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      Mikey Madison Wins Best Lead Actress Oscar for ‘Anora’

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      Mikey Madison, who played a feisty and tenacious sex worker in the movie “Anora,” won the Oscar for best lead actress.It was Madison’s first Oscar nomination.The win was something of an upset; Demi Moore, who has seen a career revival for her dynamic performance as an aging fitness star in “The Substance,” was favored to win her first Oscar for the role.“Anora” — which went on to win the biggest award of the night: best picture — was directed by Sean Baker and revolves around Madison’s character, known as Ani, as she has a whirlwind romance with a Russian oligarch’s son after meeting him at her strip-club gig.The role required feats of physicality, both in performing the job of a dancer in a strip club and in fighting back when the oligarch sends his henchmen to force the couple to annul their Las Vegas marriage.“This is a dream come true — I’m probably going to wake up tomorrow,” Madison said in her acceptance speech, in which she thanked Baker, her family and the movie’s movement consultant, Kennady Schneider, among many others.Madison also underscored the influence that sex workers had on her performance. To study her character, she read memoirs by sex workers, underlining sections of Andrea Werhun’s “Modern Whore.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Adrien Brody Wins Oscar for Best Actor for ‘The Brutalist’

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      Adrien Brody has won his second Oscar, this time for playing the fictional Hungarian architect László Tóth in the three-and-a-half-hour epic “The Brutalist.” The win on Sunday came 22 years after Brody received the best actor trophy for his work in “The Pianist,” which made him the youngest performer to ever receive that award. Both “The Brutalist” and “The Pianist” center on Holocaust survivor characters played by Brody.“Acting is a very fragile profession,” Brody said after accepting the award. “It looks very glamorous, and in certain moments it is. But the one thing that I’ve gained, having the privilege to come back here, is to have some perspective.”“No matter where you are in your career, no matter what you’ve accomplished, it can all go away,” he continued. “I think what makes this night most special is the awareness of that and the gratitude that I have to still do the work that I love.”“The Brutalist” charts László’s arrival in America after World War II, where he meets a wealthy industrialist (Guy Pearce) who enlists him to build a massive institute in Pennsylvania. Throughout the film’s awards run, Brody has spoken about his connection to the role through his mother, the photographer Sylvia Plachy, who was born in Hungary and lost relatives in the concentration camps.“I’m here once again to represent the lingering traumas and the repercussions of war and systematic oppression and of antisemitism and racism and othering,” Brody said in a speech that saw the orchestra start to play music in an attempt to get him to conclude before he appealed to let him keep talking.“And I believe that I pray for a healthier and a happier and a more inclusive world,” he continued. “And I believe if the past can teach us anything, it’s a reminder to not let hate go unchecked.”But Brody’s campaign also weathered some controversy when it emerged that the film used artificial intelligence to improve the dialogue spoken in Hungarian. In an interview with Vanity Fair, Brody said: “Obviously, his postproduction process only touched some lines spoken in Hungarian. Nothing of the dialect was altered.”Despite the social media hubbub, Brody was the favorite to win the Oscar. He also won the Golden Globe, the BAFTA and the Critics Choice Award. More

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      Halle Berry and Adrien Brody Recreate Famous Oscars Kiss on Red Carpet

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      Plenty of kisses were shared on the Oscars red carpet on Sunday night — but none could have been as nostalgic as the moment Adrien Brody and Halle Berry locked lips.More than two decades after Brody planted a shocking kiss on Berry at the 2003 Oscars after winning the best actor statuette for his role in “The Pianist,” she returned the favor in grand fashion as onlookers cheered. The moment, captured by Access Hollywood, quickly spread across social media.“That was one hell of a night for him, and for me as well,” Berry told Variety after smooching Brody, who is nominated for best actor for his role in “The Brutalist.” “Tonight I had to pay him back.”A reunion 22 years in the making. #Oscars pic.twitter.com/MkaF2xb6SE— The Academy (@TheAcademy) March 2, 2025

      Berry told the outlet that she had seen Brody around Hollywood at various parties, but Sunday night was the first time in decades that they had seen each other on a red carpet.“He’s nominated this year,” she said. “He deserved that.”Their kiss onstage in 2003 made headlines and has become one of the most talked about Oscar moments in history.After kissing Berry that night, Brody quipped, “I bet they didn’t tell you that was in the gift bag.”Over the years, both actors have discussed the moment at length. On “Watch What Happens Live With Andy Cohen” in 2017, Berry said that the kiss was not planned and that she was as shocked as everyone else.Berry said that she went along with it “because I was there the year before, and I know the feeling of being out of your body.” Berry made history in 2002 for her role in “Monster’s Ball,” becoming the first Black woman to win an Oscar for best actress.Brody also revisited the kiss in a profile with Variety last month. “We live in a very conscious time, which is a wonderful thing,” he said. “And nothing that I ever do or have done or would’ve done is ever done with the intention of making anyone feel bad.” More

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      Timothée Chalamet Wears Butter-Colored Givenchy Suit at Oscars

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      Timothée Chalamet’s sartorial playfulness has been a consistent theme as he stepped out in memorable looks for each red carpet event over the last few months. For the Oscars, the most conservative red carpet of them all, he did not disappoint.Chalamet arrived in a monochromatic butter yellow custom Givenchy suit designed by Sarah Burton. A double-breasted cropped jacket with a notch lapel was paired with leather pants and a silk shirt.“Love that suit,” Conan O’Brien said to Chalamet during the show’s opening monologue. “You will not get hit on your bike tonight.”A best actor nominee for his portrayal of Bob Dylan in the biopic “A Complete Unknown,” Chalamet, 29, nonchalantly bobbed down the red carpet, hands behind his back, in his pastel outfit.Leading up to the release of his film in December, through the months that followed on the awards trail, Chalamet has waged a viral campaign that diverted from the old, staid ways of Hollywood promotion. That has included a slew of eye-catching outfits, including an all-pink ensemble consisting of a Chrome Hearts hoodie and tank top that he wore at the Berlin International Film Festival.And at the Screen Actors Guild Awards, where he wore a black leather suit paired with a lime green shirt, he accepted his best actor award with a speech that reaffirmed that he was serious about his job: “I’m really in pursuit of greatness,” he said. “I know people don’t usually talk like that but I want to be one of the greats.”Whether he takes home best actor tonight or not, he takes the prize for men’s wear with his “movie-star trucker vibe,” as our men’s wear critic Guy Trebay wrote. More

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      Ariana Grande and Cynthia Erivo Continue ‘Wicked’ Theme at Oscars Red Carpet

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      In the words of Glinda, pink goes good with green.After months of method dressing, “Wicked” stars Ariana Grande and Cynthia Erivo both arrived on the Oscars red carpet in their Ozian characters’ signature colors.For Ms. Grande, nominated for best supporting actress, that meant an icy pink satin and tulle bustier gown from Schiaparelli decked out in more than 190,000 crystal sequins, rhinestones and beads. The wiggly waistline was inspired by an lamp designed by the artist Alberto Giacometti.Ariana Grande’s Schiaparelli gown was decorated with more than 190,000 crystal sequins, rhinestones and beads.Nina Westervelt for The New York TimesErivo’s signature fingernails were decorated with elaborate, hand-sculpted gilded art, including a tiny watch and clock.Jutharat Pinyodoonyachet for The New York TimesMs. Erivo, who is nominated for best actress, opted for a shade of deep forest green, so dark it almost appeared black at first glance. But make no mistake, the subtle homage was intentional. Speaking with E! on the red carpet, she said the velvet Louis Vuitton gown — with an almost vampiric architectural collar — was a “nod to Oz, a nod to the green, and a nod to old Hollywood.” Her signature fingernails by the nail artist Mycah Dior were decorated with elaborate, hand-sculpted gilded art, including a tiny watch and clock.Over the course of the “Wicked” press tour, both stars regularly stepped out in styles that referenced their characters. At the premiere in Los Angeles, Ms. Grande wore a pink Thom Browne gingham dress, while Ms. Erivo donned a green vinyl Louis Vuitton number.Even at events not officially related to the film, the pair remained committed to the bit, like during an appearance at the Olympics in Paris where they each wore … well, you know.The second installment of “Wicked” comes out later this year. We’ll have to wait and see if the duo will still be holding space for pink and green come November. More

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      What to Watch For at the Oscars: ‘Emilia Pérez,’ Cynthia Erivo and More

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      From the most competitive races to the lasting controversies, here’s a guide to becoming an instant expert.The Best Picture Race Looks Wide OpenRalph Fiennes in “Conclave,” which is a top contender for the best picture Oscar. Its biggest competition: “Anora.”Focus FeaturesWhen the Ralph Fiennes-led papal thriller “Conclave” secured the highest honor at the 31st Screen Actors Guild Awards last weekend, it seemed like a strong indicator that it would prevail in the best picture category at the Academy Awards on Sunday night. After all, the last three winners of SAG’s top prize — “Oppenheimer,” “Everything Everywhere All at Once” and “CODA” — all won the best picture statuette at the Oscars.But it isn’t exactly that clear cut.Those past three films had essentially swept their awards season, and aside from the SAG Awards, “Conclave” has won only one other best picture title, at the BAFTAs in February.“Anora,” the comedy-drama about a stripper (played by Mikey Madison) whose modern fairy-tale romance implodes, had several of the other early big wins this season, including two major industry prizes — from the Directors Guild of America and the Producers Guild of America — that almost always signal a best-picture Oscar up ahead.Also, Edward Berger, the director of “Conclave,” was not nominated for a best directing Oscar. Only six films in the history of the Oscars have won best picture without a best directing nomination, most recently “CODA” in 2022.Scandals Plague ‘Emilia Pérez’Karla Sofía Gascón in “Emilia Pèrez.” She is up for a best actress Oscar, but her chances of winning may have been derailed by recent scandals.Shanna Besson/NetflixJust a few weeks ago, “Emilia Pérez” was on top of the world. The Spanish-language musical out of France had earned 13 Oscar nominations, the most of any film this year (and nearly the most ever), and its lead, Karla Sofía Gascón, made history as the first openly transgender actress to be nominated for an Academy Award, in the best actress category no less.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How to Watch the Oscars 2025: Date, Time and Streaming

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      Conan O’Brien will host the annual awards, which will be available to watch live on a streaming service for the first time.It seems like a lifetime ago that Sean Baker’s screwball comedy “Anora” first emerged as the favorite in the best picture race (no one was yet even thinking about holding space for “Wicked”).But we’re now right back where we started in the fall with both math and our Projectionist columnist, Kyle Buchanan, predicting that “Anora” will emerge triumphant. It’s by no means a sure thing — last weekend’s big Screen Actors Guild Awards winner, the papal thriller “Conclave,” could play spoiler.In the acting races, Demi Moore appears to be the one to beat after notching another win at the SAGs (though Buchanan says not to count out Fernanda Torres, who delivers a tour de force performance in the quiet Brazilian drama “I’m Still Here”).But could Adrien Brody, who plays a Jewish architect who survives the Holocaust in “The Brutalist,” be in for an upset from the 29-year-old Timothée Chalamet, who has embarked on a decidedly unconventional — and very online — Oscar campaign for his lead role in the Bob Dylan biopic “A Complete Unknown”?Here’s everything you need to know.What time does the show start and where can I watch?This year’s show is again one for the early birds: The ceremony is set to begin at 7 p.m. Eastern, 4 p.m. Pacific, at the Dolby Theater in Los Angeles.On TV, ABC is the official broadcaster. Online, you can watch the show live on the ABC app, which is free to download, or at abc.com, though you’ll need to sign in using the credentials from your cable provider. There are also a number of live TV streaming services that offer access to ABC, including Hulu + Live TV, YouTube TV, AT&T TV and FuboTV, which all require subscriptions.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Geoffrey Rush Lives for the Roar of the Crowd

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      “If you sit at home, you are not sharing your own private experience of what the general pulse of the world is,” said the actor, who stars in the horror film “The Rule of Jenny Pen.”Geoffrey Rush has rarely met a physical task he didn’t want to attempt, be it sword fighting for “Pirates of the Caribbean” or playing the piano for his Oscar-winning role in “Shine.”The new horror movie “The Rule of Jenny Pen,” starring Rush as a supercilious former judge living in a nursing home, required yet another unfamiliar skill set: He had to use a motorized wheelchair.“I got very good at getting up to speed, but in narrow corridors, it was not the same story,” Rush, 73, said of the feature directed by James Ashcroft and also starring John Lithgow as a psychopathic fellow resident. A lot of the final day’s goof reel “was punctuated by me running into staircases or James leaping over furniture because I went, ‘It’s just not responding.’”In a video call from his native Australia, Rush discussed his cultural essentials, many of them — to his surprise — from his childhood and early professional life. These are edited excerpts from the conversation.The TreniersThey were the first band to use the words “rock” and “roll” in lyrics, way back in the late ’40s and early ’50s, when they were a blues band hovering between swing and boogie-woogie. Their energy was definitely sexy and audacious. They beat Bill Haley by about a half decade. My mum was a great jiver during my childhood, and she loved Little Richard. She used to dive onto the dance floor.Silent Film ClownsBob Monkhouse, who was an English comedian, had a show that I used to watch every Saturday night called “Mad Movies.” I got introduced to silent film and not necessarily the big guns. He looked at a lot of the minor characters, and I became obsessed by that.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More