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    5 Years After Covid Closed the Theaters, Audiences Are Returning

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    Broadway is almost back, and pop music tours and sports events are booming. But Hollywood, museums and other cultural sectors have yet to bounce back.It was five years ago today — March 12, 2020 — that the widening coronavirus pandemic forced Broadway to go dark, museums to shut their doors, concert halls and opera houses to go silent and stadiums and arenas to remain empty.At the time, they hoped to reopen in a month. It took many a year and a half.Since live performances resumed, the recovery has been uneven, but there are signs that audiences are finally coming back. Here’s a snapshot of where things stand:Broadway is 95 percent back.It’s been a slow road back for Broadway, but the industry is finally nearing its prepandemic levels. Attendance so far this season is at about 95 percent of what it was at the same point in the 2018-2019 season, its last full season before the pandemic, when it was setting records.“Oh, Mary!” has been a surprise hit this season, reminding the industry that shows can work without known I.P. or famous stars. “Wicked” is defying gravity thanks to the renewed interest brought by the film adaptation. For the first time since 2018, all 41 Broadway theaters have had shows in them this season. And there are more shows than usual regularly grossing more than $1 million a week.The crowds have returned to Broadway, and to the Times Square area. Sara Krulwich/The New York TimesBut — and this is a big but — profitability is down. That’s because the costs of producing on Broadway keep rising, so even reasonably strong ticket sales are not enough.Beyond Times Square, the picture is decidedly mixed. Touring Broadway shows have been selling quite strongly. But nonprofit theaters, both Off Broadway and in cities across the country, are struggling. Having burned through the government assistance that came at the height of the pandemic, many regional theaters are now reporting budget deficits and are programming fewer shows and attracting smaller audiences than they did previously.— More

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      in Television

      The ‘S.N.L.’ Hosts Who Give 110%

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      A look back at the pro athletes who have tested their fortitude at 30 Rock. “Sometimes it’s a train wreck,” a producer said. Or an incredible surprise.“Saturday Night Live,” which is celebrating its 50th season this year, has had hundreds of hosts. There are the famous actors, the musicians and the comedians, of course. And then there are the professional athletes who are used to performing on fields, tracks and courts, not on a stage at 30 Rockefeller Plaza.Dwayne Johnson, the wrestler turned movie star known as the Rock, has hosted five times, the most of any athlete. Tom Brady, the seven-time Super Bowl champion, stiffly sang and danced in a sport coat and jeans in 2005. Chris Evert, the winner of 18 Grand Slam tennis titles, hosted shortly after retiring in 1989, becoming the first of three female athletes to do so. (Nancy Kerrigan and Ronda Rousey are the others.)There is no guarantee an athlete’s monologue will be successful or the sketches funny. But this participation trophy is an exclusive one — only about three dozen have received an invite to flex their coordination and teamwork.A few years ago, Heidi Gardner, an “S.N.L.” cast member and Kansas City Chiefs fan, started a campaign to convince the show’s leadership that the star tight end Travis Kelce had the charisma to succeed as a host. Lorne Michaels eventually agreed, she said, with a catch: The Chiefs had to win the Super Bowl again.One month after they did in 2023, Kelce was making fun of his own monosyllabic motivational speeches and overlooked reality dating show.Lindsay Shookus, who worked on “S.N.L.” for more than two decades, said the show often tries to book athletes after high-profile events, such as the Super Bowl or the Olympics, when they are top of mind for a general audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Athletes Go Super Saiyan for Anime

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      Young professional athletes are increasingly broadcasting their obsession with anime like “Pokémon” and “Naruto,” upending preconceptions about kinds of fandom.Instead of talking about football after he joined the New Orleans Saints, Jamaal Williams introduced himself to reporters last year with a dialogue on “Pokémon,” prompted by the foxlike character Eevee perched on his head.In homage to “Avatar: The Last Airbender,” the mixed-martial artist Israel Adesanya has boldly nicknamed himself the Last Stylebender.And the sprinter Noah Lyles, to celebrate his Olympic gold medal in the 100-meter dash this summer, cupped his hands forward as if generating the “Kamehameha,” an energy-blast attack from “Dragon Ball Z.”High-profile athletes are increasingly broadcasting their fascination with anime, creating a fraternity inside locker rooms as they lovingly dissect favorite animated Japanese shows and films. In the process, they are upending preconceptions about different kinds of fandom and outdated labels that seek to define and divide jocks and geeks.“There’s more nerds out here that can ball out and like anime,” said Williams, 29, who has worn an anime helmet visor and gently corrected a reporter who mispronounced “Pokèmon.” “You don’t have to be the stereotype where all we do is rap or play ball.”The N.F.L. player Jamaal Williams, wearing an Eevee hat, is happy to talk about Pokémon with reporters.New Orleans SaintsWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Judge Blocks Joint Streaming Service from Disney, Fox and Warner Bros. Discovery

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      The planned service from Disney, Fox and Warner Bros. Discovery was slated to cost $42.99 a month and aimed at fans who had abandoned cable TV.A judge issued a preliminary injunction against Disney, Fox and Warner Bros. Discovery on Friday over a planned sports-focused streaming service from the companies, saying the joint venture would most likely make the market for sports viewership less competitive.The 69-page ruling from a federal judge in New York’s Southern District effectively halts — at least for the moment — the companies’ ambitious plans for the service, called Venu, which was aimed at sports fans who had abandoned cable television.The service, which had been expected to become available this fall and cost $42.99 a month, promised to offer marquee games from the National Football League, the National Basketball Association and Major League Baseball.But the idea raised alarms with rivals, most notably a sports streaming service called Fubo, which sued to block the new service’s formation after it was announced this year. In a statement accompanying its complaint, filed on Feb. 20, Fubo alleged that Disney, Fox and Warner Bros. Discovery had “engaged in a long-running pattern” of trying to stymie its business through anticompetitive tactics.The complaint led to a hearing this month that focused on whether Fubo should be able to obtain a preliminary injunction against Venu, essentially stopping the sports-media venture from proceeding.In her ruling, Judge Margaret Garnett said Fubo was likely to prevail in its claim that the new service would “substantially lessen competition and restrain trade.” She added that refusing to grant the injunction could limit the effectiveness of any court order reached after a trial.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      N.B.A. Announces Lucrative Rights Deals With Disney, Comcast and Amazon

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      The league rejected a bid by Warner Bros. Discovery to match Amazon’s offer.The National Basketball Association announced new rights agreements with Disney, Comcast and Amazon on Wednesday after rejecting a rival bid by Warner Bros. Discovery that would have kept games on its TNT network, which has broadcast the N.B.A. since the 1980s.The companies will collectively pay more than $76 billion over 11 years, according to four people familiar with the negotiations who spoke on the condition of anonymity to discuss the financial details. That will substantially increase the league’s annual revenue and reflects the continued importance of live sports programming even as streaming has reconfigured the entertainment industry.In making the announcement, the league said it had rejected Warner Bros. Discovery’s bid this week to match Amazon’s offer for its share of the package.“Throughout these negotiations, our primary objective has been to maximize the reach and accessibility of our games for our fans,” the league said in a statement. “Our new arrangement with Amazon supports this goal by complementing the broadcast, cable and streaming packages that are already part of our new Disney and NBCUniversal arrangements.” (NBCUniversal is owned by Comcast.)“All three partners have also committed substantial resources to promote the league and enhance the fan experience,” the statement added.The new deals, which include N.B.A. and some W.N.B.A. games, will take effect with the 2025-26 season and are more than two and a half times the average annual value of the league’s current rights agreements.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Howie Schwab, ESPN Researcher and Trivia Star, Dies at 63

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      He stepped out of his behind-the-scenes role in 2004 when he was cast as the ultimate sports know-it-all on the game show “Stump the Schwab.”Howie Schwab, a sports nerd who parlayed his love of statistics into a long stint at ESPN that was most notable for his starring role as the ultimate trivia expert on the game show “Stump the Schwab,” died on Saturday in Aventura, Fla. He was 63.His death was announced on social media by his wife, Suzie Davie-Schwab. His mother, Dona (Bressner) Schwab, said he was in a hospital being treated for an infection when he died, apparently of a heart attack.Mr. Schwab had been at ESPN for 17 years in behind-the-scenes roles as a researcher and producer when he was tapped in 2004 to star in his own show.On “Stump the Schwab,” three challengers vied to outdo Mr. Schwab in answering questions posed by the host, Stuart Scott, in the opening rounds. In the final round — called the Schwab Showdown — the best of the three went head to head against him for a $25,000 grand prize. Mr. Schwab almost always won.In the episode that decided the 2005 season’s champion, Mr. Schwab entered the studio at the start of the show wearing a red boxing robe, with a woman on each arm; he then doffed the robe, revealing a Derek Jeter jersey, and shadowboxed.“I am ready to rumble,” he told Mr. Scott.Mr. Schwab did not look like a typical television star: He was overweight, wore glasses and sported a goatee.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ESPN, Fox and Others to Launch Sports Streaming Service: What to Know

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      The joint venture announced by Disney, Fox and Warner Bros. Discovery will offer a lot, but it may not be enough on its own for serious fans.Disney, Fox and Warner Bros. Discovery announced on Tuesday that they would join together and sell access to all of the sports they televise through a new streaming service. It will be available this fall, but many other details, like price or who would run the service, are not yet known.The subtext of the agreement — and of most decisions media companies make — is that the cable bundle is collapsing. A decade ago, about 100 million homes in the United States subscribed to a package of cable or satellite television channels. Today, that number is around 70 million, and dropping.Media companies know that young adults no longer sign up for cable, and that their best customers are also their oldest. They know people no longer think of “television,” but are instead used to “content” that can be watched on a television, a phone or some other device.Cable’s days seem numbered but right now it is still a profitable business — streaming, for most companies, is not — and the biggest audiences for shows, especially sports, still exist on traditional television. So how do media companies get from where they are today to where they are going to be?With, they hope, deals like the one announced this week.How does it work?Disney, Fox and Warner Bros. Discovery have bundled 14 of their channels that show sports — the full list includes ABC, ESPN, ESPN2, ESPNU, SEC Network, ACC Network, ESPNews, Fox, Fox Sports 1, Fox Sports 2, Big Ten Network, TNT, TBS and truTV — and the ESPN+ streaming service, and will sell them as a single package.How much will it cost?That was not announced. But you can expect it to cost more than the $15 or so a month that most streaming companies charge, and less than the $100 or so it costs each month to subscribe to a pay television package. Ads will be shown on the new service.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      ‘Hors Pistes’ Is an Arts Festival About Sports, for People Who Don’t Like Sports

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      A series of events in preparation for the Paris Olympics explores a paradox, since arts and sports rarely mix in France.When it comes to the biggest sports show on earth, many Parisians have reached the stage of begrudging acceptance. The level of disruption — and metro price hikes — to get the city ready for this summer’s Olympic Games hasn’t exactly endeared the event to locals, especially those who favor culture over sports.“The Olympics are coming — whether we like it or not,” a curator from the Pompidou Center, Linus Gratte, said as he introduced a performance there this past weekend as part of the “Hors Pistes” festival. The audience chuckled.“Hors Pistes” (meaning “Off-Piste”), a festival the Pompidou Center says is devoted to “moving images,” came with an Olympic-ready theme this year: “The Rules of Sport.” It is part of the Cultural Olympiad, the program of arts events that is now a part of the Olympic experience in every host city.For the Paris Cultural Olympiad — spearheaded by Dominique Hervieu, an experienced performing arts curator — the city has opted to go big. Any cultural institution could apply for the “Olympiad” label, leading to a sprawling lineup of sports-related exhibitions and performances, which started back in 2022. This has led to a degree of confusion over what, exactly, the Olympiad stands for: Its official website currently lists no fewer than 984 upcoming events.And quite a few of them end up exploring a paradox, because art and sports rarely mix in France. As a rule, the country’s artistic output leans toward intellectualism rather than the virtuosity embodied by high-level athletes. The Pompidou Center, a flagship venue for contemporary art, telegraphs as much in its “Hors Pistes” publicity material, which says the festival’s goal is “to question and subvert the rules of sport, and to imagine new interpretations of them.”While the Pompidou is primarily an art museum, and “Hors Pistes” comes with a small exhibition, the festival features a significant number of performances, onstage in the center’s theater, or in its galleries. Some of these struggled to find coherent common ground with sports, however, like Anna Chirescu and Grégoire Schaller’s “Dirty Dancers,” an hourlong dance performance staged in the exhibition space, with sports-style bleachers for the audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Joel Embiid Wants the African Diaspora to Flourish Onscreen

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      “I’ve always been passionate about storytelling,” said the N.B.A. star, whose production studio will create a documentary about Memphis Depay’s success on the Dutch soccer team.Joel Embiid knew as early as his rookie season in the National Basketball Association that he eventually wanted to enter the media industry.Seven years later, he is now at the pinnacle of the sport — the league’s reigning most valuable player, Embiid set a Philadelphia 76ers record last week by scoring 70 points in a game — and is ready to take on that new challenge.Embiid, 29, who moved from Cameroon to the United States as a teenager, has created a production studio, Miniature Géant, that he hopes will amplify the culture of his home continent. The studio intends to profile athletes and entertainment figures of African descent, with an initial goal of selling content to streaming services.“We’re dabbling in a lot of different spaces, but the common denominator is Africa and the joys and the quest of African people and the African diaspora,” said Sarah Kazadi-Ndoye, who is the studio’s lead creative executive and was born in the Democratic Republic of Congo.Miniature Géant’s first documentary will explore themes of race and identity as it follows Memphis Depay, a Dutch soccer player who was born to a white mother from the Netherlands and a Ghanaian father. The studio is also having exploratory conversations with the Cameroonian mixed martial arts fighter Francis Ngannou, a former Ultimate Fighting Championship heavyweight champion. In addition to coverage of athletes, the studio hopes to also explore the entertainment world.Embiid is one of several athletes to enter the world of content creation. The basketball player Giannis Antetokounmpo recently announced the start of a production company with the ESPN analyst Jay Williams. The retired National Football League quarterbacks Tom Brady and Peyton Manning created similar organizations and have released projects with ESPN and Netflix.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More