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    ‘Hotel Transylvania: Transformania’ Review: Another Monster Mash

    The plot, about a crystal-powered ray gun that can turn monsters into humans, seems to acknowledge the need to goose its characters out of their inertia.“Hotel Transylvania: Transformania,” directed by Derek Drymon and Jennifer Kluska and streaming on Friday on Amazon Prime Video, concludes the series of four animated features that cast Dracula as a nervous father and the proprietor of a monster resort. This time, the plot — about a ray gun that turns humans into monsters, and vice versa — seems to acknowledge the need to goose characters out of their inertia.“Drac” (Brian Hull, replacing Adam Sandler), has settled down with Ericka (Kathryn Hahn), a great-grand-daughter of the famed monster hunter, Van Helsing. Mavis (Selena Gomez), Drac and Ericka’s daughter, has a child with a goofball human backpacker named Johnny (Andy Samberg). Van Helsing (Jim Gaffigan) roams the hotel basement. It’s his crystal-powered ray gun that transforms Johnny into a dragon, and turns Drac and his circle of monster dads into humans.Johnny embraces his rambunctious new form because Drac, who is typically overprotective, has said that only monsters can take over the hotel after he retires.But Drac, now a flightless human, misses his mojo. He and Johnny go on a Scooby Doo-grade quest to an Amazonian cave in search of a fresh crystal for the now-broken ray gun. Ericka, Mavis, and company give chase in an airship to help.Giving sitcom-style family dynamics to monsters has long been standard in big-tent animation projects, but these dynamics tend to make banal what is weird and intriguing about the characters. The “Hotel Transylvania” series, previously directed by Genndy Tartakovsky, usually compensates with a spry visual imagination for its comedy, a vibrant sense of color, and, of course, dance parties.But despite some flourishes (such as a mirror-like crystal cave), “Transformania” feels locked into the routine rhythms of its plotting and makes one-note jokes out of its human incarnations. It even ends with a character shrugging.Hotel Transylvania: TransformaniaRated PG. Running time: 1 hour 28 minutes. Watch on Amazon. More

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    The Best Movies and TV Shows Coming to Amazon, HBO, Hulu and More in December

    Every month, streaming services add movies and TV shows to its library. Here are our picks for some of December’s most promising new titles.(Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)Temuera Morrison and Ming-Na Wen in “The Book of Boba Fett.”Disney+New to Disney+‘The Rescue’Starts streaming: Dec. 3In “The Rescue,” the documentary filmmaking team of Elizabeth Chai Vasarhelyi and Jimmy Chin — who won an Oscar for their film “Free Solo” — tell the stories of the skilled divers who worked to save a dozen young Thai soccer players trapped in a flooded Tham Luang Nang Non cave in the summer of 2018. The rescue operation drew volunteers from around the world and was covered in-depth by the broadcast and print media. Vasarhelyi and Chin incorporate some of that coverage into “The Rescue,” alongside new interviews with the rescue team, for a fuller view into what happened. But their primary focus is on what the divers experienced as they tried to puzzle out how to navigate through underground passages and how to extract survivors. The P.O.V. footage the divers shot themselves is often harrowing, capturing the claustrophobic pressure and the sense of panic that sets in when the waters rise.‘The Book of Boba Fett’Starts streaming: Dec. 29There are no new “The Mandalorian” episodes until 2022, so fans of the “Star Wars” universe’s bounty-hunter subculture will have to rely on this spinoff series to tide them over. Temuera Morrison reprises his role as Boba Fett, a storied mercenary who, alongside his colleague Fennec Shand (Ming-Na Wen), comes out of hiding and attempts to reestablish himself as someone to be feared and respected in the criminal underworld. A lot of the “Mandalorian” creative team also worked on “The Book of Boba Fett,” as did some of the supporting cast. This promises to be another action-packed throwback adventure series, exploring the difficult lives and the complicated ethical codes of characters whose jobs demand danger and violence.Also arriving:Dec. 3“Diary of a Wimpy Kid”Dec. 8“Welcome to Earth”Dec. 15“Foodtastic,” Season 1Dec. 17“Arendelle Castle Yule Log: Cut Paper Edition”From left, Glenn Howerton, Rob McElhenney and Kaitlin Olson in “It’s Always Sunny in Philadelphia.”Prashant Gupta/FXXNew to Hulu‘It’s Always Sunny in Philadelphia,’ Season 15Starts streaming: Dec. 2The longest-running sitcom in television history returns for a new season. As usual, it will combine the show’s lowlife high jinks with some episodes that directly engage with what’s going on in the world today. For example, the season’s first episode is about how the gang at Paddy’s Pub — Mac, Charlie, Dennis, Dee and Frank — try to make money off the pandemic. And episode two comments on the sometimes reckless political incorrectness of some older “It’s Always Sunny in Philadelphia” jokes. The series continues on from there, filtering reality through the skewed perspective of characters who hardly every change, even as society keeps shifting all around them.Also arriving:Dec. 1“Candified: Home for the Holidays,” Season 1Dec. 2“Godfather of Harlem,” Season 1Dec. 3“The New York Times Presents: To Live and Die in Alabama”“PEN15,” Season 2, Part 2“Trolls: Holiday in Harmony”Dec. 9“Bloods,” Season 1“Creamerie,” Season 1“Swan Song”Dec. 10“Crossing Swords,” Season 2Dec. 16“Dead Asleep”Dec. 17“Mother/Android”Dec. 23“Dragons: The Nine Realms” Season 1Dec. 26“Letterkenny” Season 10Nicole Kidman and Javier Bardem as Lucille Ball and Desi Arnaz in “Being the Ricardos.”GLEN WILSON/AmazonNew to Amazon‘Being the Ricardos’Starts streaming: Dec. 21The writer-director Aaron Sorkin follows up his American history lesson “The Trial of the Chicago 7” with another look back into our cultural past, this time exploring the world of television in its infancy as a mass medium. In “Being the Ricardos,” Nicole Kidman plays Lucille Ball and Javier Bardem plays Desi Arnaz during one week of production on the groundbreaking 1950s sitcom “I Love Lucy.” The setup frames a larger study of the celebrity couple’s tumultuous romantic, creative and business partnership. Expect to hear plenty of Sorkin’s rapid-fire dialogue, applied to a backstage melodrama with echoes of his TV series “Sports Night” and “Studio 60 on the Sunset Strip.”Also arriving:Dec. 3“Harlem”Dec. 9“The Ferragnez”Dec. 10“Encounter”“The Expanse,” Season 6Dec. 17“With Love”Dec. 23“Yearly Departed”New to HBO Max“Listening to Kenny G”Starts streaming: Dec. 2The “Music Box” docuseries debuts three new films on HBO this month, including “Mr. Saturday Night” (about the swaggering industry impresario Robert Stigwood) and “Juice WRLD: Into the Abyss” (about the rapper’s short life and influential career). But the movie likely to draw the most attention is Penny Lane’s slyly provocative “Listening to Kenny G.” This comprehensive biography of the wildly successful and deeply divisive pop-jazz saxophonist Kenneth Gorelick — made with his full participation — doubles as a sincere consideration of why some people love Kenny G’s music and why some think it is pandering schmaltz. Gorelick is a disarming interview subject, willing to defend himself but seemingly unconcerned about his critical reputation. It’s the critics featured in the documentary that add the most, as they wrestle honestly with the long-term effects — positive and negative — of middle-of-the-road popular music.Also arriving:Dec. 1“Adrienne”Dec. 2“Perfect Life”“Santa Inc”Dec. 5“Beforeigners”Dec. 6“Landscapers”Dec. 7“The Slow Hustle”Dec. 9“And Just Like That …”“Mr. Saturday Night”Dec. 13“Street Gang: How We Got to Sesame Street”Dec. 16“Finding Magic Mike”“Juice WRLD: Into the Abyss”“Station Eleven”Dec. 22“The Matrix Resurrections”New to Paramount+“1883”Starts streaming: Dec. 19Given that the modern western drama “Yellowstone” is one of the most-watched series on cable and streaming right now, it was probably inevitable that Paramount and the show’s creator, Taylor Sheridan, would try to expand the franchise. Sheridan — an accomplished writer, director and producer whose credits include the likes of “Sicario” and “Hell or High Water” — ventures back to the late 19th century to follow a grizzled adventurer (played by Sam Elliott) as he helps a pioneer couple (played by Tim McGraw and Faith Hill) find their way to Montana. There, they’ll establish the Dutton ranch that is the main setting of “Yellowstone” — though not without plenty of the obstacles and soul-searching that make the parent show so compelling.Also arriving:Dec. 2“Queen of the Universe”Dec. 23“Reno 911: The Hunt for QAnon”New to Peacock“Baking It”Starts streaming: Dec. 2The team behind the heartwarming reality competition show “Making It” offers as unique twist on the bake-off, in a series in which two-person teams cook in a homey kitchen and try to impress a judging panel of four opinionated grandmas. Maya Rudolph and Andy Samberg are the “Baking It” hosts, serving up playful banter and earnest support as contestants produce creative and delicious treats. The drama level is kept purposefully low, leaving room for lots of good holiday vibes.“MacGruber”Starts streaming: Dec. 16The comedian Will Forte and the “Saturday Night Live” writer-directors Jorma Taccone and John Solomon introduced the resourceful but easily distracted special agent MacGruber (played by Forte) in a series of “SNL” sketches that began in 2007. They spun the character off into a strange 2010 movie that has a fiercely devoted cult of fans; now they’re bringing MacGruber back to TV as a serialized action-adventure spoof, with the hero returning to work after a decade in prison. Kristen Wiig comes back as the superspy’s sidekick, for straight-faced, absurdist riffs on over-the-top ’80s and ’90s international thrillers.Also arriving:Dec. 4“Siwas Dance Pop Revolution”Dec. 9“The Housewives of the North Pole”Dec. 23“Vigil” More

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    The Best Movies and TV Shows Coming to Amazon, HBO, Hulu and More in November

    Every month, streaming services add movies and TV shows to its library. Here are our picks for some of November’s most promising new titles.(Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)Rosamund Pike, center, as the mystic Moiraine escorting the young heroes of “The Wheel of Time.”Jan Thijs/Amazon Studios New to Amazon‘The Wheel of Time’ Season 1Starts streaming: Nov. 19Robert Jordan’s “The Wheel of Time” saga spans 14 fantasy novels plus various supplemental works, with the last of the books having been completed posthumously by the author’s colleague Brandon Sanderson. So if Amazon’s TV version of catches on, there’ll be enough story to tell to keep the show running longer than the “Game of Thrones” series and “The Lord of the Rings” movies combined. “The Wheel of Time” starts as simply as the novels do: with the tale of the mystic Moiraine (Rosamund Pike) who helps a group of young people escape the shadow forces pursuing them, while knowing that someone in her charge may be their land’s long-prophesied champion in an ancient, eternally recurring battle against civilization-destroying chaos agents. As with the books, the TV series is as much character-driven as it is lore-driven.Also arriving:Nov. 5“The Electrical Life of Louis Wain”“A Man Named Scott”“Tampa Baes”Nov. 12“Always Jane”“Mayor Pete”Nov. 19“Everybody Loves Natti”Nov. 29“Burning”Jeremy Renner and Hailee Stanfield in “Hawkeye.”Chuck Zlotnick/Marvel StudiosNew to Disney+‘Hawkeye’Starts streaming: Nov. 24The recent run of Marvel Cinematic Universe TV series have featured some real departures, with shows like “WandaVision,” “Loki” and “What If…?” sporting unusual narrative structures and stories that ventured into the more mystical areas of Marvel Comics. But the six-part mini-series “Hawkeye” promises to be more of a grounded action-adventure, in the vein of “The Falcon and the Winter Soldier” (and with some of the same characters). Jeremy Renner reprises his role as the Avengers’ resident archer and family man Clint Barton, who finds himself training a protégée, Kate Bishop (Hailee Steinfeld), in hopes that he can take care of his latest crisis and get home in time for Christmas. “Hawkeye” was inspired in part by comic book stories penned by Matt Fraction, who brought a playful quality to the title character that should carry over well to television.‘The Beatles: Get Back’Starts streaming: Nov. 25The 1970 documentary “Let It Be” captured both the recording of one of the Beatles’ final albums and the personality conflicts that ultimately led to the band’s breakup. The director Peter Jackson’s three-part docuseries “Get Back” takes the original footage from that documentary (supervised at the time by the director Michael Lindsay-Hogg) and refashions it into a larger story: about the making of the original film, and about what was really happening in the Beatles’ lives back then that even a fly-on-the-wall camera couldn’t catch. Jackson’s version is meant to be a more nuanced take on the band circa 1970, catching the passive-aggressive sniping but also the genuine pleasure these musicians took in working together on classic songs like “Don’t Let Me Down” and “The Long and Winding Road.”Also arriving:Nov. 12“Ciao Alberto”“Home Sweet Home Alone”“Olaf Presents”“The World According to Jeff Goldblum”From left, Douglas Hodge, Elle Fanning and Sacha Dhawan in “The Great.”Gareth Gatrell/Hulu New to Hulu‘The Great’ Season 2Starts streaming: Nov. 19Season one of “The Great” introduced the “occasionally true” story of Catherine II (Elle Fanning), who marries the cruel and capricious Russian emperor Peter III (Nicholas Hoult) and then begins trying to wrest power from him in ways both subtle and overt. The second season picks up not long after the events of last year’s finale, in which the two headstrong aristocrats reached a wary rapprochement, for the sake of their unborn child and for their own private agendas. The series’ creator Tony McNamara was one of the Oscar-nominated screenwriters of “The Favourite,” another unapologetically anachronistic historical dramedy. Expect more of McNamara’s sensibility in year two — along with an exciting new cast addition in Gillian Anderson, playing Catherine’s mother.Also arriving:Nov. 4“Taste the Nation With Padma Lakshmi: Holiday Edition”Nov. 5“Animaniacs” Season 2Nov. 11“3212 Un-Redacted”.css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-3btd0c{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-3btd0c{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-3btd0c strong{font-weight:600;}.css-3btd0c em{font-style:italic;}.css-1kpebx{margin:0 auto;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-1kpebx{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-1kpebx{font-size:1.25rem;line-height:1.4375rem;}}.css-1gtxqqv{margin-bottom:0;}.css-1g3vlj0{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-1g3vlj0{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-1g3vlj0 strong{font-weight:600;}.css-1g3vlj0 em{font-style:italic;}.css-1g3vlj0{margin-bottom:0;margin-top:0.25rem;}.css-19zsuqr{display:block;margin-bottom:0.9375rem;}.css-m80ywj header{margin-bottom:5px;}.css-m80ywj header h4{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:500;font-size:1.25rem;line-height:1.5625rem;margin-bottom:0;}@media (min-width:740px){.css-m80ywj header h4{font-size:1.5625rem;line-height:1.875rem;}}.css-12vbvwq{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-12vbvwq{padding:20px;width:100%;}}.css-12vbvwq:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-12vbvwq{border:none;padding:10px 0 0;border-top:2px solid #121212;}.css-12vbvwq[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-12vbvwq[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-12vbvwq[data-truncated] .css-5gimkt:after{content:’See more’;}.css-12vbvwq[data-truncated] .css-6mllg9{opacity:1;}.css-qjk116{margin:0 auto;overflow:hidden;}.css-qjk116 strong{font-weight:700;}.css-qjk116 em{font-style:italic;}.css-qjk116 a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;text-underline-offset:1px;-webkit-text-decoration-thickness:1px;text-decoration-thickness:1px;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:visited{color:#326891;-webkit-text-decoration-color:#326891;text-decoration-color:#326891;}.css-qjk116 a:hover{-webkit-text-decoration:none;text-decoration:none;}Nov. 17“Marvel’s Hit-Monkey”Tom Hanks as Finch and Caleb Landry voicing Finch’s creation in the film “Finch.”Apple TV+New to Apple TV+‘Dickinson’ Season 3Starts streaming: Nov. 5Although the dramedy “Dickinson” is based on the life of the poet Emily Dickinson, it’s impossible to predict what will happen in the show’s third and final season. “Dickinson” has always been proudly off-kilter, with its creator, Alena Smith, taking the proven facts of writer’s life and then spinning whimsical and at times humorously impossible fantasies about the historical figures Dickinson might have met in mid-19th century Massachusetts, as well as the decadent parties she might’ve attended as a young woman with a thirst for independence. However the series eventually ends, its star, Hailee Steinfeld, continues to bring wit and passion to the role of an artist who wants badly to leave a lasting legacy, but a stubborn patriarchy and the looming threat of Civil War have her fearing that she’ll never get the chance to be heard.‘Finch’Starts streaming: Nov. 5Tom Hanks gets back into “Cast Away” mode in the science-fiction drama “Finch,” playing the title character: a resourceful scientist who is one of the few survivors of an Earth ravaged by environmental disasters. Fearing he is dying of radiation poisoning, Finch builds a robot named Jeff (voiced by Caleb Landry Jones) and fills it with as much useful knowledge as he can, hoping Jeff will help him drive from St. Louis to San Francisco — and that the machine will take care of Finch’s dog after his master is dead. The road trip is filled with surprises and dangers, but most of the movie is just a long conversation between a man and his well-meaning but frequently bumbling creation, as Finch tries to explain to Jeff both how and why to survive tough times.‘The Shrink Next Door’Starts streaming: Nov. 12The journalist Joe Nocera’s true-crime podcast “The Shrink Next Door” tells the story of Dr. Isaac Herschkopf, a psychiatrist who allegedly took control of his patient Martin Markowitz’s life, moving into his ritzy Hamptons estate and eventually guiding his financial decisions. In the TV adaptation, Paul Rudd plays the doctor and Will Ferrell plays Marty. The two actors lean into both the comic and the dramatic possibilities of the codependent relationship that develops between these two men: One who is pushy and the other a pushover. The mini-series’s narrative stretches across decades, as the writer Georgia Pritchett and the director Michael Showalter seek to explain how this situation got out of hand, between a charming opportunist and a person who desperately needed his approval.Also arriving:Nov. 3“Dr. Brain”Nov. 5“Hello, Jack! The Kindness Show”Nov. 19“Harriet the Spy” Season 1“The Line”The cinematographer John Wilson as seen in “How to With John Wilson.”Thomas Wilson/HBONew to HBO Max‘How to With John Wilson’ Season 2Starts streaming: Nov. 26Uniquely strange and sweet, this comic docuseries is built around the eccentric worldview of the persistently upbeat but profoundly confused videographer John Wilson, who tries to make sense of modern human existence by filming the mundane chaos of daily life in New York City and then commenting on it in halting voice-overs. In Season 1, Wilson tried to get a handle on basic concepts like friendship, ownership, security and memory. By the end of the run, he (like everyone else on the planet) saw his life upended by disease and death. It should be exciting — if that’s the right word for a show as gentle as “How to” — to see how Wilson and his crew capture and interpret everything that’s happened in the world since 2020.Also arriving:Nov. 4“Aida Rodriguez: Fighting Words”“Head of the Class” Season 1Nov. 9“Dear Rider”Nov. 16“Simple as Water”Nov. 18“The Sex Lives of College Girls”Nov. 19“King Richard”Nov. 23“Black and Missing” More

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    Why Amazon Is in Business With Judge Judy

    The company hopes a new court show starring the straight-talking judge will help turbocharge its free, ad-supported streaming platform, IMDb TV.CULVER CITY, Calif. — And you thought Amazon’s ambitions in Hollywood were limited to a single streaming service.Amazon Prime Video, of course, ranks as one of the world’s pre-eminent subscription providers of on-demand films and television shows. Last year, Amazon spent $11 billion on entertainment programming, a 41 percent increase from a year earlier. In May, Amazon bought Metro-Goldwyn-Mayer to supercharge its content pipeline even further. For their $13 monthly Prime membership fee, subscribers will soon have exclusive access to “Thursday Night Football.”But the internet giant also owns another streaming service, one that has mostly gone unnoticed. It’s called IMDb TV. Started in 2019 with little fanfare, IMDb TV is free, supported by ads, mostly stocked with reruns — and about to come out of the shadows.Next Monday, IMDb TV will unveil “Judy Justice,” a court show starring the straight-talking Judge Judith Sheindlin, 79, whose wildly popular “Judge Judy” ended in May after 25 years. The new show is essentially a supersized version of the old one — a certified hit, or so IMDb TV hopes, taken from the dying medium of daytime broadcast syndication. The cases being litigated involve amounts up to $10,000. (It was $5,000 before.) Her on-camera courtroom staff has been expanded to include a stenographer and a law clerk.Sarah Rose, 24, a law school student who happens to be Judge Sheindlin’s granddaughter, is the clerk. At the end of each “Judy Justice” episode, Ms. Rose and Judge Sheindlin meet in chambers and chew some fat.“Sometimes I can add something from a younger perspective,” Ms. Rose said, referring to America’s crankiest judge as Nana. “The term LMAO came up on a case the other day, for example, and she needed me to interpret.”“Judy Justice” is similar to “Judge Judy,” which ran for 25 years on broadcast networks.Tracy Nguyen for The New York TimesJudge Sheindlin has ditched the much-discussed clip-on pony tail she wore in the final seasons of “Judge Judy.” (Asked by a reporter to address viewer consternation over her hair, she responded with an epic eye roll.) But she remains defiant — a plain-spoken star at a time when expressing an incongruent opinion can result in vicious blowback online.“I bring eyeballs because, at least for one hour a day, people see that someone is holding the line,” Judge Sheindlin said over lunch. “I’m unafraid to call out irresponsible, un-American behavior. If we settle for mediocrity, we get what we deserve.”A waiter stopped by to top off her glass of rosé. “I think I know the boundary, the limit, of where it’s appropriate to go,” she continued. “I might say to a male defendant: ‘So you’re 22 and you have six kids and no job. Find something else to do with that organ!’ But I don’t say what I would really want to say, which is, ‘Bring it up here to my bench.’”She slammed her knife down on the table. “Whack,” she said gleefully.Amazon is counting on Judge Sheindlin’s chutzpah to help establish IMDb TV as a bigger player in what has become, surprisingly, one of the hottest areas in media: free, ad-supported video on demand. In addition to IMDb TV, which is named after the Internet Movie Database, the crowded field includes Pluto TV, Tubi, Peacock, Roku Channel, Crackle and Xumo. They mostly aggregate older films (“Despicable Me 2,” “Grumpy Old Men”) and reruns (“Little House on the Prairie,” “Good Times”).IMDb TV also offers series like “Mad Men.” Justina Mintz/AMC, via Associated PressOnce seen as dowdy cousins to subscription services like Disney+ and Netflix, which do not carry ads, ad-supported platforms soared in popularity during the pandemic as viewers sought out entertainment comfort food. More viewers than anticipated seem to be willing to put up with a few ad breaks, analysts say. IMDb TV, for one, claims to carry about 50 percent fewer ads than a traditional broadcast network.“Free is always compelling,” said Guy Bisson, executive director of Ampere Analysis, noting that subscription fatigue is setting in among some consumers.Ad-supported streaming services had about 108 million viewers in the United States in 2020, according to eMarketer. The number is expected to climb to 157 million by 2024. (IMDb TV does not disclose raw viewing numbers. In May, it said that year-over-year viewership had increased 138 percent and that 62 percent of viewers were ages 18 to 49, the demographic that advertisers pay a premium to reach.)The online video advertising market is expected to total roughly $82 billion in the United States in 2024, up from $27 billion in 2018, according to Ampere Analysis.IMDb TV is expected to be rebranded, although Amazon has given no date. (Asked if she had complained to Amazon about the awkward name and pressed the company to change it, Judge Sheindlin said, “I have, and they are.” An IMDb TV spokeswoman declined to comment.) At the moment, only 33 percent of entertainment consumers are aware of IMDb TV, ranking the service near the back of the ad-supported pack, according to Screen Engine/ASI. Most competitors are in the 40s.Last year, IMDb TV rolled out its first original drama, “Alex Rider,” based on the popular spy novels for teenagers. A second season is on the way, along with other originals, including a half-hour drama from Dick Wolf, the king of law enforcement TV; a spinoff of “Bosch,” the long-running Prime Video series; a comedy starring Martha Plimpton; and a drama adapted from the 1999 erotic thriller “Cruel Intentions.” Under a new agreement between Amazon and Universal Pictures, Prime Video and IMDb TV will share certain streaming rights to Universal’s theatrical films.In recent months, the IMDb TV app has become available on a wide variety of devices, including iPhones. This fall, Amazon will begin selling its own smart TVs with IMDb TV automatically installed.“Judy Justice” is not without risk. Old “Judge Judy” episodes (there are more than 5,000) continue to run in syndication on local stations, and viewers don’t seem to mind the recycling. About seven million have been tuning in, a decline of only 11 percent from May, when new episodes were airing, according to Nielsen data.How much Judge Sheindlin does one planet need? “You can never have enough of someone who is as smart and as funny and as entertaining as she is,” said Lauren Anderson, IMDb TV’s co-head of programming.The core daytime audience is decidedly senior. Will Judge Sheindlin’s older fans be able to find IMDb TV’s corner of the internet? (Access to IMDb TV programming, including “Judy Justice,” is easiest through Prime Video.)Judge Sheindlin, 79, said she was “relatively worry free” about her new show.Tracy Nguyen for The New York Times“Judy Justice” also represents an experiment for streaming. For the first time, a service is trying to replicate daytime television’s traditional rhythm: New episodes will arrive five days a week and accumulate in a bingeable library. IMDb TV ordered 120 episodes of “Judy Justice,” the largest first-season order ever by a streamer, analysts say. Amazon has an option to order another 120.“We see a space to become a modern broadcast network,” Ms. Anderson said. “While we have seen the ratings decline on broadcast, it’s not because audiences are rejecting the content. It’s about convenience and the delivery route.”Judge Sheindlin deemed herself “relatively worry free” about her new show. Unlike traditional syndication, streaming doesn’t have the pressure of publicly reported ratings. And she doesn’t exactly need the job.“I did the math, and I’ve already got enough for 24-7 nursing care until I’m 150,” she said. (CBS paid her $47 million to tape 260 episodes of “Judge Judy” a year. She declined to discuss her “Judy Justice” salary. Amazon is paying her about $25 million for the first 120 episodes, analysts estimate.)Other television icons — David Letterman, Jay Leno, Jon Stewart, Oprah Winfrey — have approached streaming as a slower, more refined second act. But Judge Sheindlin is sticking with the tried and true. A few weeks ago, she was on the “Judy Justice” set at Amazon Studios doing what she does best — yelling at a dognapper.“Don’t try to talk over me, madam!”Camera operators moved toward her bench for a close-up. Judge Sheindlin, wearing a maroon robe (instead of “Judge Judy” black) with a more stylish collar (begone with you, lace doily), tapped her finger impatiently.“I’m waiting for your proof!” More

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    William Shatner's Star Trek Moment With Jeff Bezos

    A half-century ago, a television show told young people that space travel would be the coolest thing ever. Some of them were even inspired to work toward that goal. Science fiction met reality on Wednesday as one of those fans, now one of the richest people in the world, gave the show’s leading actor a brief ride up into the ether.The mission went according to plan. The aftermath appeared unscripted, and all the better for it.William Shatner, eternally famous as Captain James T. Kirk on the original “Star Trek,” returned to Earth apparently moved by the experience beyond measure. His trip aboard Jeff Bezos’ rocket might have been conceived as a publicity stunt, but brushing the edge of the sky left the actor full of wonder mixed with unease:It was unbelievable … To see the blue cover go whoop by. And now you’re staring into blackness. That’s the thing. The covering of blue, this sheet, this blanket, this comforter of blue that we have around us. We say, ‘Oh that’s blue sky.’ And then suddenly you shoot through it and all of a sudden, like you whip the sheet off you when you’re asleep, you’re looking into blackness.Mr. Shatner was talking to Mr. Bezos immediately after exiting the capsule with the three other passengers. The others greeted their family and friends. Champagne corks popped. There was lots of laughter, high-spirited relief. But Mr. Shatner, a hale 90 standing in the West Texas dust, talked about space as the final frontier:You look down, there’s the blue down there, and the black up there. There is Mother and Earth and comfort and there is … Is there death? I don’t know. Was that death? Is that the way death is? Whoop and it’s gone. Jesus. It was so moving to me.Mr. Bezos listened, still as a statue. Maybe he was just giving Mr. Shatner some space, but it was a sharp contrast to his appearance after his own brief spaceflight in July when he flew the same spacecraft as Mr. Shatner. Then, he held forth from a stage, rousing condemnation from critics of the vast company he founded as he thanked Amazon’s employees and customers for making it possible for him to finance his private space venture.Or maybe Mr. Bezos was just acting naturally. His role model has always been the cool, passionless Mr. Spock rather than the emotional, impulsive Captain Kirk. Amazon, which prizes efficiency above all, was conceived and runs on this notion.When he played at “Star Trek” as a boy, Mr. Bezos has said, he would sometimes take the role of the ship’s computer. Amazon’s voice-activated speaker Alexa was designed as a household version of the “Star Trek” computer, which always had the answer to every question.The word “death,” repeatedly mentioned by Mr. Shatner in his post-flight monologue, is rarely thought of as a selling word for space tourism, which is after all what Blue Origin is promoting. But the actor did supply a positive endorsement.“Everybody in the world needs to do this,” he said. More

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    The Best Movies and TV Shows New to Netflix, Amazon and Stan in Australia in October

    Our picks for October, including ‘Colin in Black & White,’ ‘Poltergeist’ and ‘Diana: The Musical’Every month, streaming services in Australia add a new batch of movies and TV shows to its library. Here are our picks for October.New to NetflixOCT. 1‘Diana: The Musical’The writing and composing team of David Bryan and Joe DiPietro — who won four Tonys, including Best Musical, for their show “Memphis” — reunite for this high-energy, rock ’n’ roll fueled version of the Princess Diana saga. Jeanna de Waal plays the popular, scandal-plagued royal, in a story about her seemingly storybook romance with Prince Charles (Roe Hartrampf) and its unhappy ending. “Diana: The Musical” officially opens on Broadway later this year, but the cast and crew taped a performance over the summer, giving theater fans who can’t make it to New York a chance to see the show.‘The Guilty’In this taut mystery-thriller, Jake Gyllenhaal plays a dedicated but overzealous police officer, who is stuck working at a dispatch desk when he gets a call from a woman (Riley Keough) who claims to be in fear for her life. The director Antoine Fuqua and the screenwriter Nic Pizzolatto follow the lead of the intense 2018 Danish film on which “The Guilty” is based, telling the story mostly from inside the police station. The hero scrambles to use all the investigative resources available to him from his computer and his phone, to try to figure out how to stop what may or may not be a crime in progress.‘Maid’Netflix‘Maid’Based on Stephanie Land’s memoir, the mini-series “Maid” stars Margaret Qualley as a broke single mother named Alex, with very few viable options for work, child-care or safe housing. When she takes a job working for a cleaning service catering to wealthy families in the Pacific Northwest, Alex becomes acutely aware of how much her survival depends on a steady paycheck and a lot of good luck. Qualley gives an outstanding performance in this riveting drama, which turns something as simple as having gas money (or a functioning car) into a source of nail-biting tension.OCT. 6‘There’s Someone Inside Your House’The director Patrick Brice (best-known for the offbeat genre films “Creep” and “Corporate Animals”) and the screenwriter Henry Gayden (who co-wrote the lively superhero movie “Shazam!”) have adapted Stephanie Perkins’s young adult novel “There’s Someone Inside Your House” into a different kind of teen horror movie. Sydney Park plays Makani, the new girl at a Nebraska high school where students with dark secrets are being stalked by a serial killer who wears a mask that resembles the victims’ faces. While these kids try to dodge murder, they also hustle to avoid having their deepest regrets made public.‘The Baby-Sitters Club’ Season 2One of 2020s most delightful surprises returns for a second season of family-friendly television. Based on Ann M. Martin’s beloved book series, “The Baby-Sitters Club” is about a circle of industrious teenage friends who run a child-care business while also helping each other with their problems. The show uses the plots of the novels as a starting point for modern stories about school, parents, relationships and responsibility.‘Colin in Black & White’NetflixOCT. 29‘Colin in Black & White’The Colin in the title of “Colin in Black & White” is Colin Kaepernick, the former NFL quarterback and social activist who sparked controversy across the United States when he started kneeling before football games during the singing of the national anthem. Here, Kaepernick and the producer-director Ava DuVernay tell the athlete’s story by looking back at his childhood, revisiting moments when the biracial Colin (Jaden Michael) came into conflict with his coaches, his classmates and his adoptive white parents (played by Nick Offerman and Mary-Louise Parker) as he tried to embrace his cultural roots.Also arriving: “On My Block” (Oct. 4), “Backing Impossible” Season 1 (Oct. 6), “Pretty Smart” (Oct. 8), “Bright: Samurai Soul” (Oct. 12), “Convergence: Courage in a Crisis” (Oct. 12), “The Movies That Made Us” Season 3 (Oct. 12), “The Four of Us” (Oct. 15), “Karma’s World” (Oct. 15), “You” Season 3 (Oct. 15), “Found” (Oct. 20), “Night Teeth” (Oct. 20), “Stuck Together” (Oct. 20), “Sex, Love & goop” (Oct. 21), “Inside Job” (Oct. 22), “Locke & Key” Season 2 (Oct. 22), “Maya and the Three” (Oct. 22), “Hypnotic” (Oct. 27), “Army of Thieves” (Oct. 29).New to Stan‘Sort Of’StanOCT. 6‘Sort of’ Season 1This Canadian dramedy stars Bilal Baig as Sabi, a gender-fluid child of Pakistani immigrants. While working as a nanny by day and a bartender by night, Sabi tries to maintain meaningful relationships with both their traditionalist family and their L.G.B.T.Q. friends — two very different factions who are sometimes equally confounded by what it means to be nonbinary. This is a show about a person making a space for themselves, outside of the conventional categories.Oct. 8‘One of Us Is Lying’ Season 1Like the Karen M. McManus young adult mystery novel on which it’s based, the teen drama series “One of Us Is Lying” is part “The Breakfast Club,” part “Gossip Girl” and part Agatha Christie whodunit. When five students are framed by a troublemaking peer and stuck in after-school detention, four of them become murder suspects after one of their group — an incorrigible gossip named Simon (Mark McKenna) — drops dead under strange circumstances. To clear their names, the other kids work together, forming an “us against the world” bond as their secrets become public.OCT. 16‘Boogie Nights’The cinephile favorite writer-director Paul Thomas Anderson has a new movie coming out later this year: “Licorice Pizza,” a teen dramedy set in Los Angeles’s San Fernando Valley in the 1970s. So now is the perfect time to revisit Anderson’s breakthrough film, 1997’s “Boogie Nights,” also set in the Valley in the ’70s (and ’80s). Ostensibly the story of a fast-living, sweet-natured porn star named Dirk Diggler (Mark Wahlberg), “Boogie Nights” is really about L.A. misfits forming a makeshift family and then fighting to hold it together as drugs, money, fame and changing cultural attitudes start pulling everything apart.OCT. 21‘Poltergeist’Looking for some classic horror this October? You can’t go wrong with 1982’s “Poltergeist,” a witty and frightful tale about ancient spirits terrorizing a pristine new suburban subdivision. Directed by Tobe Hooper (best-known for “The Texas Chain Saw Massacre”) and produced and co-written by Steven Spielberg (riding high at the time from the success of “Raiders of the Lost Ark” and “E.T.”), “Poltergeist” starts out as a dryly funny portrait of a pleasant middle-class family. Then all hell breaks loose, turning an ordinary American neighborhood into a village of the damned.OCT. 28‘Love Life’ Season 2The romantic comedy anthology series “Love Life” returns for a second season with a new story, featuring a few of the first season’s characters in smaller roles (including last year’s protagonist Darby, played by the show’s co-producer Anna Kendrick). This time out, William Jackson Harper takes the lead as Marcus, a New Yorker still reeling from a recent divorce from the woman he thought would be his partner for life. As he re-enters the dating world, which has changed drastically since the last time tried to find a mate, Marcus takes the opportunity to re-evaluate what he really wants from a relationship.Also arriving: “A Good Man” Season 1 (Oct. 13), “Canada’s Drag Race” Season 2 (Oct. 15), “Hightown” Season 2 (Oct. 17), “All American” Season 4 (Oct. 26), “The Last O.G.” Season 4 (Oct. 27), “Sisterhood” Season 1 (Oct. 29), “Walker” Season 2 (Oct. 29).New to Amazon‘Welcome to the Blumhouse’ Season 2AmazonOCT. 1‘Welcome to the Blumhouse’ Season 2The second round of original feature-length horror films for Blumhouse Productions’ anthology series “Welcome to the Blumhouse” follows a slightly different formula from last year’s batch. The movies “Bingo Hell” (about senior citizens protecting their gentrifying neighborhood from a demonic villain), “Black as Night” (about a New Orleans teen hunting vampires who prey on the homeless), “Madres” (about Mexican American migrant workers plagued by terrifying premonitions), and “The Manor” (about a nursing home under siege from supernatural forces) put unique twists on conventional genre fare, telling stories about people on society’s margins who battle insidious evils.OCT. 15‘I Know What You Did Last Summer’ Season 1Based on a 1973 Lois Duncan horror novel (and its hit 1997 movie adaptation) the teen slasher series “I Know What You Did Last Summer” follows a group of high school friends and acquaintances whose lives change after a terrible accident. As a serial killer targets the kids involved in a fatal car wreck, they realize they have to abandon their carefully crafted public personas so they can solve the mystery of who knows their terrible secret.OCT. 29‘Fairfax’ Season 1In this edgy animated satire, the voice actors Skyler Gisondo, Kiersey Clemons, Peter Kim and Jaboukie Young-White play a group of Los Angeles teens who dedicate most of their energy and talent to becoming social media influencers. “Fairfax” is partly a knowing look at plugged-in American youth in the 2020s, and partly an absurdist comedy in which the pursuit of clout frequently turns into surreal adventures.Also arriving: “All or Nothing: Toronto Maple Leafs” (Oct. 1), “My Name Is Pauli Murray” (Oct. 1), “Justin Bieber: Our World” (Oct. 8). More

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    The Best Movies and TV Shows Coming to Amazon, HBO, Hulu and More in October

    Every month, streaming services add movies and TV shows to its library. Here are our picks for some of October’s most promising new titles.(Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)Brian Cox as the Roy family patriarch in “Succession.”David M. Russell/HBONew to HBO Max‘The Many Saints of Newark’Starts streaming: Oct. 1This movie-length prequel to the groundbreaking cable series “The Sopranos” looks back at life in the late 1960s for a notorious family of New Jersey mobsters and their various colleagues and enemies. It’s a film about the evolving nature of organized crime and race relations, at a time when the United States was experiencing rapid social changes that some sectors — like the old-school Mafia — resisted. Written by “The Sopranos” creator David Chase and directed by Alan Taylor (one of the show’s regulars), “The Many Saints of Newark” tells a sprawling story of criminal rivalries, balancing pulpy violence with dark comedy. Chase also returns to one of his core themes, considering how parental pressure and macho pride affect the choices of a young Tony Soprano, played here by Michael Gandolfini (the son of TV’s Tony, James Gandolfini).‘Succession’ Season 3Starts streaming: Oct. 17It has been nearly two years since HBO aired the Season 2 finale of this Emmy Award-winning drama. During the long, pandemic-fueled delay, fans have been eager to find out what will happen to the mega-rich Roy family and their right-wing media empire, after the troubled son Kendall (Jeremy Strong) and his goofy cousin Greg (Nicholas Braun) went public with evidence of a messy scandal. That cliffhanger ending set up a bloody fight between Kendall and his cantankerous, megalomaniacal father, Logan (Brian Cox), with the other power-hungry Roy kids Siobhan (Sarah Snook) and Roman (Kieran Culkin) left to decide where their loyalties should lie. Expect another year of jarring twists and unsparing satire from “Succession,” one of TV’s most exhilarating shows.Also arriving:Oct. 7“15 Minutes of Shame”Oct. 11“We’re Here” Season 2Oct. 14“Aquaman: King of Atlantis”“Phoebe Robinson: Sorry, Harriet Tubman”“What Happened, Brittany Murphy?”Oct. 18“Women Is Losers”Oct. 20“Four Hours at the Capitol”Oct. 21“Reign of Superwomen”Oct. 22“Dune”Oct. 24“Curb Your Enthusiasm” Season 11“Insecure” Season 5Oct. 26“The Mopes”Oct. 28“Love Life” Season 2From left, John Cale, Sterling Morrison and Lou Reed as seen in “The Velvet Underground.”Apple TV+New to Apple TV+‘The Velvet Underground’Starts streaming: Oct. 15It would be hard for any filmmaker to make a documentary about the influential 1960s band the Velvet Underground as inventive and mind-expanding as the group itself, but Todd Haynes sure comes close. The director behind “Velvet Goldmine” and “I’m Not There” clearly understands not just the primitivist art-rock that the singer-songwriters Lou Reed and John Cale pioneered — a sound that inspired thousands of punk, New Wave and power-pop acts in the decades that followed — but also the New York underground culture that nurtured the Velvets. Combining new interviews, vintage audio clips and hypnotic old avant-garde films from the likes of Andy Warhol and Jonas Mekas, “The Velvet Underground” captures both the brilliance and the chaos surrounding a band who documented both the ugliness and the beauty underlying the hippie era.‘Invasion’Starts streaming: Oct. 22Shot in locations around the world, this big-budget science-fiction series employs an ensemble cast to tell a story about the arrival of an Earth-threatening alien species. The show stars Sam Neill as a small-town sheriff, Shamier Anderson as a soldier stationed overseas, Shioli Kutsuna a mission-control engineer in Japan’s space program and Golshifteh Farahani and Firas Nassar as married Syrian immigrants living in New York. The “Hunters” creator David Weil and the writer-producer Simon Kinberg (best-known for his work on blockbuster superhero movies, including multiple X-Men films) collaborated on “Invasion,” which uses a fantastical, action-packed plot as a way to examine something relevant to today: how people cope with escalating crises that could wipe out life as we know it.Also arriving:Oct. 8“Acapulco”“Get Rolling With Otis”Oct. 15“Puppy Place”Oct. 29“Swagger”Rosario Dawson as a Drug Enforcement Administration agent facing down the opioid epidemic in “Dopesick.”Gene Page/HuluNew to Hulu‘Dopesick’Starts streaming: Oct. 13An all-star cast tackles the origins of the opioid crisis in this mini-series, based on the journalist Beth Macy’s 2018 nonfiction book “Dopesick: Dealers, Doctors and the Drug Company that Addicted America.” The director Barry Levinson and the writer-producer Danny Strong turn the complicated saga of how Purdue Pharma marketed the painkiller OxyContin into a focused story, mostly about the people in one small mining town: including a compassionate doctor (Michael Keaton) and an addict (Kaitlyn Dever). Michael Stuhlbarg (as a former Purdue leader, Richard Sackler), Rosario Dawson (as a Drug Enforcement Administration agent) and Peter Sarsgaard (as a crusading lawyer trying to expose the insidious effects of a community-wide addiction) add their own strong personalities.Also arriving:Oct. 7“Baker’s Dozen”Oct. 8“Jacinta”Oct. 12“Champaign ILL”Oct. 14“Censor”Oct. 21“The Evil Next Door”“The Next Thing You Eat” Season 1Oct. 22“Gaia”Kermit the Frog and Miss Piggy in “Muppets Haunted Mansion.”Mitch Haaseth/DisneyNew to Disney+‘Muppets Haunted Mansion’Starts streaming: Oct. 8The Muppets’ first Halloween special leans on a classic horror-comedy plot, as the Great Gonzo and Pepe the King Prawn explore a ghost-infested house and deal with its baffling secret passageways and untrustworthy human hosts (played by Will Arnett, Taraji P. Henson and Darren Criss, among others). In just under an hour, the Muppets and their guests deliver a rapid-fire assortment of songs and puns, along with some Halloween-themed parodies of “The Muppet Show” itself — plus plenty of references to the original Disneyland attraction that gives this special its name. “Muppets Haunted Mansion” is geared toward longtime Muppets fans, but it should also appeal to anyone who loves old-fashioned gothic horror stories.Also arriving:Oct. 1“LEGO Star Wars Terrifying Tales”Oct. 6“Among the Stars”Oct. 13“Just Beyond”New to Amazon‘I Know What You Did Last Summer’ Season 1Starts streaming: Oct. 15Back in 1997, Lois Duncan’s 1973 young adult novel “I Know What You Did Last Summer” inspired a hit slasher film, which itself spawned multiple sequels. Now the book has become a TV series, which updates the original’s premise to the age of social media. Once again the story is about a circle of self-involved high school friends who have to grow up in a hurry when a mysterious killer starts a campaign of revenge against them after a fatal hit-and-run accident. But the themes this time out are more up-to-the-minute, dealing with the disconnect between how some young people present themselves online and the troubles in their personal lives. It’s a thriller where the threat of public embarrassment is as scary as any murderer.‘Fairfax’ Season 1Starts streaming: Oct. 29Fans of “Bojack Horseman” and Adult Swim cartoons will recognize the sensibility of this adult animated series about a handful of Los Angeles teenagers who behave like “extremely online” mini-adults, obsessed with hard-to-find fashions and exclusive experiences. Skyler Gisondo, Kiersey Clemons, Peter Kim and Jaboukie Young-White voice the kids, whose problems include the commonplace (like desperately wanting to buy a kitschy limited edition T-shirt) and the strange (like finding an underground fighting pit beneath a hip boutique). “Fairfax” — named for the Los Angeles avenue — is part slice-of-life comedy, part absurdist satire of Gen Z consumerism, spoofing the next wave of wannabe influencers.Also arriving:Oct. 1“All or Nothing: Toronto Maple Leafs”“My Name Is Pauli Murray”“Welcome to the Blumhouse” Season 2Oct. 8“Justin Bieber: Our World” More

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    Daniel Craig après 007

    The New York Times traduit en français une sélection de ses meilleurs articles. Retrouvez-les ici.Il y a environ un an et demi, j’avais rendez-vous avec Daniel Craig au Musée d’Art Moderne de New York pour discuter de son dernier James Bond “No Time to Die” (“Mourir peut attendre”) et dire adieu à l’espion séducteur qu’il incarne depuis 2006.Avant de s’assoir à table, dans une salon privé du restaurant du musée, Craig m’a tendu le flacon de gel hydroalcoolique qu’il avait sur lui. “C’est de l’or en barre, ce truc”, m’a-t-il lancé avec désinvolture. “C’est un truc de dingue — les gens vendent ça quelque chose comme 25 dollars la dose.”Ce moment s’avèrera sans doute le plus marquant de l’interview. La suite, qui a duré une heure, s’est passée à converser poliment du tournage de “Mourir peut attendre” (dont la sortie était prévue le mois suivant) et de sa satisfaction à la fois de son travail et du fait d’avoir terminé sa mission.Nous nous sommes quittés et, deux jours plus tard, la MGM et les producteurs de la franchise James Bond annonçaient qu’ils reportaient à novembre la sortie de “Mourir peut attendre”, citant leurs “appréciation attentive et examen approfondi du marché global du cinéma”. (“C’est une décision purement économique que nous pouvons comprendre et qui n’est pas liée à la montée des craintes suscitées par le coronavirus,” écrivait à l’époque, peu convaincante, la revue spécialisée Deadline.)Sans film à promouvoir, Craig a tout de même participé ce week-end-là au show télévisé “Saturday Night Live”. Au programme, un sketch joyeusement loufoque sur l’effet du coronavirus sur les feuilletons, et la présentation par Craig de l’invité musical, le chanteur canadien the Weeknd, sur un ton d’une délectation inattendue. Le lendemain, il quittait New York en famille avec sa femme, la comédienne Rachel Weisz — et le pays plongeait tête la première dans la pandémie.Les frivolités sans lendemain se sont faites rare dans les mois qui ont suivi. Mais en dépit des incertitudes quant au devenir de la pandémie et du caractère imprévisible du box-office d’une semaine à l’autre, la MGM — après deux reports supplémentaires de la sortie du film — a finalement résolu de sortir “No Time to Die” le 8 octobre aux USA (le 6 octobre en France).Une scène de “Mourir peut attendre”, dont la sortie a été retardée plusieurs fois en raison de la pandémie. “J’ai tellement hâte que les gens puissent voir ce film, et j’espère qu’il leur plaira,” dit l’acteur. Nicola Dove/MGMDes adieux pénibles et interminables, en fin de compte, pour Craig, qui a 53 ans. Dès le moment où il a été choisi pour succéder à Pierce Brosnan dans le rôle de 007, il n’était pas une incarnation évidente ou élégante du personnage. Son allure, trop fruste; son CV cinématographique, trop mince ; ses cheveux, trop blonds.Craig m’a raconté lors de cette première rencontre qu’il était persuadé qu’on l’avait invité à auditionner comme chair à canon, pour faciliter le choix d’un autre acteur pour le rôle. “J’étais un acteur parmi beaucoup d’autres — quelqu’un à éliminer,” estimait-il alors. Il pensait, au mieux, décrocher un rôle secondaire de vilain: “Tiens, joue le méchant”.Au lieu de cela, après ses débuts dans “Casino Royale”, Craig a continué en 2008 avec “Quantum of Solace” avant d’enchaîner les suites épiques de “Skyfall » (2012) et de “Spectre” (2015). Ses James Bond ont engrangé plus de 3 milliards de dollars au niveau mondial, de plus en plus ambitieux en termes d’échelle et vertigineux en termes de durée de vie à l’écran.Malgré quelques signes de lassitude — lorsque Time Out lui a demandé s’il s’imaginait continuer, il a répondu : “je préférerais casser ce verre et m’ouvrir le poignet” — et pas mal de blessures, Craig convient qu’il avait envie de jouer une dernière fois ce Bond morose et impassible, histoire de terminer l’histoire commencée avec “Casino Royale”.“Je voulais y mettre de la cohérence”, me dit-il, avant d’ajoutant en riant : “Peut-être qu’on se souviendra de moi comme du Bond Bougon. Je n’en sais rien. C’est mon Bond à moi et je dois l’assumer, ça a été mon Bond. Mais ça me convient tout à fait.””Je ne me dévoile peut-être pas autant que les gens le souhaiteraient, mais c’est mon choix,” dit Daniel Craig. “Ça m’a sans doute valu des ennuis.”Devin Oktar Yalkin pour The New York TimesLe tournage de “Mourir peut attendre”, même en 2018 et 2019, les années insouciantes d’‘avant’, n’a pas été simple pour Craig, qui en était coproducteur comme pour “Spectre”. Danny Boyle a accepté le poste de réalisateur avant de se rétracter, citant des différends sur la création. C’est finalement Cary Joji Fukunaga qui réalisera le film. Craig s’est blessé à la cheville pendant le tournage, nécessitant une petite opération.L’acteur qui, la pandémie aidant, aura incarné Bond plus longtemps qu’aucun de ses prédecesseurs , a dû ensuite patienter 18 mois avant de pouvoir dévoiler le film de 2 heures et 43 minutes qui le libère enfin de ses obligations envers les Services Secrets de Sa Majesté. Dans l’intérim, il a déjà tourné une suite à “Knives Out” (“À couteaux tirés”), le thriller de Rian Johnson de 2019. Il y retrouve son rôle de Benoit Blanc, le détective-gentleman dont la fantaisie cultivée en dit peut-être beaucoup sur tout ce que Craig ne pouvait se permettre en tant que James Bond.Quand nous nous sommes reparlé au téléphone en septembre, Craig était à la fois aussi réservé qu’à l’accoutumée et un peu plus détendu. Le fait de savoir que “Mourir peut attendre” se concrétisait enfin lui donnait la liberté de réfléchir à ce que son expérience de James Bond signifiait pour lui — toutes proportions gardées. Sur la question de l’évolution possible de la franchise James Bond— comme par exemple du plan d’Amazon d’acheter MGM — son laconisme en disait long.Et bien sûr, la star peu loquace avait un autre secret dans sa manche : on a appris ce mercredi que Craig est à l’affiche d’une nouvelle production de “Macbeth” à Broadway, dans le rôle-titre du noble écossais assoiffé de pouvoir. Ruth Negga sera Lady Macbeth à ses côtés. (Cette production mise en scène par Sam Gold débutera en avant-première au Lyceum Theater à Broadway le 29 mars, avant une sortie le 28 avril.)Craig l’a dit plus d’une fois au cours de nos conversations: il n’est qu’un comédien à ne pas confondre avec son futur ex-alter ego.“Tout ce que je souhaitais au fond, c’était d’en vivre,” dit-il de la profession d’acteur. “Je voulais ne pas avoir à servir les tables, ce que je faisais depuis l’âge de 16 ans. Je me suis dit que si je pouvais faire ça et qua payait mon loyer, alors j’aurais réussi.”“Croyez-moi, je ne suis qu’un simple mortel,” conclut-il.Craig a également évoqué la longue attente de la sortie de “Mourir peut attendre” et partagé — pour l’heure — ses dernières pensées sur James Bond. Voici les extraits édités de deux conversations ultérieures.Comment avez-vous vécu l’année et demi écoulée ? Comment ça va, d’une façon générale ?Ça va, autant que faire se peut. J’ai la chance incroyable d’avoir une famille merveilleuse et d’avoir un lieu en dehors de la ville où on a pu s’installer loin de cette espèce de folie. On a quitté la ville le 8 mars. La veille au soir, j’avais fait le “Saturday Night Live”, c’était vraiment surréaliste. Ça a été une année difficile pour tout le monde, et il s’est passé des choses pas très agréables, mais c’est comme ça.Il n’est pas impliqué dans la recherche du prochain 007. “Quelle que soit la personne choisie, je lui souhaite bonne chance.” Devin Oktar Yalkin pour The New York TimesEst-ce que c’est une leçon d’humilité, de jouer des personnages définis par leur aptitude et leur ingéniosité, puis de vivre une expérience dans la vraie vie qui vous rappelle que nous sommes tous à la merci de forces supérieures ?Bon, de toute façon c’est pas comme ça que je me sens. Je me sens comme un être humain normal la plupart du temps. J’ai aucune connexion avec les personnages que je joue. Je veux dire, vraiment aucune. C’est tout ce qu’ils sont. Tellement de choses ont été relativisées. C’est difficile de ne pas simplement voir le monde d’une manière différente. Je suis sûr que c’est pareil pour tout le monde.Il y a une vidéo qui circule d’un discours à vos collègues et votre équipe à la fin du tournage de “Mourir peut attendre”. Vous avez terminé les larmes aux yeux, et ça m’a rassuré que vous montriez vos émotions — que vous puissiez être vulnérable comme ça.Je ne me dévoile peut-être pas autant que les gens le souhaiteraient, mais c’est mon choix. Ça m’a sans doute valu des ennuis et les gens se sont fait leur propre opinion sur moi. Mais je suis un être humain incroyablement émotif. Je suis un acteur. Enfin, c’est mon métier. Et la vidéo dont vous parlez, c’est le point final de 15 années de ma vie dans lesquelles j’ai mis tout ce que je pouvais mettre. Je serais une espèce de sociopathe si je n’avais pas un peu la gorge nouée après tout ça. Heureusement, je ne suis pas un sociopathe.Si tout s’était passé comme prévu il y a un an et demi, vous auriez eu droit à un tour de piste un peu plus flamboyant. Tout ceci vous semble-t-il assez discret, au final ?Rajoutez Covid à la fin de chaque phrase. Je suis optimiste sur tout ça. Je suis simplement heureux qu’on ait pu en arriver là parce que Dieu sait qu’il y a un an et demi, rien de tout ça n’avait de sens ou ne semblait même dans le domaine du possible. Je suis incroyablement heureux qu’on soit au point de permettre au public d’aller le voir. J’ai tellement hâte que les gens puissent voire ce film, et j’espère qu’il leur plaira.Combien de projets prennent 15 ans dans une vie ? C’est le temps qu’il faut normalement pour obtenir un doctorat ou une chaire d’université à son nom.C’est vrai. [Rire] Je n’ai ni l’un ni l’autre, loin de là. Mais c’est très gentil à vous de le poser en ces termes.Qu’est-ce qui va vous manquer de James Bond ?Ce qui va me manquer, c’est l’immense effort d’équipe que ça demande. On a commencé le projet il y a presque cinq ans, aussi frustrant et anxiogène que ça puisse être. Parfois, j’ai l’impression que ça ne va pas se faire, mais c’est un processus incroyablement créatif, et ça va me manquer. J’ai d’autres projets en cours, et ils seront valorisants, mais rien ne vaut un film de James Bond.Quelque chose de spécifique à propos du personnage lui-même ?Je l’ai joué. Je lui ai donné tout ce que je pouvais. Il est aussi accompli pour moi que j’ai pu y arriver. Enfin, qui sait ? Je n’ai pas de réponse claire à cela.Daniel Craig dans son premier James Bond, “Casino Royale” (2006).Jay Maidment/MGM and Columbia PicturesEn 2008 dans “Quantum of Solace”, son deuxième Bond, avec Olga Kurylenko.Karen Ballard/MGM and Columbia PicturesWe haven’t seen Craig as Bond since “Spectre” (2015).Jonathan Olley/MGM and Columbia PicturesLa franchise est devenue de plus en plus ambitieuse, comme le montre “Skyfall” (2012).Francois Duhamel/MGM and Columbia PicturesVous êtes parent. Pensez-vous que James Bond signifiera quelque chose pour vos enfants et leur génération ?Si vous comprenez aussi bien les enfants, je dirais que c’est vous qui méritez une chaire. Je ne les comprends pas très bien. Ils sont une énigme pour moi, et si ces films leur apportent quelque chose plus tard, ce sera leur voyage, pas le mien.Êtes-vous impliqué d’une quelconque manière dans la recherche de votre successeur, quel qu’il soit ?Daniel Craig’s History as James BondCard 1 of 715 years of Bond: More