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    Why is Ye, Formerly Kanye West, Doing a Show in China?

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    The provocative artist once known as Kanye West has received approval that was denied to Maroon 5 and Bon Jovi. China’s economic woes might be why.When the news broke that Ye, the rapper formerly known as Kanye West, would be performing in China on Sunday, the elation of many of his fans was mixed with another emotion: confusion.Why would the notoriously prickly Chinese government let in the notoriously provocative Ye? Why was the listening party, as Ye calls his shows, taking place not in Beijing or Shanghai, but in Hainan, an obscure island province? Under a trending hashtag on the social media site Weibo on the subject, one popular comment read simply “How?” alongside an exploding-head emoji.The answer may lie in China’s struggling economy. Since China reopened its borders after three years of coronavirus lockdowns, the government has been trying to stimulate consumer spending and promote tourism.“Vigorously introducing new types of performances desired by young people, and concerts from international singers with super internet traffic, is the outline for future high-quality development,” the government of Haikou, the city hosting the listening party, posted on its website on Thursday. But it is unclear whether the appearance by Ye — who would be perhaps the highest-profile Western artist to perform in mainland China since the pandemic — is part of a broader loosening or an exception.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Shawshank’ in China, as You’ve Never Seen It Before

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      A stage adaptation of the film featured an all-Western cast, was performed in Chinese and raised questions about translation, both linguistic and cultural.When a stage production of “The Shawshank Redemption” opened recently in China, it was cast entirely with Western actors speaking fluent Mandarin Chinese. But that may have been the least surprising part of the show.That the show — an adaptation of the Stephen King novella that became one of the most beloved movies of all time — was staged at all seemingly flew in the face of several trends in China’s cultural sphere.Chinese audiences’ interest in Hollywood films is fading, with moviegoers turning to homegrown productions. China’s authoritarian government has stoked nationalism and cast Western influence as a political pollutant. Censorship of the arts has tightened.Yet the production reflects how some artists are trying to navigate the changing landscape of both what is permissible and what is marketable in China. And its success shows the appetite that many Chinese still have for cultural exchange.A scene from the play.Gilles Sabrié for The New York Times“The Shawshank Redemption” — the story of a man wrongfully convicted of murder who defies prison officials’ tyranny and eventually pulls off a daring escape — has been a target for Chinese censors before. Mentions of it were briefly censored online in 2012, after a prominent Chinese dissident escaped house arrest and fled to the American Embassy. In general, the Chinese authorities have shown little tolerance for calls, artistic or otherwise, for freedom and resistance to injustice.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      ‘Barbie’ Is a Sleeper Hit in China

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      The movie has exceeded box office expectations, as China’s female moviegoers celebrate a film that addresses women’s rights head-on.There were plenty of reasons to think the “Barbie” movie might have a hard time finding an audience in China. It’s an American film, when Chinese moviegoers’ interest in, and government approval of, Hollywood movies is falling. It’s been widely described as feminist, when women’s rights and political representation in China are backsliding.But not only did the film screen in China — it has been something of a sleeper hit, precisely because of its unusual nature in the Chinese movie landscape.“There aren’t many movies about women’s independence, or that have some flavors of feminism, in China,” said Mina Li, 36, who went alone to a recent screening in Beijing after several female friends recommended it. “So they thought it was worth seeing.”Despite limited availability — the film, directed by Greta Gerwig, made up only 2.4 percent of screenings in China on its opening day — “Barbie” has quickly become widely discussed on Chinese social media, at one point even topping searches on Weibo, China’s version of Twitter. It has an 8.3 rating on the movie rating site Douban, higher than any other currently showing live-action feature. Theaters have raced to add showings, with the number nearly quadrupling in the first week.Though not nearly as hotly anticipated as in the United States, where it left some movie theaters running low on refreshments, “Barbie” has set off its own mini-mania in some Chinese circles, with moviegoers posting photos of themselves decked out in pink or showing off glossy souvenir tickets. As of Wednesday, the movie has earned $28 million in China — less than the new “Mission Impossible,” but more than the latest “Indiana Jones.” American movies’ hauls have been declining in general in China, in part because of strict controls on the number of foreign films allowed each year.Mia Tan, a Beijing college student, saw “Barbie” with two friends, in an array of festive attire that included a peach-colored skirt and pink-accented tops. During a scene in which the Ken dolls realized that being male was its own qualification, she joked that the characters sounded like fellow students in their major.Theaters in China have raced to add showings of “Barbie,” with the number nearly quadrupling in the first week.Cfoto/Future Publishing, via Getty Images“The movie was great,” Ms. Tan said. “It used straightforward dialogue and an exaggerated plot to tell the audience about objective reality. Honestly, I think this is the only way to make women realize what kind of environment they’re in, and to make men realize how much privilege they’ve had.”The discussion about women’s empowerment that “Barbie” has set off is in some ways a rare bright spot for Chinese feminists. In recent years, the authorities have arrested feminist activists, urged women to embrace traditional gender roles and rejected high-profile sexual harassment lawsuits. State media has suggested that feminism is part of a Western plot to weaken China, and social media companies block insults of men but allow offensive comments about women.Some social media comments have disparaged “Barbie” as inciting conflict between the sexes, and moviegoers have shared stories of men walking out of theaters. (In the United States, conservatives have similarly railed against the movie.)At the same time, public awareness of women’s rights has been growing. Online discussions about topics such as violence against women have blossomed, despite censorship. While many of China’s top movies in recent years have been chest-thumping war or action movies, a few female-directed movies, about themes like complicated family relationships, have also drawn huge audiences.And the Chinese government has proved most intent on preventing feminists from organizing and gathering, rather than stopping discussions of gender equality writ large, said Jia Tan, a professor of cultural studies at the Chinese University of Hong Kong.Even some Chinese state media outlets have offered cautious praise of the movie’s themes. One said that “Barbie” “encourages contemplation of the status and portrayal of women.” Another quoted a film critic as saying it was normal that the topic of gender would stir disagreement, but that “Barbie” was actually about the perils of either men or women being treated with favor.In a sign of how Chinese women’s expectations have shifted, some of the most popular — and critical — online reviews of “Barbie” came from women who said it hadn’t gone far enough. Some said they had hoped a Western movie would be more insightful about women’s rights than a Chinese one could be, but found it still exalted conventional beauty standards or focused too much on Ken. Others said they felt compelled to give the movie a higher rating than it deserved because they expected men to pan it.Vicky Chan, a 27-year-old tech worker in Shenzhen, said she thought mainstream conversations about feminism in China were still in their early stages, focusing on surface-level differences between men and women rather than structural problems. The movie’s critique of patriarchy was ultimately gentle, she said — and that was probably why it had gotten such wide approval in China, she said in an interview. (Ms. Chan gave the movie two stars on Douban.)A display of Barbie toys in Beijing in 2013.Andy Wong/Associated PressSome lingering wariness of feminism and its implications was evident at the recent Beijing showing of “Barbie,” where several audience members — male and female — told a reporter that they saw the movie as promoting equal rights, not women’s rights. Opponents of feminism in China have tarred the movement as pitching women above men.The Chinese subtitles for “Barbie” translated “feminism” as “nu xing zhu yi,” or literally “women-ism,” rather than “nu quan zhu yi,” or “women’s rights-ism.” While both are generally translated as “feminism,” the latter is seen as more politically charged.Wang Pengfei, a college student from Jiangsu Province, also drew that distinction. He had liked “Barbie” so much that he wanted to take his mother to see it, feeling she would appreciate the movie’s climactic speech about the double standards imposed on women.But Mr. Wang also said he was alarmed by what he called extreme feminist rhetoric, with women declaring that they didn’t need men. He liked the movie, he said, because it hadn’t gone as far as some other films did.“If Chinese women are really going to become independent,” he said, “it won’t be because of movie gimmicks.”Vivian Wang More

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      in Music

      China Ramps Up Culture Crackdown, Canceling Music and Comedy Shows

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      Performances across the country were canceled last week after Beijing began investigating a stand-up comedian.The cancellations rippled across the country: A Japanese choral band touring China, stand-up comedy shows in several cities, jazz shows in Beijing. In the span of a few days, the performances were among more than a dozen that were abruptly called off — some just minutes before they were supposed to begin — with virtually no explanation.Just before the performances were scrapped, the authorities in Beijing had fined a Chinese comedy studio around $2 million, after one of its stand-up performers was accused of insulting the Chinese military in a joke; the police in northern China also detained a woman who had defended the comedian online.Those penalties, and the sudden spate of cancellations that followed, point to the growing scrutiny of China’s already heavily censored creative landscape. China’s top leader, Xi Jinping, has made arts and culture a central arena for ideological crackdowns, demanding that artists align their creative ambitions with Chinese Communist Party goals and promote a nationalist vision of Chinese identity. Performers must submit scripts or set lists for vetting, and publications are closely monitored.On Tuesday, Mr. Xi sent a letter to the National Art Museum of China for its 60th anniversary, reminding staff to “adhere to the correct political orientation.”Mr. Xi’s emphasis on the arts is also part of a broader preoccupation with national security and eliminating supposedly malign foreign influence. The authorities in recent weeks have raided the corporate offices of several Western consulting or advisory companies based in China, and broadened the range of behaviors covered under counterespionage laws. Xi Jinping, China’s top leader, sent a letter to the National Art Museum of China on Tuesday reminding staff there to “adhere to the correct political orientation.”Pool photo by Florence LoMany of the canceled events were supposed to feature foreign performers or speakers.It was only to be expected that Beijing would also look to the cultural realm, as its deteriorating relationship with the West has made it more fixated on maintaining its grip on power at home, said Zhang Ping, a former journalist and political commentator in China who now lives in Germany.“One way to respond to anxiety about power is to increase control,” said Mr. Zhang, who writes under the pen name Chang Ping. “Dictatorships have always sought to control people’s entertainment, speech, laughter and tears.”While the party has long regulated the arts — one target of the Cultural Revolution was creative work deemed insufficiently “revolutionary” — the intensity has increased sharply under Mr. Xi. In 2021, a state-backed performing arts association published a list of morality guidelines for artists, which included prescriptions for patriotism. The same year, the government banned “sissy men” from appearing on television, accusing them of weakening the nation.A bookstore in Zibo, China. Literature is closely regulated by the authorities.Qilai Shen for The New York TimesOfficials have also taken notice of stand-up comedy, which has gained popularity in recent years and offered a rare medium for limited barbs about life in contemporary China. The government fined a comedian for making jokes about last year’s coronavirus lockdown in Shanghai. People’s Daily, the Communist Party mouthpiece, published a commentary in November that said jokes had to be “moderate” and noted that stand-up as an art form was a foreign import; the Chinese name for stand-up, “tuo kou xiu,” is itself a transliteration from “talk show.”The recent crackdown began after an anonymous social media user complained about a set that a popular stand-up comedian, Li Haoshi, performed in Beijing on May 13. Mr. Li, who uses the stage name House, had said that watching his two adopted stray dogs chase a squirrel reminded him of a Chinese military slogan: “Maintain exemplary conduct, fight to win.” The user suggested that Mr. Li had slanderously compared soldiers to wild dogs.Outrage grew among nationalist social media users, and the authorities quickly piled on. In addition to fining Xiaoguo Culture Media, the firm that manages Mr. Li, the authorities — who said the joke had a “vile societal impact” — indefinitely suspended the company’s performances in Beijing and Shanghai. Xiaoguo fired Mr. Li, and the Beijing police said they were investigating him.Within hours of the penalty being announced on Wednesday, organizers of stand-up shows in Shanghai, Beijing, Shenzhen and eastern Shandong Province canceled their performances. A few days later, Chinese social media platforms suspended the accounts of Uncle Roger, a Britain-based Malaysian comic whose real name is Nigel Ng; Mr. Ng had posted a video poking fun at the Chinese government on Twitter (which is banned in mainland China).But the apparent fallout was not limited to comedy. Scheduled musical performances began disappearing, too, including a stop in southern China by a Shanghai rock band that includes foreign members, a Beijing folk music festival and several jazz performances, and a Canadian rapper’s show in the southern city of Changsha.The frontman of a Buddhist-influenced Japanese chorus group, Kissaquo, said last Wednesday that his concert that night in the southern city of Guangzhou had been canceled. Hours later, the frontman, Kanho Yakushiji, said a performance in Hangzhou, in eastern China, had been canceled, too. And the next day, he announced that Beijing and Shanghai shows had also been called off.“I was writing a set list, but I stopped in the middle,” Mr. Yakushiji, whose management company did not respond to a request for comment, wrote on his Facebook page. “I still don’t understand what the meaning of all this is. I have nothing but regrets.”Organizers’ announcements for nearly all of the canceled events cited “force majeure,” a term that means circumstances beyond one’s control — and, in China, has often been used as shorthand for government pressure.Stand-up show organizers did not return requests for comment. Several organizers of canceled musical performances denied that they had been told not to feature foreigners. An employee at a Nanjing music venue that canceled a tribute to the Japanese composer Ryuichi Sakamoto said not enough tickets had been sold. A Chinese rock band concert in Qinhuangdao, China, last year. Scheduled musical performances have been canceled, with organizers citing “force majeure.”Wu Hao/EPA, via ShutterstockSome of the foreign musicians whose shows were canceled have since been able to perform in other cities or at other venues.But a foreign musician in Beijing, who asked to remain anonymous for fear of retaliation, said his band was scheduled to play at a bar on Sunday and was told by the venue several days before that the gig was canceled because featuring foreigners would bring trouble.Lynette Ong, a professor of Chinese politics at the University of Toronto, said it was unlikely that the central government had issued direct instructions to spur the recent cultural crackdowns. Local governments or venue owners, conscious of how the political environment had changed, were likely being especially cautious, she said.“In Xi’s China, people are so scared and fearful that they become extremely risk-averse,” she said. “Overall, it’s a very paranoid party.”In the past, when nationalism has gone to extremes, or local officials overzealously enforced the rules, the central government would eventually step in to cool down the rhetoric, in part to preserve economic or diplomatic relationships. But Professor Ong said Beijing’s current emphasis on security above all would give it no reason to intervene here.“If people don’t watch comedy, there’s no loss for the party,” she said.Joy Dong More

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      in Movies

      ‘Beijing Spring’ Review: The Politics of Aesthetics

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      This new documentary chronicles the movement for democratic artistic expression that exploded in the wake of the Cultural Revolution in China.Can art effect real change in the world? To this ever-urgent question, “Beijing Spring” — a new documentary about the titular movement for democratic expression that exploded in the wake of the Cultural Revolution in China — responds with a resounding yes.Directed by Andy Cohen with Gaylen Ross, the film focuses on the Stars Art Group, a collective of self-taught practitioners who seized on the tumult after Mao Zedong’s death in 1976 and deployed their art like Molotov cocktails. They circulated their paintings and literature via underground magazines; papered revolutionary poems and calligraphy on the famed Democracy Wall; and, most notably, mounted a show on the exterior of the National Art Museum of China after being denied permission to exhibit within.Rousing if somewhat schematic, “Beijing Spring” unfolds as a kind of art-history lesson: In interviews, the Stars look back wistfully on their work, which married ravenous experimentation — including abstract styles and nude figures violently forbidden under Mao — with strident political critique. Wang Keping’s sculpture “Idol” uses some canny detailing to turn a likeness of Mao into that of the Buddha, quietly excoriating the leader’s deification.But the most stirring parts of “Beijing Spring” showcase the power of the cinematic arts. The film weaves in long-unseen footage of the artists’ demonstrations that thrums with both history and stunning aesthetic beauty. Perched on a fence while dodging the police, the young cameraman, Chi Xiaoning, captured the thronging crowds with startling, intuitive immediacy.Cohen and Ross’s own filmmaking suffers in comparison to the crafts on display within the film: “Beijing Spring” assembles its materials into a by-the-book progression of archival excerpts and talking-head commentary, serving best as a primer on — rather than an embodiment of — the radical possibilities of artistic form.Beijing SpringNot rated. In Mandarin and French, with subtitles. Running time: 1 hour 40 minutes. In theaters. More

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      in Music

      Police in China Detain Canadian Pop Star Kris Wu on Suspicion of Rape

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      Kris Wu, a 30-year-old celebrity, is the most prominent figure in China to be held over #MeToo allegations.The police in Beijing said Saturday they had detained Kris Wu, a popular Canadian Chinese singer, on suspicion of rape amid a #MeToo controversy that has set off outrage in China.The police did not provide details of their investigation into Mr. Wu. But it comes several weeks after an 18-year-old university student in Beijing accused him of enticing young women like herself with the promise of career opportunities, then pressuring them into having sex.Known in China as Wu Yifan, Mr. Wu, 30, is the most prominent figure in China to be detained over #MeToo allegations.He rose to fame as a member of the Korean pop band EXO, then started a successful solo career as a model, actor and singer. Though he denied the allegations when they first surfaced, they set off an uproar that led at least a dozen companies, including Bulgari, Louis Vuitton and Porsche, to sever ties with the singer.The Chaoyang District branch of the Beijing police said in a statement on social media on Saturday night that it had been looking into accusations posted online that Mr. Wu “repeatedly deceived young women into sexual relations.” It said that Mr. Wu had been detained while the criminal investigation continued.Mr. Wu’s accuser, Du Meizhu, has said publicly that when she first met Mr. Wu in December last year, she was taken by the singer’s agent to his home in Beijing for work-related discussions. She said that she was pressured to drink cocktails until she passed out, and later found herself in his bed.They dated until March, according to her account of the events, when he stopped responding to her calls and messages. She has also said she believed that he targeted other young women.Mr. Wu’s lawyer did not immediately respond to requests for comment. Ms. Du could not be reached.It was not immediately clear if the police were specifically investigating Ms. Du’s claims. In a statement in July, the police had released what appeared to be preliminary findings about Ms. Du’s allegations. The police had said Ms. Du had hyped her story “to enhance her online popularity,” an assessment that was criticized by her supporters as victim shaming.The outpouring of support for Ms. Du was a sign that the country’s nascent #MeToo movement continues to grow despite the government’s strict limits on activism and dissent. After Ms. Du spoke out, her supporters flooded the social media pages of several brands, threatening boycotts if they did not drop their partnerships with Mr. Wu, a campaign that quickly forced the companies to distance themselves from him.The accusations have triggered a heated debate on issues like victim-shaming, consent and abuse of power in the workplace — concepts that had rarely featured in mainstream discussions before the #MeToo movement went global.The authorities in China often discourage women from filing sexual misconduct complaints, and sexual assault or harassment survivors are frequently shamed and even sued for defamation. Censorship and limits on dissent have also stymied efforts among feminist activists to organize, even as trolls are given cover to spew abuse.Yet the high-profile nature of the controversy made Ms. Du’s allegations impossible to ignore for Chinese authorities, who are always on the lookout for what they deem to be potential sources of social unrest.The police announcement, posted on the country’s popular Weibo social media platform, immediately started trending, drawing more than six million likes.Lu Pin, a New York-based feminist activist, said the detention of Mr. Wu was a major step forward for the #MeToo movement in China.“Regardless of what the motivation of the police may have been, just the fact that he was detained is huge,” Ms. Lu said.“For the last three years, a number of prominent figures have faced #MeToo accusations but nothing ever happened to them,” Ms. Lu said. “Now with Wu Yifan, #MeToo has finally taken down someone with real power in China — it has shown that no matter how powerful you are, rape is not acceptable.”The detention of Mr. Wu comes amid a broader government crackdown on the entertainment industry.In recent years, Chinese authorities have moved aggressively to clean up the industrywide problem of tax evasion and to cap salaries for the country’s biggest movie stars. In June, the country’s internet watchdog began a crackdown on what it called the country’s “chaotic” online celebrity fan clubs, which the government has come to see as an increasing source of volatility in public opinion.The People’s Daily, the mouthpiece of the ruling Communist Party, depicted Mr. Wu’s detention as a warning to celebrities that neither fame nor a foreign citizenship would shield them from the law.“A foreign nationality is not a talisman. No matter how famous one is, there is no immunity,” the propaganda outlet wrote. “Remember: The higher the popularity, the more you must be self-disciplined, the more popular you are, the more you must abide by the law.” More

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      in Music

      One of China’s Biggest Stars, Kris Wu, Faces a #MeToo Storm

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      An 18-year-old said the singer Kris Wu enticed young women like herself with career promises, then pressured them into having sex. He has denied the accusations.Several major luxury brands have severed ties with Kris Wu, a Chinese Canadian singer with a huge following, after an 18-year-old accused him of targeting and pressuring her and other young women for sex.The accusations, which Mr. Wu denied in multiple statements, have triggered widespread public outrage and thrown his career into tumult. At least 11 companies including Louis Vuitton, Bulgari, Porsche and L’Oréal suspended or terminated contracts with Mr. Wu this week, after his accuser spoke out during an interview with an online Chinese news outlet on Sunday.Mr. Wu, 30, rose to fame as a member of the K-pop band EXO before embarking on a solo career as a model, actor and singer, drawing more than 50 million fans online as well as lucrative endorsement deals. Known in China as Wu Yifan, he is one of the country’s most popular celebrities to face #MeToo accusations.Mr. Wu’s accuser is Du Meizhu, a university student in Beijing who said she first met him when she was 17. She said she had been invited to Mr. Wu’s home by his agent with the suggestion that he could help her acting career, according to her social media posts and the interview with Netease, an online portal. Once there, she was pressured to drink cocktails until she lost consciousness, she said, and later found herself in his bed.Ms. Du said she believed that this was a tactic he used to draw other young women. She accused Mr. Wu of regarding women as though they were all concubines in a harem. “You look at a lot of pictures of girls at drinking parties and select them like merchandise,” she wrote in one social media post, addressing him directly.Mr. Wu has denied the accusations, through his lawyer, Zhai Jiayu, and public statements. On Monday, Mr. Wu said that he had only met Ms. Du once in December of last year.“I declare that there has never been any ‘selecting a concubine’!” he wrote on the social media platform Weibo, referring to Ms. Du’s harem comment. He denied having ever seduced, drugged or raped anyone. “If there was such behavior, please don’t worry, I will go to jail by myself!”His lawyer has vowed to file a lawsuit against Ms. Du and report her to the police for defamation. Ms. Du has also said that she reported her accusations to the police.Ms. Du and Mr. Wu did not respond to emailed requests to comment.Ms. Du’s account has been met with an outpouring of support, a sign of the growing strength of the country’s small Me Too movement. One of her posts on Weibo has been liked by more than 10 million users. Hashtags such as #girlshelpgirls and others calling for Mr. Wu to quit show business have been viewed by millions.Ms. Du’s supporters flooded the social media pages of several brands with threats of boycotts if they did not terminate their endorsement deals with Mr. Wu. One by one, the brands moved to distance themselves from him.“This incident shows that nowadays people will no longer swallow insults and humiliation and be afraid of slut shaming,” said Feng Yuan, a feminist scholar and activist. “People increasingly want to speak up and make themselves heard.”#MeToo activism can be challenging in China, where the ruling Communist Party imposes strict constraints on dissent and public debate. Some women who have come forward with accounts of abuse have faced a public and legal backlash. The authorities often discourage women from reporting rape and other sex crimes.Mr. Wu walking the runway during a Louis Vuitton show in Shanghai last year. Several major luxury brands suspended or terminated contracts with him this week.Lintao Zhang/Getty ImagesIt was unclear how the authorities were planning to respond to the allegations against Mr. Wu, but at least three groups affiliated with the government put out statements calling for an investigation.“Everyone is equal before the law, and celebrities with huge followings are no exception,” China Women’s News, the newspaper of a state-run women’s group, wrote on its social media page. “Believe that the law will not wrong a good person, nor will it let a wicked one go.”Ms. Du first started speaking out on July 8, when she released screenshots of conversations between her and Mr. Wu, as well as people she said worked for him. She accused them of enticing young women by dangling opportunities in show business.In one screenshot, dated July of last year, a person reaching out to Ms. Du on Weibo asked her if she would be interested in working in the movie industry. The person then added her contact on WeChat, a chat app, and asked if she had just completed her college entrance examination, saying that he worked for Mr. Wu’s studio and they were looking for new talent.Ms. Du said she felt helpless when she learned that Mr. Wu specifically targeted young women like her. “Indeed, we are all softhearted when we see your innocent expression, but that does not mean that we want to become playthings whom you can deceive!” she wrote in a post on Weibo.She said soon after that, another associate of Mr. Wu’s contacted her on WeChat to offer what she considered hush money to take down the post. When she demanded a public apology from Mr. Wu, the associate said they were considering legal action against her, according to screenshots of the chat she posted online. She said that 500,000 yuan, or nearly $80,000, was later transferred to her bank account, though she had not given her consent.A store displaying an advertisement featuring Mr. Wu. His accuser, Du Meizhu, has been a target of cyberbullying since going public.Tingshu Wang/ReutersIn the Netease interview on Sunday, Ms. Du said that she had started to return the money in batches and that she was gearing up for a legal fight.In detailing her first encounter with Mr. Wu, Ms. Du said that she had been told that she would be going to discuss potential jobs. She said that she tried to leave, but that his staff took away her phone and warned that if Mr. Wu did not have a good time, it could be detrimental to her future as an actor.Pressured into drinking heavily, she said, she ended up sleeping with Mr. Wu. They dated until March, according to her account of the events, when he stopped responding to her calls and messages.Since then, she said, she had heard from seven other women who had been similarly treated. She said she wanted to fight for their interests as well. She did not identify the other people, and the accusations could not be immediately corroborated.Since going public, Ms. Du said she has been a target of cyberbullying and death threats, and that she had been diagnosed with depression. Mr. Wu’s international fan club said in a post on Weibo: “It’s a pity to see a groundless internet drama turn into an evil carnival that violates the truth and laws.”But several other people on social media this week posted messages of support, including screenshots of chats that they said indicated Mr. Wu or his staff inappropriately targeted young women.“Girls, please protect yourself,” Zhang Dansan, a former member of a girl band, wrote on Weibo on Monday, after sharing screenshots of conversations that she said showed how Mr. Wu had asked her if she was a virgin. “I want to be loved too, but don’t be fooled.” More