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    With ‘The Studio,’ Seth Rogen and Evan Goldberg Grow Up. Sort of.

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    Amoeba Records, on Hollywood Boulevard, isn’t the best place for someone of Seth Rogen’s visibility to shop hassle-free. Located just blocks from the Chinese Theater, right by Dr. Phil’s and Dr. Oz’s stars on the Walk of Fame, there may be few places worse.But when Rogen wasn’t being interrupted by his admiring bro-fans, who were legion — one wore toe shoes and a Lil Dicky shirt; another cried — Amoeba was, however, a perfect place to dig through hundreds of vinyl soundtracks. It was the Tuesday before the Oscars, and we were there with Rogen’s longtime creative partner, Evan Goldberg, to browse records and talk about their latest creation: “The Studio,” an ambitious, celebrity-stuffed industry satire for Apple TV+ that premiered on Wednesday.“The Studio” features many celebrity cameos and guest roles, including one by Martin Scorsese, right (with Ike Barinholtz, left, and Seth Rogen).Apple TV+Rogen had been tasked by his wife to stock more jazz — appropriate given the new show’s jazzy score and improvisational feel, shot mostly in long single takes. But as Goldberg and Rogen, who have been friends since they were teenagers, noted, their taste in music had really been formed by their love for movies.So we found ourselves first among the soundtracks, where highlights included a reissue of “The Three Amigos” — “One of my favorite movies of all time,” Rogen said — and two copies of the soundtrack for “Soul Man,” the 1986 comedy about a young white guy who pretends to be Black in order to get a Harvard scholarship. (Different times, as they say.)“Dude, I was just telling some people at work about this yesterday!” Goldberg said.“It has a good soundtrack,” Rogen ventured.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Severance’ Finale: Which Theories Were Correct?

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      Some fans correctly predicted some of the episode’s biggest revelations. But other mysteries remain, and many more were introduced.This article is almost entirely made up of spoilers.The “Severance” rabbit hole online is deep, with fans sharing theories about the meaning of the notes used for elevator dings, the true nature of the Lumon Industries office (is it actually a hospital?) and other arcana. Would any of them pay off in the Season 2 finale?Yes, as it turned out. In fact, one of the most popular predictions prevailed in the explosive episode: The numbers Mark S. had been diligently sorting on his terminal were indeed the building blocks of his wife Gemma’s mind. With every file he completed, a new consciousness — or “innie” — of hers was created to be tortured on the testing floor.The effort culminated in Cold Harbor, his 25th and final file, which Mark S. completed as part of a greater scheme and collaboration between his innie and outie to free her.This work, which relied on Mark S.’s gut instinct, was — as Harmony Cobel confirmed — tied to “the four tempers,” a philosophy developed by the Lumon founder Kier Eagan: woe, frolic, dread and malice. Hats off to the “Severance” enthusiasts who saw that coming!And while the big Cold Harbor revelations will satiate devotees for a moment, many other questions remain, and many more were introduced.Yes, we learned that the goats serve some sort of ceremonial and sacrificial purpose. “This beast will be entombed with a cherished woman whose spirit it must guide to Kier’s door,” the Lumon fixer Mr. Drummond tells Lorne, of the Mammalians Nurturable department, as he hands her a bolt gun to kill the animal.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Severance’ Finale: Which Fan Theories Were Correct?

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      Some fans correctly predicted some of the episode’s biggest revelations. But other mysteries remain, and many more were introduced.This article is almost entirely made up of spoilers.The “Severance” rabbit hole online is deep, with fans sharing theories about the meaning of the notes used for elevator dings, the true nature of the Lumon Industries office (is it actually a hospital?) and other arcana. Would any of them pay off in the Season 2 finale?Yes, as it turned out. In fact, one of the most popular predictions prevailed in the explosive episode: The numbers Mark S. had been diligently sorting on his terminal were indeed the building blocks of his wife Gemma’s mind. With every file he completed, a new consciousness — or “innie” — of hers was created to be tortured on the testing floor.The effort culminated in Cold Harbor, his 25th and final file, which Mark S. completed as part of a greater scheme and collaboration between his innie and outie to free her.This work, which relied on Mark S.’s gut instinct, was — as Harmony Cobel confirmed — tied to “the four tempers,” a philosophy developed by the Lumon founder Kier Eagan: woe, frolic, dread and malice. Hats off to the “Severance” enthusiasts who saw that coming!And while the big Cold Harbor revelations will satiate devotees for a moment, many other questions remain, and many more were introduced.Yes, we learned that the goats serve some sort of ceremonial and sacrificial purpose. “This beast will be entombed with a cherished woman whose spirit it must guide to Kier’s door,” the Lumon fixer Mr. Drummond tells Lorne, of the Mammalians Nurturable department, as he hands her a bolt gun to kill the animal.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Severance’ Season 2 Finale Recap: Mark vs. Mark

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      The season ended with a bizarre but moving episode that found the Lumon employees’ inner and outer selves at cross purposes.Early in the Season 2 finale of the acclaimed, much-memed Apple TV+ series “Severance,” a man has a spirited debate that ends up encapsulating much of what keeps the show’s fans watching. The person he is talking to? Himself, via an old video camera. Mark (Adam Scott) records messages for Mark. And Mark replies.Created by the writer Dan Erickson in collaboration with the producer and frequent director Ben Stiller, “Severance,” which was just renewed for another season, is centered on a cultlike company named Lumon that allows employees to “sever” their work lives and their home lives via a chip surgically inserted into their brains. The people who clock in every day — the “innies” — have no idea what their “outies” do after quitting time, and vice versa.At the end of Season 1, Mark’s innie led his office-mates Dylan (Zach Cherry), Helly (Britt Lower) and Irving (John Turturro) in a mini-rebellion, executing “the overtime contingency,” which allowed them all, very briefly, to live their outies’ lives. This is how Mark learned that his outie’s wife Gemma (Dichen Lachman) — presumed dead in the outside world — was still alive as an innie at Lumon.Season 2 has been primarily driven by outie Mark’s efforts to reintegrate his consciousness with innie Mark, in hopes of rescuing Gemma from Lumon. In the finale, the two Marks argue over whose needs are more important: If Gemma leaves Lumon, will outie Mark terminate his employment there — and in the process terminate innie Mark?“Severance” Season 1 arrived not long after the pandemic, at a time when people were questioning how much of their lives were being spent in an office — and how much needed to be. As the story has expanded into more existential mysteries, it has spoken more to the “rise and grind” mind set sweeping through much of the modern world, where having relationships or hobbies — or even a good night’s sleep — is considered somewhat suspect. The Season 2 finale brings to a head some of the story lines inspired by our increasingly out-of-whack work-life balance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      On ‘Severance,’ the Food Is Its Own Chilling Character

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      This article contains key details from previous episodes of “Severance.” It does not include any spoilers for the Season 2 finale.It wasn’t your imagination: Something was off about the food from the start.That first glimpse of cantaloupe and honeydew, arranged in the office to welcome Helly R., played by Britt Lower, was a little unnerving: Melons in jagged halves — severed! — filled with anemic, out-of-season fruit.“Severance,” the Apple TV+ show written by Dan Erickson and executive produced by Ben Stiller, follows a group of Lumon Industries employees with chips in their brains that divide their work selves (“innies”) from their main selves (“outies”). For innies, whose lives are confined to the office, who never sleep or see the sun, a snack is a treat. So why doesn’t it feel like one?The food on “Severance” leaves a bad taste in your mouth because it’s as fluent in doublespeak as the show’s most ambitious corporate climbers. In the show’s second season, which wraps up this week, food has acquired all the chilling, spine-tingling dissonance of upper management, refusing your request for a raise with a warm, unflinching smile.“Melon has been a theme over the two seasons, and each time we see it, we want to up the ante,” said Catherine Miller, the prop master for “Severance.”Apple“I always try to design the props and food to have some connection, some metaphorical undertone,” said Catherine Miller, the show’s prop master, who devised season one’s melon presentation to fit the “very graphic, very minimal” aesthetic of Lumon’s retro office. “I think food has the ability to define time and place and mood and overall emotional connection — it can become its own character.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How ‘Severance’ Is Shifting the Work-Life Balance Narrative With Innies and Outies

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      As “Severance” nears the end of its second season, the show has created a “cultural moment” that is changing the way people discuss work-life balance.At his job at an apparel store in SoHo, Thomas Lanese uses phrases that he would never utter outside of a work setting, like, “I’ll shoot this email to you by end of day.” Sometimes, he said, it feels like he is living two separate lives.It is something fans of “Severance” might relate to. In the buzzy show that concludes its second season on Apple TV+ next week, the characters literally live two distinct lives.Their “innies” (no relation to belly buttons) are their work selves. Their “outies” exist anywhere outside of work. They have chosen to work for Lumon Industries, a biotech company where they are “severed” from their personal lives, and their innies and outies have no idea what’s going on in each other’s worlds.The terms have now found a life outside the show, with innie used as a shorthand for being at work. Your innie can’t stop eating free candy in the office even though your outie is trying to cut back on sugar. Your innie wears unsexy clothes like knee-length pencil skirts even though your outie wears crop tops and miniskirts. And your outie parties late at night because your innie has to deal with the hangovers.“When you’re at work, you kind of put on this different facade than you do at home or you do with your friends,” said Mr. Lanese, a 26-year-old sales associate and game designer. In January, he posted a satirical video on TikTok remaking a scene from the first season of “Severance” that has received almost three million views. In it, his innie is visibly disgusted as he discovers cringe traits about his outie. For example, his outie has run three Disney 5Ks as Mickey Mouse. He captioned it “realizing that your innie would not be friends with your outie.”“It’s almost a form of disassociating,” Mr. Lanese said.

      @thomaslanese I cant wait for season 2 #severance #appletv ♬ original sound – Thomas Lanese

      @masonide #severance ♬ original sound – grapo We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares148 Views

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      ‘Ted Lasso’ Will Return for Season 4 on Apple TV+

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      Apple TV+ announced on Friday that the Emmy-winning comedy will return for a fourth season. Jason Sudeikis will be back to reprise the title role.“Ted Lasso” fans who continued to believe will have their faith rewarded: The heartwarming soccer comedy is returning to the pitch.Apple TV+ announced on Friday morning that the series, about a folksy American coach hired to lead the fictional AFC Richmond in England’s Premier League, will come back for another season, its fourth. Jason Sudeikis, who created the series with Brendan Hunt, Joe Kelly and Bill Lawrence, will return to reprise the title role and serve as an executive producer.“We all continue to live in a world where so many factors have conditioned us to ‘look before we leap,” Sudeikis said in a statement. “In Season 4, the folks at AFC Richmond learn to leap before they look, discovering that wherever they land, it’s exactly where they’re meant to be.”“Ted Lasso” debuted in August 2020 and ran for three seasons. Sudeikis and the other creators maintained all along that there were no plans for more episodes, though they didn’t rule it out. The Season 3 finale in May 2023 ended with Ted returning home to Kansas.In an interview on Travis and Jason Kelce’s podcast, “New Heights,” on Friday morning, Sudeikis said Ted will be coaching a women’s team in the new season.“It’s daunting, because we told the story we wanted to tell,” he said. “But there’s more there.”Apple TV+ did not give a premiere date for the new season or respond to a request for more details.It is also unclear who else from the main cast will be back. Brett Goldstein, who starred as the surly but softhearted coach Roy Kent, will be back as writer and executive producer, Apple TV+ said in a news release. In August, Deadline reported that Warner Bros. Television, which produces the show, had signed deals with three stars to come back if the show returned to production: Goldstein; Hannah Waddingham, who plays the AFC Richmond owner, Rebecca Welton; and Jeremy Swift, who plays the team executive Leslie Higgins.The show’s other cast members have consistently said they would be eager to return. Most of the original creative team, including most of the show’s writers, will return for the new season. Jack Burditt, a veteran TV producer, most recently of last year’s Netflix hit “Nobody Wants This,” joins as an executive producer.Based on an NBC Sports ad, “Ted Lasso” debuted in the thick of the Covid 19 pandemic with few expectations. It went on to become the biggest hit Apple TV+ has ever had, winning 13 Emmys and millions of fans who praised its humor and themes of friendship and empathy. Those awards all came for the first two seasons; the third was much more divisive.“Ted Lasso” was widely celebrated as a source of emotional sustenance during the pandemic. News of its return arrives in a similarly acrimonious moment, so perhaps its timing is apt again. More

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      ‘Long Bright River’ and ‘Dope Thief’: Drugs and Murder in Philly

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      “Long Bright River,” on Peacock, and “Dope Thief,” on Apple TV+, set stories of drugs, murder and broken families on the mean streets of Philadelphia.After New York and Los Angeles, what is the third city of American crime drama? Boston, Chicago and San Francisco can all make claims, and many might choose Baltimore for “Homicide: Life on the Street” and “The Wire.” But lately, another city has been moving up the charts: Philadelphia is suddenly a hot location for moody stories about drugs and murder.In the mini-series “Long Bright River,” premiering as a binge watch on Thursday on Peacock, and “Dope Thief,” beginning Friday on Apple TV+, Philadelphia is the postindustrial crucible — vibrant but violent, caring but crime-ridden — for tales of working-class heroes doing battle with criminal forces. The shows follow HBO’s 2021 hit “Mare of Easttown” and precede another HBO law-enforcement drama, “Task,” that will feature F.B.I. agents in suburban Philadelphia. (And you can throw in the Hulu comedy “Deli Boys,” about a crime ring based in Philadelphia-area convenience stores.)The stars of the two new shows, Amanda Seyfried and Brian Tyree Henry, play people who are categorically different on the surface but, for dramatic purposes, could almost be the same character. Seyfried’s Mickey Fitzpatrick in “Long Bright River” is a cop who’s protective of the prostitutes on her beat; Henry’s Ray Driscoll in “Dope Thief” is an ex-con who robs drug houses by pretending to be a federal agent.Under the surface, though, the two natives of northern Philadelphia are haunted by similar family traumas, seen in copious flashbacks (fathers figure heavily). And as a result each is in need of redemption and transformation, which is the real through line of each series.They get there in very dissimilar ways, however. “Long Bright River,” which plays like a companion piece to the heavy-going “Mare of Easttown,” is a family soap opera onto which a procedural serial-killer mystery has been grafted. “Dope Thief” is a hyperbolic, postmodern thriller in the guise of a hard-boiled mystery. Personal taste may largely determine which one you respond to, but here’s a tip: If humor counts for anything, then “Dope Thief,” which consistently cuts its angst and violence with reasonably clever, farcical comedy, is the much better use of eight hours.In “Long Bright River,” Mickey is a single mother with a preternaturally precocious 8-year-old, Thomas (the very charming Callum Vinson); her only family support, if you can call it that, comes from her abrasive grandfather (John Doman). When women on her beat begin to turn up dead at the same time that her estranged sister, Kacey (Ashleigh Cummings), goes missing, Mickey starts her own off-the-books investigation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares189 Views

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      Tramell Tillman of ‘Severance’ Gives Himself a Performance Review

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      This interview contains spoilers from Season 2, Episode 5 of “Severance.”It’s hard to imagine Seth Milchick being late for anything.The manager of the “severed” floor in Apple TV+’s darkly satirical workplace thriller “Severance,” Mr. Milchick, as he is mostly known, is the consummate company man. He is a silky-voiced, coldhearted enforcer and is punctilious to the point of menace.Much less is known about the actor who plays him, Tramell Tillman. Before “Severance,” his résumé consisted mostly of minor TV roles and theater. So when he agreed to meet on a recent weekday afternoon at Manhattanville Coffee, near his apartment in Upper Manhattan, I couldn’t help but half expect him to be waiting for me there, hands folded on the table, wearing a mouth-only smile that barely cloaked his disappointment that I hadn’t shown up earlier.Instead something much more charming, less android-like, had happened: Tillman had gone to the wrong Washington Heights location of Manhattanville.He texted: “I’ll come to you.” Ten minutes later, he blew in the door, apologetic as he unwrapped himself from a thick scarf, ski cap and tan utility jacket. “My bad,” he said. “It’s been a crazy week.”One got the impression it had been a crazy few years for Tillman since the debut of his breakout role in “Severance,” a disturbingly allegorical sci-fi series that follows a group of workers who have had their consciousness “severed” into discrete work and home selves. The show was an instant cultural phenomenon, and a critical darling, when it premiered in 2022 — a particularly claustrophobic time for many, when distinctions between home and office life were rapidly collapsing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More