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    What to See at the Edinburgh Fringe Festival

    Previous editions of the performing arts event launched shows like “Baby Reindeer” and “Fleabag.” Maybe there’s another breakout hit among this year’s more than 3,300 shows.Each summer, artists and audience members from across the globe decamp to Scotland for the Edinburgh Festival Fringe, the world’s largest performing arts event. This year, from Aug. 2 through 26, the city will be repurposed into a labyrinth of makeshift theaters, in dingy rooms above pubs, hotel conference rooms and university lecture theaters.Throughout the Fringe’s 77-year history, its eclectic approach to performance has been integral to its appeal. Unlike the more highbrow Edinburgh International Festival, which runs concurrently. the Fringe is open to all comers — and a buzzy Fringe show can give an artist a very big break.“Fleabag” and “Six,” the musical, were originally Fringe success stories. So too was Richard Gadd’s 2019 one-man show “Baby Reindeer,” which this year became a Netflix series and an unexpected global hit.Very few artists make money at the Fringe, but at this year’s festival, many will be trying to emulate Gadd’s trajectory. And festival goers will equally be looking for the next big thing.With more than 3,300 shows on offer, finding the next “Fleabag” requires some careful studying of the weighty Fringe program. Here is a guide to some of the key themes and the buzziest shows from this year’s lineup.Award-winning comics returnAt the end of each year’s Fringe, a panel of judges hands out the Edinburgh Comedy Awards for best show and best newcomer, two prestigious prizes that have launched many international careers. This year’s Fringe lineup includes two of the most successful recent winners.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Richard Gadd Says ‘Baby Reindeer’ Was ‘Emotionally True’ but ‘Fictionalized’

    Richard Gadd, the show’s creator, said in a court filing that Fiona Harvey, who is suing Netflix for defamation, harassed him in real life but that the show is a dramatic retelling.After Netflix was sued by a woman who claimed that she inspired the stalker character on the hit series “Baby Reindeer,” the show’s creator, Richard Gadd, said in court papers filed Monday that he had been stalked by the woman in real life but that the series was a “fictionalized retelling.”In a declaration filed in federal court in Los Angeles, Mr. Gadd said that the woman, Fiona Harvey, harassed him in many of the same ways the character Martha stalks Mr. Gadd’s character, Donny, on “Baby Reindeer,” which claims to be “a true story.”Mr. Gadd said that in real life, Ms. Harvey visited him constantly at the bar where he worked and sent him “thousands of emails, hundreds of voicemails, and a number of handwritten letters,” some which were sexually explicit or threatening. But he also argued that “Baby Reindeer” is “a dramatic work.”“It is not a documentary or an attempt at realism,” Mr. Gadd wrote in the filing. “While the Series is based on my life and real-life events and is, at its core, emotionally true, it is not a beat-by-beat recounting of the events and emotions I experienced as they transpired. It is fictionalized, and is not intended to portray actual facts.”Mr. Gadd gave his declaration in support of a motion filed by Netflix seeking to dismiss the defamation lawsuit Ms. Harvey filed last month.Ms. Harvey claimed in the suit that the character Martha was based on her, and that the series defamed her by portraying the character as a convicted stalker who at one point sexually assaults the character played by Mr. Gadd. In her lawsuit, Ms. Harvey said she had never been convicted of a crime and had never sexually assaulted Mr. Gadd.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What to Know About ‘Baby Reindeer,’ Netflix’s True-ish TV Hit

    The mini-series, based on the star’s experiences, has viewers wondering how much of it is real. Here’s the back story.Some spoilers follow.“Baby Reindeer,” Netflix’s absorbing, claustrophobic seven-episode thriller, has been an unexpected global hit — a success made even more surprising given its intense themes. It is far and away the most-watched show on Netflix, according to the streamer’s publicly released numbers, dwarfing every other show on the platform.The mini-series follows the character of Donny Dunn, a bartender and floundering comedian trying to navigate the fog of trauma and cobble together a sense of self while being mercilessly stalked and tormented by a woman named Martha, with whom he maintains a codependent connection, despite the harassment. The title refers to one of Martha’s many nicknames for Donny.Here’s what’s real about “Baby Reindeer,” and what viewers seem most curious about.Yes, That Is the Real Guy“Baby Reindeer” is the work of Richard Gadd, 34, who plays Donny, a slightly fictionalized version of himself. And if you were wondering how a regular guy could be such a confident, complex actor, it’s because he is a seasoned, award-winning performer who parlayed his autobiographical one-man show, titled “Baby Reindeer,” into the series, for which he wrote every episode.But once upon a time, he was the self-loathing performer we see depicted. “Baby Reindeer” takes meta storytelling to new levels.Yes, It Is Based on His Real ExperiencesEarly in the first episode, a message across the screen reads, “This is a true story.” And it is.“It’s all emotionally 100 percent true,” Gadd, who was the real-life victim of the stalking, said in a recent interview with Variety. “It’s all borrowed from instances that happened to me and real people that I met.” True with the caveat that “for both legal and artistic reasons,” as he put it, details had to be changed. “You can’t just copy somebody else’s life and name and put it onto television,” he said. “We were very aware that some characters in it are vulnerable people,” he added, “so you don’t want to make their lives more difficult.”The series is largely punctuated by language from real messages sent by his stalker (played by Jessica Gunning), which we see typed out onscreen. In his one-man show, a 70-minute monologue that premiered at Edinburgh Festival Fringe and would go on to win an Olivier Award (Britain’s equivalent of the Tonys), Gadd played her voice mail messages to the audience, and projections of her emails scrolled across the venue’s ceiling.According to Gadd, she sent him over 41,000 emails, tweeted at him hundreds of times and left him 350 hours of voice mail over the course of a few years.For the series, certain timelines were moved around “to make them pay off a little better,” he said. Nonetheless, “it’s a very true story.”Gadd Has Asked Viewers Not to Dig …While the saga, at first glance, is one of stalking and obsession, it is equally about the life-shattering effects of sexual assault. In the fourth episode, Gadd’s character is repeatedly drugged, assaulted and raped by a powerful television writer named Darrien O’Connor (played by Tom Goodman-Hill) who’d made false promises to help catapult the comedian’s career. (The sexual assaults were explored in Gadd’s earlier solo show “Monkey See Monkey Do.”)“Abuse leaves an imprint,” Gadd recently told GQ magazine. “Especially abuse like this where it’s repeated with promises.”The depiction of the abuse is graphic and disturbing, and knowing that the characters were based on real people prompted great interest in the identities behind them. But Gadd was quick to urge viewers to stop investigating. “Please don’t speculate on who any of the real-life people could be,” he wrote on Instagram. “That’s not the point of our show.”… Yet Viewers Keep DiggingAs more and more people binge the show, social media platforms have become amateur detective rings, with viewers trying to suss out the identities of the characters. The British writer and director Sean Foley was the subject of online threats when some thought that he was the real-life Darrien character.“Police have been informed and are investigating all defamatory abusive and threatening posts against me,” Foley said in a post on X (formerly Twitter) in late April.On Instagram, Gadd defended Foley specifically, writing, “People I love, have worked with, and admire (including Sean Foley) are unfairly getting caught up in speculation.”In the first episode, Gadd’s character searches Martha’s name online and uncovers a trove of articles about her past stalking — “Serial Stalker Sentenced to Four and Half Years,” reads one headline — which led some online sleuths to try to find the actual versions of those same articles.The show has become such a phenomenon that The Daily Mail published an interview with a woman purporting to be the “real” Martha, lodging her complaints about the show, though her name was not disclosed.When GQ asked Gadd what the stalker might make of the show, he said, “I honestly couldn’t speak as to whether she would watch it,” calling her “an idiosyncratic person.”“We’ve gone to such great lengths to disguise her to the point that I don’t think she would recognize herself,” he said. “What’s been borrowed is an emotional truth, not a fact-by-fact profile of someone.” More