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    LA Stage Alliance Disbands After Awards Ceremony Blunder

    The organization that runs the annual competition honoring theater work in Los Angeles imploded after it misidentified an Asian-American actor.Jully Lee, an actor and director, had a bad feeling about this year’s Ovation Awards, the annual competition honoring stage work in greater Los Angeles. She was a voter who had never been told when the ceremony would be, and she learned she was a nominee only when she was given 48 hours to submit a pretaped acceptance speech for use in the event that she won.She watched anyway.What she saw was not good. The awards ceremony, streamed online last week, showed a picture of a different Asian-American actress when announcing her category. And it mispronounced her name.Lee laughed, reflecting a lifetime of trying to be a good sport. But her boyfriend grabbed a screenshot, and posted it on social media, and he was not the only one.The reaction was swift, and furious, as long-simmering frustration over the functioning of the LA Stage Alliance, which administers the awards, combusted with the pain and anger of an Asian-American community devastated by a wave of anti-Asian violence.Forty-six theaters resigned from the alliance — about a third of its members. And on Monday, the organization, which for nearly a half-century had been the main coalition for a sprawling theatrical ecosystem in the nation’s second largest city, announced that it was disbanding.“It is with deep regret that the board of governors has unanimously decided to cease all operations,” the group said in a statement posted on social media.The rapid implosion was precipitated, most recently, by East West Players, the Asian-American theater that co-produced “Hannah and the Dread Gazebo,” the play in which Lee performed. (In another slight, the Ovation Awards attributed the production only to the Fountain Theater, saying it would not credit co-producers.)The morning after the ceremony, Snehal Desai, the producing artistic director for East West Players, announced that his theater was revoking its membership in the alliance, and urged others to do the same.“I felt like I needed to make a strong statement, because we were paying to be part of this organization that was diminishing us,” Desai said. “And I did call on other theaters to join us, because I wanted more than statements of support. Statements don’t do anything.”Many of the region’s theaters, which had been speaking up in support of diversity, equity and inclusion, first in response to the unrest over racial injustice last summer, and then again in response to hate crimes this spring, followed suit.“This was an inexcusable, terrible, unfortunate act, but it was also emblematic of a bigger failure of the LA Stage Alliance in the past few years,” said Danny Feldman, the producing artistic director at Pasadena Playhouse, who said the organization’s inadequacy had become more clear during the pandemic. “They lost the confidence of the community, and this was the tipping point.”The LA Stage Alliance was a nonprofit, dating back to 1975, that sought to support theater in Los Angeles. In addition to overseeing the Ovation Awards, it maintained onStage:LA, a website with listings and ticket discounts and published a digital arts magazine called @This Stage.Last summer the organization furloughed its staff; emails to the executive director, Marco Gomez, were answered by a publicist, Ken Werther, who said the leadership was declining to make any further comments.Lee, in an interview on Monday, said she was uncomfortable being seen as the face of the controversy, but also upset about the events that had transpired..css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-rqynmc{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:0.9375rem;line-height:1.25rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-rqynmc{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-rqynmc strong{font-weight:600;}.css-rqynmc em{font-style:italic;}.css-yoay6m{margin:0 auto 5px;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}@media (min-width:740px){.css-yoay6m{font-size:1.25rem;line-height:1.4375rem;}}.css-1dg6kl4{margin-top:5px;margin-bottom:15px;}.css-16ed7iq{width:100%;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-box-pack:center;-webkit-justify-content:center;-ms-flex-pack:center;justify-content:center;padding:10px 0;background-color:white;}.css-pmm6ed{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;}.css-pmm6ed > :not(:first-child){margin-left:5px;}.css-5gimkt{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:0.8125rem;font-weight:700;-webkit-letter-spacing:0.03em;-moz-letter-spacing:0.03em;-ms-letter-spacing:0.03em;letter-spacing:0.03em;text-transform:uppercase;color:#333;}.css-5gimkt:after{content:’Collapse’;}.css-rdoyk0{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg);}.css-eb027h{max-height:5000px;-webkit-transition:max-height 0.5s ease;transition:max-height 0.5s ease;}.css-6mllg9{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;position:relative;opacity:0;}.css-6mllg9:before{content:”;background-image:linear-gradient(180deg,transparent,#ffffff);background-image:-webkit-linear-gradient(270deg,rgba(255,255,255,0),#ffffff);height:80px;width:100%;position:absolute;bottom:0px;pointer-events:none;}#masthead-bar-one{display:none;}#masthead-bar-one{display:none;}.css-1pd7fgo{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-1pd7fgo{padding:20px;width:100%;}}.css-1pd7fgo:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-1pd7fgo{border:none;padding:20px 0 0;border-top:1px solid #121212;}.css-1pd7fgo[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-1pd7fgo[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-1pd7fgo[data-truncated] .css-5gimkt:after{content:’See more’;}.css-1pd7fgo[data-truncated] .css-6mllg9{opacity:1;}.css-1rh1sk1{margin:0 auto;overflow:hidden;}.css-1rh1sk1 strong{font-weight:700;}.css-1rh1sk1 em{font-style:italic;}.css-1rh1sk1 a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;text-underline-offset:1px;-webkit-text-decoration-thickness:1px;text-decoration-thickness:1px;-webkit-text-decoration-color:#ccd9e3;text-decoration-color:#ccd9e3;}.css-1rh1sk1 a:visited{color:#333;-webkit-text-decoration-color:#ccc;text-decoration-color:#ccc;}.css-1rh1sk1 a:hover{-webkit-text-decoration:none;text-decoration:none;}“I was trying to be brave, and trying not to make it a big deal,” she said. “But then, reading all the posts — all the anger and pain that was being expressed — I had to acknowledge that this is angering and painful and hurtful. And there have been so many attempts to try and get the LA Stage Alliance to be more inclusive, and they’ve largely been ignored.”Deaf West Theater, the nation’s leading sign language theater, sought unsuccessfully to have this year’s Ovation ceremony interpreted for the deaf. “All of these oppressions go hand in hand,” said DJ Kurs, the theater’s artistic director. “We are all fighting the same fight, and we are fighting it together.”Los Angeles has a robust theater community that is often overshadowed by the city’s film and television industries, and includes not only a handful of big-budget nonprofits, but also a large number of small organizations, many of which were facing financial stress even before the pandemic.Throughout the pandemic, 65 of the “intimate theaters” have been meeting collectively as Alternative Theaters of Los Angeles to compare notes and support one another.Gary Grossman, an organizer of the group and the producing artistic director of Skylight Theater Company, called the collapse of the stage alliance “the right outcome.”“They have not represented the community,” he said. “It needs to be rethought from the ground up.”A variety of Los Angeles theater industry leaders interviewed Monday said the stage alliance was already in trouble financially before the latest conflagration, and its future had seemed uncertain throughout the pandemic.And several described a number of grievances with the organization, citing insufficient diversity in its leadership and programming, an ineffective response to the pandemic, high membership dues that made it harder for some theaters to participate, and a “pay to play” system in which theaters were supposed to pay a fee for each production they wanted considered for an award.“There’s been a fraught relationship from the perspective of most theater companies,” said Meghan Pressman, the managing director and chief executive at Center Theatre Group, which is the biggest of the Los Angeles nonprofits. Pressman said many theater administrators have already begun talking about what happens next.“I do think the community can come together to craft what we need in an organization,” she said. “And I don’t know if these awards will continue, but I feel strongly that some awards should, because it’s an important way to celebrate the theater community.” More

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    Billie Eilish Says Megan Thee Stallion Deserved Record of the Year Grammy

    #masthead-section-label, #masthead-bar-one { display: none }The Grammy AwardsGrammys: What HappenedWinners ListBest and Worst MomentsBeyoncé Breaks RecordRed CarpetAdvertisementContinue reading the main storyBeyoncé Breaks Grammy Record; Top Prizes for Billie Eilish and Taylor SwiftBillie Eilish wins record of the year but says Megan Thee Stallion deserved it.March 15, 2021, 12:12 a.m. ETMarch 15, 2021, 12:12 a.m. ETBillie Eilish, left, and Finneas, her brother, accept the award for record of the year.Credit…Chris Pizzello/Invision, via Associated PressBillie Eilish won record of the year for the second year in a row, but when she got onstage to accept the award, she said that Megan Thee Stallion was the one who deserved it, asking the audience to cheer for the rapper instead of her. Eilish, 19, swept the top awards at last year’s ceremony, but that didn’t stop her from taking the most prestigious Grammy this year for her song “Everything I Wanted.” When her name was read out by Ringo Starr, the presenter of the award, Eilish looked shocked. She went onstage with Finneas, her brother and collaborator, and said, “This is really embarrassing for me,” before turning the attention on Megan Thee Stallion, who won three awards, including best new artist. [embedded content]“I was going to write a speech about how you deserve this but then I was like, there’s no way they’re going to choose me,” Eilish said. “I was like, it’s hers. You deserve this.”She went on: “You had a year that I think is untoppable. You are a queen. I want to cry thinking about how much I love you.”Megan Thee Stallion was nominated in the category for “Savage (Remix),” featuring Beyoncé, which won for best rap song and best rap performance. Eilish also beat out “Black Parade” by Beyoncé, “Don’t Start Now” by Dua Lipa, “Rockstar” by DaBaby featuring Roddy Ricch, “Say So” by Doja Cat, “Circles” by Post Malone and “Colors” by Black Pumas.AdvertisementContinue reading the main story More

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    The American Academy of Arts and Letters Unveils Expanded Roster

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyThe American Academy of Arts and Letters Unveils Expanded RosterFor the first time in more than a century, the society is adding new spots for members, with a diverse group of cultural figures.From left, Ta-Nehisi Coates, Joy Harjo, Wynton Marsalis and Betye Saar, who are among the new members of the American Academy of Arts and Letters.Credit…John Lamparski/Associated PressMarch 5, 2021, 5:19 p.m. ETThe American Academy of Arts and Letters, an honor society of leading architects, artists, composers and writers, announced 33 new members on Friday as part of an effort to expand and diversify.Among them are the painter Mark Bradford, the poet Joy Harjo, the artist Betye Saar and the composer Wynton Marsalis and the writer Ta-Nehisi Coates.Founded in 1898, the institution had capped membership at 250 since 1908; members are elected for life and pay no dues. In addition to adding 33 members, the academy announced it is going to grow to 300 by 2025. Its move to diversify comes as the arts reckon with issues of race, inclusion and social justice.“The board of directors is committed to creating a more inclusive membership that truly represents America and believes that expanding the Academy’s membership will allow the Academy to more readily achieve that goal,” the organization said in a statement.Early on after its establishment, the organization — which now administers more than 70 awards and prizes, totaling more than $1 million — was mainly made up of white men, like Theodore Roosevelt, Augustus Saint-Gaudens, John Singer Sargent and Mark Twain. Previously, new members could only be elected after the death of existing members.“That the doors of the institution have opened to a more representative membership is symbolic of a cultural shift that is long overdue,” Harjo said in an email to The New York Times.“Every culture has contributed to the restoration, remaking and revisioning of this country,” she added. “Together we are a rich, dynamic story field of every shade, tone and rhythm.”The academy is ushering in its most diverse group as institutions across the nation have reckoned with racial justice, equity and inclusion in the last year. The Andrew W. Mellon Foundation announced a $5.3 million program to distribute curated collections of books to prisons across the country last June and later pledged $250 million to help reimagine the country’s monuments and memorials to include the histories of people who have been marginalized. In January, the Library of Congress also announced a Mellon-funded initiative to expand its collection and encourage diverse outreach for future librarians and archivists.Employees at other arts organizations are also airing their issues with the gatekeepers of high arts: a coalition from the Metropolitan Museum of Art, the Metropolitan Opera, the Museum of Modern Art, the Guggenheim Museum and other New York-based cultural institutions issued an open letter on social media regarding the “unfair treatment of Black/Brown people” last year, demanding “the immediate removal of ineffective, biased Administrative and Curatorial leadership,” among other requests.The academy only includes American architects, artists, writers and composers. Among the new additions, who are not in these categories, are honorary members, like Mikhail Baryshnikov, Spike Lee, Unsuk Chin and Balkrishna Doshi.All of the new members will be inducted on May 19 via a virtual award ceremony.AdvertisementContinue reading the main story More

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    Tony Awards Voting Starts Now. And It’s Going to Be Weird.

    #masthead-section-label, #masthead-bar-one { display: none }At HomeFall in Love: With TenorsConsider: Miniature GroceriesSpend 24 Hours: With Andra DayGet: A Wildlife CameraAdvertisementContinue reading the main storySupported byContinue reading the main storyTony Awards Voting Starts Now. And It’s Going to Be Weird.No shows are playing, and no one knows when they will come back. Here are answers to six questions about a process even more idiosyncratic than usual.Adrienne Warren as the title character in “Tina — The Tina Turner Musical,” one of three shows eligible for the best musical Tony Award.Credit…Sara Krulwich/The New York TimesMarch 1, 2021The last Broadway season ended, unexpectedly, nearly a year ago. The next one will begin who-knows-when.But deep in this winter of our theaterlessness, a dormant tradition is starting to stir: the Tony Awards.Hundreds of voters, this week and next, are casting ballots for the best shows, and the best performances, of a theater season abruptly cut short by the coronavirus pandemic.The jukebox shows “Jagged Little Pill,” “Moulin Rouge! The Musical” and “Tina — The Tina Turner Musical’ are competing for best musical, and hope to resume performances whenever Broadway reopens. All five of the best play contenders have closed. They are “Grand Horizons,” by Bess Wohl; “The Inheritance,” by Matthew López; “Sea Wall/A Life,” by Simon Stephens and Nick Payne; “Slave Play,” by Jeremy O. Harris; and “The Sound Inside,” by Adam Rapp.In this strangest-of-all Tony competitions, the voting is disconnected from both the period being assessed, which ran from April 26, 2019, to Feb. 19, 2020, and the ceremony for handing out awards, which has not yet been scheduled.In other words, we won’t know the results until — well, for a long time.But here’s what we do know:Who’s going to vote?Not a lot of people.There are 778 Tony voters, but they can only cast ballots in categories in which they’ve seen all the nominees. Because the pandemic prevented any spring theatergoing, there are fewer qualified voters than usual.There are 25 prize categories; the Tonys won’t say how many people will actually be able to vote in each category, but producers believe slightly fewer than 400 people will qualify to cast ballots for best musical, and fewer than that for best play.What’s missing?Parties.The usual Tonys season is all-encompassing. Shows that opened in the fall (and that would have included all three of last season’s nominated musicals) invite voters back to see them again. Monday nights are jammed with nonprofit galas at which nominees mingle with voters, and those who can sing, do. There are press junkets and mixers; display ads in The New York Times and caricatures at Sardi’s; plus, of course, a raft of spring openings to catch up with.So much hugging. So much schmoozing. So many four-hour dinners. Everyone complains. And now they long for it.“I can’t believe I miss buffets,” said Eva Price, a lead producer of “Jagged Little Pill.” “So much that we took for granted, and sometimes grimaced at, we would give our left arms for right now.”Lauren Patten, center, in “Jagged Little Pill,” a show that re-aired a cast reunion concert as a way to remind voters and fans that it plans to return to Broadway.Credit…Sara Krulwich/The New York TimesIs it appropriate to campaign?Yes, but very gingerly.We’re still in the middle of a devastating pandemic and a huge number of people who work in theater are currently unemployed. Also: money is tight because there are no ticket sales.“The 2020 shows can’t run a campaign in the usual way, and even if we could it would feel icky to try,” said Carmen Pavlovic, the lead producer of “Moulin Rouge!”“This is not a moment for cocktail parties and gossip,” she added. “It’s just a moment for lifting up artists from darkness, and hoping that lifts everybody else along the way.”So swag is minimal. “Moulin Rouge!” and “Jagged Little Pill” sent voters coffee table books about their shows, but that’s about it. The main form of campaigning this year is in the form of “For Your Consideration” emails.The nominated show that is furthest in the rearview mirror — a revival of “Frankie and Johnny in the Clair de Lune,” which closed in July 2019 — sent voters a video montage of interviews including its playwright, Terrence McNally, who died eight months later from complications of the coronavirus.Nominees are sitting for profiles with theater trade publications. And last week, “Tina,” “Jagged Little Pill,” “The Inheritance,” “Slave Play” and “Betrayal” bought daily sponsorships of Broadway Briefing, an emailed industry newsletter whose subscribers include many Tony voters.And there are other, newfangled ways to refresh voters’ memories. “Betrayal” on Sunday held a cast reunion on Instagram Live; “The Sound Inside” sent voters videotaped selections from the production; “Jagged Little Pill” released a video reflecting on the year and is re-airing a concert version of its show. “Moulin Rouge!” and “The Inheritance” built voter web pages with performance clips, interviews, scripts and more.The message needs to be focused, producers say. “We have to be very mindful and respectful of what people’s experiences are right now,” said Tali Pelman, the lead producer of “Tina.” At the same time, she said, “Honoring our talent and their contribution is important. More than ever, we have to shout out about their exceptional value in society.”What happens when the votes are tallied?An accounting firm sits on the results.The voting period runs through March 15, with votes cast electronically via a password-protected website, and tabulated by Deloitte & Touche LLP. Even in pre-pandemic years, results are not shared with the leaders of the organizations that present the awards — the Broadway League and the American Theater Wing — or anyone else before they are announced.This year they will just be kept secret for longer than usual.Aaron Tveit (with Karen Olivo, in “Moulin Rouge!”) is the only actor eligible for best actor in a musical.Credit…Sara Krulwich/The New York TimesCan you lose if you’re the only nominee?Theoretically, yes.Aaron Tveit of “Moulin Rouge!” is the only person nominated as best actor in a musical. This is an unusual circumstance, for which the Tonys have imposed an unusual rule: to win, Tveit must get a positive vote from 60 percent of those who cast ballots. But, to be clear, he’s likely to pick up his first statuette this year.There are a couple of other nomination quirks, too. There will be no prize for best musical revival, because the only one that managed to open, “West Side Story,” did so after the retroactively imposed eligibility date. And the contenders for best score were all from plays.So when will we know the winners?Stay tuned.It seems clear that the ceremony will only take place after live performance is allowed to resume in New York and tickets to Broadway shows have gone on sale.That’s because the industry’s priority will be to use the ceremony to remind potential audiences that Broadway is back. The goal, said Heather A. Hitchens, the Wing’s president and chief executive, “is to be most helpful to the industry.”Several producers and publicists say they are now thinking the most likely time frame is after Labor Day, a full year and a half after Broadway shut down.The organizers have shared a few other details. This year’s ceremony, like those before the pandemic, will be overseen by Glenn Weiss and Ricky Kirshner. There will be some noncompetitive awards (those are honors like lifetime achievement). But there has been no announcement about whether the ceremony will be in-person or virtual, televised or streamed, live or taped; only that it will take place “in coordination with the reopening of Broadway.”“We hope to have news very soon,” said the League’s president, Charlotte St. Martin.AdvertisementContinue reading the main story More

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    How to Watch the Golden Globes 2021: Date, Time and Streaming

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonHow to Watch the GlobesWhat to ExpectOur Movie PredictionsGolden Globe NomineesGolden Globes SuitAdvertisementContinue reading the main storySupported byContinue reading the main storyHow to Watch the Golden Globes 2021: Date, Time and StreamingHere’s a quick guide with everything you need to know for the Hollywood Foreign Press Association film and television awards. Tina Fey and Amy Poehler are the hosts of this year’s ceremony.Credit…Frazer Harrison/Getty ImagesFeb. 27, 2021, 9:27 a.m. ET More

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    The Golden Globes’ Biggest Winner May Be the Group That Hands Them Out

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonNetflix’s First Winner?Our Best Movie PicksStream Top Oscar ContendersOscar-Winning DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Golden Globes’ Biggest Winner May Be the Group That Hands Them OutMembers of the tax-exempt Hollywood Foreign Press Association, which puts on the ceremony, are courted by stars and studios, and sometimes paid.A Golden Globe win can boost careers, jack up box office earnings and foreshadow an Academy Award.Credit…Frazer Harrison/Getty ImagesCara Buckley and Feb. 23, 2021Updated 4:32 p.m. ETThe Hollywood Foreign Press Association has been widely viewed as colorful, generally harmless, perhaps venal and not necessarily journalistically productive. But because the group puts on the Golden Globes, courting the favor of its members — there are only 87 — has become a ritualized Tinseltown pursuit.Celebrities send them handwritten holiday cards. Studios put them up at five-star hotels. Champagne, pricey wine, signed art, cashmere blankets, slippers, record players, cakes, headphones and speakers are among the gifts that have arrived at their doorsteps, recipients say.The suitors — studios, production companies, strategists and publicists — are all chasing the same thing: members’ votes. Every one counts. A Golden Globe nomination, and certainly a win, is a publicity boon that can boost careers, jack up box office earnings and foreshadow an Academy Award.Boozy, irreverent and generally jolly good fun, the Globes are the third most-watched awards show after the Grammys and the much more staid Academy Awards. The show occupies a curious place in the entertainment industry. Mocking the Globes, and their occasionally off-the-wall nominations and picks, as irrelevant has become an annual blood sport in the Hollywood press, which covers them anyway, and the association’s members, many of whom work for obscure outlets, are regularly painted as doddering, out of touch and faintly corrupt.“The Golden Globes are to the Oscars what Kim Kardashian is to Kate Middleton,” Ricky Gervais, who has hosted them multiple times, said at the ceremony in 2012. “Bit louder. Bit trashier. Bit drunker. And more easily bought, allegedly. Nothing’s been proved.”But on the eve of the Feb. 28 show, a recent lawsuit and a series of interviews and financial records are providing a more unsparing look at the group, which does not publicly list its roster, admits very few applicants, and, despite being a media association, has some members who say they are fearful of speaking to the press. The group is also coming under increased scrutiny from news organizations, including The Los Angeles Times, which recently delved into their finances; one of its findings, that the group has no Black members, made headlines.Kjersti Flaa, a Norwegian reporter, sued when the Hollywood Foreign Press Association denied her entry. Most of her lawsuit was thrown out, but she recently amended it.Credit…Rozette Rago for The New York TimesThe latest re-examination began last year when Kjersti Flaa, a Norwegian reporter who has thrice been denied admittance to the group, and whose romantic partner is a member, sued the organization, saying that it acted as a monopoly, hogging prized interviews even though relatively few of its members actively worked as journalists. Studios went along to ingratiate themselves, she said, because of the value of the members’ votes.“It’s very obvious who’s important for the studios and who’s not,” Flaa said in an interview. “And the thing is, no one has said anything about this before. It’s just been accepted.”Members are territorial and loath to welcome competitors, she alleged, lobbying each other to accept or deny entry to new applicants, with little consideration for journalistic merits. Flaa pointed to a fracas involving a Russian member who in 2015 was accused of demanding that a Ukranian applicant not write for any Russian outlets and hand over her extra Golden Globes tickets — and guarantee her promise in a notarized letter — in exchange for being considered for admission.Flaa said outsiders had a nickname for the association: “The cartel.”The association would not comment specifically on the 2015 incident, but Gregory Goeckner, the organization’s chief operating officer and general counsel, said that such actions were prohibited, and that in 2018 its board approved a policy confirming any such letters as “void and unenforceable.” Goeckner also described Flaa’s allegations as “salacious,” and said it was studios, not the association, that made decisions about press access.A judge threw out the majority of Flaa’s suit, but she has recently amended it, and another journalist who also has been denied entry to the association has joined her complaint.Several current and former association members said Flaa’s accounts of the inner machinations were accurate, but requested anonymity because they said they feared retaliation from the group.The Hollywood Foreign Press Association was born in the ’40s, when foreign correspondents covering Hollywood banded together to gain access to movie stars. The Globes recognize movies and television, and is chockablock with stars, with nary a snoozy category — no sound editing prize here. As the awards industry complex mushroomed — it’s now a near year-round enterprise shaped by strategists and closely tracked by reporters — members’ relative power grew too.The association, which is sitting on millions of dollars in cash, is planning to upgrade its West Hollywood headquarters.Credit…Barry King/Alamy Stock PhotoAfter the show was picked up by television, it became a golden goose. In 2018, NBC agreed to pay $60 million a year for broadcast rights, about triple the previous licensing fee. While the Academy Awards and the Emmys have lost millions of viewers in recent years, the Golden Globes audience has held steady at 18 million to 20 million, which is why NBC was willing to fork up.“It’s a big-tent network television show, and as such, invaluable to film campaigns hoping to contend for Oscar nominations and wins,” said Tony Angellotti, a publicist who runs awards campaigns, in an email. “And the H.F.P.A. track record for identifying worthy films is indisputable. That’s not nothing.”To be able to vote for a Globe, members must publish at least six times a year, and attend 25 of the association’s news conferences, where celebrities and newsmakers are invited to appear, several members confirmed. If members want to travel to film festivals on the association’s dime, they have to attend even more news conferences, according to a copy of the travel policies reviewed by The New York Times. The rules say they don’t have to produce any press clippings related to their travels if they take five or fewer trips.Because the organization is a nonprofit, the Hollywood Foreign Press Association is also tax-exempt. The filing from the tax year ending in June 2019 showed that the group was sitting on about $55 million in cash. It donated about $5 million to assorted causes, including $500,000 to the Reporters Committee for Freedom of the Press and $500,000 to the environmental site Inside Climate News.“The funding was enormously important,” David Sassoon, the founder and publisher of Inside Climate News, said in an email. “It solidified our finances and helped us get through the nightmares of 2020.”According to the tax filings, the tax-exempt nonprofit paid more than $3 million in salaries and other compensation to members and staff. The tax filing also showed $1.3 million in travel costs for that year; the association has said it typically pays the expenses of members who seek to travel to film festivals and the like.There is also compensation for performing duties that several members say used to be done for free. Being on the association’s TV Viewing Committee pays $1,000 a month, according to the treasurer’s report from the association’s January general meeting. Members of the Foreign Film Watching Committee pocket $3,465 apiece. Two dozen people sit on that committee, according to the minutes, which meant that the demands of watching international movies cost the association $83,160 in one month.The association also has an advisory committee, a history committee, a welfare committee, a travel committee, a film festival committee, a financial committee and an events committee — all of which come with stipends, according to the treasurer’s report.Some members said the number of paying committees has exploded in recent years, with members jockeying to nab multiple positions and loyalty rewarded with committee appointments. This has caused angst for some who want to see the association become less of a punchline around town. One member worried that the group will become overrun by members who draw most of their income from the organization and not from journalism.Ricky Gervais rolled out the red carpet at the Golden Globes last year.Credit…Christopher Polk/NBC/NBCU Photo Bank, via, Getty ImagesGoeckner said the association only remunerates members when they do extra work and basically serve as employees, doing tasks that would constitute paid staff work elsewhere. The compensation, he said, was “orders of magnitude less” than what similar organizations pay. And he noted that the group was “not a charity,” and that its accumulated capital was earmarked for a planned upgrade of its West Hollywood headquarters.Still, there is debate over how much of its earnings the association should keep to itself.Flaa’s lawyer, David Quinto, said that by virtue of its tax-exempt status, the association should be benefiting foreign arts journalists more broadly, not just the ones in the group. He said the association “believes it is above the law” and called its conduct “blatantly improper.”But Ofer Lion, a Los Angeles lawyer with expertise on tax-exempt organizations, said that mutual benefit corporations like the association need only benefit a common purpose of its members, and as a 501(c) (6) tax-exempt organization, must only ensure they in some way benefit their industry overall. Payments to members for their work for the organization are legal, he said, as long as they are considered reasonable.“There are some healthy numbers on there,” Lion said, after reviewing the organization’s tax return, “but not really beyond the pale.”The group’s stated mission is essentially to help bolster ties between the United States and foreign countries by covering its culture and entertainment industry. But it has continuously come under scrutiny when puzzling award decisions have been handed down, most infamously in 1982, when Pia Zadora was named best new star over Kathleen Turner and Elizabeth McGovern. It was later revealed that Zadora’s producer, who also happened to be her husband, had flown the group to Las Vegas before the vote. CBS, which had been airing the show, dropped its broadcast, and it would be years before it returned to network television.In 2014, a former association president published a memoir in which he suggested that his colleagues could be swayed by favor trading.The association has tried to rehabilitate its image in recent years. In 1999, it sent back $400 Coach watches given to members by a film company and asked members in 2016 to return part of the Tom Ford-branded fragrance gift sent to each of them from the producers of “Nocturnal Animals.”Nowadays, members aren’t supposed to accept gifts in excess of $125. (The group says it has adopted a “more robust” gift policy.) Still, they can be wooed. For some, there was little surprise when the frothy series “Emily in Paris” — which got decidedly mixed reviews from critics — picked up two Golden Globe nominations this year. In September 2019, dozens of association members flew to Paris to visit the “Emily” set and were put up by the Paramount Network at the five-star Peninsula hotel.And although there purportedly has been a wave of reforms, the group’s eclectic membership list has remained largely the same for years.A review of a 2020 roster shows that its members include Yola Czaderska-Hayek, a woman known as the “Polish First Lady of Hollywood”; Alexander Nevsky, a former Mr. Universe and bodybuilder who has starred in movies like “Moscow Heat”; and Judy Solomon, an organization veteran of more than 60 years who has drawn attention for her role as what The Daily Beast called “The Golden Globes Seating Arbiter,” a job of no small importance when it comes to seating celebrities at the ceremony without ruffling feathers.In statements provided to The New York Times, two longtime members of the organization expressed pride in the Hollywood Foreign Press Association and its work. One of the members, Meher Tatna, the current board chair, touted the group’s philanthropic initiatives, saying it received thank-you letters year-round.Czaderska-Hayek echoed that pride in a video posted on YouTube by the Polish government in 2010, but also noted that membership demands could be taxing.“It’s unbelievably hard work,” Czaderska-Hayek said, according to the video’s English subtitles. “We must see at least 300 U.S. films every year.”Alain Delaquérière and Kitty Bennett contributed research.AdvertisementContinue reading the main story More

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    SAG Awards 2021 Nominations: ‘Minari’ Comes on Strong

    AdvertisementContinue reading the main storySupported byContinue reading the main storyThe ProjectionistSAG Award Nominations: ‘Minari’ Comes on Strong, ‘Hillbilly Elegy’ Revived“Da 5 Bloods,” snubbed by the Golden Globes, also advances with multiple nominations. Last year’s winner, “Parasite,” went on to take best picture at the Oscars.“Minari” stars from left, Alan S. Kim, Steve Yeun, Noel Cho and Yeri Han.Credit…David Bornfriend/A24, via Associated PressFeb. 4, 2021Updated 12:50 p.m. ETLooking for a little clarity in a messed-up, pandemic-elongated awards season? Nominees for the Screen Actors Guild Awards were announced Thursday, and these prizes, handed out by the Hollywood actors’ guild SAG-Aftra, may provide the best look yet at the contenders with the strongest shots at making the Oscars’ final five.Unlike the weird and wacky Golden Globes, which are voted on by a small group of eccentric foreign journalists, the actors’ guild is more comparable to the academy in its size and membership. Over the last three years, every SAG winner has gone on to win the Oscar, too, so when it comes to awards-season bellwethers, few shows ring louder and truer. (Sorry to Sia’s Golden Globe nominee “Music”: That means your 24-hour reign of confusion has come to a close.)This year’s SAG lineup brings excellent tidings for “Minari,” a Korean-American family drama that missed major recognition at precursors like the Globes and the Gotham Awards. SAG gave the film three big nominations, recognizing the film’s ensemble cast as well as lead actor, Steven Yeun, and supporting actress Youn Yuh-jung.Another film that saw its fortunes rise was the critically derided “Hillbilly Elegy”: Though the Ron Howard-directed drama failed to make the best-cast category, Amy Adams and Glenn Close scored individual nominations over strong competition.In a rebuke to the Golden Globes, where the best-drama lineup was composed of films with majority-white casts, four of the five nominees for the SAGs’ top prize, best cast — “Minari,” “Ma Rainey’s Black Bottom,” “Da 5 Bloods,” and “One Night in Miami” — were made up mainly of people of color, with Aaron Sorkin’s “The Trial of the Chicago 7” taking the fifth spot.What does this mean for contenders like “Nomadland” and “The Father,” which are presumed to be real Oscar threats for best picture but were left out of the SAGs’ top category, even as their actors earned individual nominations? There’s no cause for alarm just yet: SAG voters tend to favor large ensemble casts with multiple people sharing scenes, and more intimate movies often fail to make the best-cast lineup.Still, there were some notable snubs and surprises in the individual acting categories. Though “Da 5 Bloods” earned a best-cast nod and a supporting-actor nomination for Chadwick Boseman, the film’s powerhouse lead, Delroy Lindo, was shut out once again. Meanwhile, “Mank” standout Amanda Seyfried and the “Pieces of a Woman” star Ellen Burstyn were left off the supporting-actress lineup, and “The Little Things” star Jared Leto sneaked into the supporting-actor final-five over far worthier competition, like the snubbed Paul Raci from “Sound of Metal.”The SAG Awards show will be held April 4, and the ceremony itself may provide further hints about this awards season’s ultimate conclusion: Last year’s surprise best-cast win for “Parasite” was a crucial pit stop on the way to that film’s historic best-picture victory at the Oscars.Here are the nominations in the top movie categories:Outstanding Cast“Da 5 Bloods”“Ma Rainey’s Black Bottom”“Minari”“One Night in Miami”“The Trial of the Chicago 7”Outstanding Performance by an Actor in a Leading RoleRiz Ahmed, “Sound of Metal”Chadwick Boseman, “Ma Rainey’s Black Bottom”Anthony Hopkins, “The Father”Gary Oldman, “Mank”Steven Yeun, “Minari”Outstanding Performance by an Actress in a Leading RoleAmy Adams, “Hillbilly Elegy”Viola Davis, “Ma Rainey’s Black Bottom”Vanessa Kirby, “Pieces of a Woman”Frances McDormand, “Nomadland”Carey Mulligan, “Promising Young Woman”Outstanding Performance by an Actor in a Supporting RoleSacha Baron Cohen, “The Trial of the Chicago 7”Chadwick Boseman, “Da 5 Bloods”Daniel Kaluuya, “Judas and the Black Messiah”Jared Leto, “The Little Things”Leslie Odom Jr., “One Night in Miami”Outstanding Performance by an Actress in a Supporting RoleMaria Bakalova, “Borat Subsequent Moviefilm”Glenn Close, “Hillbilly Elegy”Olivia Colman, “The Father”Youn Yuh-jung, “Minari”Helena Zengel, “News of the World”For a complete list of nominations, including the television categories, go to sagawards.org.AdvertisementContinue reading the main story More