Fontana, who suggested setting the series in the aftermath of the Algerian War, a conflict between France and the Algerian National Liberation Front that ended in 1962 with Algeria, a French colony, winning independence.At that time, “there was tension and a dark cloud” over France, Frank said. “It raises the question: Who is French and who isn’t? And then we have Sam Spade wrestling with his identity, his old life, his new life.”Owen, dapper in a dark suit and crisp white shirt during a recent interview at a London hotel, said that the role of Spade felt like a gift. “I am a huge lover of noir, a huge Bogart fan,” he said. “I have an original ‘Maltese Falcon’ poster on my wall.”Owen talked to Frank, he added, “about the older Sam Spade, how he would play with the idea of the macho guy, the smoker. But in essence we are embracing the source material.” He paused. “I didn’t get to wear the hat much, though.”Owen said he prepared for the role by “reading and rereading” Dashiell Hammett’s short stories and novels.Alice Zoo for The New York TimesFrank and Fontana certainly created a convoluted plot worthy of Hammett. Six nuns are murdered at the local convent, which houses an orphanage that is home to the now-teenage Teresa (Cara Bossom), the girl who Spade brought to Bouzols. The murders seem to concern a mysterious little boy from Algeria who everyone is trying to find, and the plot is threaded with church and state conspiracies, Algerian and World War II subplots, and is populated by a memorable cast of characters: a sardonic police chief (Denis Ménochet); Teresa’s devilishly villainous father, Philippe (Jonathan Zaccaï); and the obligatory femme fatale, Marguerite (Louise Bourgoin), a chanteuse who co-owns a bar with Spade.Owen’s dryly imperturbable performance is also a homage to Bogart, whose performances he adores, he said. In preparing for the role, as well as “reading and rereading” Hammett’s short stories and novels, Owen “drowned in Bogart,” he said. He recalled telling the director, “Don’t freak out, I am not going to do a bad imitation, but I am going to do it based on Bogart’s intonations.”What is interesting, Owen added is that “you think Bogart is laconic, but he is superfast and nimble, and the key thing was to fly through these beautiful rhythmic speeches, flick them out like it’s the easiest thing.”Though he speaks French in the show, Owen said he had not previously spoken the language, and learned it phonetically (with an American accent) for the show. “I found it hard,” he said. “I have so much respect for actors who perform in another language.”Bourgoin, who plays Marguerite, said in a telephone interview that “like every French person who discovers an American writing about France, I was afraid there would be anachronisms, clichés. But not at all: It’s so credible.”The cast of “Monsieur Spade,” including Denis Ménochet, second from left, as a local police chief, Jonathan Zaccaï, third from left, as the villainous father of Teresa, and Louise Bourgoin, far right, as a femme fatale who co-owns a bar with Spade.AMCIn an obligatory nod to a love interest, Marguerite and Spade’s platonic relationship is infused with a little sexual spice. But the relationship between Spade and the adolescent Teresa, who has grown up at the convent, is the emotional heart of the tale.“She has lived a life of relative solitude, never had a familial environment and grew up in a frosty religious setting without anyone she loved,” said Bossom, who plays the character. “It has hardened her into a person who doesn’t show honest emotion, or not without great difficulty.” (Remind you of anyone?) As the show progresses, Bossom added, Teresa begins to emulate Spade’s speech patterns.“I think the more time he spends with her, the more he sees she is a bit of a chip off the old block,” Owen said with a laugh.Frank said he had been keen not “to do pretty Provence” nor to emulate “the off angles and dark shadows you have in typical film noir”; he was more influenced by the strong compositions and color palettes of 1960s and ’70s French films like “La Piscine” and “Le Cercle Rouge.” The whole idea, he said, “is that Sam is living a tranquil life.”Will there be more of Monsieur Spade in retirement? “If the show does well, I definitely have other ideas, “Frank said. Maybe Owen will get another opportunity to wear the hat. More

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    Adan Canto, ‘The Cleaning Lady’ and ‘X-Men’ Actor, Dies at 42

    In a career spanning more than a decade, Mr. Canto played a range of roles, including a control-obsessed criminal, a poised politician and a fiery comic book hero.Adan Canto, the Mexican actor known for his roles in TV series such as “The Cleaning Lady” and “Designated Survivor” as well as for playing Sunspot in the film “X-Men: Days of Future Past,” died on Monday. He was 42.His death was confirmed by his publicist, Jennifer Allen, who said the cause was appendiceal cancer. She did not say where he died.In an acting career that spanned more than a decade, Mr. Canto played a range of roles including a furious criminal hellbent on having control, a poised politician and a fiery comic book hero.Mr. Canto said in a 2013 interview with Collider that he had “always been fascinated by people, their psychology, what drives them and trying to understand them.”Italia Ricci, left, and Adan Canto were both series regulars in the show “Designated Survivor.”Ben Mark Holzberg/ABCIn “The Cleaning Lady,” which premiered on Fox in 2022, Mr. Canto played the gangster Arman Morales, who recruits a woman, played by Elodie Yung, into his criminal organization after she witnesses a murder. The show is entering its third season this year.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Marisa Pavan, Oscar Nominee for ‘The Rose Tattoo,’ Dies at 91

    The twin sister of the Italian ingénue Pier Angeli, she attempted to avoid the pitfalls of fame that befell her sister’s career.The Italian actress Marisa Pavan never achieved the fame of her twin sister, Pier Angeli, a film ingénue of the 1950s who graced national magazine covers, and whose romance with James Dean and subsequent marriage to the singer Vic Damone became the stuff of Hollywood lore.Ms. Pavan — analytical, at times defiant and, in her view, less conventionally beautiful than her sister — nevertheless carved out a successful career herself. She appeared in a number of high-profile films throughout the 1950s, including “The Rose Tattoo” (1955), for which she was nominated for an Academy Award for best supporting actress.And she did it her way, bristling at the star-making machine that she believed had turned her sister into a sexualized confection of the silver screen.“The studios made her be like what they wanted her to be like, but from this moment on, it was not my sister I had in front of me anymore,” Ms. Pavan said in an interview with Margaux Soumoy, the author of a biography of Ms. Pavan, “Drop the Baby; Put a Veil on the Broad!” (2021). “She had become a studios’ product.”Ms. Pavan, right, with her twin sister, the actress Pier Angeli, in 1952. “The studios made her be like what they wanted her to be like,” Ms. Pavan said of her star-crossed sister.Ullstein Bild, via Getty ImagesMs. Pavan died on Dec. 6 at her home in Gassin, a village on the French Riviera, Ms. Soumoy said. She was 91.Maria Luisa Pierangeli, known as Marisa, and her fraternal twin, Anna Maria Pierangeli, were born on June 19, 1932, in Cagliari, on the island of Sardinia, to Luigi Pierangeli, an architect, and Enrichetta (Romiti) Pierangeli, who later helped guide the careers of her daughters. (Their younger sister, Patrizia, born 15 years after they were, also became an actress.)The family moved to Rome when the twins were 3 and, during World War II, harbored a Jewish general in the Italian Army who was hiding from the Nazis and the Italian Fascists. His last name was Pavan, which Marisa, who had grown close to him, would eventually adopt as her screen name.Her sister’s career started in her teens, when she was discovered on a street in Rome. When Mr. Pierangeli died in 1950, the family relocated to the United States to further her career.Marisa had no interest in the limelight until a friend of the family, Albert R. Broccoli, an agent who would go on to produce the James Bond film franchise, invited her to visit the set of “What Price Glory” (1952), a film set during World War I starring James Cagney and directed by John Ford.Once she was there, the producer Sol Siegel asked her if she could sing in French. She could, and she did. “I sang a song of Jacqueline François,” Ms. Pavan said in a 2015 interview with Film Talk, an online film journal. She recalled Mr. Siegel responding, “You’re going to test tomorrow!”“I took all of this as a joke,” Ms. Pavan said. But she took the script home, learned the scene and returned the next day.She got the part — a French girl who falls in love with a U.S. Marine, played by Robert Wagner — and discovered a passion for acting.Her career reached its pinnacle three years later with “The Rose Tattoo,” based on a Tennessee Williams play. Ms. Pavan played Rosa, the rebellious daughter of a grief-stricken Sicilian widow (Anna Magnani) whose life in a town on the Gulf of Mexico takes a turn when she meets an ebullient trucker (Burt Lancaster).Ms. Pavan with Robert Wagner in “What Price Glory” (1952), her first film.Paramount Pictures, via AlamyHer sister, who by then went by the name Pier Angeli, had a long-term contract with MGM that limited her freedom to choose her roles and control her image, Ms. Soumoy wrote. But Ms. Pavan wished instead to preserve her independence and worked with various studios.“From the moment I realized that I wanted to build a career as an actress, I kept telling my agents to only find me quality parts that would fit my own personality and tastes,” Ms. Pavan was quoted as saying in Ms. Soumoy’s book. “The last thing I wanted was to be kept prisoner under contract to one studio like Anna was.”Her other notable roles included the noblewoman Catherine de Medici in “Diane” (1956), a romance set in the 16th century that starred Lana Turner; the wartime fling of Gregory Peck’s conflicted suburban husband and father in “The Man in the Gray Flannel Suit” (1956); and the love interest of Tony Curtis in the murder mystery “The Midnight Story” (1957).Ms. Pavan and the French actor Jean-Pierre Aumont in 1989. They married in 1956 and remained married until his death in 2001.James Andanson/Sygma, via Getty ImagesMs. Pavan married the French film and stage star Jean-Pierre Aumont in 1956. He died in 2001.Her sister’s life ultimately took a tragic turn as she encountered a faltering career, a series of unhappy relationships and struggles with mental and physical health. In 1971, Ms. Angeli was found dead at 39.Although speculation of suicide has swirled for years, Ms. Pavan remained adamant that her sister’s death was accidental, a reaction to a medication a doctor had given her during a bout of anxiety. It was a loss from which Ms. Pavan never fully recovered.“She felt like she had lost half of herself,” Ms. Soumoy said.Ms. Pavan is survived by her sons, Jean-Claude and Patrick Aumont; her sister Patrizia; six grandchildren; and two great-grandchildren.Her eventual parting with the movie business appeared to stem from one clash in particular. While filming the splashy historical romance “Solomon and Sheba” (1959), the headstrong Ms. Pavan squared off against a producer after many of her scenes were cut, and threatened to leave the project. The move resulted in her effective blacklisting by studios, according to her biography.Ms. Pavan pivoted to television, making appearances on shows like the police procedural “Naked City,” the snappy private investigator drama “The Rockford Files” and the soap opera “Ryan’s Hope.” She acted into the early 1990s. Late in life, she expressed no regret over her fate in Hollywood.“It was not in my nature to compromise,” she told Film Talk. “They did change my sister; they made her up like a pinup girl. I could wear a wig to play a certain part, but they could not change me in life.” More

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    Mel Brooks and Angela Bassett Feted at the Governors Awards

    The academy honored Mel Brooks, Angela Bassett, the recently widowed editor Carol Littleton and Sundance’s Michelle Satter, whose son died in a shooting.Despite the chockablock ballroom full of Hollywood’s best and brightest, a jovial emcee in the comedian John Mulaney and honorees the audience seemed thrilled to celebrate, a pall of sadness was cast over the Governors Awards — an event created 14 years ago by the Academy of Motion Picture Arts and Sciences to shorten the Oscar telecast by relegating the honorary Oscars to its own untelevised confab.Held Tuesday night, the ceremony — which was delayed two months because of the Hollywood strikes — honored two women who had just experienced remarkable losses. The editor Carol Littleton’s husband of 51 years, the cinematographer and former academy president John Bailey, died in mid-November. Just two weeks later, Michelle Satter, the Sundance Institute’s founding director and the recipient of the Jean Hersholt Humanitarian Award, learned that her son, Michael Latt, 33, had been shot dead at his home in Los Angeles.“We need to talk through a broken heart,” the filmmaker Ryan Coogler said during his presentation to Satter, who had guided him through the making of his first feature, “Fruitvale Station.”Still, as they say, the show must go on. And with Oscar nomination voting set to begin Thursday, A-listers of all stripes were in full campaign mode, working valiantly to try to ensure their spot on the ballot when nominations are announced on Jan. 23.Boldfaced names mingling in the Ray Dolby Ballroom in Hollywood included Christopher Nolan, Margot Robbie, Robert Downey Jr., Greta Gerwig, Leonardo DiCaprio, Colman Domingo, Ava DuVernay, Florence Pugh and scores of others.The first award of the night went to 97-year-old Mel Brooks, who the presenter Matthew Broderick said was older than penicillin, FM radio, polyester and the academy itself.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    SAG Award Nominations 2024: The Complete List

    The summer blockbusters each garnered four nominations. Notable snubs included Leonardo DiCaprio of “Killers of the Flower Moon.”Box office behemoths “Barbie” and “Oppenheimer” led this year’s nominations for the Screen Actors Guild Awards, which were announced Wednesday morning. Each film picked up four nominations, including ones for the guild’s top ensemble prize.In addition to that nomination, “Barbie” earned additional nods for lead actress Margot Robbie and supporting actor Ryan Gosling, as well as for its stunt ensemble. The other three nominations for “Oppenheimer” were for lead actor Cillian Murphy and the supporting performers Robert Downey Jr. and Emily Blunt. Both Murphy and Downey prevailed in their categories during Sunday’s Golden Globes.Other nominees for the top award included “American Fiction,” “The Color Purple” and “Killers of the Flower Moon.” Still, the latter movie was dealt one of the morning’s biggest snubs when star Leonardo DiCaprio failed to crack the best-actor lineup. “May December” received the coldest shoulder, going zero for three with contenders Natalie Portman, Julianne Moore and Charles Melton.Rarely do actors win the Oscar without first scoring a nomination from their own guild. Last year, the entire quartet of SAG winners went on to repeat at the Oscars, while the SAG ensemble winner, “Everything Everywhere All at Once,” also took the Oscars’ best picture prize.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More