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      Julia Stiles, 25 Years After “10 Things I Hate About You”

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      Julia Stiles starts lunch with a disclaimer: “I’m kind of like a bundle of emotions, because I have a 5-month-old baby and I went into directing my first movie.”Maybe you didn’t know Stiles had gotten into directing. Her feature, “Wish You Were Here,” doesn’t yet have a release date and has only been lightly covered. You definitely didn’t know about the baby, because Stiles declined to do the standard-issue celebrity-birth promotion (post an announcement on Instagram to get aggregated by People magazine). She’s been in the business for nearly three decades. It’s not that she doesn’t know the norms. But participating in the norms just because they’re the norms has never been her thing.“I didn’t really talk about it,” she said of her latest pregnancy, though she was excited to talk about it now, about how being a parent (her older sons are 6 and 2) nourishes her work. “I think that actually being a mom is really great training for being a director,” she said. “You have to think 10 steps ahead but also be in the present moment. You have to be good at time management. You have to be sensitive to people’s needs and guide them, but also hold a boundary.”Over a two-hour lunch at Jack’s Wife Freda in the West Village — a likely place to spot a celebrity, though unlikely for said celebrity to have gone to school just a few blocks away at P.S. 3, as Stiles did — she was exhausted but animated, especially when the conversation turned to directing. “I am running on fumes in terms of sleep,” she said. “But I feel more energized than I ever have.”Stiles on the set of “Wish You Were Here,” her directorial debut.Jayme Kaye GershenOn the second day of shooting, she said, her supervisor told her to stop apologizing. “I wasn’t saying ‘sorry,’” Stiles said. “But she meant, ‘Just stop qualifying your opinions and your ideas. You don’t have to explain them. You’re the director.’ And she was totally right. I took it to heart and I put on my big girl pants and leaned into being a director as opposed to a people-pleasing actress.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares189 Views

      in Television

      Joe Flaherty, ‘SCTV’ and ‘Freaks and Geeks’ Actor, Dies at 82

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      Mr. Flaherty was known for playing a series of oddball characters on the sketch series “SCTV” and for his role as the father of two teenagers on “Freaks and Geeks.”Joe Flaherty, the comedic actor best known for his performances in the influential sketch comedy series “SCTV” and as a father on the short-lived NBC ensemble series “Freaks and Geeks,” died on Monday. He was 82.His death was confirmed by his daughter, Gudrun Flaherty, who said that Mr. Flaherty died after a “brief illness.” She did not specify a cause, or say where he died.Mr. Flaherty played a variety of characters on “SCTV” as part of an ensemble that included John Candy, Martin Short, Rick Moranis, Andrea Martin, Eugene Levy and Catherine O’Hara. The concept of the series, which aired in the 1970s and ’80s, was that its sketches were “shows” for a low-rent TV station in a fictional town called Melonville.Former “SCTV” cast members at the U.S. Comedy Arts Festival in Aspen, Colo., in 1999. From left, Dave Thomas, Mr. Flaherty, Catherine O’Hara, Andrea Martin, Harold Ramis, Eugene Levy and Martin Short.E Pablo Kosmicki/Associated PressAmong Mr. Flaherty’s characters were Guy Caballero, the sleazy president of the station, and Sammy Maudlin, an unctuous late-night talk show host. His character Count Floyd wore a cheap vampire costume while hosting a horror movie show, “Monster Chiller Horror Theater.” The joke was that the movies the program showed — such as “Dr. Tongue’s Evil House of Pancakes” — were seldom very scary, leaving Floyd holding the bag and often having to apologize to viewers.Gudrun Flaherty said in a statement that her father had an “unwavering passion for movies from the ’40s and ’50s,” which influenced his comedy, including his time on “SCTV.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares129 Views

      in Theater

      Michael Stuhlbarg Is Attacked in Central Park Before ‘Patriots’ Debut

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      The actor was walking on the Upper East Side on Sunday when a man threw a rock at him, striking the back of his neck, the police said. He is set to appear on Broadway on Monday evening.One day after he was struck with a rock in a random attack on the Upper East Side, the actor Michael Stuhlbarg will appear in Monday’s first preview of the Broadway play “Patriots,” in which he stars as a Russian oligarch who helped facilitate Vladimir V. Putin’s rise.Stuhlbarg, best known for his role as a gangster in the series “Boardwalk Empire,” was walking in Central Park on Sunday evening when a man threw a rock, hitting him in the back of the neck, the police said.Stuhlbarg chased the man, Xavier Israel, 27, out of the park, where he was taken into custody and charged with assault. The location where the man was arrested on East 91st Street is the address for the Russian consulate.The police said Stuhlbarg declined medical attention.Stuhlbarg “feels fine” and will appear onstage on Monday for his debut in “Patriots,” the show said in a news release. He plays Boris A. Berezovsky, a Russian business tycoon who reigned in post-Soviet Russia and helped install Putin as president, but then had a bitter falling out with the Kremlin and died in exile.The play, written by Peter Morgan, the creator of the British royalty drama “The Crown,” and directed by Rupert Goold, opens on April 22. It was first staged in 2022 in London, where Tom Hollander played Berezovsky.Stuhlbarg, 55, had his breakthrough lead performance in the Coen brothers film “A Serious Man,” going on to numerous onscreen roles, including as Dr. Richard Sackler, the prescription opioid magnate, in the limited series “Dopesick,” for which he was nominated for an Emmy.A fixture of New York’s theater scene in the 1990s and early 2000s, Stuhlbarg last appeared on Broadway in 2005, when he received a Tony nomination for starring in Martin McDonagh’s “The Pillowman.” More

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      in Theater

      Barbara Rush, Award-Winning TV and Film Actress, Dies at 97

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      She received a Golden Globe in 1954 as that year’s rising star and appeared in movies alongside Dean Martin, Frank Sinatra and Paul Newman.Barbara Rush, the supremely poised actress who rose to fame with supporting roles in 1950s films like “Magnificent Obsession” and “The Young Lions,” died on Sunday at her home in Westlake Village, Calif., in Los Angeles County. She was 97.The death, in a senior care facility, was confirmed by her daughter, Claudia Cowan.If Ms. Rush’s portrayals had one thing in common, it was a gentle, ladylike quality, which she put to use in films of many genres. She was Jane Wyman’s concerned stepdaughter in the 1954 romantic drama “Magnificent Obsession” and Dean Martin’s loyal wartime girlfriend in “The Young Lions” (1958), set during World War II. In 1950s science fiction pictures like “It Came From Outer Space” and “When Worlds Collide,” she was the small-town heroine, the scientist’s daughter, the Earthling most likely to succeed.Ms. Rush with Frank Sinatra in the 1963 film “Come Blow Your Horn,” about a swinging Manhattan bachelor’s life.Paramount Pictures, via Silver Screen Collection/Getty ImagesIn both “The Young Philadelphians” (1959), with Paul Newman, and “The World in My Corner,” a 1956 boxing film with Audie Murphy, Ms. Rush was the prized rich girl. In “Bigger Than Life” (also 1956), with James Mason, she played a vapid but supportive wife. And in “Come Blow Your Horn” (1963), with Frank Sinatra, she played the only “nice girl” in a swinging Manhattan bachelor’s life.But she did transcend type occasionally, as an Indian agent’s bigoted wife, for instance, in the western “Hombre” (1967), with Paul Newman. She also played Kit Sargent, the Hollywood screenwriter attracted to and repelled by the ruthless title character in the classic 1959 television production of “What Makes Sammy Run?”Ms. Rush in 1966. Her stage work became a second career. John Downing/Express, via Hulton Archive, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Louis Gossett Jr., 87, Dies; ‘An Officer and a Gentleman’ and ‘Roots’ Actor

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      His portrayal of a drill instructor earned him the Oscar for best supporting actor. He was the first Black performer to win in that category.Louis Gossett Jr., who took home an Academy Award for “An Officer and a Gentleman” and an Emmy for “Roots,” both times playing a mature man who guides a younger one taking on a new role — but in drastically different circumstances — died early Friday in Santa Monica, Calif. He was 87.Mr. Gossett’s first cousin Neal L. Gossett confirmed the death. He did not specify a cause.Mr. Gossett with Susan Sarandon and Christopher Reeve after winning the Oscar for “An Officer and a Gentleman” in 1983.Associated PressMr. Gossett was 46 when he played Emil Foley, the Marine drill instructor from hell who ultimately shapes the humanity of an emotionally damaged young Naval aviation recruit (Richard Gere) in “An Officer and a Gentleman” (1982). Reviewing the movie in The New York Times, Vincent Canby described Sergeant Foley as a cruel taskmaster “recycled as a man of recognizable cunning, dedication and humor” revealed in “the kind of performance that wins awards.”Paramount, via Everett CollectionMr. Gossett told The Times that he had recognized the role’s worth immediately. “The words just tasted good,” he recalled.When he accepted the Oscar for best supporting actor in 1983, he was the first Black performer to win in that category — and only the third (after Hattie McDaniel and Sidney Poitier) to win an Academy Award for acting.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Louis Gossett Jr. Streaming Guide: ‘An Officer and a Gentleman’ to ‘The Color Purple’

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      His range was wide, as evidenced by performances in projects as different as “Roots,” “An Officer and a Gentleman” and “Diggstown.”When most people think of the venerable character actor Louis Gossett Jr., who died Friday at 87, they understandably summon up his Oscar-winning turn in the 1982 drama “An Officer and a Gentleman.” But he accumulated over 200 credits over a screen, stage and television career that spanned more than 60 years, and brought a skill set that included not only drama but also comedy, science fiction, action and horror. Here are a few highlights from his illustrious career and where to stream them.1977‘Roots’Rent or buy it on most major platforms.Gossett had already established himself as an actor of note onstage, and in television guest shots and small but memorable appearances on film (“The Landlord,” “Skin Game”) when he was cast in the ABC mini-series adaptation of Alex Haley’s best seller. He plays the key role of Fiddler, an older enslaved man who becomes a mentor to the central character, Kunta Kinte (LeVar Burton). Fiddler allows Gossett to display several of the gifts that would distinguish him throughout his career: an inherent dignity, a no-nonsense toughness and a (seemingly contradictory) warmth and humanity. The mini-series was a cultural sensation, breaking records for television viewership, and Gossett would win an Emmy for his unforgettable work.1982‘An Officer and a Gentleman’Stream it on Max; rent or buy it on major platforms.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares149 Views

      in Television

      Logan Lerman Honors Two Families in ‘We Were the Lucky Ones’

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      In this Hulu adaptation of a Holocaust novel, Lerman plays a character inspired by two different grandfathers: the author’s and his own.Logan Lerman has been an actor for more than two decades, starting at age 5, and he’s been sent a number of scripts about the Holocaust. They read as exploitative to him.“That’s always rubbed me the wrong way,” he said. “I’m like, ‘No, that doesn’t feel right.’”But the story of the Shoah he now stars in, “We Were the Lucky Ones,” felt different to the performer best known for his work in films like “The Perks of Being a Wallflower” (2012) and “Fury” (2014).Based on the novel of the same title by Georgia Hunter, the eight-episode series premieres Thursday on Hulu. It tracks the members of the Kurc family as they are dispersed throughout Eastern Europe, where they live, and elsewhere when the Nazis invade. Lerman, 32, stars as Addy Kurc, a musician who has been living in Paris and finds himself unable to get home to Radom, Poland. His journey takes him to Casablanca and eventually Rio de Janeiro, all while he is unaware of the fates of his beloved siblings and parents. As the title would imply, this is less a story of loss than it is of survival.While Hunter’s book is fictional, the Kurcs are named for and based on her maternal grandfather’s family, and their sagas were derived from her extensive research into their experiences. A co-executive producer of the series, she shared that background with Lerman as he set out to play Addy, who is based on her grandfather. But the actor reached into his own personal history as well, channeling his own grandfather, who was also a Jewish refugee during World War II. The result is a performance that combines both family histories, paying tribute to Hunter and Lerman’s ancestry in the process.“I also wanted to do it for the reason that I was like, ‘Oh I want to show my grandfather this,’” Lerman said in a video call.Joey King and Lerman in “We Were the Lucky Ones,” adapted from Georgia Hunter’s best-selling novel.HuluWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Rebecca Hall on ‘Godzilla x Kong’ and Finding Her Way in Hollywood

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      Rebecca Hall stood in front of an easel, her face contemplative. She moved a paintbrush gently on a palette, then applied the paint to the canvas. This was in her studio, a converted barn next door to where Ms. Hall lives in upstate New York with her husband, the actor Morgan Spector, and their 5-year-old daughter, Ida.When she’s not acting, Ms. Hall paints as a way of channeling her creativity. Her father, Sir Peter Hall — who founded the Royal Shakespeare Company — once warned her about dividing her talents. “He said that it’s very hard to do more than one thing, which really haunted me for a really long time,” Ms. Hall said. “Increasingly, though, I refuse to stay in one lane.”This, in many ways, is Ms. Hall in a nutshell: unwilling to be boxed in, an artist at heart. At 41, Ms. Hall is considered by some to be one of her generation’s most talented actresses. She possesses an unnerving maturity and an unparalleled capacity for versatility. She can so thoroughly embody a character that, as the New York Times film critic Manohla Dargis once wrote, “she becomes your way into the movie as well as the reason you keep watching.” But her career choices reveal a circuitous route toward stardom, a push and pull between projects with famous directors and actors and those on a much smaller scale, including independent films and stage productions.Most recently, she appears in this month’s “Godzilla x Kong: The New Empire,” a big-budget monster film. In it, she plays Dr. Ilene Andrews, an anthropological linguist, who serves as a maternal Jane Goodall-type figure for Kong. It’s the type of heavily marketed blockbuster that a younger Rebecca Hall might have objected to altogether. So why did she choose to do it?“The cynical answer is you don’t get to be an artist in this day and age without doing some of those,” she replied. “But I’m also a straight-up lover of cinema, and that involves all kinds of cinema. I don’t have the mentality of, ‘Oh, I’ve got to do one for them, and then I can do one for me.’ There’s also a huge amount of fun in it, and I’m proud of the end result.”Ms. Hall in this month’s big-budget film “Godzilla x Kong: The New Empire.” She is “a straight-up lover of cinema, and that involves all kinds of cinema,” she said.Dan McFadden/Warner Bros. PicturesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More