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    ‘And Just Like That …’ Season 2, Episode 5 Recap: Meet-Ugly

    Carrie used to be looking for true love. It’s safe to say that whatever she found in this week’s episode, it was something else.Season 2, Episode 5:In the final scenes of the original “Sex and the City” series, Carrie describes herself as someone who is looking for love. “Real love,” to be specific. “Ridiculous, inconvenient, consuming, can’t-live-without-each-other love.”Flash forward to this week, and it’s safe to say this wasn’t that.In this week’s episode of “And Just Like That …,” Carrie has what I wish I could call a meet-cute with George (Peter Hermann), an urban cyclist and tech entrepreneur, except that it isn’t cute at all. It’s pretty uncomfortable.On the phone with Seema, who is describing the logistics of her new boyfriend’s penis pump, Carrie pauses in shock right in the middle of a bike lane. George, riding at full speed and making no attempt to brake, crashes nearly into her and directly into the sidewalk.“You can’t stop in the middle of a bike lane!” George screams at Carrie, his yell rising to a jerky sounding roar.Understandable? Yes. He is lying broken on the ground because of her. But cute? Charming? Inducing of the romantic warm fuzzies? Not really.Carrie insists on taking George to at least one Olsen twin’s favorite urgent-care center, where she dutifully helps him fill out forms and waits while he is treated for a broken wrist. I would like to say it gets cute from there, but it never really hits that vibe.Apparently still guilt-ridden, and armed with his home address from the medical forms, Carrie pops by George’s place the next day with a stack of soups and her laptop, offering to help him with the “app deck” he so desperately needs to finish before his business partner, Paul (Armando Riesco), yells at him again. (A few clues — his partner’s desperation, his declined credit card at the clinic — misled her into believing he was hard-up for money. Boy, did that turn out to be wrong: Was that a Calder sculpture hanging from his ceiling?)There’s a brush of a wrist. Smiles are exchanged. They kiss — kind of for the heck of it? They seem to lean in not because they’re attracted to each other or feeling some sort of enchantment but because they are both in their mid-50s, single, in a similar tax bracket and might as well.Twice a dalliance like this occurs, and in both cases, Paul busts it up like a jealous frat bro. He can’t have Carrie messing with George’s head when they have decks to messenger! (When was the last time anyone in the tech world required a pitch to be printed instead of emailed? But OK!)When an impromptu FaceTime therapy session with Paul interrupts Tryst No. 2, it’s enough to send Carrie packing. She makes a lame, antiquated crack about George’s being “married” to Paul and leaves, never to return.So what is the point of this short-lived fauxmance? There is no point, which is the point of this episode. The classic Carrie we know was, in fact, always looking for real love. But in her quest for it — as in so many people’s — there are a lot of George-like nothingburgers along the way.Remember “Power Lad,” who lived with his parents? The “good on paper” Dr. Bradley Meego? The list goes on. This episode serves as a reminder that there are far more Georges out there than Bigs and Aidans.Conversely, Miranda and Che remain in a very committed place, though it is becoming more apparent that they are two different people from entirely different worlds. Miranda spent decades as a big shot attorney and mom while Che is riding a new wave of fame and fast money. Now that their honeymoon stage in Los Angeles is over, it’s no surprise that their lifestyles are clashing. Between Che’s after-hours parties and Miranda’s pre-dawn alarm bell, neither seems to be getting more than a couple of hours’ sleep each night, which leads Miranda to take up Nya on her offer of a place to stay.This spare room proves useful when a focus group rips Che’s show — and the authenticity of Che’s character, specifically — to shreds; it seems likely now that Che’s pilot won’t get picked up. Miranda attempts to comfort Che with over-the-top encouragement, but it has the opposite effect. Che wants only a hug and a few days of space. Miranda is out, indefinitely.Elsewhere, Seema decides that a penis pump isn’t a deal breaker and agrees to keep seeing her new beau, Edward (Daniel Cosgrove). When she breaks out a sex device of her own, though, he balks, taking offense that she would recruit anything battery operated for her own pleasure.His objections are overtly misogynistic, of course, and Seema calls that out immediately. Edward huffs and puffs and walks out, and as he shouts at her that it’s “not cool,” she simply turns up the speed, drowning him out.It’s something this franchise has always done well, which is to make insecure men the butt of the joke. If that makes these zeros “disposable,” as a fictional Michiko Kakutani review of Carrie’s book once described her boyfriends, so be it.Things still taking up space in my brain:I really, really don’t ever want to see Harry in that wig again.After the dust that has been kicked up over Jonah Hill’s alleged texts to his ex-girlfriend, which many have characterized as manipulative and controlling, the way in which Herbert criticizes Lisa’s dancing with Anthony hits different. More

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    Does ‘And Just Like That …’ Signal the End of Stealth Wealth?

    So does the pop culture and fashion wheel turn.And just like that, stealth wealth, the aesthetic made viral by “Succession,” with its toxic billionaires in their Loro Piana baseball caps and Tom Ford hoodies locked in a C-suite cage match to the death, has been swept off screen.In its place: logomania, branding that can be seen from whole city blocks away and accessories that jangle and gleam with the blinding light of bragging rights.The outfits, that is to say, of Carrie and Co. in Season 2 of “And Just Like That …,” the “Sex and the City” reboot come recently to Max — the streamer that, as it happens, also gave us the Roys in their greige cashmere. Both shows are set in New York City, the home of strivers and entrepreneurs, of “Washington Square” and Wharton, of constantly evolving social castes highly, and literally, invested in their own identifiable camouflage.If watching “Succession” was in part like engaging in a detective game to suss out what character was wearing what brand, so insider were the fashion politics, watching “And Just Like That …” is like attending brandapalooza: the double Cs and Fs and Gs practically whacking you on the head with their presence. (Warning: Spoilers are coming.) All the over-the-top fashionista-ing is back. The room-size closets!It’s the yin to the “Succession” yang: a veritable celebration of the comforting aspirational dreams of self-realization (or self-escapism) embedded in stuff that may actually be the most striking part of an increasingly stale series. Certainly, the clothes, which often serve as their own plot points, are more memorable than any dialogue.Well … except maybe for that instantly classic line in Episode 1, uttered by Lisa Todd Wexley (Nicole Ari Parker) on her way to the Met Gala in reference to her gown and feather hat: “It’s not crazy — it’s Valentino.” But that’s the exception that proves the rule.Lisa Todd Wexley stopping traffic on her way to the Met Gala in Valentino.Craig Blakenhorn/MaxThere is Carrie (Sarah Jessica Parker), with her multiple Manolos and Fendis, self-medicating with shopping, returning home one day with six Bergdorf Goodman bags. Charlotte (Kristin Davis) toting her Burberry doggy poop bag (also possessed of a Burberry apron and Burberry ear muffs) and bemoaning the fact that her teenage daughter hocked her Chanel dress to fund her musical aspirations.Lisa Todd Wexley dropping her kids off for camp in a bright green Louis Vuitton jacket and scarf. And Seema (Sarita Choudhury), the character that passes for a restrained dresser thanks to her penchant for neutrals (and the occasional animal print), loudly lamenting the theft of her caramel-colored Hermès Birkin — one of her totems of self, ripped directly from her hands.Lisa Todd Wexley dropping her children off for camp in Louis Vuitton.Jason Howard/Bauer-Griffin/GC ImagesSeema with her caramel-colored Hermès Birkin.Jose Perez/Bauer-Griffin, via GC ImagesThere is Loewe and Pierre Cardin; Altuzarra and Dries Van Noten. There is also an effort to repurpose clothes, like Carrie’s wedding dress, in order to promote the virtues of rewearing, but it’s pretty much lost in all the rest of the muchness. There is a dedicated Instagram account on which the costume designers Molly Rogers and Danny Santiago share their finds, with 277,000 followers. @Successionfashion, by contrast, has 184,000.All of which means what, exactly? Is the era of quiet luxury, so recently embraced by TikTok, already at an end? Have our attention spans, so famously abbreviated, moved on? Has the physics of fashion exerted its force and produced an equal and opposite reaction to an earlier action?As if. In many ways, the fashion in “And Just Like That …” seems to protest too much. In part that’s because it seems like a regurgitation of the fun that came before, which was itself a reaction to the minimalism of the early 1990s, which itself was born in that decade’s recession.The fact is, no matter how much lip service has been paid to quiet luxury or stealth wealth or whatever you want to call it, and how it is 2023’s “hottest new fashion trend,” it was never a recent invention. It has been around since way back when it was referred to as “shabby chic” or “connoisseurship” or “old money,” all synonyms for the kind of product that didn’t look overtly expensive but was a sign of aesthetic genealogy — the difference between new money and inherited money that fashion co-opted and regurgitated to its own ends. Just as more obviously coded consumption has been around since Louis Vuitton plunked his initials on some leather back in 1896 or since Jay Gatsby started tossing his shirts.Note the Fendi bag on the back of Carrie’s chair.HBO MaxFind the Burberry-branded doggy poop bag tucked on Charlotte’s arm.HBO MaxWe’ve been declaring the “end of logos” and, alternately, the “rise of stealth wealth” for decades now. There are cycles when one is more ubiquitous than the other (usually having to do with economic downturns when flaunting disposable income is not a great look), but they exist in tandem. They help define each other.Consider that during the current economic uncertainty, exactly the kind of environment that tends to fast-forward the appeal of low-key high-cost items, the most successful global brands have remained the most highly identifiable: Louis Vuitton, Chanel, Hermès. Or that in his recent debut for Louis Vuitton, Pharrell Williams introduced a bag called Millionaire that costs — yup — $1 million. (It’s a yellow croc Speedy with gold and diamond hardware.)What is more interesting is, as Carrie and the gang continue on their merry wardrobed way, how clichéd both styles now seem, how performative. Once they have trickled up to television, it’s impossible not to recognize the costume. Or the fact that whichever look you buy into, they are simply different ways of expressing wealth, in all its decorative strata. And wealth itself never goes out of fashion. More

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    ‘And Just Like That …’ Is Back. Here’s What to Remember.

    The new season, premiering Thursday on Max, promises the return of beloved figures from the franchise’s past. Here’s a quick primer on who’s who and how they all fit together.“Sex and the City” premiered just over 25 years ago, on June 6, 1998, and since then much has been lost in a franchise that now includes six seasons of the original HBO show, two films and the Max follow-up series, “And Just Like That …”The formerly carefree Carrie Bradshaw (Sarah Jessica Parker) still mourns the death of her husband, John (played by Chris Noth and known to all as Mr. Big). Charlotte (Kristin Davis) is nostalgic for the art career she gave up in order to raise children. Miranda (Cynthia Nixon) perhaps misses her past consistency of character. And then there’s Samantha (Kim Cattrall), always a reliable source of wit and wisdom, who appeared only by text message in Season 1 because Cattrall declined to participate.Season 2, however, which premieres on Thursday and picks up a few weeks after the events of Season 1, promises a Samantha cameo and the return of several other beloved figures from the franchise’s past. How do all the characters fit together? And what do you need to remember before dipping into the new episodes? Read on.Aidan returnsMr. Big wasn’t Carrie’s only big love. She was also once engaged to Aidan (John Corbett), who returns to the extended story this season. It’s worth remembering how things went the first time around. And the second.“Sex and the City” presented Aidan as Mr. Nice Guy, and Carrie might still blame herself for their breakup. After all, she cheated on him. (Big time, you could say.) And then Aidan punished her with passive aggression, even letting her know he was contemplating cheating on her in retaliation. Later, when Carrie freaked out about their impending nuptials (to the point where she developed a rash) and requested more time, Aidan pressured her to get married right away. So maybe Aidan wasn’t the Good Boyfriend who got away but rather a dodged bullet.Aidan subsequently married a fellow furniture designer and had three sons. This didn’t stop him from kissing Carrie during their rendezvous in Abu Dhabi in the second film. Carrie was quick to tell Big about this, but did Aidan do the same with his wife? Whatever trust issues he had before, he would have to accept that he is just as flawed as Carrie if not more so. Should he and Carrie ignore all this history to get together one more time? If so, they would need a memory-free environment: Carrie’s old apartment, despite its renovations, contains their past, not their future.Carrie’s careerCarrie Bradshaw, sexual anthropologist, has written a long-running newspaper column, a number of pieces for Vogue and several books. The latest of these, “Loved & Lost,” is a weepy grief memoir with an optimistic epilogue.That upbeat ending was added at the behest of Carrie’s editor Amanda (Ashlie Atkinson), who pushed the author to re-enter the dating pool to offer readers a taste of hope. This led her to dip her toes in with the widower Peter (Jon Tenney) — no oomph — and with her podcast producer, Franklyn (Ivan Hernandez), who definitely has potential. More research may be required.Amanda is prepping next steps: setting up readings, interviews, audiobook recordings. None of these things will give Carrie what she still needs, which is time to reboot more fully after Big’s death.For that, Carrie will have to turn to other projects and other editors — perhaps even her role model and mentor, the Vogue editor Enid Frick (Candice Bergen), who also returns this season. When we first met Enid, in Season 4 of the original series, she was ripping Carrie to shreds for not completing an assignment to her liking; the last time we saw her, she was trying to talk Carrie into posing for a photo shoot in wedding couture, in the first film.Carrie’s career at Vogue had a bumpy start, but as she came to appreciate Enid’s style, their relationship deepened into both a friendship and an odd romantic rivalry. When Enid was 50-something, she rightfully resented younger women who were dating older men. (“Why are you swimming in my wading pool?” she asked Carrie back then.) Now that Carrie is 50-something herself, she might understand that predicament better.Pod peopleIf it’s diversion she wants, Carrie can always concentrate on her podcast. This isn’t the insufferable “X, Y and Me,” which appears to be dead, as her comedian co-host, Che Diaz (Sara Ramirez), has relocated to Los Angeles for pilot season.In the new season, Miranda (Cynthia Nixon) and Che (Sara Ramirez) relocate to Los Angeles.Craig Blankenhorn/MaxCarrie’s retooled pod is called “Sex and the City” (why not?), and if she wants it to continue, she will to have to sort out some important questions. Like why, after years as a sex columnist, is she still uncomfortable talking about sex and body parts? Who owns the podcast and the studio, and what do they want from Carrie? Also, as stimulating as romantic attention from Franklyn may be, won’t it complicate their working relationship?Arty aspirationsCharlotte York Goldenblatt gave up her career as an art dealer and gallery director and her dream of one day owning a gallery in order to start a family. Her family — her husband, Harry (Evan Handler); her musical prodigy daughter, Lily (Cathy Ang); and her nonbinary child, Rock (Alexa Swinton) — still needs her but what she needs is a more tangible sense of accomplishment.As a more woke Charlotte reminded everyone last season, her eye for art is as keen as ever. She defended her friend Lisa Todd Wexley’s art collection against the criticisms of a judgmental mother-in-law, identifying the value of works by Gordon Parks, Carrie Mae Weems, Deborah Roberts and Mickalene Thomas and others. Could Lisa (Nicole Ari Parker) repay the favor and jump-start Charlotte’s re-entry into the art world, maybe by introducing her to a few key gallerists?What about Che?The polarizing Che is definitely back in Season 2, with Miranda in tow. A Harvard-educated lawyer who has never devoted herself so completely to her significant other, Miranda forgoes a prestigious internship in order to follow Che to Los Angeles. (This is probably not the wisest move for an alcoholic in early recovery.) It remains to be seen how Miranda’s husband and son will handle the divorce.Other characters are less certain about their romantic prospects. Dr. Nya Wallace (Karen Pittman), Miranda’s professor friend, still has unresolved issues with her musician husband, Andre Rashad (LeRoy McClain), regarding parenthood. Seema (Sarita Choudhury), last seen having a steamy fling with a club owner, might not yet be ready to book a table at “Relationship Place” (a term coined on Carrie’s podcast). But she is ready to become a bigger part of the show’s ensemble, if the writers and producers will only give her better material.Finally, Stanford Blatch (the late Willie Garson) is presumably still in Japan. And Samantha is still in London — although because she and Carrie met for offscreen drinks last season, the door is open for her cameo comeback. Whatever happens, it is sure to be fabulous. More

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    John Corbett on His Arrival in ‘And Just Like That …’

    He was defined by his role in “Sex and the City,” not always comfortably. He’s reprising it in “And Just Like That …” because “I’ve made friends with the idea of, this is just what I do.”John Corbett at his ranch in California. He returns to his old TV Manhattan stamping grounds in the new season of “And Just Like That …”Chantal Anderson for The New York TimesOver the years, people have cornered John Corbett on the street, at the grocery store, in coffee shops, to swear fealty. “Every [expletive] person I meet is just, ‘I was Team Aidan!’” he said. He assumes that those people are lying.“People don’t want to hurt my feelings,” he said. “They’re really careful with me.”In two seasons of “Sex and the City” and in brief cameos later, including in the improvident Arabian fantasia “Sex and the City 2,” Corbett, 62, played Aidan Shaw, a hunky furniture maker and the on-again, off-again, engaged to, off-again, still mostly off-again love interest of Sarah Jessica Parker’s Carrie Bradshaw.“He was warm, masculine and classic American, just like his furniture,” Carrie says of Aidan in voice-over.Aidan, a character designed to contrast Chris Noth’s withholding Mr. Big and originally scheduled for just three episodes, was also, like much classic American furniture, stolid and unyielding. He wouldn’t let Carrie smoke. He demeaned her interests. When she cheated on him, he punished her. Controlling, judgmental, manipulative — who wants a bedroom set like that?Carrie, apparently. Because as trailers have revealed, Corbett’s Aidan will return to the second season of the well-heeled “Sex and the City” revival, “And Just Like That …,” which premieres on Max on Thursday. And this time around, when people chase him down to declare loyalty to Aidan, Corbett thinks that they just might mean it.“Those fans that didn’t like Aidan — and I know exactly why they didn’t, he was wrong for her — there’s going to be no [expletive] help for those people,” he said.Corbett was speaking late last month, by telephone, from his home in a sleepy town about three hours north of Los Angeles. Actually it was “the wife’s” phone, the wife being the actress and model Bo Derek, as Corbett’s wasn’t working. A request for a video interview had been denied.“I can’t be myself because I’m performing,” he said. “An hour plus is a long time to suck your gut back.”This suggests that Corbett, who came to acting late and more or less by accident, has complicated feelings about performance even as he maintains, he said, a hands-off attitude to his career. To talk to him is to feel not only his shirttails-out, expletive-heavy intimacy, but also his deep ambivalence about his calling, his craft and the show that made him famous.Corbett didn’t always appreciate the way he was typecast by playing Aidan in “Sex and the City,” but he was happy to play the character again.Chantal Anderson for The New York TimesCorbett grew up in Wheeling, W.Va., with his mother. After high school, he moved to Southern California to be near his father, a welder, taking a job at a steel plant. Sidelined at 22 by an injury, he enrolled in community college, which mostly bored him. But about a month in, he met some guys in the cafeteria who invited him to their improv class.“I’ve always been a guy that made my friends laugh, a class clown,” he said. “I saw 30 other people just like me in there.” That same day, he dropped his other classes and re-enrolled as an acting student. He took sword fighting; he took ballet. He has never felt that same excitement or that same freedom again.“It’s kind of like drugs,” he said. “You’re chasing that first high.”His transition into professional acting was wobblier. He posed for cheap headshots, whipped up a résumé full of fake credits and supported himself as a hairdresser while he botched almost every audition that came his way, hands shaking, scripts shaking. He had two goals: He wanted to be on television and he wanted to be famous.In 1990, he was cast as the serene, groovy Alaskan radio D.J. in the CBS comedy “Northern Exposure.” “Northern Exposure” ran for five seasons and 110 episodes. It didn’t pay much. But it gave him his first bittersweet taste of celebrity, and it taught him that while fans loved him, they loved him not for any histrionic skill but rather for his rumbling voice, sleepy smile and 6-foot-5-inch frame.“I was the hunky guy and women would gush,” he said. “I don’t think one person has ever come up to me and said, ‘Hey, I think you’re a good actor.’”He had a type, he discovered — handsome, sensitive, not quite a himbo. And in the years after “Northern Exposure,” he didn’t fight it. “You’ve got to go where the money is, right?” he said. The money back then came mostly from TV movies he described as “not great.”He had some standards, though. And in 2000, when he was first offered a role in the third season of “Sex and the City,” he turned it down. He saw himself as more than a guest star. But the showrunner Michael Patrick King, now the creator of “And Just Like That …,” tried to convince him otherwise, intuiting that Corbett could supply the affection and warmth so lacking in Noth’s Big.As one of the main love interests of Sarah Jessica Parker’s Carrie, Aidan was a nice guy with a manipulative side.Craig Blankenhorn/HBOCorbett and Parker insist the characters’ revived relationship will be healthier. “He’s really, really listening to her now,” he said.Craig Blankenhorn/Max“There’s so few actors that have a relaxed, strong sex appeal,” King said in an interview. “He also has that thing that some of the great male movie stars have, a really low vibration of confidence.”Since Corbett didn’t have HBO, he was sent episodes on VHS. He watched them, and he was still a no. (For one thing, the script required nudity, “and my sweet little mom watched everything I did.”) Eventually he agreed to a meeting with Parker and King, mostly for the free trip to New York. They met at King’s West Village apartment.“I fell in love with both of those cats,” Corbett recalled. “After that hour, I wanted to be around them some more.”Parker also remembered an immediate bond. “I opened the door for him,” she said in a recent phone interview. “He did some sort of gallant, old-fashioned bow. I don’t remember the conversation, except that it was really pleasant and happy.”Once he was on set, she realized that the camera only magnified that charm. “It’s like he wrapped his arms around the camera and merged it into his body,” she said. “He absorbed it.”Three episodes became four. Then five. Then more. When Carrie and Aidan broke up at the end of Season 3, fans sent HBO Popsicle-stick furniture demanding that Corbett be brought back, and he was.He had what he wanted: He was on TV. He was famous. But the fame, more intense than what he’d experienced in “Northern Exposure,” changed his life, and “not in the way that I wanted it to, work wise,” he said.Corbett initially declined “Sex and the City” but changed his mind after meeting with Parker and Michael Patrick King. “I fell in love with both of those cats,” he said.Chantal Anderson for The New York TimesThere were such strong associations between Corbett and the role that he struggled to be seen in any other way. He recalled being turned down for other roles he wanted, told that he would be too distracting. His work on “Sex and the City” and in the “My Big Fat Greek Wedding” movies, the first of which was released in 2002, affirmed and limited his type: the nice boyfriend. Then he became the nice husband. Lately, in projects like the “To All the Boys I’ve Loved Before” movies and their recent spinoff series, “XO, Kitty,” he has charmed a new generation of viewers as the nice dad.“I’ve made friends with the idea of, this is just what I do,” he said. “When the phone rings and it feels like the money’s right and the place is right and the time is right, I’ll go be this guy that these people want.”Colleagues who speak about Corbett tend to overlap him and his characters. “He is a very fun rapscallion who likes to have a good time,” said Nia Vardalos, the writer and star of the “Greek Wedding” films, which seemed to refer equally to actor and role.“He’s a big puppy — how can you not adore a puppy?” said Toni Collette, his co-star in the Showtime series “The United States of Tara.”For Corbett, the boundaries are equally fuzzy, particularly when it comes to Aidan. “The line gets blurry because when they clap the action board, there’s not a change,” he said. “I’m still living the same life.”In “Sex and the City,” that life, for all of Corbett’s warmth, had its darkness. If fans saw Aidan as comfortable and loving, the character was also judgmental and angry. (For Corbett, the line gets blurry here, too: “I get upset. I want to send a [expletive] chair through plate glass windows a couple times a day.”)So why bring him back? Initially, King didn’t. Because he planned to kill off Big in the first season of “And Just Like That …,” he felt he couldn’t immediately summon Carrie’s other major love interest. In 2021, Corbett told a reporter that he would be a part of it, but that was just a prank. (“John’s antic,” King explained.)“I’ve made friends with the idea of, this is just what I do,” Corbett said of the decent, hunky characters he is asked to play.Chantal Anderson for The New York TimesBut Corbett did want to come back. “Especially when some of the photos would pop up of them shooting in the streets,” he said. “I would get a little jealous that I wasn’t asked to come back and do a cameo.”By Season 2, enough time had elapsed. King called Corbett and soon he found himself back at Silvercup Studios, where the original “Sex and the City” had filmed. He even brought some of the same clothes.But there were differences, allegedly. Max shared only a few minutes of Aidan screen time, but Corbett and Parker said that Aidan and Carrie’s relationship has mellowed and deepened. Aidan no longer argues with Carrie in the same way, Corbett insisted. He no longer controls her.“He’s really, really listening to her now,” he said.Parker, in her separate call, agreed. “It’s not fevered; it’s not demanding,” she said of the characters’ romance. “There’s so much heat between them, but there isn’t that urgency from him.”So could there be justification for Team Aidan this time? King put it this way: “I didn’t bring Aidan back to fail.”Corbett seemed to want a win for Aidan, though not in any passionate way. Aidan gave him the career he has, even if it has been more narrowly defined than the career he once imagined. But he has made his peace with it. He will likely never be seen as a serious actor, but there are worse things than being a classic American dreamboat.“It’s given me such a wonderful life, and asked so very little in exchange for that big sack of money that I got,” he said of his career. And then, though it wasn’t entirely true, he added, “I’ve gotten everything out of this life that I wanted.”“When the phone rings and it feels like the money’s right and the place is right and the time is right, I’ll go be this guy that these people want,” Corbett said.Chantal Anderson for The New York Times More

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    Sara Ramirez Is Not Che Diaz

    Ramirez doesn’t really relate to Che, the most polarizing character in “And Just Like That.” But the actor is “really proud of the representation that we’ve created.”During a much-discussed “comedy concert” in “And Just Like That …,” HBO’s “Sex and the City” sequel series, the much-discussed character Che Diaz recounts the story of coming out to family members.“I stood up in the living room and I was like, ‘Family, I love you, and just want you to know that I am queer and nonbinary and bisexual,’” Che tells the audience with a serious face, before breaking into a wide smile. “And they were like: ‘That’s nice, can you move? You’re blocking the game.’”The bit was similar to how Sara Ramirez, the actor who plays Che (and who, like Che, is nonbinary and uses they/them singular pronouns), came out to their family as bisexual — except a “Harry Potter” movie was on the television instead of sports.The writers for “And Just Like That …” did not take much else from Ramirez’s life, the actor said in a recent interview. Aside from the character’s hairdo (a sleek undercut) and ethnic background (Mexican and Irish American), “I don’t recognize myself in Che,” Ramirez said.A cocky, fast-talking comic who employs Carrie Bradshaw (Sarah Jessica Parker) on a podcast about gender and sex, Che is often a conduit for the show’s original girl group (minus one) to learn about the newfangled cultural practices of New York City’s younger progressives: pronouns, sex positivity and shotgunning weed, to name a few. Most important, Che prompts Miranda (Cynthia Nixon) to explore her sexuality.The show, which will release its season finale on Thursday, has been criticized for its heavy-handed treatment of identity issues and for the occasional clumsiness of its efforts to diversify the overwhelmingly white, straight original series. (Maya Phillips, a critic for The New York Times, called those attempts “commendable but shallow.”)Che has taught the show’s original characters about modern progressive mores and been central to Miranda’s (Cynthia Nixon) sexual awakening.Craig Blankenhorn/HBO MaxChe has been a popular target of such complaints. One critic, writing in Them, a L.G.B.T.Q. news and culture website, said the character read as a “caricature” meant to “garner Diversity Wins.” The Daily Beast went further, calling Che “unhinged” and “the worst character on TV.” On social media, viewers groaned at Che’s “woke moment!” button, a podcast prop, and at the sometimes stilted dialogue. (“DM me if you wanna chill again soon, OK?” Che tells Miranda in a pivotal scene.)Others have defended the character, arguing for the importance of a nonbinary person in the show and questioning why so many were piling on Che, in particular. “People have a real problem with non-gender-conforming individuals,” the performer Lea DeLaria told The New York Post, adding: “I don’t think it’s the show’s fault. I think it’s the audience’s fault.”Speaking over video chat from New York, Ramirez, 46, said they have grown accustomed to playing roles that spark criticism and debate. For example, the sexuality of Dr. Callie Torres, the hard-charging orthopedic surgeon Ramirez played on Shonda Rhimes’s medical drama “Grey’s Anatomy” from 2006-16, was energetically dissected by the show’s fans.The ‘Sex and the City’ UniverseThe sprawling franchise revolutionized how women were portrayed on the screen. And the show isn’t over yet. A New Series: Carrie, Miranda and Charlotte return for another strut down the premium cable runway in “And Just Like That,” streaming on HBO. Off Broadway: Candace Bushnell, whose writing gave birth to the “Sex and the City” universe, stars in her one-woman show based on her life. In Carrie’s Footsteps: “Sex and the City” painted a seductive vision of Manhattan, inspiring many young women to move to the city. The Origins: For the show’s 20th anniversary in 2018, Bushnell shared how a collection of essays turned into a pathbreaking series.Ramirez — who was born in Mazatlán, Mexico, and was sent to live in the United States at 7 after their parents’ divorce — graduated from Juilliard in 1997 and quickly landed roles in theater (the Broadway musical “The Capeman”), film (the rom-com “You’ve Got Mail”) and television (the soap opera “As the World Turns”). Ramirez joined “Grey’s” not long after winning a Tony Award, in 2005, for playing the Lady of the Lake in the Broadway production of “Spamalot.”It wasn’t until after Ramirez left “Grey’s” that they came out publicly as bisexual and then, four years later, as nonbinary. In an interview, the actor discussed the appeal of the original “Sex and the City,” viewers’ reactions to Che Diaz and the pressure of coming out on TV before doing so in real life. These are edited excerpts from the conversation.You were in your early 20s when “Sex and the City” premiered, in 1998. What were your impressions of the show?I had just graduated from Juilliard. I was working professionally as an actor and falling in love with New York. So it was a perfect show. I appreciated the focus on friendships, the power of friendships and the power of personal purpose and also sexual empowerment for women.Your first high-profile TV role, Callie Torres on “Grey’s Anatomy,” exhibited a similar sense of purpose and empowerment. Did you relate to that character?I was really excited to take on a role that was very empowered, strong, but also extremely sensitive and vulnerable. I related to that due to my own upbringing and some of the trauma that I overcame. I developed a very hard shell, and I’m also extremely sensitive at the same time.Ramirez, with Ellen Pompeo, was on “Grey’s Anatomy” from 2006-16.Adam Taylor/ABCHow did Callie come to explore her sexuality in the show? Did your own experiences play a role?I knew I was bisexual from a younger age, from my teens, and it was an incremental discovery process. So living with that truth about myself was one thing; it was another thing to be working in television and slowly becoming more well known. So on the one hand, I felt a sense of pressure to come out publicly. On the other hand, I wondered if creatively I could have an impact by infusing the character I was playing with a more expansive sexuality.Were you nervous about pitching that plotline to Shonda Rhimes, the creator?I think it was a mix of comfortability with Shonda and nervousness, mixed with excitement about the unknown. If she says no, it would be disappointing — but on some level, a relief. If she says yes, it’s excitement and terror that we may get it wrong.What do you mean by getting it wrong?Just failing the community — portraying someone in a way that would be harmful to the community, that would be seen as inaccurate somehow. I think that comes with an internalization of bi-antagonism. I was conditioned to believe that there was only one way to be queer at that time.Do you remember getting feedback from viewers on the path that Callie ultimately followed?Social media hadn’t taken off when we first started exploring that journey for Callie [in fall 2007], and the only thing available were chat rooms, online forums or comments on websites. I did check it out a few times, and it was a mix of different opinions, which is great in a sense, because you want people to have opinions. I think it’s a good thing to get people talking. But I learned that it’s not a good idea to look into any of those because the opinions are vast, and as an artist, I have to protect my process.You didn’t come out publicly until after you left the show. What was it like to play a bisexual character on television but to still be struggling with whether or not to be open about your own sexuality?It was incredibly stressful. There was a lot of anxiety that I lived with — and I happened to be married to a cisgender man. Living the life of a bisexual person in real life but deep down knowing that there would be all kinds of judgments around my own sexuality was really hard to live with while portraying somebody who is in the process of becoming empowered around being with women. It was a real interesting time.“We have built a character who is a human being, who is imperfect, who’s complex, who is not here to be liked, who’s not here for anybody’s approval,” Ramirez said.Craig Blankenhorn/HBO MaxThere is less overlap between you and Che Diaz. Have you been paying attention to the criticism of the character, or have you tried to separate yourself from it?I’m very aware of the hate that exists online, but I have to protect my own mental health and my own artistry. And that’s way more important to me because I’m a real human being. I’m really proud of the representation that we’ve created. We have built a character who is a human being, who is imperfect, who’s complex, who is not here to be liked, who’s not here for anybody’s approval. They’re here to be themselves.I’m also not in control of the writing. I welcome the passion that folks are bringing to the table around this representation. But in real life, there are a lot of different human beings who show up to the table, speaking truth to power in myriad ways. And they all land differently with different people. And Che Diaz has their own audience that they speak to who really get a kick out of what they’re doing.How do you think Che would respond to this criticism?Michael Patrick King [the showrunner of “And Just Like That …”] and the writers’ room would probably answer that best since they wrote the character of Che Diaz. I imagine Che would have something very witty and silly and funny as a rebuttal; something that ultimately reminds everyone that they are human; something with a sprinkling of self-deprecation, because I think they know they’re a narcissist. And maybe just a little reminder that no one’s perfect. More

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    Karen Pittman Isn’t the New Samantha on 'And Just Like That'

    The actress, who stars in “And Just Like That,” finds peace at the Brooklyn Botanic Garden.“World peace,” the actress Karen Pittman said, placing one penny beneath a stone fox. “And my peace.”This was on a misty Sunday just after New Year’s and Ms. Pittman had paused at the Brooklyn Botanic Garden’s Japanese Hill-and-Pond Garden to set some intentions for the new year, leaving pennies alongside the coins and oranges offered by other visitors.The garden stands near her apartment in Prospect Heights. When she returned from Los Angeles, where “The Morning Show,” on AppleTV+, is filmed, to Brooklyn for HBO Max’s “And Just Like That,” she rented it for this exact reason.Most weekday mornings, after Ms. Pittman sees her two children off to school, she slips into the garden to decompress from the stresses of life and work. “I used to be able to meditate,” she said. “Now it’s just too stressful trying to figure out how to meditate in a pandemic.” So she sits in the garden instead. “It just immediately replenishes,” she said.That Sunday she had found a new space for replenishment. The shrine, hidden among conifers, is dedicated to Inari, the Shinto spirit who blesses the harvest. For Ms. Pittman, who declined to give her age, the harvest of the past few years has been plentiful.After lead roles on Broadway (“Disgraced”) and off (“Pipeline”), she has graduated to major roles on television: as Mia Jordan, an overextended producer on “The Morning Show,” and as Nya Wallace, a Columbia law professor contending with infertility on “And Just Like That.”Ms. Pittman plays a law professor in “And Just Like That,” opposite Cynthia Nixon, right.   Craig Blankenhorn/HBO MaxNya is one of four new characters devised, it seems, to correct the overwhelming whiteness of “Sex and the City,” the predecessor of “And Just Like That.” The show’s creators had promised that Nya — along with Che (Sara Ramirez), Seema (Sarita Choudhury) and Lisa (Nicole Ari Parker) — would join Carrie, Miranda and Charlotte as main characters.The ‘Sex and the City’ UniverseThe sprawling franchise revolutionized how women were portrayed on the screen. And the show isn’t over yet. A New Series: Carrie, Miranda and Charlotte return for another strut down the premium cable runway in “And Just Like That,” streaming on HBO. Off Broadway: Candace Bushnell, whose writing gave birth to the “Sex and the City” universe, stars in her one-woman show based on her life. In Carrie’s Footsteps: “Sex and the City” painted a seductive vision of Manhattan, inspiring many young women to move to the city. The Origins: For the show’s 20th anniversary in 2018, Bushnell shared how a collection of essays turned into a pathbreaking series.In the early episodes, Nya’s scenes mostly abetted Miranda’s journey toward self-actualization. But later episodes have offered Ms. Pittman more substantial material and even a sex scene of her own. “I don’t feel like I need 10 episodes to tell a great story about my character,” she said. “I am much more interested in the ensemble work.”Whether the role is large or small, casting directors typically don’t hire Ms. Pittman for frivolous or lightweight parts. She almost always gets cast as hyper-competent professional women with messy inner lives.“That’s certainly been my life experience,” she said. As a woman who juggles co-parenting with her former husband with a successful career, she can relate. “I bring that deeper, resonant emotional life to the characters that I play,” she said. “This thing of having it all, like, it actually doesn’t work.”On that morning, however, Ms. Pittman seemed to be giving it a try. The garden was dressed for winter — bare branches, untenanted beds, patches of dirt. But Ms. Pittman had dressed for spring in a lilac Altuzzara coat and spindly gold heels with eye shadow to match, mixing meditation with glamour. (Sensibly, she switched to flats after posing for a few photos.)After entering the garden, she made her way through the cherry esplanade, where she stopped to compliment a toddler on her bright blue boots. She then headed to the water garden, passing an installation for the garden’s winter lightscape, which she had visited with her children on Christmas Eve.“It was all very festive,” she said. “There was mulled wine and hot chocolate. We were in the middle of that surge. And people were trying to stay away from each other. But it was very Christmas-y.”And just past the children’s garden, she lingered to admire some winterberries, which appeared scarlet and orange against the gray sky, and a Norwegian spruce that seemed to be extending a branch to her. “A tree that comes out and gives you a hug,” she said.Did she need a hug? Last year had been difficult, she said. Shooting “The Morning Show” in the middle of the pandemic had meant constant testing and frequent stoppages. (She and some colleagues had taken to calling it “The Next Morning Show.”)Olivia Galli for The New York Times“There were days where I was like, definitely going to catch this thing today. Definitely,” she said. And the turbulent emotional life her character Mia, a producer who had a consensual relationship with the disgraced former host played by Steve Carrell, hadn’t helped.“My character went through so much,” she said.A child in a stroller seemed dazzled by Ms. Pittman. The child stared at her, then offered her a rock, which she kindly let the child keep. Past the lily pads and the magnolias and the hill of daffodils, all resting for winter, she paused at the Shakespeare Garden, which contains every botanical mentioned in Shakespeare’s plays.Opposite some lemon balm, she recited a line of Cleopatra’s — “The poison is as sweet as balm, as soft as air” — which she remembered from her classical training in the graduate acting program at New York University. Shoes aside, she looked every inch the queen.Finishing her walk at the Hill-and-Pond Garden, she admired the koi rippling just below the pond’s still surface. Even though she didn’t have extra pennies, she set one more New Year’s intention for herself.“I love ensemble work, but I need to lead a story,” she said. “Power is being able to tell the story you want to tell. That’s real power. I’m ready.” More

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    ‘And Just Like That’ Episode 9 Recap: A Challenging Period

    The ladies attempt to lighten up as relationships evolve and the series draws nearer to a close. Will it end in happy endings or broken hearts?Season 1, Episode 9“If they make Charlotte pregnant at 55 …,” I winced to myself as she gabbed to Carrie and Miranda that she hadn’t gotten her period in four months. But as soon as I saw her arrive to paint the women’s shelter in a stark white limo and a stark white get-up, I knew what was coming.This week’s episode spent a headscratch-inducing amount of time on menstrual drama. First there was Charlotte, teetering on the edge of menopause and ending up with a giant red stain on her pants. And then there was her daughter Lily, and all the brouhaha surrounding her first use of a tampon. Charlotte runs a clinic in their bathroom, showing Lily a multitude of insertion methods, only to have all that training go to pieces when Lily determines that she can’t get it out on her own, yelling to her mother for help from inside a Port-o-Potty.It was a lot. It seemed like an attempt, though, to lighten an episode focused almost entirely on our heroines’ various attempts to lighten up themselves.If anyone needs to take a giant chill, it’s Miranda — and that’s according to Miranda. She and Che are now dating (or as Che defines it, “getting to know each other”), but Miranda is all in. She’s deep in the honeymoon phase, but she’s on her own there, casually dropping the “girlfriend” label in front of strangers, eliciting a chilly reaction from Che, and showing up unexpectedly with cookies and kisses at Che’s door, only to be rebuffed.Miranda suddenly feels like a fool, or as she puts it, like a dopey Meg Ryan. She is doing all the whimsical, romantic, fluffy stuff she used to scold her friends for — Carrie especially.The ‘Sex and the City’ UniverseThe sprawling franchise revolutionized how women were portrayed on the screen. And the show isn’t over yet. A New Series: Carrie, Miranda and Charlotte return for another strut down the premium cable runway in “And Just Like That,” streaming on HBO. Off Broadway: Candace Bushnell, whose writing gave birth to the “Sex and the City” universe, stars in her one-woman show based on her life. In Carrie’s Footsteps: “Sex and the City” painted a seductive vision of Manhattan, inspiring many young women to move to the city. The Origins: For the show’s 20th anniversary in 2018, Bushnell shared how a collection of essays turned into a pathbreaking series.Remember in Season 3 of “Sex and the City” when Miranda chastised Carrie for turning into “this pathetic, needy, insecure victim” anytime she got near Big? Or in Season 6 when she yelled at Carrie in the middle of the street that Carrie was “living in a fantasy” when she decided to abscond to Paris with the Russian? Carrie wasn’t smart when it came to love, and now, neither is Miranda. And she doesn’t like it.So she tries to play coy, not answering when Che calls her phone, only to become frazzled when Che doesn’t leave a voice mail message. “Oh so you’re doing ‘The Rules’ now?” Carrie chides.And yes, all of this is ill-fitted to no-nonsense Miranda, and to some viewers, that seems like a betrayal of her character. But I disagree. Miranda always had the luxury of pragmatism when it came to love because, looking back, it doesn’t seem as if she ever really felt it. Neither the cutie Skipper Johnston (Ben Weber) nor the sexy Dr. Robert Leeds (Blair Underwood) nor our beloved, steadfast Steve ever got under her skin the way Che has. This is Miranda in love, and it turns out she’s no better at it than the rest of us.So now, for the first time ever, Miranda is leading with her heart instead of her head, and it’s making her a completely different person. Che has awaked something in her that she never knew existed, and if that doesn’t shift something inside, what does? The only sad thing about it is that while Miranda’s heart is suddenly opening up, Steve’s heart is being demolished.As Steve and Carrie dutifully pitch in at Nya’s shelter-painting event — a scene during which I wanted to jump through the screen and give Steve a big hug — Steve asks the uncomfortable questions he has every right to ask: Did Carrie know about Miranda and Che? Did she introduce them? How long did their affair go on?Carrie stumbles, over her words and over her paint tray, and ends up in the bathroom washing off her completely-inappropriate-for-painting (but completely-appropriate-for-Carrie-painting) shoes. In the process, Big’s wedding ring — which Carrie has been wearing since she canceled date No. 2 with Peter earlier in the episode — slips off her finger and goes down the drain.Steve comes to the rescue, employing some rudimentary plumbing skills to help Carrie get the ring back. When it falls out of the pipe, she is overwhelmed with relief. She can hold on at least to that little scrap of her marriage.It turns out Steve is doing the same thing. He points to his own wedding ring and announces to Carrie that it’s never coming off. “You are such a wonderful, wonderful person,” Carrie sighs. “Don’t you maybe want to find someone, at some point?”“Never coming off,” he reiterates.Although the circumstances surrounding the ends of their marriages are completely different, both Carrie and Steve are hanging on to spouses who are never coming back.But by the time Carrie returns home, she realizes she doesn’t actually want to be like Steve. She takes off Big’s wedding ring and her own, and she tucks them away in a drawer. Perhaps she, too, could lighten up a bit. At the episode’s end, she texts Peter to see if he’s up for giving a date one more go.And just like that … it’s almost over. Will this chapter wrap up in happy endings or broken hearts? Or maybe something else entirely? We’ll all find out next week.Things I Can’t Stop Thinking About:There is precisely one thing living rent free in my head, which I actually want to evict: The moment when Anthony’s new beau casually states that the Holocaust is a hoax within seconds of entering the Goldenblatt home. It’s hard to imagine that fringe conspiracy theory would be 1) embraced by and 2) brought up by any member of a marginalized community in a Jewish home in the middle of Manhattan in 2022.Still, I will be making a GIF of Anthony screaming, “Get out!” and using it routinely on Twitter going forward. (Just kidding, I don’t know how to make GIFs. But if any of you readers do, please share.) More

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    Another Peloton Heart Attack on TV? ‘Billions’ Says It’s a Coincidence.

    Peloton’s stock dropped last month after the premiere of the “Sex and the City” reboot, which ended with Mr. Big dying after riding one of the company’s bikes.This article includes mild spoilers for the Season 6 premiere of “Billions.”Mr. Big wasn’t the only one.In an early scene of the Season 6 premiere of the Showtime white-collar crime drama “Billions,” a main character on the show, Mike Wagner (played by David Costabile), has a heart attack while riding a Peloton, the high-end stationary bike.Television viewers may well experience déjà vu after seeing the character dismount his Peloton and react to a wave of chest pain amid luxury furnishings. In the premiere episode last month of HBO Max’s “Sex and the City” revival, “And Just Like That …,” Carrie’s husband, known as Mr. Big (Chris Noth), dies of a heart attack after finishing his 1,000th Peloton ride.One difference in the bizarrely similar plot points is that Costabile’s character, an executive at the hedge fund at the center of the show, survives. And when he returns to the office after his heart attack, the show took a chance to address the plot parallel head on.“I’m not going out like Mr. Big,” Wagner, better known as Wags, says triumphantly to his employees.Peloton said in a statement that the company had not agreed to the use of its brand or intellectual property on the show, and that it had not provided equipment for the episode.“As referenced by the show itself,” the statement said, “there are strong benefits of cardiovascular exercise to help people lead long, happy lives.”The Season 6 premiere was given a surprise early release on Friday morning ahead of its scheduled on-air premiere Sunday night. The episode will be available free until April 10 across multiple streaming platforms, including on Showtime’s own website, Showtime.com, and on YouTube.In a statement, the show’s executive producers said the scene was written and shot last spring, months before Mr. Big’s onscreen demise. The line of dialogue about Mr. Big was overdubbed only recently in postproduction.“We added the line because it was what Wags would say,” they said in the statement. Showtime did not immediately respond to a question about whether Peloton was aware of the cameo before the episode debuted.The ill-fated “Sex and the City” cameo became a problem for Peloton: After the episode debuted, the company’s stock dropped.The company tried to turn the unflattering cameo around by quickly filming an online ad featuring Noth, who lounges cozily with his Peloton instructor by the fire. But that move backfired when, later that week, The Hollywood Reporter published an article in which two women accused him of sexual assault. Peloton deleted the ad from its social media accounts. (Noth called the accusations “categorically false” and has since been accused of and denied sexual misconduct by multiple others.)The company has already been facing challenges this week. After CNBC reported that the company planned to pause the production of its bikes, Peloton’s chief executive released a statement denying the report but saying that the company is considering laying off some workers. Peloton’s stock dropped 24 percent on Thursday.The scenes were devised as restrictions kept people exercising at home during the pandemic, but demand for Peloton’s equipment has been waning as the country returns to old routines. More