Atlanta (Ga)

Subterms

    More stories

    • 138 Shares169 Views

      in Music

      A Concert Celebrates Jimmy Carter’s 100th Birthday, With Music and Thanks

      by

      The night included gospel hymns and “America the Beautiful” and the B-52s lighting up the Fox Theater, one of the oldest auditoriums in Atlanta, with a performance of “Love Shack.” In one moment, the crowd was on its feet as Angélique Kidjo, the acclaimed Beninese musician, sang and danced. In another, they shimmied and sang along to a cover of “Ramblin’ Man.”The collection of artists and performances transcended generations, genres and geography. But one thread bound them together on Tuesday night: affection for former President Jimmy Carter, which they were eager to express in celebration of his coming 100th birthday.“You can see he had a relationship to music — look at how we gathered here together tonight,” said the country singer Carlene Carter, who is not related to the former president but said he still feels like kin. “He used it as a powerful tool to bring people together.”The civil rights leader Andrew Young, seated, and his wife, Carolyn, standing, share a laugh with, from left, Thomas and Henry Carter, great-grandchildren of Jimmy Carter and Jason Carter, his grandson.Dustin Chambers for The New York TimesCarter’s actual birthday was still almost a couple of weeks away, and Carter himself was 160 miles away, at home in Plains, Ga., where he has been in hospice care for the past 19 months. But the concert was intended as a gift, one that will be broadcast as a special on Georgia Public Television on Oct. 1. The family said he plans to watch as part of his birthday festivities.The concert in many ways mirrored the scope and ambitions of the man it was celebrating: Global and idealistic in its reach, but firmly planted in Georgia, molded by religious and cultural traditions as well as the rich but complicated history of the rural South.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares149 Views

      in Music

      Rich Homie Quan, Melodic Atlanta Rapper, Dies at 34

      by

      The rapper, who was at one time affiliated with Young Thug, had a 2015 hit with “Flex (Ooh, Ooh, Ooh),” which spawned a dance craze.Rich Homie Quan, an Atlanta rapper who played a role in the city’s thriving hip-hop scene in the 2010s, died on Thursday at a hospital in Atlanta. He was 34.His death was confirmed by the Fulton County Medical Examiner’s Office, which did not provide a cause.A melodic rapper who broke out in one of the country’s most fertile rap scenes over a decade ago, Rich Homie Quan has more recently become a character in the sprawling gang conspiracy trial in Georgia centered around Young Thug, the Atlanta superstar.Quan’s early career was closely tied to that of Young Thug; the two were members of Rich Gang, a group assembled by Bryan Williams (a.k.a. Birdman), one of the founders of the label Cash Money.Their slow-rolling debut single from 2014, “Lifestyle,” was a Hot 100 hit and has been certified platinum. The pair later fell out over what Quan said were issues around ego and money, and parts of their feud have spilled over into testimony at the trial.In 2013, Quan broke out solo with “Type of Way,” a song about ambition and romance that the Michigan State football team adopted as an anthem. In The New York Times, the critic Jon Caramanica wrote about the track, proclaiming Quan part of a new generation of rappers “who deliver lines with melody and heart, like singers on the verge of a breakdown.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 100 Shares169 Views

      in Music

      What Happens Now in Young Thug’s YSL Trial?

      by

      Already the longest in Georgia history, the star rapper’s trial has been turned upside down. Here’s the latest as the case resumes after an eight-week delay.More than two years since the arrest of the star Atlanta rapper Young Thug on racketeering, gang conspiracy and weapons charges, his trial alongside five co-defendants is already the longest in Georgia’s history. And it is nowhere near finished.On Monday, some 19 months after the start of jury selection and nine months following opening statements, the jury will return to the courtroom to hear testimony for the first time since June 17.They will do so in a changed landscape: Judge Ural Glanville, who had been presiding over the case since the start, was instructed to step down last month and was replaced by Judge Paige Reese Whitaker following a series of heated back-and-forths and motions from the defense about the handling of an uncooperative witness for the prosecution.About 75 witnesses have testified so far, and prosecutors have told Judge Whitaker that they plan to call some 105 more; estimates backed by the new judge predict the trial will likely last through the first quarter of 2025.But the appointment of Judge Whitaker — actually the case’s third judge, because of another typically dramatic twist — is in some ways a fresh start, as she attempts to put a runaway train of a trial back on track.“This has been a long-running and multifaceted proceeding,” Judge Whitaker wrote in one of many decisions she had to make before the case could resume. “Challenges have been myriad and formidable. Frustrations may have been mounting while fortitude was waning.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares99 Views

      in Movies

      Sundance Institute Announces Six Finalists for Its New Home

      by

      The organization, and its influential film festival, may stay in Park City, Utah, or move to another location like Atlanta or Cincinnati.The Sundance Institute announced on Friday that its search for a home has been narrowed to six finalists: Atlanta; Cincinnati; Boulder, Colo.; Louisville, Ky.; Santa Fe, N.M.; and its current locale, Park City, Utah, which would team up with the city down the mountain, Salt Lake City.Sundance, whose annual influential film festival has made the organization synonymous with the snowy mountain town of Park City for the past 40 years, announced in April that it was reviewing whether it should move when its current contract with the city ended after the 2026 event, which traditionally takes place in January. (The timing of the festival will remain the same no matter where it is held.)The 10-day event often pushes Park City to its limits, with snarled traffic and exorbitant rental prices.When evaluating the individual locations, Sundance said it focused on logistical concerns, infrastructure issues and a city’s commitment to artistic endeavors and its ability to capitalize on its local film community.“Each of these cities has a vibrant creative ecosystem, either expanding or established, and has enabled creativity to flourish in their cities through their support of the arts,” Eugene Hernandez, Sundance’s festival director and director of public programming, said in a statement.Sundance, which was founded by Robert Redford in 1981 and moved to Park City in 1985, continues to be the dominant festival for independent film. When Steven Soderbergh’s film “Sex, Lies and Videotape” debuted there in 1989, it was seen as a transformational moment for independent moviemakers. For the 2024 edition, the festival received a record number of submissions, over 17,000 from 153 countries. More

    • 125 Shares99 Views

      in Music

      Rico Wade, an Architect of Atlanta Hip-Hop, Dies at 52

      by

      As one-third of the production team Organized Noize, Wade nurtured the careers of Outkast, Goodie Mob and Future from the confines of his mother’s basement, known as the Dungeon.Rico Wade, an architect of Southern hip-hop who produced albums for rap acts including Outkast, Goodie Mob and Future, has died. He was 52.The death was announced on social media on Saturday by the artist and activist Killer Mike, a longtime collaborator. No cause of death was provided.His family confirmed the death in a statement. “We are deeply saddened by the sudden and unexpected passing of our son, father, husband and brother Rico Wade,” the statement said. “Our hearts are heavy as we mourn the loss of a talented individual who touched the lives of so many. We ask that you respect the legacy of our loved one and our privacy at this time.”Wade, Ray Murray and Patrick Brown, known as Sleepy, formed the Atlanta-based production crew Organized Noize in the early 1990s, coalescing during an era when offerings from the East and West Coasts dominated radio and major label releases. Their work propelled the region from the fringes of the genre to a mainstay at its center.Barely out of their teens, the production crew welcomed aspiring musicians and artists into the basement of Wade’s mother’s home in East Point, Georgia, in the early 1990s. The cellar became known as the Dungeon with the artists who performed there, including the groups Parental Advisory and Goodie Mob, who emerged from it as part of the collective colloquially called the Dungeon Family.“I don’t know if you can imagine how weed and must and dirt would smell together, but that’s what it smelled like,” Dee Dee Hibbler, Outkast’s former manager, said of the Dungeon in the 2016 documentary “The Art of Organized Noize.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 113 Shares119 Views

      in Movies

      ‘Freaknik’ Documentary Invites Viewers to Black College Spring Break

      by

      A new Hulu documentary delves into the legendary Atlanta event and surfaces relics of 1980s and ’90s culture that were essential to partygoers.It’s an accepted spring break axiom that you can retake a class but you can’t relive a party. Until now, that’s been true of Freaknik, the annual bass-rattling spring break street party that drew hundreds of thousands of Black college students to Atlanta throughout the 1980s and 1990s. Traffic crawled. Music blared. Booties were shaken.“It’s a throwback time of nostalgia when we weren’t all on our phone or always trying to take a selfie,” said P. Frank Williams, the director of “Freaknik: The Wildest Party Never Told,” a documentary that aims to immerse viewers in the celebration when it premieres on Thursday on Hulu. “We were just enjoying the moment. It was about these young Black people finding freedom in a world that really didn’t welcome them, in a city that is one of the Blackest places on the planet.”Over time, Freaknik exploded from its roots as a local event organized by students at the Atlanta University Center into a nexus for Black college students from across the country. “They said it was Freaknik, and I just thought that I wanted to bring the freak into the ’nik and then it went from zero to 100 real fast,” said Luther Campbell, the rapper known as Uncle Luke, who is an executive producer of the film.Police and elected officials ended Freaknik after 1999 amid public safety concerns and reports of sexual assault. Other cities in recent years have sought to restrict Black spring breakers through curfews, bag checks and traffic rerouting. Miami Beach rolled out a social media campaign this year to discourage visitors.To tell the story of a party that became legendary before social media, “Freaknik: The Wildest Party Never Told” highlights several of the era’s artifacts that were essential to partygoers’ experience. We spoke with the makers of the film about five of them.CamcordersCamcorders were a fixture at Freaknik and a source of material for the documentary.Rich Mahan/Atlanta Journal-Constitution via Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares99 Views

      in Music

      Exclusive: Elton John’s Auction Has It All: Boots to Banksy

      by

      Elton John is downsizing — and the superstar’s former penthouse residence in Atlanta has been emptied for a series of auctions at Christie’s starting on Feb. 21. The items are expected to bring in an estimated $10 million.Want the Yamaha conservatory grand piano where the Rocketman plunked the keys of his Broadway shows “Billy Elliot” and “Aida?” It will cost roughly triple what similar models sell for online, with a high estimate of $50,000.How about Julian Schnabel’s portrait of the superstar dressed in a gown and ruffled collar? The auction house is seeking $300,000.And the most expensive object, a 2017 Banksy painting of a masked man hurling a bouquet of flowers, secured directly from the anonymous artist, is expected to sell for nearly $1.5 million.Included in the auction: prescription sunglasses by Sir Winston Eyeware that Elton John owned; a diamond pendant necklace set with round diamond letters spelling “The Bitch Is Back,” estimated at $20,000-$40,000; a Cartier sapphire ring, 18k yellow gold, $50,000-$80,000.Vincent Tullo for The New York TimesJohn declined to comment on the auction. (Agostino Guerra, a Christie’s spokesman, cited “long-planned scheduling conflicts.”) However, the singer’s husband and manager, David Furnish, discussed the sale in a recent interview.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

    • 125 Shares139 Views

      in Movies

      12 African Artists Leading a Culture Renaissance Around the World

      by

      In one of his famed self-portraits, Omar Victor Diop, a Senegalese photographer and artist, wears a three-piece suit and an extravagant paisley bow tie, preparing to blow a yellow, plastic whistle. The elaborately staged photograph evokes the memory of Frederick Douglass, the one-time fugitive slave who in the 19th century rose to become a leading […] More