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      Popcast Mailbag! Frank Ocean, Peso Pluma, A.I. Grimes and More

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      Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicThe Popcast crew assembles for a semiannual mailbag episode, touching on many of the pressing pop music issues of the moment, including the controversy surrounding Frank Ocean’s Coachella set; the challenges faced by even the biggest pop stars (Sam Smith, Miley Cyrus) trying to follow massive singles; the sudden arrival of artificial intelligence in pop music and evolving notions of authorship; the startling recent growth in the popularity and visibility of música Mexicana and corridos tumbados, with stars like Grupo Frontera and Peso Pluma; and how the framework of genre continues to have meaning even in a universal-jukebox universe.Guests:Jon Pareles, The New York Time’s chief pop music criticJoe Coscarelli, The New York Times’s pop music reporterLindsay Zoladz, The New York Times’s pop music criticCaryn Ganz, The New York Times’s pop music editorConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Popcast (Deluxe): Taylor Swift and Matty Healy, Plus ‘The Idol’

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      Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicThis week’s episode of Popcast (Deluxe), the weekly culture roundup show hosted by Jon Caramanica and Joe Coscarelli, includes segments on:The premiere episode of HBO’s “The Idol,” a maybe(?) satirical psychodrama about a troubled female pop star and the Svengali figure, played by the Weeknd, who worms his way into her orbitNew collaborations from Latto and Cardi B, and Central Cee and DaveRecent developments in Taylor Swift’s world, including blowback from her relationship with Matty Healy of the 1975, and her collaboration with Ice SpiceThe pop music documentary explosion of the last few yearsConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. More

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      Popcast (Deluxe): Morgan Wallen, Indie Sleaze and ‘Survivor’

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      Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicWelcome to Popcast (Deluxe), a new weekly video show hosted by Jon Caramanica and Joe Coscarelli that breaks down essential pop culture. This week’s episode includes segments on:Morgan Wallen, the country singer who continues to top both the Billboard album chart and the Hot 100 despite the postponement of several dates on his stadium tour because of a vocal cord injuryThe Dare, a rising star of New York neo-electroclashThe Hulu documentary “Queenmaker,” about early 2000s It Girls and the blogs that alternately fawned over and savaged themThe season finale of “Survivor,” in which a gaggle of star-level outcasts made it to the end of the gameNew songs from YoungBoy Never Broke Again and Lana Del Rey More

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      On TikTok, Pop Music Speeds Up

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      Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicTikTok moves fast: the content stream is relentless and easy to scroll through, and music is often sped-up to accompany it. Listening to pop hits there can be disorienting — the music is familiar, but the pace can be unsettling. Seemingly endless remixes from the nightcore and plugg music scene help shape the sonic experience of the app.This movement is also creating a new class of hit. A sped-up version of Miguel’s “Sure Thing” became a staple on the app a couple of months ago, propelling the 12-year-old song to the Top 15 on the Billboard Hot 100 and to the top of the Billboard pop airplay chart. The Arizonatears Pluggnb Remix of Lil Uzi Vert’s “Watch This” hit the Hot 100 in February. Almost every artist of note has had their music sped up by a relatively anonymous producer and fed into the app.On this week’s Popcast, a conversation about how TikTok reframes listening habits, what fast music achieves that regular-speed music can’t, how musicians are grappling with this new kind of (sometimes unsolicited) attention and how labels are already capitalizing on the trend.Guest:Elias Leight, senior music reporter at BillboardConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Why Do We Listen to Sad Songs?

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      When Joshua Knobe was younger, he knew an indie rock musician who sang sorrowful, “heart-rending things that made people feel terrible,” he recalled recently. At one point he came across a YouTube video, set to her music, that had a suicidal motif. “That was the theme of her music,” he said, adding, “So I had this sense of puzzlement by it, because I also felt like it had this tremendous value.”Listen to This ArticleFor more audio journalism and storytelling, More

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      Jessie Ware Is Dancing Into Her Second Act

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      Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicThe fifth Jessie Ware album, “That! Feels Good!,” is a robust, richly sung neo-disco manifesto, among the most vibrant music the singer has released. It marks a solidification of Ware’s second phase, following her early years making restrained club-soul and adult-contemporary R&B.This second phase was made possible at least in part by the success of “Table Manners,” the podcast she hosts with her mother, which has become central to Ware’s public flowering as a relatable celebrity. Now, she is making music that’s playful and untethered, but just as crisply delivered as ever.On this week’s Popcast, a conversation about midcareer sonic switches, the importance of fantasy in music making, and how freedom outside of one’s music career can lead to liberation within it.Guests:Caryn Ganz, The New York Times’s pop music editorLindsay Zoladz, a pop music critic for The New York Times and writer of The Amplifier newsletterConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Jai Paul Emerges From the Shadows, Somewhat

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      Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicWhen a collection of Jai Paul demos leaked online in 2013, it had the makings of a celebration, not a catastrophe. Paul had previously released two rapturously received singles, and anticipation for his music was high. The songs on that collection were shared widely, and beloved. But rather than capitalize on the good will generated by the unintended release, Paul retreated, making almost no public noise or appearances for the following decade.This year, he returned — first, with a pair of performances at Coachella, and then a pair of smaller headlining concerts in New York. He was shy and a little awkward onstage, but the music he played was sure-footed. Whether it was the conclusion of his prior arc, or a prelude to a new era, wasn’t clear.On this week’s Popcast, a conversation about Paul’s anti-career trajectory, the persistence of fan enthusiasm for him even in his absence, and how mystery on the internet has changed over the past couple of decades.Guests:Lindsay Zoladz, a pop music critic for The New York Times and author of The Amplifier newsletterJia Tolentino, a staff writer at The New YorkerConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      How Fred again.. Jolted Dance Music

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      Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicThe most rapid ascent in dance music over the past three years belongs to the British producer and songwriter Fred again.., a protégé of Brian Eno and a onetime songwriter for Ed Sheeran and others who has built a formidable catalog using found vocals — from YouTube, Instagram or regular conversation — as the skeleton for high-energy club-pop.Fred’s main innovations aren’t necessarily musical, though. They’re his open-eared and arms-outstretched approach to production, which has made room for a wide range of collaborators, and his sense of live whimsy — whether announcing a last-minute rave with Skrillex and Four Tet at Madison Square Garden, or playing a peculiarly intimate set on NPR’s Tiny Desk series.On this week’s Popcast, a conversation about dance music’s new wave of big-tent ambition, how Fred again.. turns unlikely source material into catchy pop, and how far interpersonal good will can go as a music-making tool.Guest:Foster Kamer, the editor in chief of Futurism, who writes for New York magazine, The New York Times and othersConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More