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    Beck and Phoenix’s Bouncy Synth-Pop Team-up, and 8 More New Songs

    Hear tracks by Palehound, Jaimie Branch, Aphex Twin and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Just want the music? Listen to the Playlist on Spotify here (or find our profile: nytimes). Like what you hear? Let us know at theplaylist@nytimes.com and sign up for our Louder newsletter, a once-a-week blast of our pop music coverage, and The Amplifier, a twice-weekly guide to new and old songs.Beck and Phoenix, ‘Odyssey’Double bill challenge: write a song with the act sharing the tour to prove compatibility. Beck and the French electro-pop band Phoenix, who will hit the road together this summer, have done just that. Their collaboration, “Odyssey,” finds common ground in synthesizer-centered 1980s pop, specifically Talking Heads’ 1980 “Once in a Lifetime” plus a lot of marimba or xylophone overdubs. Homer’s “Odyssey” was a long, brutal journey home. This “Odyssey” is much more comfortable. JON PARELESMaisie Peters, ‘Run’“If the man says that he wants you in his life forever — run!” That’s what the English songwriter Maisie Peters advises after a relationship with someone who was “too good to be true.” It’s a brisk, beat-driven battle-of-the-sexes song that could be a slogan. PARELESAphex Twin, ‘Blackbox Life Recorder 21f’Brooding synthesizer chords and dependable but ever-shifting drumbeats run through Aphex Twin’s first official release in five years, the inscrutably titled (as usual) “Blackbox Life Recorder 21f,” from an EP due July 28. Melodically, the track is a dirge, but until the rhythm drops away at the end, the percussion is there to party no matter how grim the surroundings. PARELESJaimie Branch, ‘Take Over the World’The trumpeter and bandleader Jaimie Branch, who was 39 when she died last year, left behind raucous, defiant recordings that will be released in August as a posthumous album, “Fly or Die Fly or Die Fly or Die ((World War)).” Branch determinedly fused jazz, electronics and punk spirit, and in “Take Over the World” she starts out chanting “Gonna gonna take over the world/and give it back-back-back-back to the l-l-land,” whooping up high as she’s joined by pummeling, New Orleans-flavored drums and rhythmically droning cello and bass. She plays a taunting, growling trumpet solo; she puts her vocals through an electronic warp. Her fury gathers a fierce, joyful momentum. PARELESPalehound, ‘Independence Day’“We broke up on Independence Day, crying while the next door neighbors raged,” El Kempner begins on this single from indie-rockers Palehound’s forthcoming album “Eye on the Bat,” atop a chord progression that chugs wearily, like Wilco’s “Kamera.” That memorable line sets the scene for this bleary, blurred snapshot of a relationship’s end, full of wry humor and hard-won wisdom. “Even if I could, it would kill me to look back,” Kempner sings, musing on the sadness of the road not taken. “No, I don’t wanna see the other path.” LINDSAY ZOLADZAmanda Shires and Bobbie Nelson, ‘Waltz Across Texas’The country artists Amanda Shires and Bobbie Nelson recorded the generation-bridging album “Loving You” shortly before Nelson’s 2022 death at age 91, and the result is a testament to the collaborative spirit and light, intuitive touch as a pianist that she retained up until the very end of her life. The album’s opening number “Waltz Across Texas,” the Western swing classic made famous by Ernest Tubb, showcases their easy musical chemistry: Shires’s fluttery voice is playful but reverent to the source material, and Nelson’s notes are as elegantly spaced and glimmering as stars in a night sky. ZOLADZFaye Webster, ‘But Not Kiss’Faye Webster trades in deceptive nonchalance. She brings her sly, sleepy voice to “But Not Kiss,” singing about the wary, ambivalent beginnings of a relationship: “I want to see you in my dreams but then forget,” she sings, “We’re meant to be — but not yet.” Each quiet, folky declaration is answered by a rich burst of instruments: physical responses outpacing rational decisions. PARELESThe Smile, ‘Bending Hectic’What would it feel like to drive off a Mediterranean mountainside? Leave it to the Smile — Thom Yorke and Jonny Greenwood of Radiohead with the jazz drummer Tom Skinner — to consider that possibility in this nerve-racking eight-minute track. “Bending Hectic” moves from contemplating the view to getting suicidal on curvy Italian mountain roads, from quiet guitar picking and contemplation to disaster scored by Greenwood’s dissonant string arrangements. Takeaway: Choose that van driver carefully. PARELESAmbrose Akinmusire, ‘Cora Campbell’Ambrose Akinmusire recorded his newest album, “Beauty Is Enough,” at Paris’s towering Saint-Eustache cathedral, without an audience or a band — just his trumpet and the natural reverb of the hall. He approached the album, which is entirely improvised, as something of a rite of passage: So many of his horn-playing heroes had done solo albums at crucial career junctures, he’d known he would at some point too. Akinmusire has a huge knowledge of jazz history, but he pushes himself to avoid relaxing within it; you’ll never hear him falling back on references. Instead he’s built one of the most ineffable styles in jazz, full of smoldering feeling, but with a startling quietness at its core. (The LP’s cover art approximates this well: a faint, almost bodily shape, barely emerging from an all-black background.) On “Cora Campbell,” the last of the LP’s 16 tracks, you’ll hear him squeeze his notes tightly, letting them tremor and wriggle a bit. Seventy seconds in, he turns the notes he’s been toying with into a steady pattern, then challenges himself to splice higher pitches and glissandos into its gaps. It’s not overloaded, but he’s never at rest. GIOVANNI RUSSONELLO More

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    Dolly Parton, Eminem and A Tribe Called Quest Are Rock Hall Nominees

    This year’s slate of 17 acts eligible for induction span rap, country, folk, pop and more.Dolly Parton, Eminem, A Tribe Called Quest and Beck are among the first-time nominees on the ballot for the Rock & Roll Hall of Fame this year, the organization behind the museum and annual ceremony announced on Wednesday.Spanning rap, country, folk, pop and more, the list of 17 potential inductees includes seven acts appearing for the first time — Duran Duran, Lionel Richie and Carly Simon also among them — plus 10 repeat nominees who have not yet been voted in: Pat Benatar, Kate Bush, Devo, Eurythmics, Judas Priest, Fela Kuti, MC5, New York Dolls, Rage Against the Machine and Dionne Warwick.More than 1,000 artists, historians and music industry professionals will now vote to narrow the field, with a slate of inductees — typically between five and seven — to be announced in May. Artists become eligible for induction 25 years after the release of their first commercial recording.Voters for the Rock Hall are asked to consider an act’s music influence and the “length and depth” of its career, in addition to “innovation and superiority in style and technique.” But the hall’s exact criteria and genre preferences have seemed to expand in recent years, in part in response to frequent criticisms regarding its treatment of female and Black musicians. In 2019, a look at the organization’s 888 inductees up to then found that just 7.7 percent were women.Among the recent boundary-pushers to be elected are Jay-Z, Tina Turner, Whitney Houston, the Notorious B.I.G. and Janet Jackson.In a statement, John Sykes, the chairman of the Rock & Roll Hall of Fame Foundation, called the latest nominees “a diverse group of incredible artists, each who has had a profound impact on the sound of youth culture.”But in a universe of snubs, surprises and also-rans, there is a cottage industry of music obsessives dedicated to parsing who is recognized when — and who continues to be overlooked.A Tribe Called Quest, the influential hip-hop group from Queens, has been eligible for nearly a decade, but just received its first nomination, while the white rapper Eminem, who is among the genre’s best-selling artists of all time, made the ballot in his first year of eligibility. Simon, the 1970s folk singer known for hits like “You’re So Vain” and “You Belong to Me,” is a first-time nominee more than a quarter-century after she qualified.Back from last year’s ballot are the Afrobeat pioneer Fela Kuti, the rap-rock group Rage Against the Machine, the new wave band Devo, the early punk act New York Dolls, the experimental pop singer Kate Bush and the best-selling vocalist Dionne Warwick. Returning after some time off the ballot: Pat Benatar, Eurythmics, Judas Priest and MC5, now on its sixth nomination.This year’s induction ceremony is planned for the fall, with details about the date and venue to be announced at a later date, the hall said. More