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    Golden Globes 2021: What to Watch For

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonHow to Watch the GlobesWhat to ExpectOur Movie PredictionsGolden Globe NomineesGolden Globes SuitAdvertisementContinue reading the main storySupported byContinue reading the main storyGolden Globes 2021: What to Watch ForThe Hollywood awards season starts in earnest with a socially distanced show that begins on Sunday at 8 p.m. Eastern. Streaming services are expected to dominate.Amanda Seyfried and Gary Oldman in “Mank,” about the making of “Citizen Kane.”Credit…NetflixFeb. 27, 2021, 5:00 p.m. ET More

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    Amazon Moves From Film Industry’s Margins to the Mainstream

    #masthead-section-label, #masthead-bar-one { display: none }At HomeWatch: ‘WandaVision’Travel: More SustainablyFreeze: Homemade TreatsCheck Out: Podcasters’ Favorite PodcastsAdvertisementContinue reading the main storySupported byContinue reading the main storyAmazon Moves From Film Industry’s Margins to the MainstreamWith several films competing for Golden Globes on Sunday and a number of high-priced movies coming this year, the streaming service has altered its reputation in Hollywood.“Borat Subsequent Moviefilm,” nominated for three Golden Globes, is one of several Amazon films competing on Sunday night. Credit…Amazon StudiosFeb. 26, 2021Updated 3:02 p.m. ETSacha Baron Cohen may have been going a little mad. It was August, the pandemic was raging, and his secret production had shut down. He was determined to reprise his role as Borat in a feature film designed to satirize the Trump administration ahead of the November election.But how?First he persuaded Universal Studios to allow him to shop his incomplete movie. Then he cobbled together an hour of footage. (The infamous scene with Rudolph W. Giuliani had yet to be filmed.) Hulu was interested. So was Netflix. But Amazon Studios was the one most committed to getting the movie out in time, no matter the cost.Amazon spent $80 million to acquire “Borat Subsequent Moviefilm,” a decision that incurred extra expenses because of Covid-19 protocols, test screenings in New Zealand — one of the few places in the world at the time where the company could gather a group of people in a dark movie theater — and a last-minute dash to incorporate all the gonzo footage before the film’s release on Oct. 23. (Mr. Cohen was cutting it close, still shooting three weeks before he had to deliver the movie.)“They broke every rule for us,” Mr. Cohen said in a phone interview. “There was a certain delivery schedule that they felt was necessary, and they halved that time. They realized the imperative of getting this out before the election. And they changed their procedures completely to help us do this. I’m really, really grateful.”Jennifer Salke, the head of Amazon Studios, is committed to spending upward of $100 million on a production if necessary.Credit…Rozette Rago for The New York TimesJennifer Salke, the head of Amazon Studios, is also grateful. When the Golden Globes air on Sunday, “Borat Subsequent Moviefilm” will be competing for three awards: best comedy or musical, best actor and best supporting actress (Maria Bakalova). Other Amazon acquisitions, including Regina King’s directorial debut, “One Night in Miami,” and “Sound of Metal,” starring Riz Ahmed, are also contending for prizes.Those accolades, coupled with the cultural impact “Borat” has enjoyed across the globe, have significantly altered the perception of Amazon Studios’ film division in Hollywood and among Amazon’s more than 150 million Prime subscribers. (The studio, which does not disclose viewer numbers, will say only that tens of millions of subscribers watched “Borat.”)Once a home for indie darlings such as “Manchester by the Sea” and “The Big Sick,” Amazon Prime Video is transforming itself into a place for commercial films with broad appeal that can travel internationally. It’s all part of Ms. Salke’s plan to turn Prime into a service people subscribe to for more than free shipping for their paper towels.“We had seen firsthand, when Amazon gets behind a piece of content, just how big the muscle is that they are capable of flexing,” said David Ellison, chief executive of Skydance Media and the producer of Amazon’s “Jack Ryan” series. He recently sold the films “Without Remorse” and “The Tomorrow War” to Amazon. “With ‘Borat,’ they showed they could do that with films, too.”Amazon has thrived in the last year, with profits increasing some 200 percent since the pandemic began. That success has extended to its film business. Like other streaming services, it has been able to snatch up big-budget, star-driven films that studios have been forced to shelve in response to the closing of movie theaters.Netflix, Apple, Disney+ and Hulu have all benefited from the studios’ woes, but Amazon has been one of the most aggressive in acquiring new movies.Michael B. Jordan has an overall content deal with Amazon that will allow him to explore areas like fashion, music and podcasts. Credit…Nadja Klier/Paramount PicturesIn September, Ms. Salke acquired “Without Remorse” — starring Michael B. Jordan and based on a Tom Clancy series — for $105 million. It will debut at the end of April. The next month, it paid $125 million for the rights to “Coming 2 America,” which will premiere next Friday. Eddie Murphy was initially hesitant about taking the sequel to his much-beloved film to Amazon, but Ms. Salke and others say he was reassured by the performance of “Borat.”In January, the company made its biggest bet yet, paying $200 million to acquire the Chris Pratt-led action film “The Tomorrow War,” which Paramount was set to release. It stands as Amazon’s largest financial commitment in acquiring a feature film. The company hopes to debut it on Prime Video this summer.“We don’t have a huge bench of big blockbuster movies in the works,” Ms. Salke said with a laugh. “So for us it was opportunistic to be able to lean into that.”With more players than ever joining the streaming fray (Paramount+, anyone?), the pace of delivering new content is an issue that every service worries about. Netflix threw down the gauntlet in January when it announced its 2021 strategy of delivering one new movie per week, which followed WarnerMedia’s announcement that all of Warner Bros.’s 2021 theatrical films will debut in theaters and on its HBO Max streaming service at the same time.With so much volume being offered by those two companies, along with Disney’s recent announcement that at least 80 percent of its 100 new projects will be earmarked for Disney+, the only way to compete is to go big.“It’s going to be really interesting over the next three years,” said Roeg Sutherland, one of the heads of media finance for Creative Artists Agency. “With platforms programming one new movie a week, this is fueling a competitive marketplace for high-end, independently financed films.”At the Sundance Film Festival last month, Apple paid a record $25 million for rights to the independent film “Coda.”Ms. Salke pushes back on the idea that her plans to broaden her offerings are a reaction to her competitors. Rather, she said, it’s the culmination of a strategy that began at the 2019 Sundance Film Festival, when as a newcomer to the film world she spent $46 million to acquire four films, including “Late Night” with Emma Thompson and Mindy Kaling, and the feel-good movie “Brittany Runs a Marathon.”Before joining Amazon, Ms. Salke spent her career in television, shepherding hits like “Modern Family” and “Glee” at 20th Century Fox and “This Is Us” at NBCUniversal. After her Sundance shopping spree, she was mocked by some film insiders as an out-of-touch television executive overspending to acquire niche movies.She was criticized for paying $13 million for “Late Night,” when it grossed $15.4 million at the box office. “Brittany Runs a Marathon” earned just $7 million. That commentary still seems to sting Ms. Salke, though she argues that she released the films theatrically only to appease the filmmakers. The movies’ real metric of success, she said, was how they played on the streaming service.Regina King on the set of “One Night in Miami” with Kingsley Ben-Adir. The actress turned director says she was amazed at how often she saw ads for her film while shopping on Amazon.Credit…Patti Perret/Amazon Studios, via Associated Press“Those movies all kept coming out as No. 1,” said Ms. Salke, referring to the films’ performances on Amazon Prime. “Every time we launched one, the next one would eclipse the next one. We were training our audience to know that we would have big original films that were more commercial on Prime Video. It’s a little bit of an ‘If you build it, they will come’ strategy.”But what happens to that plan once the pandemic is over and studios are no longer willing to sell their movies to streaming platforms?Amazon has some 34 films in various stages of production around the world, and Ms. Salke said the company was committed to spending upward of $100 million on a production if merited. (Amazon’s founder, Jeff Bezos, is stepping down as the company’s chief executive this year, but the studio isn’t expecting any big changes when Andy Jassy takes the reins.)The Culver City, Calif., complex is still being built, and, if anything, investment has increased. Ms. Salke points to Aaron Sorkin’s upcoming film about Lucy and Desi Arnaz, starring Nicole Kidman and Javier Bardem, as a potential hit. There’s also George Clooney’s film “The Tender Bar,” starring Ben Affleck, and an L.G.B.T.Q. romantic drama, “My Policeman,” featuring Harry Styles and Emma Corrin (“The Crown”).“The new news is that you will see us embrace some bigger projects going forward that are self-generated,” she said.In Ms. Salke’s mind, this was always the place where Amazon Film was going to land. And there is a newfound confidence to her outlook as she celebrates her third anniversary as the head of the studio. In addition to her recent acquisition spree, she has made overall content deals with Mr. Jordan and the actor and musician Donald Glover, which she says will reinforce her mission to burnish Amazon’s reputation as a talent-friendly place.With its healthy subscription base, Amazon is attracting those in Hollywood who are interested in the company’s global reach but also curious about the company’s other businesses that have the potential to expand a star’s brand beyond film and television.Mr. Jordan, for one, said his overall content deal would allow him to explore areas other studios couldn’t offer: specifically fashion, music and podcasts. His portrayal of the physical incarnation of Amazon’s Alexa during a Super Bowl ad was an example.And Ms. King got a kick out of just how pervasive Amazon’s marketing of her film was whenever she logged into the company’s e-commerce site.“When I’m on Amazon, buying doggy bags, and my film pops up at the top, that’s pretty amazing,” she said. “That’s like, wow! Every single day I am getting a text from someone who saw the movie that probably wouldn’t have seen it if it didn’t pop up in their shopping queue.”AdvertisementContinue reading the main story More

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    The Best Movies and TV Shows New to Netflix, Amazon and Stan in Australia in February

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Best Movies and TV Shows New to Netflix, Amazon and Stan in Australia in FebruaryOur streaming picks for February, including ‘Parks and Recreation,’ ‘News of the World’ and ‘Bliss.’‘Parks and Recreation’Credit…NetflixFeb. 1, 2021Every month, streaming services in Australia add a new batch of movies and TV shows to its library. Here are our picks for February.New to NetflixFEBRUARY 1‘Parks and Recreation’ Seasons 1-7With all the social and political unrest around the world, now is as good time as any to revisit this refreshingly optimistic sitcom. Set in the dysfunctional Middle American city of Pawnee, the show stars the very funny Amy Poehler as Leslie Knope, a midlevel bureaucrat who motivates a community of skeptics and kooks into making their town more livable. Though “Parks and Recreation” mostly focuses on the relationships between its cast of lovable eccentrics, it’s also about how good-hearted and determined civil servants can make a difference.FEBRUARY 2‘Kid Cosmic’Although the animated science-fiction/superhero series “Kid Cosmic” sprang from the mind (and the pen) of “The Powerpuff Girls” creator Craig McKracken, it looks and feels different from the work he’s done before. This is a more serialized adventure, featuring a group of misfits from a New Mexico desert town who rely on superpowered alien jewels to fight off invaders from outer space. “Kid Cosmic” has a remarkable design, with its loosely sketched lines and pale colors resembling fading old fantasy magazines and comic books.FEBRUARY 3‘Firefly Lane’Based on Kristin Hannah’s popular tear-jerker novel, “Firefly Lane” stars Katherine Heigl as a glamorous but lonely TV personality. Sarah Chalke plays her longtime best friend, whose own life as a wife and mother has recently been disrupted by divorce. The series frames these two women’s diverging situations as a kind of existential mystery. Frequent flashbacks to the characters’ teenage and young adult years allows viewers to make key connections between the troubles of the past and the anxieties of the present.‘Malcolm & Marie’Credit…NetflixFEBRUARY 5‘Malcolm & Marie’The writer-director Sam Levinson — best-known for the social satire “Assassination Nation” and the provocative teen drama series “Euphoria” — shot his intimate, two-character “Malcolm & Marie” during the pandemic. John David Washington and Zendaya play a bickering couple, airing their grievances over the course of one tense night. Levinson cenhances the stripped-down story by shooting his two striking-looking actors in handsome black-and-white, making a movie that echoes the low-budget psychodramas of the indie film pioneer John Cassavetes.FEBRUARY 10‘News of the World’How did it take so long to get Tom Hanks into a western? In “News of the World,” Hanks plays Captain Jefferson Kyle Kidd, a veteran of the U.S. Civil War, who in the 1870s ekes out a living riding from town to town, reading newspapers to the locals. Helena Zengel plays Johanna, a preteen kidnap victim whom Kidd tries to return to her family. Based on a Paulette Jiles novel, this film has an episodic structure, designed to lead viewers through a tour of a postwar America still deeply divided. Hanks is the sturdy anchor for a winding story.‘To All the Boys: Always and Forever’Credit…NetflixFEBRUARY 12‘To All the Boys: Always and Forever’In Netflix’s energetic and emotional movie adaptations of Jenny Han’s novel “To All the Boys I’ve Loved Before” and its two sequels, Lara Condor plays a lovestruck teenager named Lara Jean Covey, while Noah Centineo plays her college-bound crush Peter. Last year’s “P.S. I Still Love You” introduced some complications to the first film’s happy ending; and now the third and final part in the trilogy, “Always and Forever” tells the story of how Lara Jean and Peter handle an unexpectedly complicated transition from high school to college.FEBRUARY 19‘I Care a Lot’Don’t look for any sympathetic characters in J Blakeson’s “I Care a Lot,” a blackly comic neo-noir film in which two oddly charismatic creeps try to outwit one another. Rosamund Pike plays a high-class grifter, who exploits the systemic flaws in the elder-care industry to make money off the helpless. Peter Dinklage plays a drug kingpin living under an assumed name, who risks revealing himself when his mother (Dianne Wiest) gets caught up in the scam. Like Blakeson’s entertainingly nasty 2009 debut film “The Disappearance of Alice Creed,” this is a well-acted and twisty movie, made for audiences who enjoy watching clever folks be shamelessly awful.FEBRUARY 23‘Pelé’This documentary about the legendary Brazilian footballer Edson Arantes do Nascimento, known as Pelé, is focused primarily on his four World Cup appearances, from 1958 to 1970. Between those years, he went from being an unknown teen from a poor São Paulo neighborhood to becoming universally acknowledged as one of the best ever. The “Pelé” directors Ben Nicholas and David Tryhorn have a wealth of exciting footage of the man in action, but their film is just as much about how Brazil and the world changed during the 1960s.FEBRUARY 24‘Ginny & Georgia’Fans of “Gilmore Girls” should find a lot to like about “Ginny & Georgia,” a drama about a precociously mature teenage girl (Antonia Gentry) and her more free-spirited and libertine mother (Brianne Howey), who are both adjusting to a new life in a quaint New England town. In a reversal of the “Gilmore Girls” premise — where the mom was born of privilege and then fled to a more middle-class existence — in “Ginny & Georgia” the family has seen hard times and is now striving for something better. The core of the show remains the often shaky relationship between a strong-willed parent and her equally headstrong child.Also arriving: “Tiffany Haddish Presents: They Ready” Season 2 (February 2), “Black Beach” (February 3), “Hache” Season 2 (February 5), “Invisible City” (February 5), “The Last Paradiso” (February 5), “Little Big Women” (February 5), “Space Sweepers” (February 5), “Strip Down, Rise Up” (February 5), “Crime Scene: The Vanishing at the Cecil Hotel” (February 10), “The Misadventures of Heidi and Cokeman” (February 10), “Capitani” (February 11), “Red Dot” (February 11), “Squared Love” (February 11), “Buried by the Bernards” (February 12), “Nadiya Bakes” (February 12), “Xico’s Journey” (February 12), “Hello, Me!” (February 15), “Behind Her Eyes” (February 17), “Tribes of Europa” (February 19), “2067” (February 19), “Classmates Minus” (February 20), “High-Rise Invasion” (February 25), “Bigfoot Family” (February 26), “Caught by a Wave” (February 26), “Crazy About Her” (February 26).New to Stan‘Punky Brewster’Credit…StanFEBRUARY 3‘Race to Perfection’The archivists for Formula One auto racing have emptied out their vaults for this seven-part docu-series, which covers the past 70 years of the sport from multiple angles. Packed with original interviews and exciting vintage footage, “Race to Perfection” documents both the history and the evolution of various aspects of racing: from the advances in technology to the personalities of the drivers to some of F1’s most controversial incidents. It’s pitched at longtime fans and novices alike.FEBRUARY 5‘The Virtues’The writer-director Shane Meadows and the actor Stephen Graham are frequent collaborators, best known for their decade-spanning “This Is England” series. The pair reunites for the four-part mini-series “The Virtues,” a heavy drama about a man belatedly confronting childhood trauma. Graham plays an alcoholic whose life is in utter disarray when he returns home to reconnect with his estranged sister. The trip reminds him of incidents he’d long-suppressed, while also pushing him toward a woman (Niamh Algar) with issues of her own.FEBRUARY 12‘Clarice’This thriller series’s title character should be familiar to fans of either the novel or the movie “The Silence of the Lambs.” The show is set one year after the events of “Silence,” and follows the FBI agent Clarice Starling (Rebecca Breeds) as she tackles new cases. Expect a mix of short and longer narrative arcs, splitting the difference between a traditional TV procedural and the more novelistic serialized approach. But don’t expect any direct mention of the infamous serial killer Hannibal Lecter; the character’s rights are owned by a different production company.FEBRUARY 26‘Punky Brewster’In its original incarnation, the 1980s sitcom “Punky Brewster” starred Soleil Moon Frye as an abandoned child, taken in by a cranky old widower and raised with the help of some kindly neighbors and teachers. Frye returns for the revival, playing Punky now as a quirky divorced mother, who upends her family’s life when she considers become a foster parent to a kid a lot like herself. Some of the original cast members will appear, in a series that aims to charm and uplift.Also arriving: “Doll & Em” Seasons 1-2 (February 2), “The Pleasure Principle” (February 4), “The Green Mile” (February 9), “Hassel” (February 11), “Chasing Life” Seasons 1-2 (February 12), “Lucy” (February 12), “Ex Machina” (February 15), “United 93” (February 17), “Perfect Places” (February 18), “The First Team” (February 19), “Children of Men” (February 21), “Casino” (February 23), “Indian Summers” Seasons 1-3 (February 23), “Angel of Death” (February 25), “Scarface” (February 26), “American Gangster” (February 27).New to Amazon‘Bliss’Credit…AmazonFEBRUARY 5‘Bliss’Owen Wilson plays a lonely, hopeless man named Greg in the writer-director Mike Cahill’s haunting science-fiction drama “Bliss.” Greg is experiencing a run of bad luck when he meets Isabel (Salma Hayek), who persuades him that they’re both actually living in a computer simulation. Cahill makes both Greg’s dreary “real” world and Isabel’s more utopian version seem equally valid, leaving the audience wondering until the end whether she’s savvy or crazy. Along the way, he raises pointed questions about whether humans need some kind of misery in their lives to achieve happiness.‘Tell Me Your Secrets’The lives of three very different characters — a woman on the run (Lily Rabe), a desperate mother (Amy Brenneman), and a sexual predator (Hamish Linklater) — intersect in this mystery/suspense series. As a crime from the past draws this trio closer together, they each reveal secrets about themselves they would’ve rather kept hidden, while also learning more about their friends and neighbors than they may have wanted to know. “Tell Me Your Secrets” is about the lies and delusions that sustain some people; and about what happens when they’re finally told the truth.Also arriving: “The Map of Tiny Perfect Things” (February 12).AdvertisementContinue reading the main story More

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    The Best Movies and TV Shows Coming to Amazon, HBO Max, Hulu and More in February

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Best Movies and TV Shows Coming to Amazon, HBO Max, Hulu and More in FebruaryEvery month, streaming services add a new batch of titles to their libraries. Here are our picks for February.Jan. 31, 2021, 5:03 p.m. ETNote: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our twice-weekly Watching newsletter here.Waldorf, left, and Statler in a scene from “The Muppet Show.”Credit…DisneyNew to Disney+‘The Muppet Show’ Seasons 1-5Starts streaming: Feb. 19Fans of the puppeteer and filmmaker Jim Henson have been waiting a while for his TV series “The Muppet Show” — perhaps his most enduring masterpiece — to arrive on a subscription streaming service. For five seasons and 120 episodes between 1976 and 1981, Henson and his team of writers, craftspeople and performers brought joy and whimsy to the small screen, through the conceit of a low-rent variety show run by high-strung weirdos. From its catchy songs to its string of A-list guest hosts (including pretty much every big-name entertainer of the era), “The Muppet Show” helped define the popular culture of its time while always remaining family-friendly. The complete series has never been released on any home video format and isn’t currently running on any U.S. cable network, so this addition to Disney+ is a major event.Also arriving:Feb. 19“Flora & Ulysses”Feb. 26“Myth: A Frozen Tale”Salma Hayek and Owen Wilson in “Bliss.”Credit…Hilary Bronwyn Gayle/Amazon StudiosNew to Amazon‘Bliss’Starts streaming: Feb. 5In his films “Another Earth” and “I Origins,” the writer-director Mike Cahill has pondered big ideas — alternate universes, the existence of God — via muted character studies which skirt the edges of science fiction. In his latest movie, “Bliss,” Owen Wilson plays Greg, a mopey divorcé who is in the middle of one of the worst days of his life when he meets Isabel (Salma Hayek), a homeless eccentric who convinces him they are living in a computer simulation, controlled with the help of special crystals. Is she right? Or are Greg and Isabel both mentally ill drug addicts? Cahill keeps this question unanswered for as long as possible, while making both scenarios seem plausible. What results is a strange trip through multiple realities, moving at a faster pace than Cahill’s earlier films but still ultimately concerned with the existential angst of ordinary people.‘Tell Me Your Secrets’Starts streaming: Feb. 19The secrets in the title of the mystery/suspense series “Tell Me Your Secrets” are buried deep, and unearthed slowly over the course of the show’s 10-episode first season. Across multiple interwoven plotlines, the creator Harriet Warner follows three main characters: a woman in hiding (Lily Rabe), a mother (Amy Brenneman) doggedly fighting to find out what happened to her long-missing daughter and a psychopath (Hamish Linklater) offering his help to law enforcement to atone for old crimes. The sometimes surprising and often grim details of the connections between these people and the mistakes they are trying to make up for drive the narrative of a crime show that’s about how hard it is for the victims of violence and trauma to move on with their lives.Also arriving:Feb. 12“The Hunter’s Anthology”“The Map of Tiny Perfect Things”Feb. 19“The Boarding School: Las Cumbres”Andra Day, center, as Billie Holiday in “The United States vs. Billie Holiday.”Credit…Takashi Seida/Paramount Pictures/HuluNew to Hulu‘Nomadland’Starts streaming: Feb. 19Likely to be a strong contender at the Academy Awards this year, the slice-of-life drama “Nomadland” is a vivid and emotionally affecting depiction of a growing American subculture: people who live in mobile homes and roam the country, working a succession of seasonal jobs. Frances McDormand plays a recent widow who had worked most of her life at a plant that closed and who now has to adjust to living on the road, with the help of some fellow travelers who’ve turned their paycheck-to-paycheck circumstances into a quasi-communal lifestyle. The writer-director Chloé Zhao — loosely adapting Jessica Bruder’s nonfiction book — avoids big confrontations and heavy plotting, instead emphasizing the everyday stresses and unexpected wonders of a life on the edge.‘The United States vs. Billie Holiday’Starts streaming: Feb. 26The source material for the historical drama “The United States vs. Billie Holiday” sets it apart from a typical biopic. Instead of covering one person’s entire life, the director Lee Daniels and the screenwriter Suzan-Lori Parks have adapted passages from Johann Hari’s book-length exposé, “Chasing the Scream: The First and Last Days of the War on Drugs,” in which the author uses profiles of a few well-known addicts, including Billie Holiday, and dealers to critique the ways some governments have tackled the narcotics trade. The Grammy-nominated R&B singer Andra Day gives a bracing performance as the jazz legend Holiday, who so scandalized the establishment with the anti-lynching song “Strange Fruit” that — according to this raw and hard-hitting film — some reactionaries in the U.S. government conspired to use her drug habit to stifle her.Also arriving:Feb. 1“Possessor”Feb. 12“Into the Dark: Tentacles”Feb. 13“Hip Hop Uncovered”Feb. 25“Snowfall” Season 4A scene from “Earwig and the Witch” from Studio Ghibli.Credit…Studio Ghibli/HBO MaxNew to HBO Max‘The Investigation’Starts streaming: Feb. 1The accomplished Danish screenwriter and director Tobias Lindholm tackles a bizarre recent true-crime story in “The Investigation,” a six-part mini-series about what happened after the Swedish journalist Kim Wall’s dismembered corpse was found scattered around Koge Bay in Denmark in 2017. Lindholm doesn’t dramatize the incident itself, which eventually led to the arrest and conviction of the entrepreneur Peter Madsen, who had invited Wall to interview him on his submarine right before she went missing. Instead, he follows the two cops on the case (played by Soren Malling and Pilou Asbaek) as they doggedly pursue the gruesome clues, sacrificing their personal lives in the name of justice. “The Investigation” is a different kind of procedural, detailing how the time it takes to build a case weighs heavy on both the victim’s family and the detectives.‘Earwig and the Witch’Starts streaming: Feb. 5The animators at Japan’s venerable Studio Ghibli make their first foray into full computer animation with this adaptation of a novel by Diana Wynne Jones, whose book “Howl’s Moving Castle” was previously adapted by Ghibli’s co-founder Hayao Miyazaki. His son Goro directed “Earwig and the Witch,” the story of a plucky and bossy 10-year-old orphan adopted by a pair of curiously gruff adults who teach her more about her birth family’s history with rock ’n’ roll and the occult. Fans of the Miyazakis and Ghibli may balk initially at the look of this film, which is different from classics like “Spirited Away” and “Kiki’s Delivery Service.” But “Earwig” covers similar themes of spiritual wonder and youthful independence, and there’s something distinctive about Goro Miyazaki’s visual style, which is much simpler than Pixar’s fine detail.‘Judas and the Black Messiah’Starts streaming: Feb. 12In 1969, Fred Hampton — the chairman of the Illinois chapter of the Black Panther Party — was killed during a police raid on his Chicago apartment following an extended federal law enforcement campaign to tag him as a dangerous radical. In the political drama “Judas and the Black Messiah,” Daniel Kaluuya gives a knockout performance as Hampton and is matched scene-for-scene by Lakeith Stanfield as William O’Neal, a small-time crook recruited by the FBI to inform on the Panthers. The writer-director Shaka King and the co-writer Will Berson capture the revolutionary fervor of the times, subtly noting the parallels to today in the raging arguments about overzealous cops and systemic racism. The film focuses on Hampton’s complex, passionate and surprisingly open-armed political philosophies, as well as on the circumstances that forced a man who might otherwise have been a devout disciple to betray him.Also arriving:Feb. 2“Fake Famous”Feb. 4“Esme & Roy”“The Head”Feb. 18“It’s a Sin”Feb. 22“Beartown”Feb. 26“Tom & Jerry”AdvertisementContinue reading the main story More

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    Director of Amazon's 'Tandav' Cuts Scenes After Pressure From India's Hindu Nationalists

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyDirector of Amazon India Drama Cuts Scenes Amid Outcry From Hindu NationalistsFaced with boycotts and criminal complaints, the director of “Tandav” made the edits this week. But that did not appear to satisfy some of the show’s critics, who called for him to be jailed.Supporters of India’s governing Bharatiya Janata Party demonstrated against the Amazon series “Tandav” on Monday in Mumbai.Credit…Indranil Mukherjee/Agence France-Presse — Getty ImagesSuhasini Raj and Jan. 22, 2021Updated 2:20 p.m. ETARPORA, India — The director of a big-budget Amazon web series has bowed to pressure from Hindu nationalists and cut several scenes that they had deemed offensive, demonstrating the sway of a powerful political movement that strives to reshape Indian society.Ali Abbas Zafar, the director of “Tandav,” a gritty political drama, made the edits amid an intensifying outcry about the show and calls for a boycott.Hindu nationalists, including members of the governing Bharatiya Janata Party, or B.J.P., have accused Mr. Zafar of insulting Hindu deities and stirring up animosity between Hindus and Muslims and between upper castes and lower castes.Mr. Zafar said on Twitter on Tuesday that the show’s cast and crew had decided to “implement changes to address the concerns raised,” and since then, several scenes have been excised. But on Friday, some critics continued to drum up opposition, calling for Mr. Zafar to be put in jail.Officials at Amazon Prime declined to comment.The creators of “Tandav” have been caught up in the sweeping political and social changes in India driven by a Hindu nationalist movement. Led by Prime Minister Narendra Modi, who has shouldered aside significant opposition, the movement champions India as a Hindu nation that pushes other groups, including its significant Muslim minority, to the margins.The pressure has extended into culture. In recent years, Hindu nationalists have heavily criticized Bollywood, the central Indian filmmaking industry, for depictions that run counter to their beliefs.Among the cuts made to “Tandav” was a scene in which a university student is seen playing a cursing Lord Shiva, a Hindu god, on a stage. In another scene that was taken out, a fictionalized prime minister speaks derisively to a member of a lower caste.But on Friday, Ram Kadam, a B.J.P. state lawmaker who had filed a criminal complaint against the show’s creators, said the edits were not enough.“This is a fight against the type of people who hurt the religious sentiments of Hindus,” he said. “They must go behind bars.”At least three criminal complaints have been filed, including one that accuses the show of promoting hatred between different religions, a serious crime in India. Already investigators in Uttar Pradesh State, run by one of Mr. Modi’s closest allies, have summoned Mr. Zafar to speak to them.But the true reason for the complaints against “Tandav” may be that the show holds up a mirror uncomfortably close to Indian society and some of the problems blamed on Mr. Modi’s administration. In the opening episode, the show features protesting students and disgruntled farmers, echoing events that have taken place in recent months. (Mr. Zafar has said the show is a work of fiction.)”Tandav” is just one of many recent productions that have provoked the ire of Hindu nationalists. A journalist filed a criminal complaint this week against the makers of “Mirzapur,” another Amazon web series and the name of a midsize town in northern India. The journalist said the series hurt religious and regional sentiments and defamed the town.In recent months, similar pressure has been exerted on Netflix. Several of the platform’s productions have come under attack, including a show that featured a Hindu woman kissing a Muslim man, with a Hindu temple in the backdrop, which Hindus denounced as offensive to their beliefs. Hindu nationalists have tried to shut down interfaith marriages, and recent laws in several of India’s states have targeted interfaith couples.Gaurav Tiwari, an official in the youth wing of the B.J.P. who has filed a complaint against Netflix officials, said the government needed to protect the public from what he described as vulgar and anti-Hindu content. “People have been murdered for cartoons in other religions, and look at what is happening with ours,” Mr. Tiwari said. “If this continues unabated, what will the future generations of Hindus look back on when they see movies like these?”Mr. Tiwari called for the strictest form of punishments against Netflix and Amazon, including banning them from India for a few years.Entertainment industry analysts said the restrictive environment meant that many filmmakers were now shying away from subjects that touched on religion or politics.“This is exactly what this government wants,” said Ankur Pathak, a former entertainment editor at Huffington Post India. “It’s very clear this kind of bullying of streaming platforms is a broader ideological project of the B.J.P. to wipe out any kind of ideological or political critique.”“The internet is the only free form of medium which exists against the present political regime,” he added. “And that makes them very anxious.”Suhasini Raj reported from Arpora, and Jeffrey Gettleman from New Delhi.AdvertisementContinue reading the main story More

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    Six Great Movies About Presidents

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storySix Great Movies About PresidentsIf you’re looking for some escapism, these films are a good reminder that democracy works.Daniel Day-Lewis took an Oscar-winning turn as President Abraham Lincoln in the 2012 film “Lincoln.”Credit…DreamWorks Pictures and 20th Century FoxJan. 16, 2021When a new president is inaugurated, it’s traditionally an occasion for pageantry and pomp, showcasing the splendor of Washington and reminding the country and the world of the United States’ democratic promise: that power ultimately rests in the will of the people. As we head into these ceremonies next week, it’s a good time to let these movies remind us that the mechanisms of American politics and the institution of the presidency — at their best and worst — have endured for centuries.These six entertaining films are about real and fictional presidents, and are set against the backdrop and complicated culture of our nation’s capital.‘Lincoln’The director Steven Spielberg and the screenwriter Tony Kushner take an unusual approach to telling the story of one of America’s most beloved presidents, focusing mostly on the first months of Abraham Lincoln’s second term, when he cajoled a reluctant Congress into passing a constitutional amendment to abolish slavery. Daniel Day-Lewis gives an Oscar-winning performance as Lincoln, capturing the man’s gentle good humor and shrewd — sometimes ruthless — political instincts. The “Lincoln” creative team make the figures from history books look and feel like real people, with complex personalities and motives.Watch it on Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]‘Thirteen Days’The title of this film refers to the 1962 Cuban Missile Crisis, when the Soviet deployment of nuclear weapons not far from the Florida coast pitted John F. Kennedy and his inner circle against both the Russians and their own Joint Chiefs of Staff. The outcome of this story is well-known. (Spoiler alert: The missiles were removed and a potential catastrophe was averted.) But the director Roger Donaldson and the screenwriter David Self still successfully dramatize the tension and paranoia brewing when Kennedy (Bruce Greenwood), his brother Robert (Steven Culp) and his adviser Kenneth O’Donnell (Kevin Costner) scrambled to out-negotiate their rivals.Watch it on Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]‘Seven Days in May’The characters in this jittery 1964 thriller are fictional, but the situation — particularly of late — feels all too real. Kirk Douglas plays a Marine colonel who suspects that a hawkish Air Force general (Burt Lancaster) is organizing a coup against a pacifist president (Frederic March). The director John Frankenheimer (who two years earlier made the similarly pulse-pounding “The Manchurian Candidate”) and the screenwriter Rod Serling adapt a novel by Charles W. Bailey II and Fletcher Knebel into an offbeat war movie, where the soldiers fight in boardrooms instead of battlefields, attacking using clandestine meetings and phone calls.Watch it on Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]‘All the President’s Men’Richard Nixon is at the center of this newspaper drama, even though he mostly stays offscreen. Based on Carl Bernstein’s and Bob Woodward’s account of how they investigated the Watergate scandal for The Washington Post, this film conveys the day-to-day business of gossip, leaks and social networking in the nation’s capital. But it’s also a rousing story about how citizens and journalists can serve as a check on the executive branch, whenever presidents and their staff start imperiously ignoring or bulldozing over federal laws.Watch it on HBO Max, Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]‘Dave’One big appeal of movies about presidents is the chance to see how the leader of the free world lives. In this 1993 comedy “Dave,” Kevin Kline plays an ordinary guy who looks just like the president. When the White House staff asks him to pose as POTUS while the real one recovers from a stroke, Dave soon finds himself embroiled in a plot involving scandal, chicanery and romance. What makes this picture so delightful is Kline’s endearingly upbeat performance as someone who genuinely enjoys the privileges of the presidency — from the perks of the White House to the power to improve people’s lives.Watch it on Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]‘The American President’The screenwriter Aaron Sorkin has a knack for creating charismatic and inspiring politicians, as seen in his hit TV series, “The West Wing.” In this 1995 romantic drama, Michael Douglas plays the title character, a Bill Clinton-like centrist Democrat prone to push for popular legislation rather than taking controversial stands. Sorkin’s story (directed by Rob Reiner) is mostly about the widowed president’s love affair with an environmental lobbyist played by Annette Bening. But the movie also imagines an idealized Washington, where the right speech at the right time can change minds and perhaps save a nation.Watch it on Netflix, Amazon Prime, Apple TV, Google Play, Vudu, YouTube[Read The New York Times review.]AdvertisementContinue reading the main story More

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    The Best Movies and TV Shows New to Netflix, Amazon and Stan in Australia in January

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Best Movies and TV Shows New to Netflix, Amazon and Stan in Australia in JanuaryOur streaming picks for January, including ‘Cobra Kai,’ ‘Bump’ and ‘One Night in Miami …’‘Cobra Kai’ Season 3Credit…NetflixJan. 6, 2021Every month, streaming services in Australia add a new batch of movies and TV shows to its library. Here are our picks for January.New to NetflixJANUARY 1‘Cobra Kai’ Season 3The second season of this fast-paced, nostalgia-spiked martial arts melodrama ended in a big brawl, leaving some of the show’s feuding characters nursing their wounds while others were left to deal with the consequences from the authorities. Season three picks up in the immediate aftermath of the melee, and continues to focus primarily on how all this trouble affects the lives of the series’ two main adults: Daniel (Ralph Macchio) and Johnny (William Zabka), from the 1984 movie “The Karate Kid.” As always, “Cobra Kai” balances action and angst with just a touch of tongue-in-cheek self-awareness.JANUARY 5‘History of Swear Words’Nicolas Cage brings his weirdo charisma to this fun docu-series, which delivers exactly what it promises: compact lessons in the history and etymology of our most popular profanities. Cage’s host segments and narration fill the gaps between the whimsical animated interludes and the interviews, which feature both insights from knowledgeable scholars and comments by foul-mouthed comedians. While the tone of “History of Swear Words” is goofy, the content is genuinely informative.JANUARY 7‘Pieces of a Woman’Reminiscent of other gripping “everything falls apart” dramas like “Uncut Gems” and “Marriage Story,” the at-times unbearably intense “Pieces of a Woman” stars Vanessa Kirby as an expectant mother who endures a nightmarish labor, followed by a long legal battle that tests her values and exposes the fragility of her personal relationships. An outstanding cast — which includes Molly Parker and Ellen Burstyn — brings some spark to a story that has very few moments of brightness or hope. The writer-director team of Kornél Mundruczó and Kata Wéber want audiences to live through something terrible, and to learn something from their characters’ worst experiences.‘Pretend It’s a City’Credit…NetflixJANUARY 8‘Pretend It’s a City’The director Martin Scorsese and his crew turn their cameras on the outspoken New York humorist Fran Lebowitz, and then just let her riff at length about the past, present and future of human existence. Scorsese and Lebowitz collaborated previously on the feature-length documentary “Public Speaking,” about her life and career as a writer and raconteur. But the docu-series “Pretend It’s a City” is much less formal. It’s more of an extended hangout session, edited together from different interviews and public appearances, shot all around the city — New York — that these two love the most.JANUARY 11‘Crack: Cocaine, Corruption & Conspiracy’In the 1980s, some enterprising drug traffickers figured out how to convert the high-end luxury narcotic cocaine into a form that was cheaper, more potent, and easier to mass produce. Almost overnight, crack began devastating Black communities across America, raising alarm in the media and giving a few Reagan-era politicians new ways to terrify their constituents. In Stanley Nelson’s fascinating documentary “Crack: Cocaine, Corruption & Conspiracy,” the filmmaker reflects on the origins of the epidemic, considering the many ways powerful people used it to exploit the vulnerable.JANUARY 13‘Night Stalker: The Hunt for a Serial Killer’During a booming economic era for Los Angeles in the mid 1980s, the city was terrorized by a serial rapist and murderer dubbed “the Night Stalker.” In the chilling four-part docu-series “Night Stalker: The Hunt for a Serial Killer,” some of the people involved in hunting down this criminal — eventually identified as Richard Ramirez — talk about the stress of the pursuit, and how difficult it was to catch a man whose pattern of behavior defied logic. What emerges from this story is a study of someone who seemed drawn to evil for its own sake, as the ultimate way of disturbing the peace.JANUARY 15‘Disenchantment’ Part 3The two-part, 20-episode first season of the animated fantasy spoof “Disenchantment” introduced the story of an unconventional princess nicknamed “Bean” (voiced by Abbi Jacobson), who’d rather have rowdy drunken adventures than marry some drippy prince. As the second two-part season begins, Bean’s wild wanderings around the kingdom have caused major problems for her family, provoking a crisis. The show’s creative team (led by “The Simpsons” and “Futurama” creator Matt Groening) clearly have fun riffing on the trappings of sword-and-sorcery sagas; but all the while they’ve been making a pretty good one of their own, with a story that gets more involving with each new batch of episodes.Also arriving: “Headspace Guide to Meditation” (January 1), “The Minimalists: Less Is Now” (January 1), “Nailed It! Mexico” Season 3 (January 5), “Surviving Death” (January 6), “Tony Parker: The Final Shot” (January 6), “Charming” (January 8), “The Idhun Chronicles” Part 2 (January 8), “Lupin” (January 8), “Stuck Apart” (January 8), “Bling Empire” (January 15), “Double Dad” (January 15), “Outside the Wire” (January 15), “Daughter from Another Mother” (January 20), “Spycraft” (January 20), “Call My Agent!” Season 4 (January 21), “Blown Away” Season 2 (January 22), “Busted!” Season 3 (January 22), “Fate: The Winx Saga” (January 22), “The White Tiger” (January 22), “The Dig” (January 29), “Finding ‘Ohana” (January 29), “We Are: The Brooklyn Saints” (January 29).New to Stan‘Bump’Credit…StanJANUARY 1‘Bump’In the high school dramedy “Bump,” Nathalie Morris plays Oly, a gifted Sydney teenager whose plans for her future are upended when one day she goes into labor and has a baby before any of her family members or classmates even realized she was pregnant. This situation is ripe for farce or for social satire, but here it’s played more for poignancy, as the grown-ups in Oly’s life realize they don’t know much about her — or her fellow teens, for that matter.‘Gossip Girl’ Seasons 1-6When “Gossip Girl” debuted in 2007, its twisty story of romance and betrayal among wealthy young New Yorkers became a sensation. When the co-creators Josh Schwartz and Stephanie Savage wrapped the show after six seasons, it had become hugely influential on the tone and style of high school melodramas that followed. These 121 episodes are filled with enough intrigue and emotion to overshadow a dozen imitators.‘The Watch’ Season 1Based on the beloved Terry Pratchett fantasy fiction series “Discworld,” this off-kilter police procedural is set in a futuristic city on another planet, where — in Pratchett’s books at least — multiple varieties of genre fiction and classical literature converge. The TV version strips away some of the elements of parody and homage, aiming for something more like a familiar serialized cop show, liberally spiked with anarchic zaniness. Pratchett fans may be disappointed that “The Watch” isn’t a more straightforward adaptation of the books, but newcomers might appreciate the show on its own kooky terms.‘Search Party’ Season 4Credit…StanJANUARY 14‘Search Party’ Season 4It’s hard to believe that this increasingly unclassifiable series started out as a darkly comic mystery, about a group of self-absorbed young New York pals who make a succession of terrible choices while acting as amateur detectives, investigating an acquaintance’s disappearance. As “Search Party” begins its fourth season, it’s become much deeper and heavier than it once was, with story lines that involve murder, kidnapping and courtroom drama. The one constant throughout has been the remarkable lead performance of Alia Shawkat, playing a woman whose simple boredom and disaffection have led her to serious trouble.JANUARY 15‘Survivor’s Remorse’ Seasons 1-4One of the best sitcoms of the 2010s — although it failed to draw much support from viewers or critics during its four years on the air — “Survivor’s Remorse” is about the pressures facing a young basketball star after signing his first big professional contract. The show’s creator Mike O’Malley finds plenty of humor in the culture clash that ensues when a family that used to eke out a living suddenly has millions of dollars to throw around. But this series is also impressively cleareyed about how hard it is for a promising Black athlete to find his voice when his fans would rather he shut up and play ball.JANUARY 23‘Britannia’ Season 1A sense of ancient history as an inherently alien landscape charges up “Britannia,” an action-packed drama set in the first century A.D., during the time when the Romans tried to extend their empire to the British Isles. The show contains all the sex and violence common to similar adventure series, combined with some historical inquiry into the moment when two very old civilizations pitted their strengths — and their belief systems — against one another.Also arriving: “Arrival” (January 1), “Gossip Girl” Seasons 1-6 (January 1), “8 Mile” (January 2), “Babe” (January 3), “Babe: Pig in the City” (January 3), “The Hateful Eight” (January 6), “Zoey’s Extraordinary Playlist” Season 2 (January 6), “Inglourious Basterds” (January 9).New to Amazon‘One Night in Miami…’Credit…Amazon StudiosJANUARY 15‘One Night in Miami …’The premise of Kemp Powers’ play “One Night in Miami …” goes like this: In 1964, not long after the boxer Muhammad Ali beat Sonny Liston to become the heavyweight champion, he met with his spiritual adviser Malcolm X and two of their equally famous friends — the singer Sam Cooke and the NFL star Jim Brown — in a motel room, where they talked about what they’d already accomplished and what they could do going forward to inspire Black Americans. Or at least that’s which extrapolates from these four men’s real history and friendship to imagine what their conversations must’ve been like. The director Regina King’s film version of the play is as fascinating as the idea behind it, and is brought to life by a stellar cast: Leslie Odom Jr. (Cooke), Aldis Hodge (Brown), Kingsley Ben-Adir (Malcolm) and Eli Goree (Ali).Also arriving: “Tandav” (January 15), “Jessy and Nessy” (January 22).AdvertisementContinue reading the main story More

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    When Is a Comedy Special Also a Corporate Synergy Message?

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyOn ComedyWhen Is a Comedy Special Also a Corporate Synergy Message?Two year-end shows from Amazon and Netflix deliver some laughs, yes, but also serve as veiled ads for the streaming services themselves.Samuel L. Jackson in “Death to 2020,” a new Netflix comedy special.Credit…Saeed Adyani/NetflixDec. 30, 2020, 11:00 a.m. ETAt the start of “Death to 2020,” a reporter played by Samuel L. Jackson sits alone in an abandoned office listening to a disembodied voice explain he’s looking back at the past year. “Why would you want to do that?” Jackson responds, with an additional curse for emphasis.The question haunts the next hour. One reasonable answer is that hearing Samuel L. Jackson swear is one of the finest pleasures in popular culture. Another: Where else are you going to go for some new jokes by famous people right now? The last week of the year is traditionally rich with live comedy events, but the pandemic has sidelined beloved annual shows from Sandra Bernhard and Dave Attell. Two streaming services have tried to fill the void by creating their own new genre. With talent-rich one-off specials, “Death to 2020” (on Netflix) and “Yearly Departed” (on Amazon) are comedy’s answer to journalism’s year-end lists.“Death,” slickly produced by Charlie Brooker and Annabel Jones, the pair behind “Black Mirror,” is a fake documentary starring a fantasy team of actors, while “Yearly,” a more stripped-down affair hosted by Phoebe Robinson, imagines a funeral for things lost in 2020 attended by a cast of superb female comics. But both conceits are essentially thin pretexts to throw a bunch of jokes together recapping recent news under socially distanced conditions. Some of the bits are solid, others aren’t. But they never add up to more than fine diversions.“Death to 2020,” which lists no fewer than 18 writers, presents an array of talking heads, all caricatures, quipping about a highlight reel of news events: Tom Hanks getting Covid-19, Trump talking about injecting bleach, Biden in the basement and more of the greatest hits. There isn’t a strong perspective here outside of ugh, this year, can you believe it? And there’s fun to be had with these performances, including Hugh Grant playing a foppishly pretentious academic with impeccable condescension.Phoebe Robinson is the host of “Yearly Departed,” on Amazon.Credit…Nicole Wilder/Amazon StudiosGrant, who has aged into a masterful player of villains, always begins in seriousness before veering into dumb absurdity. Describing the fires that ravaged many parts of the world early in the year, he states: “It left these areas utterly inhospitable,” before pausing for the punchline: “Even to Australians.” Then there’s: “People think democracy is permanent and unchanging,” he says. “In truth, it’s something you must perpetually nurture like a woman. Or a professional grudge.”Many of the actors don’t play new characters so much as version of ones that have been popular elsewhere. As Dr. Maggie Gravel, Leslie Jones alternates between abrupt rage and pleading lustfulness. And in a turn that will delight fans of “The Comeback,” Lisa Kudrow turns a pathologically lying White House aide into hilarious cringe comedy.My favorite is Cristin Milioti’s Kathy Flowers, the ultimate Karen, whose series of monologues add up to the closest thing to a fleshed-out character arc here, starting in placid suburban normalcy before the internet radicalizes her, shifting into eye-bursting, conspiratorial madness. It’s silly sketch comedy performed with the commitment of an elite actor. More often in this special, the joke takes precedence over character, and the monologues have the feel of a collection of punch lines doled out like cards at a table.“Yearly Departed” also looks back in anguish, but instead of actors playing types, standup comics act as eulogists, taking turns at a lectern to pay their respects. Tiffany Haddish bids farewell to casual sex, and Natasha Rothwell speaks about giving up on “TV cops.” Everyone appears to be together, watching each other, but they were all filmed separately and cut together with reaction shots. The resulting feel is oddly uncanny.Not only are there seasoned stars like Sarah Silverman, but they mix in some new breakouts like Ziwe Fumudoh and up-and comers like Patti Harrison, who delivers one of the funniest, most acutely observed eulogies on the obsolescence of “rich girl Instagram influencers.” With mock poignancy, she asks: “Who could forget your surface-level love for photography, which you tried to get people to call ‘memory remembering,’ a term you coined.”The guest “eulogists” include Patti Harrison mourning the loss of “rich girl Instagram influencers.”Credit…Nicole Wilder/Amazon StudiosThe comic Natasha Leggero has a sharp set on the death of her desire to have kids, where she speaks for many parents during the pandemic saying: “I love my daughter, but I love her in the same way I love LSD. In microdoses.”Along with the stand-ups, some actors made cameos including Sterling K. Brown, laying on the floor to illustrate the span of six feet, along with Rachel Brosnahan, perhaps to remind you that “The Marvelous Mrs. Maisel” can be seen on Amazon. Her flat set about the death of pants is a reminder that playing a stand-up is not the same as being one. “Yearly” is hit or miss, but so are most stand-up sets at clubs, and by showing us a well-curated collection of female talent, there were more good jokes than in “Death to 2020.” And fewer stale ones.And yet watching both these shows repeatedly bemoan the miseries of the past year, I couldn’t help but think how the streaming services producing them actually did very well. Just as the pandemic has disproportionately hurt marginalized and disadvantaged groups, it has devastated small theaters and clubs while benefiting digital behemoths.That Jeff Bezos made $90 billion during the pandemic goes unmentioned on Amazon’s “Yearly Departed.” And while the script for “Death to 2020” points out how people stuck at home during lockdown spent more time on Netflix, name-dropping the reality shows “Love Is Blind” and “Floor Is Lava” amid the tragic news events makes you wonder if this was self-mocking comedy or corporate synergy? Spoiler alert: It’s both.In our ever more consolidated culture, where product placement is the norm and only a few companies produce the vast majority of large-scale entertainment, Netflix covers all the bases, pumping out escapist content for an audience stuck at home, then poking fun at themselves for doing it. “Death to 2020” was billed as a departure for the creators of “Black Mirror,” a comedy instead of a haunting vision of technology gone awry. And yet, seen from a different angle, it might be their darkest dystopian production yet.AdvertisementContinue reading the main story More