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      How ‘Last One Laughing’ Took Over (Most of) the World

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      “Last One Laughing,” an Amazon Prime show in which contestants try not to crack up, has spawned spinoffs in more than a dozen countries — though not the United States.In early 2016, James Farrell, then the head of content at Amazon Studios for Japan, was looking for original programming that could help the streamer gain a foothold in the region.After months of searching, Farrell recalled recently, he was open to any concept, no matter how strange or unconventional. Then, over a late night dinner, one of the country’s most prominent comedians, Hitoshi Matsumoto, suggested an idea to Farrell that he said the Japanese networks had never let him do: Ten comedians gather in a room and try to make each other laugh. The last one to keep a straight face wins.It might not sound like much. But Farrell, who is now a vice president at Amazon Studios, based in Los Angeles, thought “‘That’s it. That’s the one,’” he said. “I was so certain that this was the monster I was looking for.”The resulting program, a four-episode, roughly three-hour comedy game show called “Hitoshi Matsumoto Presents: Documental,” quickly became one of the most popular shows on Prime Video in Japan, producing a rabid fan base and 13 seasons over the past eight years.Hitoshi Matsumoto pitched “Documental” to James Farrell, then the head of content at Amazon Studios for Japan, in 2016. The show spawned 13 seasons and many spinoffs around the globe.Sports Nippon/Getty ImagesIt also launched a sprawling international franchise, with local versions in more than a dozen territories around the world. Rebranded abroad as “LOL: Last One Laughing,” the format remains almost exactly as Matsumoto first pitched it, with each version drawing contestants from the country’s top comedians and comedy actors. It now has iterations in Italy, Mexico, Spain, France, Canada (both in French and in English), Denmark, Colombia and more — each of which, almost without exception, has found an enthusiastic audience in its country of origin.“On paper, the idea of people not laughing for however many hours doesn’t sound like it’s going to be entertaining,” said the comedian Graham Norton, the host of an Irish version of “LOL” that premieres Friday. “And yet when you watch it, you realize that it is fun — it is oddly entertaining.”The comedy antics — some prepared, some improvised — are often amusing. But it’s the contestants’ strained efforts to suppress their laughter that is really compelling. They moan and scream; their faces cramp and contort wildly. There’s an air of frenzied desperation. “I think of it almost like a psychological experiment, a human experiment,” said the actress Anke Engelke, who has starred on “LOL Germany.” “It’s an intense experience.”Juan Carlos Nava and Juan Carlos Casasola in “Last One Laughing Mexico.”Amazon StudiosThe cast of “Last One Laughing Canada.”Alex Urosevic/Prime VideoIn its early days, the franchise’s success didn’t seem guaranteed. Even after the runaway success of “Documental,” Farrell and his colleagues had a hard time persuading producers in other territories to take a chance on the format. Part of the problem was the Japanese version’s style of humor, which skewed ribald and scatological: Some of the contestants stripped nude to make their competitors crack up, and the gags could sometimes get outrageously suggestive. “I’d show it to other countries,” Farrell said, “and they’d be like, ‘Uh, we don’t have to get naked, right?’”Michael Bully Herbig, a German comedian who hosts “LOL Germany,” was put off immediately. “I thought it was too weird,” he said. The show’s German production company, Constantin Entertainment, convinced Herbig that theirs would be a more family-friendly version. He ultimately agreed, in large part, because he assumed “LOL Germany” would be a niche show: “I said, you know what? Let’s try it. Nobody will ever see it anyway,” he said.Instead, it became the most-streamed series on Amazon Prime Video in Germany, spanning four seasons and a Christmas special, and was recently nominated for an International Emmy Award. “Nobody could have ever imagined how successful this would be,” Herbig said. “It’s the best job I ever had.”Michael Bully Herbig, center back, with the cast of the third season of Germany’s “Last One Laughing.” The show is on its fourth season, despite the host Herbig’s fear it would be “too weird.”Frank Zauritz/Prime Video“LOL Germany” is made by Germans for Germans, and despite its Emmy nomination it has not found an audience elsewhere: pretty much the only people watching “LOL Germany” outside of the country, according to Farrell, are Germans living abroad. That’s been the true of each version of the show. “LOL France” is a hit among French viewers; “LOL Mexico” is adored in Mexico and Mexico alone. It is specific, highly localized content, entirely by design.Pretty much the only place “Last One Laughing” is not a hit is the United States. Prime Video’s American programming teams, Farrell said, are responsible for big-budget spectacles such as “Reacher,” “The Rings of Power” and “The Boys” — broad, widely accessible action and fantasy blockbusters which draw audiences across the world.“But for the price of one of those big U.S. shows, I can make 20 versions of ‘LOL,’ and in aggregate those 20 ‘LOL’s will do as well as any of the big tent-poles,” Farrell said. According to Amazon, the third season of “LOL France” had the biggest day-one launch ever on Prime Video, and “LOL Italy” is its most watched Italian show.From left: Estevam Nabote, Thiago Ventura and Nany People in “LOL: Se Rir, Já Era!” the show’s Brazilian version.Reproducao/Prime VideoBasketmouth, the host of the Nigerian spinoff of “LOL.”Amazon StudiosThat allows “LOL” the freedom to lean in to cultural specificity. The Japanese version had its over-the-top raunchiness; the Germans are milder and more PG. Though the format never changes, each version, owing to the national character of the humor, feels unique.“One of the things I enjoy about the show is that they didn’t try to make it bland, or international,” like so much of contemporary TV, Norton said. “The Irish version “is so Irish,” he said. “Lots of the references in the show are deep-dive Irish references, things that a U.K. audience wouldn’t even understand.” (A possible British version has been rumored, though not confirmed.)Not every iteration of “LOL” has been a resounding success: The Australian, Hindi and Tamil versions only had one season apiece. But because “LOL” is so inexpensive and quick to produce (it takes about a day and a half to shoot a series), and because it features a group of famous comedians, “it’s always going to do at least OK,” Farrell said.“It isn’t something that can really bomb,” he added. “The floor is really high.” More

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      What Your Favorite Streaming Services Will Cost You in 2024

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      Amazon will start showing ads to some Prime Video subscribers who pay less. They’re not alone.If you were planning on watching the final season of “Jack Ryan” or eight seasons of “House” without commercials on Amazon Prime next year, get ready to dig a little deeper into your pockets.In September, Amazon announced it would soon add advertisements to Prime Video, its streaming service, and this week announced when that change would go into effect: Jan 29. Customers wanting to avoid the ads would have to pay an extra $2.99 a month.Less than a decade ago, the streaming era took off on the promise of letting users cut the cord from expensive cable bills and enjoy a blissful ad-free viewing experience. But as we enter 2024, Amazon isn’t the only service bringing back ads or driving prices higher.Studios and streaming companies that make all this entertainment say they are struggling, and that it’s getting increasingly hard to attract new customers. The result is higher prices, or plans that are cheaper but include ads.There are also other measures. This fall, Netflix announced a price hike and said it would start clamping down on users who share their passwords with people outside of their households for free.To help you make a choice for the new year, here’s what some of the main streaming services will cost and what they will offer. (All prices are in U.S. dollars and apply to U.S. accounts.)Amazon Prime VideoAmazon executives have said that including the video service helped keep people subscribed to its Prime memberships, which include free shipping.In 2022, the company completed its purchase of Metro-Goldwyn-Mayer — and, crucially, its extensive catalog of movies and television shows, including titles like James Bond, which is available on Prime Video.The current price for an Amazon Prime membership is $14.99 a month (or $139 per year). Prime Video by itself is $8.99 a month. For ad-free viewing, Amazon will add $2.99 per month to your bill starting Jan. 29. And careful: If you opt into a free trial, Amazon will automatically start charging you after it ends.John Turturro in “Severance” on Apple TV+.Wilson Webb/Apple TV+, via Associated PressApple TV+In 2019, Apple announced that it would start creating its own television shows and movies at an extremely star-studded event in California. The streaming service offers Apple originals — “Severance” and “Ted Lasso” — and a subscription can be shared with up to five people. There are no ads.A monthly subscription for the streaming service costs $9.99. Apple also offers three free months when you buy one of their devices.Disney+For $7.99 a month, subscribers get content with ads. For $13.99 a month (or $139.99 a year) you can stream Disney+ without ads and download content for when you’re offline.Its offerings include Pixar and Disney movies as well as “Star Wars” and Marvel movies and TV shows, 34 seasons of “The Simpsons” and about 7,500 episodes of old Disney-branded shows.MaxWarner Bros. Discovery unveiled this combined streaming service in April, rebranding the former HBO Max. An ad-free experience will cost you $15.99 a month. An “Ultimate ad-free” version for $19.99 allows users to add more devices to the account as well as up to 100 downloads. For a $9.99 add-on per month, you can also watch live sports.Max offers the “Harry Potter” movies, classic HBO shows such as “The Wire,” “The Sopranos” and “Sex and the City,” as well as newer releases, such as “Barbie.” The streamer has also ordered a “Harry Potter” TV series.HuluFor $17.99 a month you can watch Hulu’s vast catalog — titles include “New Girl,” “It’s Always Sunny in Philadelphia” and “Fargo” — without ads. If you’re willing to sit through commercials, it’s $7.99 a month.Hulu also offers the option of adding live television to your plan, as well as content from other streaming services such as Disney+ and ESPN+, although the latter does come with ads. Those options range from $75.99 to $89.99 a month.If you want to watch Lauren Graham, left, and Alexis Bledel in “Gilmore Girls: A Year in the Life,” that’ll be at least $6.99 a month on Netflix.Saeed Adyani/NetflixNetflixRaise your hand if you remember getting DVDs from Netflix in the mail in the early 2000s. In 2010, Netflix started selling its streaming service for $8 a month and offering one DVD at a time for an additional $2.Netflix now offers a $6.99 per month subscription, which is ad-supported, which the company says “allows you to enjoy movies and TV shows at a lower price.” A standard plan (without ads) is $15.49 a month. For access to more devices, the cost goes up to $22.99 a month. Adding additional people that aren’t included in your subscription will cost you an additional $7.99 per person per month. Netflix mailed its last DVD in September.Among its offerings: “Gilmore Girls,” “La La Land,” and international series such as “Squid Game.”Paramount+In 2021, CBS rebranded its streaming platform, which it heralded as “a big day, a new day, a new beginning.” That announcement came with promises of a “Frasier” reboot and a revival of the animated series “Rugrats.”A lot of other Paramount content can be found elsewhere. The company sold the rights to the “South Park” library to HBO Max, and series like “Jack Ryan,” produced by Paramount, have gone to Amazon.Paramount+ Essential will cost you $5.99 a month (or $59.99 a year) and includes “limited commercial interruptions.” The service also offers a bundle together with SHOWTIME in a plan that costs $11.99 a month (or $119.99 a year).PeacockThe premium subscription for NBC Universal’s streaming service will cost you $5.99 a month and includes original content, films, live sporting events and more. A Premium Plus subscription is priced at $11.99 a month and offers — mostly — no ads as well as the ability to download content.Some of the programs you can watch include “Parks and Recreation,” “Brooklyn Nine-Nine,” “Downton Abbey,” and “Everybody Loves Raymond,” as well as Bravo content like the “Real Housewives” franchise. More

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      Amazon to Bring Warhammer 40,000 to the Screen, With Henry Cavill

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      Games Workshop announced this week that the popular tabletop game will come to television and film in a deal with Amazon Studios.There’s big news this week for tiny warriors.Games Workshop, the company behind Warhammer 40,000, the wildly popular tabletop game with miniature figurines, announced on Monday that it had reached a deal with Amazon Studios to bring the game to life on television and film screens.The actor Henry Cavill, known for his roles in the “Superman” franchise and as the title character on Netflix’s fantasy series “The Witcher,” is set to appear on the show and be its executive producer.The two companies had signed an agreement last year to create television programs and movies based on the Warhammer franchise, and will now move forward bringing the game’s universe to life.“All we can tell you right now is that an elite band of screenwriters, each with their own particular passion for Warhammer, is being assembled,” Games Workshop said in a statement on their website.Warhammer 40,000 was released in 1987, and in the decades since has enchanted players as they take command of small but mighty warriors for “supremacy in the grim darkness of the far future,” according to the game’s core rule book.Two or more players place their hand-painted plastic models onto terrain set in the 41st millennium — the rule book recommends a dining table or a floor — and send them into battle among aliens and supernatural creatures.Henry Cavill, who plays Geralt of Rivia in the Netflix series “The Witcher,” will be executive producer of the new Amazon Studios project.Katalin Vermes/NetflixThe game has developed a significant fan base and detailed lore throughout the years, becoming Games Workshop’s most popular product. Hundreds of novels have expanded on the Warhammer universe and mythology. It also has video game spinoffs.Much of the passion for the game, though, comes before the battle begins. Games Workshop doesn’t sell ready-to-play models for Warhammer 40,000. Instead, players purchase parts to construct, and paint in details themselves for a personal touch.Cavill is himself a fan of the game.In 2021, the actor, who has been known to construct his own personal computers, discussed his Warhammer hobby on “The Graham Norton Show.”“You have to paint them,” Cavill said. “There’s the painting-modeling side of the hobby, and then there’s the gaming side of the hobby.”The game found a new legion of fans during the pandemic, including other actors and musicians ready to battle Cavill in the fictional dystopia.Studios have been taking notice of the trend, and capitalizing on growing interest with shows like the HBO Max series “The Last of Us,” which raked in bigger audiences than some of the network’s flagship shows.Amazon Studios has bet on fantasy franchises already, with “The Lord of the Rings: The Rings of Power,” a prequel to the J.R.R. Tolkien novels. In 2021, the studio released “The Wheel of Time,” based on the book series by Robert Jordan and Brandon Sanderson.No details were given about anticipated release dates or the types of projects planned for the Warhammer franchise. Games Workshop said that it could be some time before the tiny warriors stand tall on a movie screen.“TV and Film production is a mammoth undertaking,” the company said. “It’s not unusual for projects to take two to three years from this point before something arrives onscreen. Still, things are now properly rolling.” More

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      The Best Movies and TV Shows Streaming in October: ‘Loki,’ ‘Goosebumps’ and More

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      Here’s the best of what’s coming to Amazon, Max, Apple TV+ and others.Every month, streaming services add movies and TV shows to its library. Here are our picks for some of October’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘Totally Killer’Starts streaming: Oct. 6The offbeat horror-comedy “Totally Killer” is a 1980s-style slasher film with a science-fiction twist. Kiernan Shipka stars as Jamie, a rebellious teenager who has lived her whole life in a small town that was the site of an infamous string of unsolved murders in 1987. When the masked killer — or perhaps a copycat — reappears and slays Jamie’s mother, Pam (Julie Bowen), Jamie travels back in time to 1987 to stop the original spree. While trying to figure out the identity of a knife-wielding maniac, the heroine handles the culture-clash of being a 2020s high school kid stranded in a clique-dominated, politically incorrect era.Also arriving:Oct. 3“Make Me Scream”Oct. 6“Desperately Seeking Soulmate: Escaping Twin Flames Universe”Oct. 10“Mr. Dressup: The Magic of Make-Believe”Oct. 11“Awareness”“The Greatest Show Never Made”Oct. 13“The Burial”“Everybody Loves Diamonds”Oct. 20“Bosch: Legacy” Season 2“Upload” Season 3Oct. 24“Hot Potato: The Story of the Wiggles”“Zainab Johnson: Hijabs Off”Oct. 26“Sebastian Fitzek’s Therapy”Oct. 27“The Girl Who Killed Her Parents: The Confession”Brie Larson in “Lessons in Chemistry.”Apple TV+New to Apple TV+‘Lessons in Chemistry’Starts streaming: Oct. 13Based on a Bonnie Garmus novel, this mini-series stars Brie Larson as Elizabeth Zott, a talented chemist who struggles to be taken seriously in the sexist 1950s scientific community. When her brazen defiance of her lab’s rules — coupled with an unwillingness to be subservient and girlie — gets her fired, Elizabeth reinvents herself as the host of a science-focused TV cooking show. “Lessons in Chemistry” covers a decade in the heroine’s life, balancing her rise to fame with her early struggles, while also following her brilliant, eccentric colleague and love interest Calvin Evans (Lewis Pullman). A combination of “Mad Men” and “Julia” — with a little bit of “Oppenheimer” mixed in — the series is a portrait of smart, independent people bucking the conformity of their times.Also arriving:Oct. 20“The Pigeon Tunnel”“Shape Island: Creepy Cave Crawl”Oct. 27“The Enfield Poltergeist”“Curses!” Season 1New to Disney+‘Loki’ Season 2Starts streaming: Oct. 5The Marvel Cinematic Universe has lately been all about the multiverse, with movies and TV series offering alternate versions of the classic Marvel characters living in parallel realities. Season 1 of “Loki” got that ball rolling, with a creative and mind-bending story about the roguish Norse deity running afoul of the timeline watchdogs in the Time Variance Authority. For Season 2, Tom Hiddleston returns as Loki and Owen Wilson is back as the frequently flustered TVA agent Mobius M. Mobius. Because of the proliferation of new multiverses unleashed in the Season 1 finale, many of the show’s characters find themselves subtly altered and stuck in other worlds, necessitating another trip through time, space and dimensions for these unlikely heroes.Also arriving:Oct. 2“Mickey and Friends Trick or Treats”Oct. 11“4EVER”Oct. 13“Goosebumps” Season 1Oct. 25“Primal Survivor: Extreme African Safari”Oct. 27“LEGO Marvel Avengers: Code Red”Zack Morris in “Goosebumps.”David Astorga/DisneyNew to Hulu‘Goosebumps’ Season 1Starts streaming: Oct. 13R.L. Stine’s perennially popular “Goosebumps” young adult horror novels get a new television adaptation, although unlike the original 1990s anthology TV series, this latest version (available on Hulu and Disney+) features concepts from Stine’s books inserted into a larger serialized story, with a single cast. Justin Long plays Nathan Bratt, the new high school English teacher in a quaint small town, as well as the new owner of a spooky old house that the local teenagers like to use for their parties. Before Mr. Bratt chases the kids away from their annual Halloween bash, five of them encounter haunted objects that change their lives and put the community in danger.Also arriving:Oct. 1“Ash vs. Evil Dead” Season 1-3“Crazy Fun Park”“Stephen King’s Rose Red”Oct. 2“Appendage”“Fright Crewe” Season 1Oct. 5“The Boogeyman”Oct. 6“Bobi Wine: The People’s President”“Undead Unlock”Oct. 9“The Mill”Oct. 10“Moonlighting” Seasons 1-5Oct. 11“Nada” Season 1Oct. 12“Monster Inside: America’s Most Extreme Haunted House”Oct. 13“Nocebo”Oct. 14“Empire of Light”Oct. 15“Slotherhouse”Oct. 18“Living for the Dead” Season 1Oct. 20“Cobweb”Oct. 26“American Horror Stories” Season 3Oct. 27“Explorer: Lake of Fire”“Shoresy” Season 2Rhys Darby in Season 1 of “Our Flag Means Death.”HBO MaxNew to Max‘Our Flag Means Death’ Season 2Starts streaming: Oct. 5The first season of “Our Flag Means Death” arrived without a lot of fanfare. Initially, the show looked to be just a mild-mannered pirate parody, about a ship full of misfit outlaws led by the inept captain Stede Bonnet (Rhys Darby). But as the season rolled on — and as Stede’s rivalry and romance with the notorious Blackbeard (Taika Waititi) became more central to the plot — the series’ creator David Jenkins began focusing more on piracy as a haven for people who yearn to live outside the mainstream. Season 1 ended on a cliffhanger, with Stede’s crew stranded on a deserted island and Blackbeard determined to get back to being mean. Fans have been eager ever since to learn how these twists will affect one of TV’s sweetest love stories.‘The Gilded Age’ Season 2Starts streaming: Oct. 29The “Downton Abbey” creator Julian Fellowes brings his uncommon knack for energetic historical melodrama to “The Gilded Age,” a lavishly decorated and irresistibly entertaining look at high society in 1880s New York City. Carrie Coon is superb as a shrewd social climber, married to a nouveau-riche tycoon (Morgan Spector) whose ruthless business tactics irritate the old money types. The rest of the cast includes Louisa Jacobson as a restless young woman living with her eccentric, judgmental aunts (Christine Baranski and Cynthia Nixon) and Denée Benton as an aspiring writer defying the era’s racist biases. Season 2 will continue Fellowes’s fascination with a pivotal era in American culture, when the upper-crust considered whether an ascendant democracy should still be following Europe’s unwritten rules of etiquette.Also arriving:Oct. 1“The Ringleader: The Case of the Bling Ring”Oct. 8“Last Stop Larrimah”Oct. 12“Doom Patrol” Season 4Oct. 19“Peter and the Wolf”“Scavengers Reign”Oct. 22“AKA Mr. Chow”Oct. 23“30 Coins” Season 2Jack Cutmore-Scott, left, as Freddy Crane and Kelsey Grammer as Frasier Crane in “Frasier.”Paramount+New to Paramount+ with Showtime‘The Caine Mutiny Court-Martial’Starts streaming: Oct. 6The final film from William Friedkin is both an adaptation of Herman Wouk’s provocative 1953 play “The Caine Mutiny Court-Martial” (updated to modern times by Friedkin, who wrote the screenplay) and a summation of the director’s career-long fascination with the line between legal authority and raw power, as seen in his classic films “The French Connection” and “To Live and Die in L.A.” Jason Clarke plays Lieutenant Barney Greenwald, a Navy lawyer defending Lt. Stephen Maryk, who defied orders and relieved his commanding officer Lt. Cmdr. Phillip Queeg (Kiefer Sutherland) of duty during a storm. Though mostly confined to one courtroom set, the movie is a thrilling actors’ showcase; and as with the play, it toys with the audience’s sympathies, raising questions about how justice is properly served in a case involving the rigid military chain of command.‘Frasier’ Season 1Starts streaming: Oct. 12Kelsey Grammer returns to his most famous role, in a sequel series that surrounds the fussy psychiatrist Frasier Crane with a mostly new cast of characters. Crane moves back to Boston from Seattle and gets involved in the lives of his son, Freddy (Jack Cutmore-Scott), and his nephew, David (Anders Keith). Freddy has turned out a lot like Frasier’s father, Martin — rugged and unpretentious — while David has the same dry wit and nervous energy as Frasier’s brother, Niles. Like the old “Frasier,” this new one traffics in farce, with the comedy driven by misunderstandings and personality clashes.‘Fellow Travelers’Starts streaming: Oct. 27This historical romance tells a story that stretches from the 1950s to the ’80s, tracing a love affair between two political consultants whose lives are affected by the changing times. Matt Bomer plays Hawkins Fuller, a savvy, politically flexible congressional aide who has a fling with Tim Laughlin (Jonathan Bailey), a right-wing speechwriter who admires Joseph McCarthy. Their relationship stretches across decades, through the more permissive ’60s and ’70s and into the conservative revival of the Reagan era. Adapted by the Oscar-nominated “Philadelphia” screenwriter Ron Nyswaner from a Thomas Mallon novel, “Fellow Travelers” is dotted with real-life historical figures and explicitly erotic sex scenes, illustrating how basic human needs can be undone by political expediency.Also arriving:Oct. 5“Bargain”“Monster High 2”Oct. 6“Pet Sematary: Bloodlines”Oct. 10“Painkiller: The Tylenol Murders”Oct. 16“Vindicta”Oct. 17“Crush”Oct. 24“Milli Vanilli”New to Peacock‘John Carpenter’s Suburban Screams’Starts streaming: Oct. 13The influential genre filmmaker and composer John Carpenter lends his name, his music and — for one episode — his directing talents to this hybrid anthology series, which combines true crime and horror. Each episode is anchored by interviews with ordinary people who experienced something extraordinary, encountering real evil in the form of the creeps, the killers and the unexplained phenomena in their seemingly placid neighborhoods. The interviews provide the basic details for these tales; and then the bulk of each “Suburban Screams” episode consists of lengthy re-enactments that have the look and feel of an ’80s slasher movie, as though Carpenter’s “Halloween” were a documentary.Also arriving:Oct. 12“Superbuns” Season 1Oct. 19“Wolf Like Me” Season 2Oct. 20“Ruby Gillman, Teenage Kraken”Oct. 24“Krishnas: Gurus. Karma. Murder.”Oct. 27“Five Nights at Freddy’s”“L’il Stompers” Season 1 More

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      TV Shows and Movies Streaming in September 2023: ‘The Wheel of Time,’ ‘Gen V’ and More

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      Spinoffs and chillers abound in a month filled with tons of new television. Here’s the best of what’s coming to Amazon, Max, Apple TV+ and others. Every month, streaming services add movies and TV shows to its library. Here are our picks for some of September’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘The Wheel of Time’ Season 2Started streaming: Sept. 1Season 1 of this handsome-looking fantasy series introduced some of the major characters and concepts from the first book of the novelist Robert Jordan’s hefty “The Wheel of Time” saga. Season 2 adapts parts of the second and third books — “The Great Hunt” and “The Dragon Reborn” — and continues moving the pieces into place for the grand apocalyptic battle prophesied at the start of the story. Rosamund Pike returns as the mystic Moiraine, who is helping a group of young people escape the shadowy forces pursuing them. Josha Stradowski plays Rand al’Thor, who may be his land’s last best hope to stand up against the Dark One and his minions — or may be the one to usher in a new age of chaos.‘Neighbours: A New Chapter’ Season 1Starts streaming: Sept. 18The original run of the soap opera “Neighbours” began in 1985 and concluded in 2022 after 38 seasons and nearly 9,000 22-minute episodes. During that time, the show’s melodramatic tales of suburban Melbourne life were seen around the world and introduced viewers to future stars like Natalie Imbruglia, Kylie Minogue, Radha Mitchell, Guy Pearce and Margot Robbie. Now Amazon Studios and Fremantle Australia are bringing the series back, along with some of the old cast (including Pearce), who join an array of new characters. Plans are to run 200 episodes a year for the next two years on Amazon’s ad-supported, free-to-stream Freevee service, where viewers can also watch the older episodes, giving Americans a chance to immerse themselves in these Australians’ love affairs and personal crises.‘Gen V’ Season 1Starts streaming: Sept. 29A spinoff of the adults-only superhero satire “The Boys,” this action-dramedy series is set at a special school for young crime fighters, where the students engage in the same kinds of cliques, rivalries and romances that happen in any normal school but with the constant threat that super powers make every conflict more dangerous. A few of the adult characters from “The Boys” will drop in on the new show (which has a creative team drawn from some of that show’s writers and producers); but the focus here is on the kids, who have a lot in common with classic comic book super teams like the X-Men and the Teen Titans. Expect plenty of irreverence and dark humor, along with some sly takedowns of familiar superhero mythology.Also arriving:Sept. 1“God. Family. Football.”Sept. 5“One Shot: Overtime Elite”Sept. 8“Sitting in Bars with Cake”Sept. 12“Kelce”Sept. 15“A Million Miles Away”“Wilderness” Season 1“Written in the Stars” Season 1Sept. 22“Cassandro”Sept. 22“The Fake Sheikh”Norman Reedus in the latest “Walking Dead” spinoff, “The Walking Dead: Daryl Dixon.”Emmanuel Guimier/AMCNew to AMC+‘The Walking Dead: Daryl Dixon’ Season 1Starts streaming: Sept. 10Like “The Walking Dead: Dead City” earlier this year, the latest entry in the long-running, ever-expanding “Walking Dead” franchise takes one of the most popular characters from the show’s original run and plops him in another part of the world. Norman Reedus reprises his role as Daryl Dixon, a talented marksman and tracker who had to overcome his loner tendencies to become a vital part of an embattled postapocalyptic community in the American southeast. In this new series, Daryl takes his talents to France, where he allies with a tough nun (Clémence Poésy) who shows him the unique ways that continental Europe handled the zombie outbreak and helps him to figure out who he can trust.Also arriving:Sept. 1“Perpetrator”Sept. 8“Blood Flower”Sept. 10“Ride With Norman Reedus” Season 6Sept. 15“Elevator Game”Sept. 20“Thick Skin”Sept. 22“The Angry Black Girl and Her Mother”Sept. 29“Nightmare”LaKeith Stanfield in a scene from “The Changeling,” based on the Victor LaValle novel.Apple TV+New to Apple TV+‘The Changeling’Starts streaming: Sept. 8Like the Victor LaValle novel that inspired it, the supernatural horror series “The Changeling” combines everyday drama with terrifying nightmares, in a story that sprawls across multiple generations. LaKeith Stanfield plays Apollo, a shy book dealer who is haunted by memories of the father he barely knew. He is also attracted to a vibrant but eccentric woman named Emmy (Clark Backo), whom he eventually marries. The show’s creator and writer, Kelly Marcel, shifts the narrative focus freely among different characters and different eras, as a crisis with Emmy and their newborn child drives Apollo to confront his troubled family history. In doing so, he finds that his past is shrouded in the kind of wondrous darkness common to fairy tales, and he is challenged to untangle fantasy from fact in an enchanted version of New York City.‘The Morning Show’ Season 3Starts streaming: Sept. 13One of Apple TV+’s flagship series returns for a third season of punchy boardroom drama, set in the modern TV news business. The show is still powered by its two charismatic leads: Jennifer Aniston as the veteran morning show anchor Alex Levy and Reese Witherspoon as Bradley Jackson, a feisty hard news reporter who has become Alex’s co-host. Billy Crudup and Mark Duplass play two of the behind-the-camera bosses who sometimes make morally questionable choices. This season they are joined by Jon Hamm as a cocky tech billionaire who might be able improve their network’s cash-flow. Although “The Morning Show” started as a ripped-from-the-headlines look at how the #MeToo era has upended the male-dominated media, the series has since opened to encompass other hot-button contemporary issues, which in Season 3 include cyberattacks and corporate blackmail.Also arriving:Sept. 20“The Super Models”Sept. 22“Still Up”Sept. 29“Flora and Son”Sinclair Daniel, left, and Ashleigh Murray in a scene from “The Other Black Girl.”HuluNew to Hulu‘The Other Black Girl’ Season 1Starts streaming: Sept. 13Part wry social commentary and part intense mystery-thriller, “The Other Black Girl” examines the racial and gender dynamics of the New York publishing industry. Sinclair Daniel plays Nella, an aspiring assistant editor who befriends Hazel (Ashleigh Murray), her publishing house’s latest hire and the only other Black person in her department. When Hazel’s collegial advice starts derailing Nella’s career — around the same time that Nella starts experiencing some unnerving paranormal activity around the office — she begins looking into her new friend’s past and the history of their employers. Adapted from a best-selling Zakiya Dalila Harris novel, this show finds the humor and the anxiety inherent in the life of a woman who is struggling to stand out in a tough business without losing her identity.Also arriving:Sept. 6“Never Let Him Go”Sept. 13“Welcome to Wrexham” Season 2Sept. 14“Dragons: The Nine Realms” Season 7Sept. 20“American Horror Story: Delicate” Part 1Sept. 22“No One Will Save You”Sept. 27“Love in Fairhope” Season 1Nikesh Patel and Rose Matafeo in scene from Season 3 of the Max series “Starstruck.”Mark Johnson/MaxNew to Max‘Starstruck’ Season 3Starts streaming: Sept. 28This charming romantic comedy is one of the streaming era’s hidden gems, and it is ripe for discovery now that the fall TV schedule has been thinned out by the actors’ and writers’ strikes. Through its first two seasons, “Starstruck” followed the unlikely on-again/off-again love affair between Jessie (Rose Matafeo), a young New Zealander struggling to make ends meet in London, and Tom (Nikesh Patel), an A-list movie star who is smitten with her. Season 3 has the couple going their separate ways but still frequently and awkwardly crossing paths. The show’s short, breezy episodes capture how the “getting to know you” phase of romance can be equal parts exciting and difficult, especially when one of the people involved is rich and famous.Also arriving:Sept. 2“The Venture Bros.: Radiant Is the Blood of the Baboon Heart”Sept. 13“Donyale Luna: Supermodel”Sept. 21“Young Love” Season 1A scene from the Season 4 premiere of “Star Trek: Lower Decks,” which centers on the underlings of a starship.Paramount+New to Paramount+ With Showtime‘Star Trek: Lower Decks’ Season 4Starts streaming: Sept. 7“Star Trek” fans who are still buzzing from the excellent, recently completed second season of “Strange New Worlds” should roll those warm feelings over to the fourth season of the animated “Lower Decks,” which has established its place as one of the best of the modern “Star Trek” shows. Like “Strange New Worlds,” “Lower Decks” balances old-fashioned “interstellar adventure of the week” stories with involved subplots and rich character development. This cute-looking cartoon is fundamentally comic — following the goofy mishaps of a bunch of Starfleet’s least vital employees — but its writers and animators respect the franchise’s lore enough to deliver cleverly plotted, action-packed episodes, season after season.Also arriving:Sept. 8“Dreaming Whilst Black”Sept. 12“Football Must Go On”Sept. 17“The Gold”Sept. 18“Superpower”Sept. 22“Deadlocked: How America Shaped the Supreme Court”Sept. 26“72 Seconds”Colin Woodell as Winston Scott in a scene from “The Continental: From the World of John Wick.”Katalin Vermes/Starz EntertainmentNew to Peacock‘The Continental: From the World of John Wick’Starts streaming: Sept. 22Fans of the first “John Wick” movie will always remember the moment when its weary hit man hero walked into a strange, assassin-friendly hotel called the Continental and was reminded of its arcane codes of behavior. Suddenly a movie that had previously seemed like a low-stakes underworld revenge thriller opened up into something more fantastical and globe spanning, with a dense mythology. The TV mini-series “The Continental: From the World of John Wick” is set in the 1970s and stars Mel Gibson as Cormac, the hotel’s New York manager at that time. Colin Woodell plays a young version of the franchise’s Winston Scott, who is tasked by Cormac to solve a family problem that may threaten the viability of this super secret criminal hideaway.Also arriving:Sept. 4“Chucky” Season 2Sept. 28“Dino Pops” Season 1 More

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      Can’t Hear the Dialogue in Your Streaming Show? You’re Not Alone.

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      Many of us stream shows and movies with the subtitles on all the time — and not because it’s cool.“What did he just say?”Those are some of the most commonly uttered words in my home. No matter how much my wife and I crank up the TV volume, the actors in streaming movies and shows are becoming increasingly difficult to understand. We usually end up turning on the subtitles, even though we aren’t hard of hearing.We’re not alone. In the streaming era, as video consumption shifts from movie theaters toward content shrunk down for televisions, tablets and smartphones, making dialogue crisp and clear has become the entertainment world’s toughest technology challenge. About 50 percent of Americans — and the majority of young people — watch videos with subtitles on most of the time, according to surveys, in large part because they are struggling to decipher what actors are saying.“It’s getting worse,” said Si Lewis, who has run Hidden Connections, a home theater installation company in Alameda, Calif., for nearly 40 years. “All of my customers have issues with hearing the dialogue, and many of them use closed captions.”The garbled prattle in TV shows and movies is now a widely discussed problem that tech and media companies are just beginning to unravel with solutions such as speech-boosting software algorithms, which I tested. (More on this later.)The issue is complex because of myriad factors at play. In big movie productions, professional sound mixers calibrate audio levels for traditional theaters with robust speaker systems capable of delivering a wide range of sound, from spoken words to loud gunshots. But when you stream that content through an app on a TV, smartphone or tablet, the audio has been “down mixed,” or compressed, to carry the sounds through tiny, relatively weak speakers, said Marina Killion, an audio engineer at the media production company Optimus.It doesn’t help that TVs keep getting thinner and more minimal in design. To emphasize the picture, many modern flat-screen TVs hide their speakers, blasting sound away from the viewer’s ears, Mr. Lewis said.There are also issues specific to streaming. Unlike broadcast TV programs, which must adhere to regulations that forbid them from exceeding specific loudness levels, there are no such rules for streaming apps, Ms. Killion said. That means sound may be wildly inconsistent from app to app and program to program — so if you watch a show on Amazon Prime Video and then switch to a movie on Netflix, you probably have to repeatedly adjust your volume settings to hear what people are saying.“Online is kind of the wild, wild west,” Ms. Killion said.Subtitles are far from an ideal solution to all of this, so here are some remedies — including add-ons for your home entertainment setup and speech enhancers — to try.A speaker will helpDecades ago, TV dialogue could be heard loud and clear. It was obvious where the speakers lived on a television — behind a plastic grill embedded into the front of the set, where they could blast sound directly toward you. Nowadays, even on the most expensive TVs, the speakers are tiny and crammed into the back or the bottom of the display.“A TV is meant to be a TV, but it’s never going to present the sound,” said Paul Peace, a director of audio platform engineering at Sonos, the speaker technology company based in Santa Barbara, Calif. “They’re too thin, they’re downward and their exits aren’t directed at the audience.”Any owner of a modern television will benefit from plugging in a separate speaker such as a soundbar, a wide, stick-shaped speaker. I’ve tested many soundbars over the last decade, and they have greatly improved. With pricing of $80 to $900, they can be more budget friendly than a multispeaker surround-sound system, and they are simpler to set up.Last week, I tried the Sonos Arc, which I set up in minutes by plugging it into a power outlet, connecting it to my TV with an HDMI cable and using the Sonos app to calibrate the sound for my living room space. It delivered significantly richer sound quality, with deep bass and crisp dialogue, than my TV’s built-in speakers.At $900, the Sonos Arc is pricey. But it’s one of the few soundbars on the market with a speech enhancer, a button that can be pressed in the Sonos app to make spoken words easier to hear. It made a big difference in helping me understand the mumbly villain of the most recent James Bond movie, “No Time to Die.”But the Sonos soundbar’s speech enhancer ran into its limits with the jarring colloquialisms of the Netflix show “The Witcher.” It couldn’t make more fathomable lines like “We’re seeking a girl and a witcher — her with ashen hair and patrician countenance, him a mannerless, blanched brute.”Then again, I’m not sure any speaker could help with that. I left the subtitles on for that one.Dialogue enhancers in appsNot everyone wants to spend more money to fix sound on a TV that already costs hundreds of dollars. Fortunately, some tech companies are starting to build their own dialogue enhancers into their streaming apps.In April, Amazon began rolling out an accessibility feature, called dialogue boost, for a small number of shows and movies in its Prime Video streaming app. To use it, you open the language options and choose “English Dialogue Boost: High.” I tested the tool in “Tom Clancy’s Jack Ryan,” the spy thriller with a cast of especially unintelligible, deep-voiced men.With the dialogue boost turned on (and the Sonos soundbar turned off), I picked scenes that were hard to hear and jotted down what I thought the actors had said. Then I rewatched each scene with subtitles on to check my answers.In the opening of the show, I thought an actor said: “That’s right, you stuck the ring on her — I thought you two were trying to work it out.”The actor actually said, “Oh, sorry, you still had the ring on — I thought the two of you were trying to work it out.”Whoops.I had better luck with another scene involving a phone conversation between Jack Ryan and his former boss making plans to get together. After reviewing my results, I was delighted to realize that I had understood all the words correctly.But minutes later, Jack Ryan’s boss, James Greer, murmured a line that I could not even guess: “Yeah, they were using that in Karachi before I left.” Even dialogue enhancers can’t fix an actor’s lack of enunciation.In conclusionThe Sonos Arc soundbar was helpful for hearing dialogue without the speech enhancer turned on most of the time for movies and shows. The speech enhancer made words easier to hear in some situations, like scenes with very soft-spoken actors, which could be useful for those who are hearing-impaired. For everyone else, the good news is that installing even a cheaper speaker that lacks a dialogue mode can go a long way.Amazon’s dialogue booster was no magic bullet, but it’s better than nothing and a good start. I’d love to see more features like this from other streaming apps. A Netflix spokeswoman said the company had no plans to release a similar tool.My last piece of advice is counterintuitive: Don’t do anything with the sound settings on your TV. Mr. Lewis said that modern TVs have software that automatically calibrate the sound levels for you — and if you mess around with the settings for one show, the audio may be out of whack for the next one.And if all else fails, of course, there are subtitles. Those are foolproof. More

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      ‘The Lost Flowers of Alice Hart’ Review: The Right Kind of Melodrama

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      Sigourney Weaver stars in an Australian family thriller full of stormy emotions and strangely beautiful terrain.The title of the new Amazon offering “The Lost Flowers of Alice Hart,” with its echo of V.C. Andrews’s Gothic novels of family calamity, is a case of truth in advertising. The seven-episode Australian mini-series, which is based on the novel by Holly Ringland and premiered Thursday on Prime Video, is an unapologetic melodrama — a family saga in which lies and secrets proliferate beyond all reason, putting parents and children, friends and bystanders, through unnaturally intense storms of emotion.That it’s also entertaining, moving and vividly atmospheric is a pleasant surprise in a time when melodrama tends toward the banal (some variety of soap opera) or the scolding (some variety of humorless social critique). “Lost Flowers” is a reminder that when it is handled with skill, sophistication and a measure of restraint, melodrama can be as satisfying as any other style of storytelling.The story involves a complicated web of relationships centering on Thornhill, a flower farm that doubles as a refuge for troubled women, who are called “flowers.” Some of the women, though not all of them, are escaping abusive men. The farm is run by a forbidding matriarch, June (Sigourney Weaver), with the help of her Indigenous lover, Twig (Leah Purcell), and their adopted daughter, Candy (Frankie Adams).June is one pole of a story in which the keeping of shameful family secrets is the foundation of tragedy. The other pole is Alice, who is a child when we first see her (played by Alyla Browne) and knows nothing about June, her grandmother. Savage events unite them early on so that they can spend the rest of the series being drawn together and, as Alice works her way through June’s lies, torn apart again.Most of the first half of “Lost Flowers” is tied to the point of view of this young Alice, and the director and cinematographer, Glendyn Ivin and Sam Chiplin, give these episodes the seductive texture of an ominous, doom-tinged fairy tale. Using the strangely beautiful landscape of the New South Wales coast, they create an ambience that reflects Alice’s childlike, wavering apprehension of the unreasoning violence that regularly bursts into her life.They are helped immensely by Browne, who gives a terrific performance even though Alice spends several episodes mostly mute while recovering from trauma. Sadness, rebelliousness and a puckish sense of humor are there in her eyes. Though she shares the screen with Weaver and with the Australian star Asher Keddie, who plays a sympathetic but self-righteous local librarian, Browne draws you right to her.Alycia Debnam-Carey plays an older version of Alice, who after a 10-year leap forward in the story appears to be repeating harmful family patterns.Amazon StudiosMidway through, the series jumps ahead more than a decade, and Alice, now a young woman played by Alycia Debnam-Carey, finds herself in another magical setting — this time a national park where a volcanic crater provides a haven for wildflowers.The change of scenery is symbolic — away from the protection of the farm, Alice is free both to find herself and to start repeating harmful family patterns when it comes to men. And the writing, led by the series’s showrunner, Sarah Lambert, dries out a little along with the landscape. These episodes feel more like something we’ve seen before, though a bit of the earlier enchantment lingers in a plot strand involving Twig’s long road trip in search of Alice.What carries you through, finally — as you might expect — is Weaver. “Lost Flowers” doesn’t play to her traditional strengths — the taciturn, bottled-up June doesn’t provide much of a canvas for Weaver’s regal-yet-feral intelligence or her deadly sense of humor. She can get more out of sheer presence and stubborn charisma, however, than most performers do from busily acting, and in the later episodes she takes over, carrying off some wonderful moments as June slows down and opens up. Weaver’s work in series has been sparse and unpredictable; getting to spend seven episodes with her is the icing on the melodrama. More

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      ‘The Summer I Turned Pretty’: Lola Tung on Growing Up Alongside Belly

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      Tung has experienced a lot of changes since joining Amazon’s hit coming-of-age series at 18. It’s just one way her life mirrors that of her character.Lola Tung was taking classes as a first-year acting student at Carnegie Mellon University, in Pittsburgh, when she heard the news. She had just been selected to play the lead in a new Amazon series called “The Summer I Turned Pretty,” based on the best-selling young adult novel by Jenny Han.“I was just in shock because I didn’t expect this,” Tung, 20, a New York City native, said in a video interview last month. “I called my mom after and we were just crying together over the phone, which was lovely. But it was the best surprise ever.”Tung, who was 18 years old and had acted only in school plays, took a leave of absence from college in 2021 to go to Wilmington, N.C., to join the production of the show, which tells a story of romantic awakening set at a beach house.As summer commences and the show’s two central families head to the coast, Tung plays Isabel Conklin, known as Belly, an adolescent girl who becomes caught in a love triangle with two of her childhood best friends — who also happen to be brothers: Conrad (Christopher Briney) and Jeremiah (Gavin Casalegno). The romantic tension captivated teen and young-adult viewers when the series debuted in 2022 and helped turn the show into a social media sensation. The hashtag #TheSummerITurnedPretty has accumulated millions of views on TikTok as users post fawning videos in support of “Team Conrad” or “Team Jere.”“I knew it would be special, but I think nothing can ever prepare you,” Tung said. “There’s no way to know how it’s going to be received and how your life will change after.”Belly became entangled in a love triangle with two boys who also happen to be brothers. One of them is Conrad, played by Christopher Briney.Erika Doss/Amazon Prime VideoThe other brother is Jeremiah (Gavin Casalegno). Asked whether she was Team Jeremiah or Team Conrad, Tung said she was “Team Belly, forever and always.”Erika Doss/Amazon Prime VideoTung continued her college leave to star in the show’s second season, which premieres on Prime Video on Friday. If watching the first season felt like basking in a perfect summer day — full of pool parties, passionate kisses and Kim Petras lyrics — the second season feels darker, cloudier, shrouded by loss.Both Tung and her character have weathered a series of changes between the two seasons: Tung now has red-carpet interviews, a partnership with American Eagle and millions of Instagram followers; Belly has lost a close family friend and must fight to save the beach house. Both are learning what it means to grow up.Ahead of the Season 2 debut, Tung spoke about her role, her favorite Taylor Swift music and whether she’s on Team Conrad or Team Jeremiah. These are edited excerpts from the conversation.How do you get in the mind-set of preparing to play the role of Belly?Music plays such a big part in prepping for different scenes. We were jumping around a lot emotionally in Season 2, so I think music was a way to very quickly get into the head space of the character, whatever scene it was. I would journal a lot and write a lot, especially from Belly’s perspective. The first season, I wrote letters to each of the characters in Belly’s voice, which was really cool. I think when you journal and you write just sort of like stream of consciousness you learn a lot about the character.What were some of the songs you listened to for this season?I listened to a lot of Mitski. “Two Slow Dancers” is a great song to listen to; it’s a very reflective sort of song. A lot of Taylor Swift. Phoebe Bridgers was on the playlist, Dodi was on the playlist, Lizzie McAlpine; I think I have some SZA on here as well. It was a lot of slightly more emotional songs — songs that felt nostalgic because Belly was really in this season dealing with a lot of changes in her life and dealing with the fact that change is inevitable. It’s a hard thing to realize growing up. You know, how do you move forward and still stay in touch with that magic of childhood and the familiarity and things that you know?“It’s a hard thing to realize growing up,” Tung said about accepting the inevitability of change. “How do you move forward and still stay in touch with that magic of childhood?Amir Hamja/The New York TimesWhat do you think this season says about the themes of change and loss and growth as a young person?The characters have experienced a lot of growth and a lot of change since we last saw them. That’s a really hard thing for all of them to deal with, and they’re sort of on their own at the beginning. Season 1 was so much about these characters growing together and having each other to lean on. Season 2 is a lot about individual growth and how to take initiative, especially for Belly.She’s really isolated from the boys and from her family, and feeling completely lost without Susannah (Rachel Blanchard) there. It was really cool to get to figure out what the next step was for her and how she moves forward from the weight of grief. It’s about learning that change is OK and normal. Even though things are different, everything will be OK.Are there aspects of Belly’s character you relate to? And are there aspects you feel are very dissimilar?I definitely think we’re pretty similar, and I absolutely bring some of myself to her. It’s only natural if you’re playing a character, especially one so close in age. She’s a very emotional person and leads with her heart and cares a lot about the people in her life, especially her family, even if it’s hard to express that sometimes. I think she’s bolder than I am, and she’s more of a risk taker, and that was something I thought would be a challenge. But I really enjoyed getting to tap into that part of her, and I learned from her in that way. I stole some of her boldness.Tung used music as a way to help enter her character’s various states of mind. “I listened to a lot of Mitski,” she said.Amir Hamja/The New York TimesI saw that Taylor Swift teased her “Back to December (Taylor’s Version)” song during the latest trailer for the show. Do you have a favorite song of hers you really resonate with?I am a big fan of hers. I used to listen to her earlier albums like “Fearless” and “Speak Now” and “Red.” I had a little CD player and I would listen to them while I was falling asleep. I have a lot of favorite songs. I think an all-time favorite is “You Belong With Me” and then I also love “Everything Has Changed.” Right now I’m listening to “Mirrorball” a lot.What are the dynamics for you with the other actors both on set and off set?I feel so lucky that we all get along so well and that I’ve made some really great friends. Especially in the first season, we played whiffle ball a bunch and we would just go grab dinner whenever we could. We would car-pool together. When we had downtime on set, we would hang out and talk and play cards or chess. The guys loved playing chess on set, which I started to get into as well. It’s fun when you’re just sitting around waiting for the next setup in a scene to just play a quick game. I wasn’t that great, but I had fun.I have to ask — are you on Team Conrad or Team Jeremiah?I always say I am the biggest supporter of Team Belly, forever and always, and I will always stick with that answer because I really do believe that she’s the only one who can make that choice. And if we’re doing our jobs right, I think you can see why she loves both of these boys. Ultimately it’s just about her following her heart. More