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    Lincoln’s Murder Is Often Re-enacted, but Not at Ford’s Theater

    The theater says that allowing the assassination to be recreated there would undermine the gravity and significance of Abraham Lincoln’s death.Since Ford’s Theater reopened as an active theater in 1968, no one has staged a dramatic re-enactment of Abraham Lincoln being shot to death there on April 14, 1865.“Manhunt,” the Apple TV+ series, said it recently asked for permission and was turned down. Robert Redford considered it at one point but was dissuaded, an executive at the theater said.The theater’s website explains the reasoning.In a posting titled, “Why Ford’s Theatre Doesn’t Stage Assassination Re-enactments,” the historian David McKenzie, who worked at the theater for nine years, wrote in 2021:“For us at Ford’s, in the place where the tragedy actually happened, a re-enactment of the Lincoln assassination would take attention from the gravity of the event and its impact on our society at large,” adding that “it would focus attention instead on the macabre details of one night. It could prove kitschy, downplaying the event’s significance. It would also give John Wilkes Booth the prominence he desired in his quest to topple the United States government and preserve a system of white racial superiority.”Paul Tetreault, the Washington theater’s veteran director, said that, despite the resolute tone of McKenzie’s posting, the rationale against such a re-enactment is not a formal policy, but more a matter of “common sense.”“So the reality is,” he said, “there is nothing written that says no re-enactments. It’s just that it’s just respectful. You know, at Ford’s we have an obligation. We have an obligation to the facts. We have an obligation to truth, we have an obligation to, you know, be respectful and be reverential. This is a memorial site. It’s a national historical site.”Tetreault said Robert Redford considered using the theater in his 2010 film “The Conspirator,” and even toured the space to mark camera angles.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Assassins’ Review: Duped Into an International Murder Plot

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best MoviesBest TV ShowsBest BooksBest TheaterBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main story‘Assassins’ Review: Duped Into an International Murder PlotA documentary tries to explain how two women were able to cause the death of the North Korean leader’s half brother.Doan Thi Huong, center, in the documentary, “Assassins.”Credit…Greenwich EntertainmentDec. 10, 2020, 7:00 a.m. ETAssassinsDirected by Ryan WhiteDocumentary1h 44mFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.The two women who smeared a nerve agent on the face of Kim Jong-nam, the half brother of the North Korean dictator Kim Jong-un, causing his death, have left a light pop-cultural footprint in the United States. This is especially so given that one of them was wearing a shirt reading “LOL” during the act. Anyone that meme-ready deserves at least one movie.Enter “Assassins,” a documentary from the filmmaker Ryan White (“Ask Dr. Ruth”), which traces with impressive clarity the path that led Siti Aisyah and Doan Thi Huong to Kuala Lumpur International Airport that morning in February 2017. It makes a convincing case that they had no idea they were involved in an international murder plot.[embedded content]Both women — the Indonesian Siti and the Vietnamese Huong — were released from prison last year, with Huong pleading guilty to the charge of causing bodily harm. White’s film suggests that the Malaysian justice system had treated them as scapegoats. Drawing on the defense lawyers and plenty of video evidence, the movie maintains that Siti and Huong were independently recruited as actresses for prank videos. One routine their bosses taught them? Rub baby lotion on a stranger.As filmmaking, “Assassins” is not new: It pulls from the usual paranoid-documentary playbook, inviting the audience to pore over surveillance footage and leaning on a sweat-inducing score from Blake Neely. Its main virtues are a wild story and a stealth sense of outrage. It argues that these so-called assassins became political pawns and had to face the courts without witnesses who might have aided their defense.AssassinsNot rated. In Vietnamese, Indonesian, Japanese, Korean, English and Malay, with subtitles. Running time: 1 hour 44 minutes. In theaters. Please consult the guidelines outlined by the Centers for Disease Control and Prevention before watching movies inside theaters.AdvertisementContinue reading the main story More