Actors and Actresses

Subterms

    More stories

    • 125 Shares199 Views

      in Movies

      Vin Diesel Is Accused of Sexually Assaulting a Former Assistant

      by

      The assistant filed a lawsuit in California, saying that the actor had groped her and forcibly kissed her in a hotel room during the filming of a “Fast & Furious” movie in 2010.A former assistant to Vin Diesel, one of Hollywood’s most bankable action stars, filed a sexual battery lawsuit against the actor on Thursday, saying that he groped her and pinned her against the wall of an Atlanta hotel room during the filming of the fifth “Fast & Furious” movie in 2010.In the lawsuit, the former assistant, Asta Jonasson, said the encounter took place less than two weeks after she was hired to work for Mr. Diesel. The actor grabbed her, groped her breasts and forcibly kissed her while she repeatedly said no, according to the lawsuit. Mr. Diesel pulled her dress up and moved to pull down her underwear, the lawsuit said, before Ms. Jonasson screamed and ran toward the bathroom.The complaint said Mr. Diesel then “pinned her against the wall with his body, and grabbed Ms. Jonasson’s hand and placed it on his erect penis.” When she again refused to engage, the lawsuit says, Mr. Diesel began masturbating while keeping her pinned to the wall.Representatives for Mr. Diesel and his production company, which is also named as a defendant, did not immediately return requests for comment.Mr. Diesel, 56, rose to fame after Steven Spielberg cast him as a soldier in “Saving Private Ryan”; he established himself as a leading man primed for brawny roles with his performances as a killer in the “Chronicles of Riddick” series and a member of the Navy SEALs in the comedy “The Pacifier.” In 2010, he was filming another starring role in the “Fast & Furious” franchise, which he revisited this past year in “Fast X.”Hours after the encounter in the hotel room, according to the lawsuit, Ms. Jonasson received a call from an executive at the production company — Mr. Diesel’s sister, Samantha Vincent — and was told that it no longer needed “any extra help.” Ms. Vincent, who could not immediately be reached for comment, is also named as a defendant.Ms. Jonasson said in the lawsuit that all employees of the production company had been required to sign a nondisclosure agreement preventing them from sharing anything related to Mr. Diesel.“For years, Ms. Jonasson remained silent,” the lawsuit said, “afraid to speak out against one of the world’s highest-grossing actors, afraid she would be ostracized from the industry which had a pattern of protecting powerful men and silencing survivors of sexual harassment and assault, and concerned that as a green card holder that speaking out could jeopardize her potential future citizenship.”Ms. Jonasson sued under a California law passed in the wake of the #MeToo movement that opened a window for people accusing someone of sexual assault to sue even if the statute of limitations had run out. Her lawsuit, filed in Los Angeles Superior Court, also alleges wrongful termination and retaliation. More

    • 88 Shares189 Views

      in Movies

      France’s President Condemns ‘Manhunt’ Against Gérard Depardieu

      by

      Emmanuel Macron broke with his culture minister, who had called comments made by Depardieu in a documentary a “disgrace.” The actor is facing renewed scrutiny over sexual assault accusations.President Emmanuel Macron of France this week condemned what he called a “manhunt” targeting Gérard Depardieu, the embattled French actor whose worldwide fame has been tarnished in recent years by allegations of sexual harassment and assault.Macron’s comments, which prompted swift criticism, came after a documentary that aired in France this month showed the actor making crude sexual and sexist comments during a 2018 trip to North Korea.Depardieu, 74, has faced renewed scrutiny in the wake of the documentary, including new accusations of sexual assault, the stripping of several international honors and the removal of a likeness of him from the Musée Grévin, a Paris wax museum. He has denied any wrongdoing.Rima Abdul Malak, France’s culture minister, said she was “disgusted” by Depardieu’s comments in the documentary and that disciplinary proceedings would determine whether he should also lose his Legion of Honor, France’s highest award.But in a television interview on Wednesday evening, Macron mounted a staunch defense of Depardieu, who was once one of France’s most prominent and prolific leading men. Macron said that Depardieu “makes France proud” and castigated an “era of suspicion” against prominent artistic or cultural figures.“One thing you’ll never see me in is a manhunt,” Macron told France 5 television, calling himself an “admirer” of Depardieu.As France’s president, Macron is the grand master of the order of the Legion of Honor, an award created by Napoleon Bonaparte in 1802 for “outstanding merit” in a field and given to Depardieu in 1996. Macron said his culture minister had overstepped “a bit too much.”“Am I going to start stripping the Legion of Honor from artists or officials when they say things that shock me?” Macron said. “The answer is no.”“You can accuse someone — maybe there are victims, and I respect them, and I want them to be able to defend their rights,” he added. “But there is also a presumption of innocence,” he said.Macron’s comments reflected the mixed reaction to the #MeToo movement in France, where the reckoning with sexism was hailed by feminist groups, but also fueled worries over the influence of puritanical sexual mores and cancel culture imported from America.France’s movie industry has grappled with several high-profile accusations of sexual abuse in recent years and taken steps to address them. But the country has also given a warm reception to artists accused of abuse — including Johnny Depp and Louis C.K. — exposing a cultural divide with the United States.Feminists and leftist politicians said on Thursday that they were appalled by Macron’s comments.“Manhunts remain prohibited. The hunt for women, on the other hand, remains open,” Osez Le Féminisme, a feminist group, said on social media, while Sandrine Rousseau, a Green lawmaker, called Macron’s comments “yet another insult to the movement to let victims of sexual violence speak out.”François Hollande, Macron’s predecessor as president, criticized him for extolling Depardieu’s acting instead of expressing support for victims of sexual crimes.“No, we are not proud of Gérard Depardieu,” Hollande told France Inter radio, noting that Macron once called gender equality and the fight against sexism a top priority. “And that’s how he treats the issue of Gérard Depardieu?” Hollande said.Depardieu is still an internationally recognized figure who, in the last 50 years, has had roles in more than 250 movies, including “Cyrano de Bergerac” and “The Man in the Iron Mask.”But he has faced a growing number of sexual abuse accusations in recent years.In interviews in April with Mediapart, an investigative news site, 13 women — actresses, makeup artists and production staff — accused Depardieu of making inappropriate sexual comments or gestures during film shoots. Two other women made similar accusations in interviews this summer with France Inter.Depardieu has been charged with rape and sexual assault in one case, which involves Charlotte Arnould, a French actress who says he sexually assaulted her in Paris in 2018, when she was 22, during informal rehearsals for a theater production.Depardieu has not been convicted in connection with any of the accusations, and he has categorically denied any wrongdoing.“I have never, ever abused a woman,” he wrote in a rare letter to the newspaper Le Figaro in October.“All my life, I’ve been provocative, outgoing, sometimes crude,” Depardieu wrote, adding an apology for “acting like a child who wants to amuse the gallery.” But, he added, “I’m neither a rapist nor a predator.”The documentary that set off a new wave of scrutiny aired this month on France 2 and features previously unseen footage of Depardieu on a 2018 trip to North Korea, where he is seen repeatedly making extremely crude and uninhibited sexual and sexist comments about women.The documentary suggests that sexual jokes, comments and attitudes by Depardieu on movie sets were commonplace and widely-known, but that the French movie industry brushed them off.Four women accuse Depardieu of inappropriate comments or sexual misconduct in the documentary, including Arnould and Hélène Darras, an actress who says he sexually assaulted her on a 2008 film set and who filed a suit against him in September. Depardieu has not been charged in that case.After the documentary aired, Quebec announced that the actor was being stripped of the Canadian province’s highest honor and a Belgian town where he once lived said it was revoking an honorary title.This week, extra woes for Depardieu piled up quickly. The Musée Grévin said that his wax statue, which first entered the museum in 1981, had been removed. A spokeswoman said that this was “following reactions from visitors who were very shocked by the actor’s comments” and who had then verbally abused employees.On Wednesday, Ruth Baza, a Spanish journalist, told the newspaper La Vanguardia that Depardieu had kissed and groped her without her consent when she was in Paris in 1995 to interview him for a magazine piece.Like many public officials in France — Macron first and foremost — Abdul Malak, the culture minister, said that she was “against cancel culture.”“We are not going to stop watching his movies,” she told France 5 television of Depardieu last week. But she said his comments in the documentary could constitute sexual harassment and were “intolerable,” reflecting badly on France.“He is such a monument of world cinema,” Abdul Malak said, adding that she had received messages from ministers and other cultural figures from around the world “who are shocked, who say, ‘To us, he was such a symbol of France.’” More

    • 100 Shares119 Views

      in Movies

      ‘Maestro’ and the Fake Nose Hall of Fame

      by

      “Maestro” isn’t the first time a supersize sniffer set off a whiff of controversy. Here’s a look at the most notable schnozzes onscreen.In August, the first trailer for “Maestro,” a biopic of Leonard Bernstein, the composer of “West Side Story” and so much more, set off a backlash almost immediately: Bradley Cooper was wearing a prosthetic nose for the title role.Critics on social media accused the star, who is also the director, of playing into an antisemitic trope with the Size XL prosthesis — and asked whether someone who is Jewish would have been more sensitive about makeup choicesWhile Cooper and Netflix, where “Maestro” will begin streaming on Wednesday, declined to comment. In a statement at the time, Bernstein’s three children, who had been working with Cooper on the film, came to the actor’s defense, noting in a series of posts on X, “It happens to be true that Leonard Bernstein had a nice, big nose.” (The family declined to offer additional comment.)It’s hardly the first time an oversize septum has made an onscreen appearance or courted controversy. Here are 12 of the most memorable fake noses in cinematic history, sorted by size from dainty 🥸 to elephantine 🥸🥸🥸🥸🥸.Orson Welles, ‘Touch of Evil’🥸Universal PicturesLike Edmond Rostand’s poet and swordsman, Cyrano de Bergerac, Orson Welles was obsessed with his nose. (He believed his was too small; it was, of course, completely normal.) But instead of channeling his fixation into a healthy pursuit like, say, helping another man win the affections of his own beloved, he sported dozens of fakes over his career. One of the largest was the pugnacious pair of nostrils he wore as the corrupt police captain Hank Quinlan in the 1958 murder mystery “Touch of Evil.”Nicole Kidman, ‘The Hours’🥸Clive Hoote/Paramount PicturesNicole Kidman may have delivered a stirring performance as Virginia Woolf in “The Hours” (2002), but Denzel Washington joked that it was the prosthetic beak she wore that won her the best actress Academy Award. (“The Oscar goes to, by a nose, Nicole Kidman,” he joked when announcing her win.) Kidman wore a fresh one each day on set, though she told The Associated Press that she hung on to a silver one she was given when shooting wrapped.Ralph Fiennes, ‘Harry Potter and the Deathly Hallows: Part 2’🥸Warner Bros.Is that thing even functional? Probably not; snakes don’t have noses — just nostrils — and smell with their forked tongues. We wouldn’t be surprised if J.K. Rowling’s reptilian baddie in this 2011 franchise finale had one of those, too. But at least we may finally have an answer as to what Voldemort’s unnaturally long fingers are good for.: Nose-picking.Meryl Streep, ‘The Iron Lady’🥸Alex Bailey/Weinstein CompanyLike Kidman, Meryl Streep rode the prosthetic nose she donned to play the British Prime Minister Margaret Thatcher in Phyllida Lloyd’s 2011 biopic to an Oscar win (her third). But this time, the transformation’s genius was in its subtlety — when the first photos of Streep on set were released, the press made nary a peep about the nose.Laurence Olivier, ‘Richard III’ 🥸🥸Laurence Olivier as Richard IIILondon Film ProductionsUnlike Welles, Laurence Olivier didn’t habitually don a fake nose for his roles because of a perceived insecurity about the size of his own; rather, it was just one of the suite of theatrical accessories, including masks and wigs, that he, and many other actors, used transform into various characters. In “Richard III” (1955), which Olivier also directed, his character’s nose is, as one blogger put it, “majestically prominent.”Rudolph, ‘Rudolph the Red-Nosed Reindeer’🥸🥸Rankin/Bass Productions and NBCWith a workshop of Santa’s elves nearby in this 1964 special, the best Rudolph’s dad, Donner, could do to help his son fit in at school was make a fake nose from mud? He won’t be winning any father-of-the-year awards for that effort.Margaret Hamilton, ‘The Wizard of Oz’🥸🥸🥸MGMMargaret Hamilton came by some of the goods to play the Wicked Witch of the West naturally: She was known for her overlarge nose, which her own father had encouraged her to have surgically altered. But she got the last laugh when she landed the role of the now-iconic villain in “The Wizard of Oz” (1939) — for which her nose was made even longer (and greener).Matt Damon, ‘Ocean’s Thirteen’🥸🥸🥸Warner Bros., via AlamySure, there are performers with bigger noses on this list, but Matt Damon might be the only one who planned a con around his. In this 2007 sequel, his character, Linus, dons the prosthesis — which Damon nicknamed “The Brody” in a nod to the actor Adrien Brody’s well, you know — in a bid to disguise himself and gain access to a case full of diamonds.Steve Carell, ‘Foxcatcher’🥸🥸🥸Scott Garfield/Sony Pictures ClassicsSteve Carell’s souped-up schnozz in this 2014 true-crime tale may have left some people scratching their heads — the real-life version of his character, John du Pont, the millionaire wrestling enthusiast-turned-murderer, wasn’t well known, so the attention to detail seemed excessive. But the nose did serve another purpose: It made audiences forget they were staring at Carell, who was known mainly for comedies at the time.Alec Guinness, ‘Oliver Twist’🥸🥸🥸🥸United Artists, via Alamy StockCharles Dickens wrote Fagin in “Oliver Twist” as a thoroughly antisemitic villain, and in the 1948 film adaptation, Alec Guinness, the non-Jewish actor who played the character, spoke in a droning lisp and appeared with hooded eyes and an enormous prosthetic hook nose. The nose was deemed “incredibly insensitive,” as The Jewish Chronicle wrote, and it provoked significant anger from Holocaust survivors.Billy Crystal, ‘The Princess Bride’🥸🥸🥸🥸20th Century Fox, via AlamyBilly Crystal was already so funny in “The Princess Bride” (1987) that the director, Rob Reiner, claimed that he had to leave the set during Crystal’s scenes as Miracle Max because he was unable to contain his laughter. Adding a bulbous tomato of a nose took Crystal’s physical comedy over the top. (Mandy Patinkin, who played Inigo Montoya, actually bruised a rib trying to stifle his own chuckles.)Steve Martin, ‘Roxanne’🥸🥸🥸🥸🥸Columbia PicturesYou could land a bird on that thing (which the director, Fred Schepisi, did.) Steve Martin’s five-inch appendage for the 1987 film took 90 minutes to apply every day and two minutes to remove. “God how I hated that thing,” he told The Washington Post. More

    • 175 Shares119 Views

      in Movies

      For Tracee Ellis Ross, Happiness Is a Bowl of Olives and Her Own Clothes

      by

      “My closet is my happy place,” said the actress, who is starring in “Candy Cane Lane” and “American Fiction.” “It is where dreams are made and looks are invented.”Tracee Ellis Ross finds life after “black-ish” to be quite wonderful.Since finishing her eight-season run on the ABC series last year, she has focused on her hair care company, loaded up on speaking engagements and is starring now in two movies: “Candy Cane Lane,” as the wife of Eddie Murphy’s Christmas decorating-obsessed husband, and “American Fiction,” as the sister of Jeffrey Wright’s flailing writer.And she is dressing herself. Even Ross is surprised by that one.“I spent eight years doing 24 episodes a year, which is about eight months out of the year, wearing the clothes of somebody who was not me,” she said, calling from her parked car in Los Angeles to explain the importance of hot baths, Black art and swimming pools. “I didn’t realize what a joy and a treat it’s been to get up in the morning and figure out what I want to wear.”These are edited excerpts from the conversation.1OlivesI had a guy I was dating once that was like, “What are those — rocks? Those are disgusting.” I had someone else say to me, “Olives are old-people food.” When I was young, I loved them so much that sometimes I would drink the olive juice. I prefer a green olive. I love a fancy olive. And a treat that I allow myself over Christmas is in olive oil with sun-dried tomato inside the green olive. That olive literally will send me over the edge.2Art by Black ArtistsThere’s something about the ability within the limited real estate, particularly in this country — the systemic racism, the constant navigation of having to figure out how to find safety, be safe, and also be oneself and find joy, I see all of those intersections in art from Black people. It lights me up and inspires and encourages. And I find a sense of safety and identification that really is important to me.3BathsI love being immersed in water, but I don’t like being wet. Confusing, I know. But there’s something that a hot bath does for my nervous system. I have been in rough times in my life where a shower feels too abrasive in that sometimes when I’m processing something or grieving something, it’s too hard for me to let things go, like a shower. Whereas a bath, there’s a gentleness to it.4Playing Dress-Up at HomeMy closet is my happy place. It is where dreams are made and looks are invented. Playing dress-up is something that has brought me joy from such a young age and stealing things from my mom’s closet to all the way now. I collect treasures of clothing, and I wear my clothes and care for them over and over. I love to do it first thing in the morning when I’m still in my glasses, and I strip down out of my pajamas and I just start making outfits.5Matching SetsEverything from underwear and bras to fingernails and toenails. I don’t do mix-matching on sweatsuits. Nope. It’s a top and a bottom that work together. I don’t know that there’s much to say on that other than I like to be coordinated.6My BedIt symbolizes reset. It symbolizes a shift in temperament. It is where I can drop all my facade and any sort of performative mask that I have to wear out in the world. I live alone and I’m single, so I change my sheets once a week — sometimes twice a week if I’ve spilled something. I have a tendency to get hot sauce and potato chips in my bed if I’m not doing my olives.7Audiobooks With Memorable NarratorsI am very particular about who reads to me. The majority of the Ann Patchett novels have been read by Hope Davis, and they were just dreamy. I love listening to audiobooks when I am packing, when I am getting dressed, when I am cooking, when I’m falling asleep. Ann’s newest novel is read by Meryl Streep, and my God was that good.8Sheet MasksI have been known to do up to three or four a day. I think that hydration of the hair, the body, the skin are the key things that keep you youthful and juicy no matter what age you’re at.9Emotional TalksI love having a deep conversation about what people are feeling. It is what I gravitate to. Not everybody likes it, but I do.10Swimming PoolsTo know me is to know I love a pool. When I’m on vacation, I go from work person to vacation person through the pool. I am not a beach person. I don’t love the ocean; it’s not organized enough for me. Too much sand, too much mess, too much. The pool, I know what I’m getting. I’m known for my first dips. I started recording them and putting them on Instagram, and now I’m the first-dip girl. More

    • 138 Shares199 Views

      in Theater

      Ice Spice, Brian Jordan Alvarez and More Breakout Stars of 2023

      by

      These eight performers and artists broke away from the pack this year, delighting us and making us think.Gutsy and offbeat, with an abundance of heart. The stars who rose to the top in 2023 shared a similar mentality: do it their own way and go full tilt without sacrificing emotion or authenticity. Here are eight artists who shook up their scenes and resonated with fans.TelevisionBella RamseyAs the TV landscape continues to fracture, one new show emerged as a bona fide phenomenon: “The Last of Us,” HBO’s stunningly heartfelt zombie apocalypse thriller. Given that its source material was a beloved, acclaimed 2013 video game that has sold over 20 million copies, the bar was extraordinarily high. The show’s debut season delivered, in large part because of the synergy between the duo at its center: Pedro Pascal as Joel and Bella Ramsey as Ellie, two characters who find themselves on a cross-country quest, dodging reanimated corpses to (hopefully) save the world.Ramsey, 20, who was born and raised in central England, offered a layered, tenacious, haunting performance as a teenager who is coming-of-age while being humanity’s possible last hope. They have been a working actor since they signed on to “Game of Thrones” at age 11, as the scene-stealing giant slayer Lyanna Mormont, and went on to have celebrated turns in the BBC/HBO adaptation of “His Dark Materials” and Lena Dunham’s 2022 period comedy, “Catherine Called Birdy.”For “The Last of Us,” Ramsey nailed a specific combination of contradictions — funny and quirky, but violent and rough — that Craig Mazin and Neil Druckmann, its creators, were looking for. “There are few people better between the words ‘action’ and ‘cut,’” Mazin told The New York Times.Ramsey’s performance earned them an Emmy nomination, for outstanding lead actress in a drama, joining the likes of established stars such as Keri Russell and Elisabeth Moss. “It’s only recently that I’ve accepted I am Ellie, and I can do it, and I am a good actor,” Ramsey told us.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

    • 113 Shares99 Views

      in Television

      Andre Braugher Died of Lung Cancer, His Publicist Says

      by

      Mr. Braugher, who died this week, received the diagnosis a few months ago. The “Brooklyn Nine-Nine” actor won an Emmy for his work on “Homicide: Life on the Street.”Andre Braugher, the Emmy-winning actor who died this week at 61, was diagnosed with lung cancer a few months ago before succumbing to the disease, his longtime publicist, Jennifer Allen, said on Thursday.When Ms. Allen confirmed his death this week, she said he had died after a brief illness. A 2014 profile by The New York Times Magazine said that Mr. Braugher was intensely private and “stopped drinking alcohol and smoking years ago.”Though he had an expansive career, Mr. Braugher was best known for his roles as a stoic, composed police officer on “Homicide: Life on the Street,” the 1990s NBC police procedural, and “Brooklyn Nine-Nine,” the Fox sitcom that later moved to NBC.Mr. Braugher won Emmy Awards in 1998 for his work as Detective Frank Pembleton on “Homicide” and in 2006 for his role as a coolheaded crook in the six-part FX crime thriller “Thief.” He was nominated four times for his portrayal of Capt. Raymond Holt in “Brookyn Nine-Nine.” More

    • 138 Shares159 Views

      in Theater

      Andre Braugher: Captain Holt on ‘Brooklyn Nine-Nine’ and More Defining Roles

      by

      The versatile actor was most known for vastly different portrayals of TV cops, but also shone in roles across film and stage.Andre Braugher, an Emmy-winning actor who, for over 30 years, adapted his no-nonsense, unflappable persona to great success across genres on television, in film and onstage, died at 61 years old on Monday night after a brief illness. Most famous for his roles as police officers — early in his career in the procedural “Homicide: Life on the Street” and later in the sitcom “Brooklyn Nine-Nine” — Braugher fell in love with acting while attending Stanford University, where he first performed in a student production of “Hamlet.” He went on to earn a Master of Fine Arts from Juilliard School. “When I graduated from school, I felt like I had the tiger by the tail; I could do almost anything,” Braugher told Variety in 2020.Here’s a look back at some of the moments that would go on to define Braugher’s career.1988“Glory”Braugher made his film debut in “Glory” in 1998.TriStar Pictures, via Getty ImagesBraugher’s father was reluctant to support his acting career — Braugher remembered him saying, “Show me Black actors who are earning a living. What the hell are you going to do, juggle and travel the country?” — but landing a supporting role in “Glory” was a crucial early breakthrough. He played the studious, timid union Corporal Thomas Searles in the Civil War drama alongside Matthew Broderick, Denzel Washington and Morgan Freeman.1990Making His Mark in TheaterBraugher won an Obie for his turn as “Henry V” in 1996.Sara Krulwich/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

    • 125 Shares179 Views

      in Theater

      With ‘The Gilded Age,’ Louisa Jacobson Cuts Her Own Path

      by

      Exposed to the complexities of fame at a young age, she sought paths outside of acting in early adulthood. Now she is the lead of a prestige HBO drama.This article contains spoilers for Season 2 of “The Gilded Age.”“I’m sorry I’m late,” the actress Louisa Jacobson said, a little breathless, as she entered a vintage clothing boutique, in Manhattan’s East Village earlier this month. “It’s been such a crazy day.” It was a weekday afternoon, and traffic from her home in Brooklyn had been bad. The smells of the damp autumn day clung to her coat as she swept through the door, face lightly flush from the chill and manic hustle outside.She eyed a vanilla-bean-and-cedar candle and rifled through a rack of long blazers.“I like to buy pre-owned or vintage because it’s better for the planet and my wallet,” she said, adding that “I buy all my jeans here.” On the day we met, those jeans were medium-wash and boot-cut, matched with black boots and a black leather trench coat over a brown leather vest and a white button-down blouse for an overall steampunk vibe — a sartorial hint, maybe, at the Victorian fashion of the HBO drama “The Gilded Age,” if not quite the studied sensibilities of her character in the series, Marian Brook.Marian’s wardrobe, by contrast, consists entirely of long, bustled dresses and ribcage-crushing corsets. In the high society of 1880s New York, even plucky, forward-thinking heroines were expected to lace up tight for potential suitors.“Ouch,” Jacobson simply said.And yet Marian’s big decision in Episode 6 was perhaps even more constraining. Earlier in the show’s ongoing second season, her story took a dramatic turn as she went toe to toe with her formidable old-money aunt Agnes (Christine Baranski) and became a confidante of her other aunt, Ada (Cynthia Nixon). Marian also had to manage a suitor of dubious appeal, the handsome, if dull, widower Dashiell Montgomery (David Furr). Then suddenly, he proposed.“Can you imagine jumping into being the leading lady on ‘The Gilded Age’?” asked Christine Baranski, left (with Jacobson), in a scene from the series. “What a daunting task.”Barbara Nitke/HBOBowing to the conventions of her day, Marian accepted, in defiance of her own instincts. Fans, in turn, have questions — and consternation — heading into the season finale on Sunday. (“Uh-oh, “The Gilded Age’s” Marian Has Me Screaming at My TV Again,” reads one recent headline.)“There’s a lot of financial pressure on the union,” Jacobson said, referring to the engagement. “But,” she added, “she would be settling. Dashiell doesn’t take her career as a teacher or an artist seriously, and he’s like, ‘Well you can stop all of that once we’re married.’ She doesn’t vibe with that.”Jacobson, 32, has faced her own pressures — not least as the youngest daughter of perhaps Hollywood’s most celebrated screen actress, Meryl Streep. (She uses Jacobson, her middle name, as her professional surname.) And her star is ascending fast. When she was tapped to lead “The Gilded Age,” in 2019, it was her first television role. The drama was created by Julian Fellowes (“Downton Abbey”), a writer whom she had long admired.Then there was the cast, stacked with theater royalty including Baranski, Nathan Lane, Audra McDonald, Donna Murphy and Cynthia Nixon. Jacobson had only just graduated from drama school.“Can you imagine jumping into being the leading lady on ‘The Gilded Age’?” Baranski, a two-time Tony Award winner, said in a recent phone conversation. “What a daunting task.”Judging by her success thus far, Jacobson has remained mostly undaunted. But whatever advantages have come with her upbringing, it also showed her at a young age the pitfalls of fame and favor, enough that she spent much of her early adulthood pursuing other paths. Now that she is committed to acting — and if her stage name and hustle are any indication — she seems determined to build a career on her own terms and merits as much as possible.If Jacobson ultimately found the creative life irresistible, she came by it honestly: Her father, Don Gummer, is a sculptor; her two older sisters, Mamie and Grace Gummer, are also actors; and her older brother, Henry Wolfe, is a musician. The family lived in Salisbury, Conn., a small town near the Berkshires, until she was 9, when they moved to New York. She often performed spontaneously with her siblings at home.“I think I always knew that I wanted to act,” Jacobson said as we walked from the vintage store to a nearby flower shop on an afternoon of errands. She lifted her coat over her head as the rain picked up. “But I didn’t always know that I wanted to be an actor.”Jacobson, right, with Alison Dillulio, an old friend and the director of Chapter NY, a Manhattan art gallery. Before them is the drawing “City” (2023), by Christopher Culver.Sabrina Santiago for The New York TimesShe acted throughout middle school and high school, but when it came time for college, she opted to study psychology at Vassar, in upstate New York. She wanted to become a therapist, which she viewed as a more practical career path.“Because of the way I grew up, there are parts of the business that I know are difficult,” she added. “And growing up with fame in my household, it provided us with a lot of privileges, but it also came with a lot of anxiety.”But the pull of acting didn’t relent, and she continued to do student theater. After graduation, she worked a retail job selling handbags in New York for about a year, dabbled in modeling and worked as an account coordinator at an advertising agency. She continued to rush to auditions on her lunch breaks.Finally, that pull was too strong to resist: She applied for the master’s program in acting at Yale, the same school her mother had graduated from around 40 years earlier.“I knew that if I just went into it without studying it, I would feel, I already feel, in some ways like I don’t deserve —”She trailed off.“I wanted to make sure I knew what I was doing,” she said, “and that I had a tool kit of professionalism that I was walking into the room with.”Months after graduating in 2019, she booked her big break, as Marian in “The Gilded Age.” For Fellowes, who created the series, the combination of Jacobson’s “charm and strong personality” immediately stood out.“I knew I wanted Marian Brook to be someone who seemed quite the perfect young woman from that period — mild, demure, rather easy to deal with,” Fellowes said in a recent phone conversation from London. “But, as the story unfurled, it would become clearer and clearer that she had, in fact, got an extremely strong will of her own.”Initially, Jacobson said, the learning curve was steep: She was intimidated by the veteran talent around her, Baranski in particular.“I’m the one who gave her a really hard time,” Baranski acknowledged. “I tend to stay in character between shots, and I think it was quite terrifying. I felt bad because I thought, ‘Oh, does she really think this is me?’”Also, Jacobson’s corset was too tight.“I finally said, ‘Can you breathe in that?’” Baranski said. “And she said, ‘No, I go home and I’m wracked in pain, and I’m having trouble sitting and I’m having trouble speaking.’“And I said, ‘Are you kidding? You loosen that corset.’” (Midway through the first season, Baranski said, she did.)At first, Jacobson said, she was also becoming trapped in her own head, overthinking things. That’s when Nixon, a veteran actress and director, stepped in with some advice.“Drama school really does a number on people,” she said in a recent phone conversation. “It takes a while to get that out of your system.”“So it was mostly like, ‘Try to stop worrying about getting there,’” she added, “‘and know that you’re there already.’”Jacobson has ambitions to do more theater and to direct, regardless of medium. “I just want to be happy and fulfilled,” she said. Sabrina Santiago for The New York TimesJacobson readily acknowledges that her upbringing has been “totally privileged in a lot of ways,” yet she still has to audition for every role, she said. At 5-foot-7, with dark brown hair (her character’s blond tresses are a wig) and her mother’s stunning cheekbones, she cuts a striking figure even on the streets of New York, but she is generally able to walk them unrecognized. During auditions, she wonders whether casting directors know whose daughter she is, but she tries to keep those thoughts in the back of her mind.“I try to stay focused on the work,” she said.Our final stop that afternoon was a Christopher Culver exhibition at a TriBeCa gallery, Chapter NY, directed by a childhood friend, Alison Dillulio, whom she has known since the fifth grade. As we examined the charcoal and pastel drawings, talk naturally turned to her sculptor father.“I got my love of art from my dad,” she said. “He would set up a still life on our kitchen table and we’d each draw it.”“Though,” she added, “His were always better than mine.”As pedigrees go, having such celebrated parents seems rather intimidating, but like her character Marian, Jacobson balances her ambitions with an independent spirit. She wants to do more stage work. (She recently acted with all three of her siblings for the first time in a reading of Chekhov’s “Three Sisters” at the Williamstown Theater Festival.) She also aims to direct, in whatever medium. (This summer she was the assistant director of a play by Maia Novi, “Invasive Species,” at the Tank, in Midtown.)But Jacobson also wants to follow another piece of Baranski’s advice: Live in the moment.“That’s always been the goal,” she said, after hugging Dillulio goodbye. The rain was pouring down, and she opened the door to the Uber that would whisk her back to Brooklyn.“I just want to be happy and fulfilled.” More